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Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686) Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order" Portfolio: Monasticon Anglicanum: A History of the Abbie...
Category

1810s Old Masters Figurative Prints

Materials

Engraving

York, from near the Confluence of the Rivers Ouse and Foss /// Francis Drake Art
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771) Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on light laid paper Limited edition: Unknown Printer: William Bowyer...
Category

1730s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771) Title: "William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain" (Plate 12) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on watermarked light laid paper Limited edition: Unknown Printer: William Bowyer...
Category

1730s Old Masters Figurative Prints

Materials

Laid Paper, Engraving

Chrysocolaptes Xanthocephalus (Yellow-faced flameback) /// John Gould Ornitholog
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Chrysocolaptes Xanthocephalus (Yellow-faced flameback)" (Vol. 6, Plate 37) Portfolio: The Birds of Asia Year: 1850-1883 Medium: Origin...
Category

1850s Victorian Animal Prints

Materials

Watercolor, Lithograph

Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
By Joseph Mallord William Turner
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851) Title: "Ancient Rome" Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Lonicera Pyrenaica (Pyrenean honeysuckle) /// Pierre-Joseph Redouté Botanical
By Pierre-Joseph Redouté
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Lonicera Pyrenaica (Pyrenean honeysuckle)" (No. 15 page 53) Portfolio: Traité des Arbres et Arbustes que l'on Cultiv...
Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Jasminum officinale (Common jasmine) /// Pierre-Joseph Redouté Botanical Flower
By Pierre-Joseph Redouté
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...
Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Lantana aculeata (Common Lantana) /// Pancrace Bessa Flower Plant Botanical Art
Located in Saint Augustine, FL
Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Lantana aculeata (Common Lantana)" (T.6. No. 38) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Ple...
Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art
Located in Saint Augustine, FL
Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Cassia corymbosa (Argentine senna)" (T.6. No. 32) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Pl...
Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
By Anthony van Dyck
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641) Title: "Dominus Nicolaus Vander Borcht" Year: 1703 (first or second state of three) Medium: Original Engraving on laid paper Limi...
Category

Early 1700s Old Masters Figurative Prints

Materials

Laid Paper, Engraving

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Etching

Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Etching

Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Etching

Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...
Category

1790s Old Masters Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy
Located in Saint Augustine, FL
Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...
Category

1790s Old Masters Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Ben Lawers /// George Fennell Robson Antique Scottish Landscape Engraving Scene
Located in Saint Augustine, FL
Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Original Ha...
Category

1810s Victorian Landscape Prints

Materials

Watercolor, Aquatint

Derrière Le Miroir No. 250 (page 20, 21) /// Modern Abstract Joan Miro Red Art
By Joan Miró
Located in Saint Augustine, FL
Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued uns...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching
Located in Saint Augustine, FL
Artist: James Sayers (English, 1748-1823) Title: "The Manager and his Dog - or - A New Way to Keep One's Head above Water" *Issued unsigned, though monogram signed by Sayers in the p...
Category

Early 1800s Old Masters Figurative Prints

Materials

Etching, Aquatint

A View of the House of Commons /// George II English Parliament London England
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783) Title: "A View of the House of Commons" Portfolio: The History and Survey of London from its Foundation to the Present Time Year: 1756 (...
Category

1750s Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Etching

Départ Pour La Pêche (Maison de Campagne des Environs de Naples) /// Old Masters
Located in Saint Augustine, FL
Artist: Jean Daullé (French, 1703-1763) Title: "Départ Pour La Pêche (Maison de Campagne des Environs de Naples)" Circa: 1740 Medium: Original Engraving on watermarked laid paper Lim...
Category

1740s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

The Royston Crow (Hooded Crow) /// Thomas Pennant Ornithology Bird Animal Art
By Thomas Pennant
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798) Title: "The Royston Crow (Hooded Crow)" (Plate D1) Portfolio: The British Zoology, Class II: Birds Year: 1761-1766 (First edition) Medium: O...
Category

1760s Old Masters Animal Prints

Materials

Watercolor, Engraving, Laid Paper

Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print
By Nathaniel Wallich
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854) Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193) Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants Year: 1830-1832 Medium: Original Hand-Colored Lithograph on J. Whatman paper Limited edition: 254 Printer: Engelmann, Graf, Coindet & Co., London, UK Publisher: Richard Taylor for Treuttel & Würtz, London, UK Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326 Sheet size: 21.13" x 14.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category

