Hickmet Fine Arts

An attractive early 20th Century cameo pillow glass vase etched and enamelled with flowering poppies in a deep green and yellow landscape. Signed Daum Nancy and with the Cross of Lor...

An excellent late 19th Century patinated Art Nouveau bronze study of a naked beauty standing on a podium with a cape draped over her shoulders, raised on a marble plinth and signed ...

A charming early 20th Century patinated bronze study of a turning terrier with excellent textured surface detail and colour, raised on a bronze base and signed E B Parsons...

"Miniature Boating Vase" by Daum Frères A very fine early 20th Century miniature cameo glass vase etched etched with a scene of boats afloat on a sea landscape against a warm yellow...

Fabulous cold painted Austrian bronze study of an Arab man knelt on his oriental rug praying, with his walking stick laid beside him. With good rich brown and enamel colours and very...

"Montbrecia Vase" by Daum Frères An attractive early 20th Century cabinet cameo glass vase of solifleur form etched and enamelled with a floral landscape. The design heightened with...

An endearing early 20th Century patinated bronze study of a standing terrier with excellent textured surface detail and colour, raised on a bronze base and signed PB Parsons ADDITI...

An attractive early 20th Century cabinet cameo glass vase etched and enamelled with budding flowers against a cream field, signed Daum Nancy and with the Cross of Lorraine ADDITIONAL...

"Cellist" by Bernard Kim A striking mid 20th Century modernist bronze study of a seated man playing a cello with very fine colour and detail ADDITIONAL INFORMATION Height: ...

A very fine modernist bronze study of a flautist with excellent golden patina and hand finished surface detail, raised on marble base and signed ADDITIONAL INFORMATION Height: ...

A very fine and unusual early 20th Century cold painted Austrian bronze study of a curled snake on the move with superb naturalistic colour and excellent hand chased surface detail, ...

An erotic Austrian cold painted bronze figure of an Egyptian sarcophagus opening to reveal a naked beauty with excellent colour and very fine hand finished detail, signed with the Be...

An endearing late 19th Century Animalier bronze study of a reclining doe with excellent rich brown, black and green patina and very fine hand chased surface detail. Raised on an inte...

A very fine early 20th Century cold painted Austrian bronze study of a standing cockatoo with superb naturalistic colour and excellent hand chased surface detail, signed with the Ber...

A captivating amber glass sculpture of a standing tang horse with excellent contrasting clear and frosted coloured glass and fine detail, signed ...

Wonderful late 19th Century Art Nouveau French bronze figure of a seductively draped female figure representing, in allegorical form, Nature revealing her secrets to Science, a fitti...

A beautiful early 20th Century golden ochre Art Deco glass car mascot figurine modelled as a seated sea nymph with very fine colour and good hand finished detail, signed R Lalique Sirène Catalogue Number: 831 Signature identification: “R. Lalique” moulded in relief Date introduced: 1930 Dimensions: 10 cm High Felix Marchilac Catalogue Raisonné Page 497 ADDITIONAL INFORMATION Height: 10 cm Width: 5 cm Depth: 6 cm Condition: Excellent Original Condition Circa: 1930 Materials: Clear & Frosted Glass Book Ref: R.Lalique – Catalogue Raisonné by Felix Marcilhac Page No. 497 SKU: 6701 ABOUT René Lalique Sirene...

A very fine early 20th Century Austrian bronze study of a standing pig with excellent gilt colour and very fine hand finished surface detail, signed with the Bergman 'B' in an amph...

A very fine large late 19th Century Animalier gilt bronze study of a standing cockerel with his chest pushed out in a proud pose as he crows to the eraly morning sunshine, the bronze surface with excellent deep golden colour and fine hand finished detail, signed P.Comolera ADDITIONAL INFORMATION Height: 31 cm Width: 20 cm Condition: Excellent Original Condition Circa: 1900 Materials: Bronze SKU: 9324 ABOUT Paul Comolera (French, 1818 ~ 1897) Comolera was born in Paris, France. A very fine sculptor known mainly for his modelling of birds but he also produced some other animal figures as well as portrait busts. Comolera was a student of the early sculptor Francois Rude and he was the teacher of Jules Moigniez, one of the more important sculptors of the Animalier school. There is a distinct similarity in the detail, construction, form, and finish of the works of Comolera and his student Moigniez although Comolera’s birds are considered to be more in the naturalistic style as opposed to the romantic style of his pupil. Paul Comolera made his debut at the Salon in 1846 with a group called Golden Pheasants of China and continued to exhibit there until his death in 1897. Comolera’s bronzes...

Enchanting early 20th Century Art Deco cold painted silver bronze figure of a standing woman holding her arms high above her in a stretched pose, exhibiting excellent colour and fin...