1830s Victorian Still-life Prints

Materials

Watercolor, Lithograph

Salvia cana (Woolly Sage) /// Botanical Botany Flowers Plants Science Art Print
By Nathaniel Wallich
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854) Title: "Salvia cana (Woolly Sage)" (Plate 116) Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants Year: 1830-1832 Medium: Original Hand-Colored Lithograph on J. Whatman paper Limited edition: 254 Printer: Engelmann, Graf, Coindet & Co., London, UK Publisher: Richard Taylor for Treuttel & Würtz, London, UK Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326 Sheet size: 21.13" x 14.25" Condition: Some scattered tiny handling creases to sheet. Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category

1830s Victorian Still-life Prints

Materials

Watercolor, Lithograph

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category

16th Century Old Masters Figurative Prints

Materials

Etching, Laid Paper

Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop s Thumb)
By George Brookshaw
Located in Saint Augustine, FL
Artist: George Brookshaw (English, 1751-1823) Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX) Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits Year: 1808 (First edition) Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper Limited edition: Unknown Printer: T. Bensley, London, UK Publisher: George Brookshaw, London, UK Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295 Framing: Recently framed in a wood and gold moulding with 100% cotton rag matting and Museum Glass Framed size: 28.5" x 24.44" Sheet size: approx. 22.25" x 17.5" Image size: 16.25" x 12.25" Condition: Some minor scuffing to image. In excellent condition Rare Notes: Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label upper center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
Category

Early 1800s Victorian Still-life Prints

Materials

Watercolor, Engraving, Aquatint

Townsend s Cormorant /// John James Audubon Ornithology Bird Art Natural History
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Townsend's Cormorant" (Plate 418, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.13" x 6.5" Image size: 4.38" x 5" Condition: Light toning to sheet. Some light foxing and small areas of discoloration. Remnants of mounting tape from previous framing on verso. The white background was recently also hand-colored. In otherwise good condition with strong colors Notes: Provenance: private collection - Nashville, TN; acquired from a gallery in Nashville, TN. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition probably painted in London in 1838, from a specimen obtained near the mouth of the Columbia River. Brandt's cormorant is a strictly marine bird of the cormorant family of seabirds that inhabits the Pacific coast of North America. It ranges, in the summer, from Alaska to the Gulf of California, but the population north of Vancouver Island migrates south during the winter. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

ASU Portrait II /// Fritz Scholder Native American Indian Expressionist Surreal
By Fritz Scholder
Located in Saint Augustine, FL
Artist: Fritz Scholder (Native American, 1937-2005) Title: "ASU Portrait II" Portfolio: Arizona State University Centennial Portfolio *Signed by Scholder in pencil lower right Year: 1984 Medium: Original Lithograph on Arches Cover buff paper Limited edition: 49/100 Printer: Joseph M. Segura of the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Publisher: the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Reference: "Collaborative Works: Recent Work and Catalogue Raisonné of the Visual Arts Research Institute" - ASU/VARI No. 121, page 98 Sheet size: 20.25" x 15" Condition: Never framed, has been professionally stored away within its original portfolio case for decades. In mint condition Not a single example of this work has ever appeared at auction in over 40 years. Extremely rare Notes: Provenance: one owner ever - private collection - Scottsville, AZ; acquired directly from the publisher the Print Research Facility, School of Art, Arizona State University, Tempe, AZ upon its release in 1984. Numbered by Scholder in pencil lower left. Comes from the 1984 "Arizona State University Centennial Portfolio" of eighteen prints in various mediums by Daniel R Britton, R. E. (Ron) Gasowski, Arthur W. Hahn, James Hajicek, Jules Heller...
Category

1980s Expressionist Figurative Prints

Materials

Lithograph

Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001) Poster (Signed) Color
By Ellsworth Kelly
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...
Category

Early 2000s Abstract Geometric Abstract Prints

Materials

Lithograph

Small Nude /// Philip Pearlstein Etching Figurative Female Post-War New York Art
By Philip Pearlstein
Located in Saint Augustine, FL
Artist: Philip Pearlstein (American, 1924-2022) Title: "Small Nude" *Signed and dated by Pearlstein in pencil lower right Year: 1976 Medium: Original Soft-Ground Etching on German Et...
Category

1970s Contemporary Nude Prints

Materials

Etching

Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...
Category

1830s Victorian Animal Prints

Materials

Watercolor, Engraving, Aquatint, Intaglio

Detroit Institute of Arts (Two People - The Lonely Ones) Poster /// Edvard Munch
By Edvard Munch
Located in Saint Augustine, FL
Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Detroit Institute of Arts (Two People - The Lonely Ones)" Year: 1972 Medium: Original Screenprint, Exhibition Poster on sm...
Category

1970s Expressionist Figurative Prints

Materials

Screen

Snowy Heron /// John James Audubon Natural History Ornithology Snowy Egret Bird
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

Greenwich Arts Council Poster /// Abstract Expressionist Robert Motherwell NY
By Robert Motherwell
Located in Saint Augustine, FL
Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Booby Gannet /// Ornithology Bird Art John James Audubon Florida Keys Seascape
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Booby Gannet" (Plate 426, No. 86) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.38" x 6.75" Image size: 5.94" x 5.5" Condition: Two small tears at top edge. In otherwise excellent condition with strong colors Notes: Provenance: private collection - Seattle, WA. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted May 14, 1832. Audubon wrote: "I am unable to find a good reason for those who have chosen to call these birds 'boobies'. Authors, it is true, generally represent them as extremely stupid; but to me the word is utterly inapplicable to any bird with which I am acquainted". The view of the Florida Keys is based on a drawing by George Lehman. The bird family Sulidae comprises the gannets and boobies. Collectively called sulids, they are medium-large coastal seabirds that plunge-dive for fish and similar prey. The 10 species in this family are often considered congeneric in older sources, placing all in the genus Sula. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

Set of Two Engravings after Cipriani "Four Muses" "Father and Two Daughters"
By Francesco Bartolozzi
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...
Category

1780s Old Masters Figurative Prints

Materials

Engraving, Etching

City Art Gallery (Bird Talk) Poster /// Lee Krasner Female Woman Abstract Artist
By Lee Krasner
Located in Saint Augustine, FL
Artist: (after) Lee Krasner (American, 1908-1984) Title: "City Art Gallery (Bird Talk)" *Signed and dated by Krasner in the plate (printed signature) lower left Year: 1966 Medium: Or...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

San Francisco Museum of Art (Pepper Pot) Vinyl Banner /// Andy Warhol Soup Can
By Andy Warhol
Located in Saint Augustine, FL
Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...
Category

Early 2000s Pop Art Still-life Prints

Materials

Offset, Lithograph

Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII) Poster /// Square
By Josef Albers
Located in Saint Augustine, FL
Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...
Category

1960s Abstract Geometric Abstract Prints

Materials

Lithograph

The Astra Tool /// Contemporary Pop Art Jim Dine Wrench Lithograph Colorful NY
By Jim Dine
Located in Saint Augustine, FL
Artist: Jim Dine (American, 1935-) Title: "The Astra Tool" Portfolio: The Astra Set *Numbered, signed, and dated by Dine in pencil lower right Year: 1985 Medium: Original Lithograph with Relief Printing on Rives BFK paper Limited edition: 185/400, (there were also 50 artist's proofs) Printer: Hansjörg Mayer of Staib Mayer, Stuttgart, Germany Publisher: AB Astra and the artist Dine himself in association with Waddington Graphics, London, UK and Pace Editions, Inc., New York, NY Reference: "The Astra-Dine Collaboration" - Wright No. 5, page 56-57; "I print. Catalogue Raisonné of Prints, 2001-2020" - Burg No. 81, page 54 (see comments) Framing: Recently framed in a contemporary oak moulding with a 100% cotton rag mat Framed size: 36.63" x 30.63" Sheet size: 35.13" x 25" Image size: 23.82" x 19.88" Condition: Light UV stain to sheet. In excellent condition with strong colors Notes: Provenance: private collection - Norwich, UK. Comes from Dine's 1985-1986 "The Astra Set" portfolio of five lithographs with relief printing from hand-drawn mylar overlays. The five works include "The Mighty Robe I", "The Confetti Heart...
Category

1980s Pop Art Still-life Prints

Materials

Lithograph

Neue Nationalgalerie (Flowers) Poster /// Pop Art Andy Warhol Leo Castelli NY
By Andy Warhol
Located in Saint Augustine, FL
Artist: (after) Andy Warhol (American, 1928-1987) Title: "Neue Nationalgalerie (Flowers)" Year: 1969 Medium: Original Linocut, Exhibition Poster on light wove paper Limited edition: ...
Category