An attractive mid 20th Century pate de verre glass study of butterfly rested on a rose with excellent detail and very fine vibrant colour, signed Daum France ADDITIONAL INFORMATION ...

An excellent frosted glass figure of a crouched sparrow with its head turned cleaning beneath its wings exhibiting good hand finished detail, signed Lalique France to base ADDITIONA...

An attractive glass decanter cased in red and engraved with decorative motifs with star cut base and matching stopper ADDITIONAL INFORMATION Height: ...

An excellent early 20th Century Art Deco glass paperweight modelled with a frosted glass figure of a charging goat with excellent hand finished detail, raised on clear glass plinth &...

An endearing early 20th Century gilt and patinated bronze study of a naked beauty stood beside a deer with excellent colour and hand finished details, raised on a marble base and sig...

An important and rare early 20th Century Austrian colourless glass bowl decorated with red dots, silver-yellow veins and a gold plated base painted with etching ink in small circles....

A striking early 20th Century Art Deco cold-painted silvered and gilt bronze figure of Diana firing her bow with two leaping deer by her side. Raised on a shaped stepped bronze base ...

An impressive mid 20th Century clear and frosted glass study of a resting eagle. The glass figure exhibits excellent hand finished surface detail, signed Lalique France ADDITIONAL I...

A very fine mid 19th Century Animalier bronze study of an alert pheasant with its head raised and turned to the right with rich brown lightly rubbed patination and fine hand finished...

Excellent animalier bronze study of a standing pheasant, its head slightly turned to the right, with very fine rich brown patination and intricate hand chased surface detail, raised ...

Dramatic early 20th Century French Art Deco clear glass car mascot modelled as a standing falcon with good hand finished detail, signed R Lalique and France 'Faucon' Bouchon de Rad...

An attractive late 20th Century iridescent studio glass vase with a deep blue moon design against an orange and yellow field, exhibiting excellent colour, signed ADDITIONAL INFORMATION Height: 17 cm Width: 7 cm Diam: 12 cm Condition: Excellent Original Condition Circa: 1980 Materials: Cased Glass SKU: 6682 ABOUT Norman Stuart CLARKE...

Excellent French mid 19th Century Animalier bronze group of a stag and doe in a wooded landscape exhibiting excellent hand finished surface detail and rich brown patina, raised on an...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

A striking early 20th Century silvered bronze Art Deco car mascot modelled as a stylised horse rearing. The bronze exhibiting excellent hand finished surface detail and fine colour, ...

An attractive early 20th Century gilt bronze figure of a young beauty in a reclining position with a large blanket covering her, which is hinged to reveal a raunchy outfit with excel...

A charming early 20th Century Art Deco cold painted bronze figure of a young girl in period attire standing holding a hoop behind her back , raised on a shaped marble plinth and sign...

An excellent early 20th Century Art Deco cold painted bronze figure of a young boy in shorts holding a book under his arm with his hands in his pockets. The bronze has excellent cold painted gilt colour and is raised on a rectangular shaped black marble base, signed F Preiss & with original Foundry label. This is the large version of this popular and sought after subject ADDITIONAL INFORMATION Height: 32.5 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Ivory Book Ref Ferdinand Preiss by Alberto Shayo Page No 130 SKU: 9274 ABOUT Sonny Boy...

A delightful Art Nouveau Bronze figure of a young beauty scantily dressed with only a shawl draped across her body in a striking pose. The surface of the bronze with rich golden/brow...

"Girl and Fruit" by Franz Bergman An excellent early 20th Century cold painted bronze study of a young Arab girl sat beside her basket of fruit with excellent naturalistic colours a...

An eye catching late 19th Century French cameo glass vase decorated with raised deep burgundy trees against a blue mountainous landscape against a variegating yellow field. Exhibitin...

An eyecatching limited edition bronze of an elegant woman dressed in an impressive coat lined with fur collars and decoration with gilded flames. The figure raised on an integral ste...

An endearing limited edition bronze sculpture of a young African elephant seatedon with its trunk raised in a playful pose with protective blanket, exhibiting excellent colour and ve...

"Red Sunset Vase" by Daum Frères A striking and unusual early 20th Century cameo glass vase enamel painted with a green forest landscape against a fiery yellow and orange field, Sig...

A fabulous limited edition cold painted bronze figure of an elegant beauty dressed in a full length gown looking into her pocket mirror with excellent colour and very fine hand finished detail. Signed Erté, numbered 179/375, dated 1986 and with foundry mark. ADDITIONAL INFORMATION Height: 46 cm Circa: 1985 Foundry: Fine Art Acquisitions Materials: Bronze Book Ref: Erté The Last Works by Eric Estorick Page no. 104 SKU: 9104 ABOUT Erté La Coquette Erté Sculpture Erté La Coquette – Sculpture as such has been a rather late arrival in Erté’s life, but his three-dimensional creativity began long before he started to work with Paul Poiret in Paris in 1913. It began at his house in St. Petersburg in 1897, when he was five years of age and created a little theatre using his mothers empty perfume bottles...

A captivating limited edition Art Deco bronze figure of an elegant beauty wearing a full length gown with a dramatic black and gold shawl draped across her arms with a large decorati...

An excellent French early 20th Century bronze vase decorated with raised frogs upon lily pads around the circumference. The bronze with very fine deep brown patina and fabulous detai...

A very attractive early 20th Century French cameo glass slender shaped vase decroated with deep burgundy and red flowers against a vibrant yellow field, signed Gallé. ADDITIONAL INF...

A wonderful late 19th Century Art Nouveau ormolu photoraph frame decorated with a floral motif highlighted with hand painted enamel patterned border ADDITIONAL INFORMATION Height: ...

A wonderful late 19th Century gilt bronze photograph frame in the Louis XVI style featuring fine neoclassical motifs including celestial stars, ribbons and ribbon garlands, with unus...

A beautiful late 19th Century ceramic Art Nouveau bust in muted vellum tones with gilded highlights modelled as an attractive Art Nouveau maiden wearing a floral headdress with excel...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

A wonderful early 20th Century Art Deco glass vase etched with vibrant red orchids against a deep orange background interspersed with deep burgundy reefs exhibiting excellent colour ...

An attractive pair of Art Nouveau ceramic candlesticks in muted vellum tones with gilded highlights modelled with two young girls kneeling within shallow handled dishes with their ar...

A beautiful Art Nouveau glazed earthenware spill vase modelled with a figure of a young beauty standing drinking from a shell with a toga loosely draped over her body with excellent ...

Charming early 20th Century French Art Deco gilt and enamel bronze figure of a dancer in balanced pose holding juggling balls, with very fine gilt and enamel colour and excellent det...

A wonderful mid 19th Century Animalier bronze study of a a pointer turning its head in an alert pose with fabulous rich brown patina and excellent surface detail, raised on naturalis...

A highly decorAtive pair of late 19th Century bronze candlesticks with two mermen knelt on bronze tripods ornately decorated holding up the candle holders with excellent hand chased ...

A fabulous Art Nouveau bronze figure of a young beauty sat upon a rock surrounded by birds whilst holding a lute with excellent colour and very fine hand chased surface detail, raise...

An exquisite early 20th Century French Art Deco gilt bronze figure of a young female dancer seated upon a shawl that she is lifting either side of her. The surface decorated with enamel painted ancient Egyptian design, exhibiting excellent colour and detail. Raised on a marble base and signed Cl.J.R.Colinet ADDITIONAL INFORMATION Height: 42 cm Width: 56 cm Depth: 21 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze & Marble Book Ref: Art Deco & Other Figures by Bryan Catley Page: 117 SKU: 9176 ABOUT Colinet Claire Jeanne Roberte Colinet (1880–1950) was French sculptor of Belgian birth who worked during the early-to-mid 20th century. The subject matter of her best known work was primarily Arab female dancers. The majority of her career output in sculpture can be classified as being of the Art Deco style. Colinet was a frequent exhibitor at the Salon des Artistes Francais and Salon des Independents art exhibitions in Paris. Her sculptures, most of which depicted beautifully figured, energized, and dramatic female forms, were exhibited posthumously at the Paris Salon for nearly 30 years. Early Life Colinet was born in Brussels, Belgium, in 1880. Little is known about her life other than the artwork she produced during a successful career that spanned more than 40 years. As a woman, she was in the minority in her chosen field of sculpture during the era in which she worked and lived. Career At an undetermined date – probably around 1910 – Colinet emigrated to Paris, France, where she studied sculpture under the watchful eye of Jef Lambeaux and exhibited for the first time at the Salon des Artistes Francais in 1913 and became a permanent member of the organization in 1929. From 1937 to 1940, she exhibited at the Salon des Independents in Paris and joined the Union of Women Painters and Sculptors. Colinet's work is primarily done in the Art Deco style, and her models included odalisques, exotic dancers, jugglers and artists of cabaret. A number of her female dancer pieces were influenced by a revival of the Orientalism movement which had been popular in Europe from about 1860 to 1880. Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory. Colinet's sculpture has become highly desirable to collectors and, increasingly, is selling for exorbitant sums. At a Christie's sale on 4 May 2007, her Ankara Dancer...