1960s Pop Art Abstract Prints

Materials

Linocut

FAE Musée d Art Contemporain (Sans titre) Poster /// Jean-Michel Basquiat Street
By Jean-Michel Basquiat
Located in Saint Augustine, FL
Artist: (after) Jean-Michel Basquiat (American, 1960-1988) Title: "FAE Musée d'Art Contemporain (Sans titre)" Year: 1993 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Multigraphic Lauber & Romagnoli, Renens, Switzerland Publisher: FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland Reference: "Jean-Michel Basquiat" - FAE Musée d'Art Contemporain, page 39 (illustrated) Sheet size: 50.13" x 35.63" Condition: Scattered mild handling creases to sheet. In otherwise excellent condition with full margins and clean edges We cannot find a single other example of this poster to have appeared on the secondary market or at auction ever before. Extremely rare Provenance: private collection - Hamburg, Germany. Poster produced for a special posthumous solo exhibition of Basquiat's work "Jean-Michel Basquiat" at FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland from July 10 to November 7, 1993. The image featured on this poster is Basquiat's 1982, 72" x 84.25", acrylic and oil stick on canvas painting which is untitled. Poster designed by Pierre Neumann (Swiss, 1951-). GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Jean-Michel Basquiat (December 22, 1960 - August 12, 1988) was an American artist who rose to success during the 1980's as part of the Neo-expressionism movement. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he was one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community, as well as attacks on power structures and systems of racism. His visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. Since his death at the age of 27 in 1988, Basquiat's work has steadily increased in value. In 2017, "Untitled", a 1982 painting depicting a black skull with red and yellow rivulets, sold for a record-breaking $110.5 million, becoming one of the most expensive paintings...
Category

1990s Neo-Expressionist Figurative Prints

Materials

Lithograph, Offset

Book on Chair (Black) /// Contemporary Pop Art Screenprint Interior Home Plant
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-) Title: "Book on Chair (Black)" *Signed and numbered by May in pencil lower left Year: 1988 Medium: Original Screenprint on unbranded white wove pape...
Category

1980s Contemporary Interior Prints

Materials

Screen

Running the Dog /// Contemporary Pop Art Screenprint Lady Animal Pet Walk Funny
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-) Title: "Running the Dog" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited edition: 151/175 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 21" x 21" Image size: 12.88" x 15.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges...
Category

1980s Contemporary Figurative Prints

Materials

Screen

"St. Martin s Abbey" and "Lady s Chappel" from "Buck s Antiquities" /// British
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Reference: Lowndes page 303-304; Upcott page 33 Sheet size (each): approx. 11.13" x 18.25" Image size (platemark) (each): approx. 7.5" x 14.5" Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Moor Tower" and "Kirkham Priory" from "Buck s Antiquities" /// Architecture UK
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Conisborough Castle" and "Morlashe Castle" from "Buck s Antiquities" /// UK Art
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Louth Park Abbey" and "Easby Abbey" from "Buck s Antiquities" /// Architecture
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Knaresborough Castle" and "Sawley Abbey" from "Buck s Antiquities" /// British
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

National Coming Out Day Poster /// Keith Haring Street Pop Art LGBTQ Political
By Keith Haring
Located in Saint Augustine, FL
Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

Bonaparte’s Flycatching-Warbler (Great Magnolia) /// Ornithology Bird Audubon
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.5" x 6.5" Image size: 7.5" x 5.63" Condition: Minor area of discoloration upper right corner. In excellent condition with strong colors Notes: Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted on August 13, 1821. The Canada warbler is a small boreal songbird of the New World warbler family. It summers in Canada and northeastern United States and winters in northern South America. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

"Oakham Castle" and "Nottingham Park/Castle" from "Buck s Antiquities" /// UK
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Reference: Lowndes page 303-304; Upcott page 33 Sheet size (each): approx. 11" x 18.25" Image size (platemark) (each): approx. 7.75" x 14.75" Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Pendragon Castle" and "Lincoln Castle" from "Buck s Antiquities" /// British UK
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

"Torksey Hall" and "Newark Castle" from "Buck s Antiquities" /// Architecture UK
By Samuel Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
By George Edwards
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category

1740s Old Masters Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
By George Edwards
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category

1740s Old Masters Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category

1780s Old Masters Still-life Prints

Materials

Laid Paper, Engraving, Intaglio

Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)" Portfolio: Herb...
Category

1780s Old Masters Still-life Prints

Materials

Laid Paper, Engraving, Intaglio

Set of Six Hand-Colored Engravings from Curtis s Botanical Magazine /// Botany
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...
Category

1790s Victorian Still-life Prints

Materials

Watercolor, Engraving, Intaglio

Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio

Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio