International Fine Arts Consortium - IFAC Arts Paintings
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Trials #3
By Maria João Salema
Located in New York, NY
Maria João Salema
Is a painter born in Mozambique, she lived and studied in Lisbon, Portugal. Currently living and working in Brooklyn, NY. Represen...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Canvas, Oil
Secret Heart
By Maria João Salema
Located in New York, NY
Secret Heart, 2013
Oil on canvas
48 x 72 in
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Mapa Mundi
By Maria João Salema
Located in New York, NY
It is particularly evident that Maria João Salema’s approach to painting is based upon an introspective activity centered in her studio. Her existenc...
Category
21st Century and Contemporary Abstract Paintings
Materials
Oil
BimbiBerryBaba from the Inevitable Feeling Series
By Misha Milovanovich
Located in New York, NY
Misha Milovanovich
BimbiBerryBaba from the Inevitable Feeling Series, 2016
Acrylic & oil pastel, ink, enamel and celulose paint on canvas.
72 x 59 cm
Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material - abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.
Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
White, from the Inevitable Feeling Series, 2016
By Misha Milovanovich
Located in New York, NY
Misha Milovanovich
White from the Inevitable Feeling Series, 2016
Acrylic & oil pastel, ink, enamel and celulose paint on canvas.
72 x 59 cm
Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material - abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.
Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
Our Heads Are Round So That Our Thoughts Can Change Directons- Picabia
By Misha Milovanovich
Located in New York, NY
Misha Milovanovich
Our Heads Are Round So That Our Thoughts Can Change Directons- Picabia from the Inevitable Feeling Series, 2016
Acrylic & oil pastel, ink, enamel and celulose paint on canvas.
72 x 59 cm
Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material - abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.
Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
Pink, from the Inevitable Feeling Series, 2016
By Misha Milovanovich
Located in New York, NY
Misha Milovanovich
Pink from the Inevitable Feeling Series, 2016
Acrylic & oil pastel, ink, enamel and celulose paint on canvas.
72 x 59 cm
Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material - abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.
Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
Blue, from the Inevitable Feeling Series, 2016
By Misha Milovanovich
Located in New York, NY
Misha Milovanovich
Blue from the Inevitable Feeling Series, 2016
Acrylic & oil pastel, ink, enamel and celulose paint on canvas.
72 x 59 cm
Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material - abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.
Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.
They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice.
Misha Milovanovich is a Belgrade-born artist living and working in London.
Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.
Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.
A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.
Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.
Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media, Oil, Acrylic
Fall, from the Seasons Series
By Eric Friedmann
Located in New York, NY
Friedmann’s expressive and colorful abstractions elicit an immediacy of painting and the relativity of time. The works in the series suggest a subjective impression of movement, like...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Linen, Chalk, Oil, Acrylic
Yellow Tulips
By Eric Friedmann
Located in New York, NY
Friedmann’s expressive and colorful abstractions elicit an immediacy of painting and the relativity of time. The works in the series suggest a subjective impression of movement, like...
Category
Early 2000s Abstract Abstract Paintings
Materials
Oil, Acrylic
Winter, from the Seasons Series
By Eric Friedmann
Located in New York, NY
Friedmann’s expressive and colorful abstractions elicit an immediacy of painting and the relativity of time. The works in the series suggest a subjective impression of movement, like...
Category
2010s Abstract Abstract Paintings
Materials
Linen, Oil
Spring, from the Seasons Series
By Eric Friedmann
Located in New York, NY
Friedmann’s expressive and colorful abstractions elicit an immediacy of painting and the relativity of time. The works in the series suggest a subjective impression of movement, like...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Encaustic, Oil, Acrylic
5 Elements (Simplicity is Complex series)
By Agni Zotis
Located in New York, NY
Agni Zotis is a multi-disciplinary artist exploring human emotions. Agni studied art at Hunter College, anatomy at the Art Students League and apprenticed with a Serbian monk, learni...
Category
21st Century and Contemporary Abstract Paintings
Materials
Oil, Pigment
Price Upon Request
Walking Shadow 16
By Maria João Salema
Located in New York, NY
Walking Shadow 16, 2013
Oil on drafting film
30 x 36 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Drafting Film, Oil
Abstract Grid Composition on Red
By Frank Shifreen
Located in New York, NY
These new works start from polar opposite impulses which juxtapose the purity and beauty of platonic forms opposed to impulsive muscular instantaneous painting. Shifreen internalizes...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Oil, Acrylic
Price Upon Request
Abstract Composition in Green, Black and Gray
By Frank Shifreen
Located in New York, NY
These new works start from polar opposite impulses which juxtapose the purity and beauty of platonic forms opposed to impulsive muscular instantaneous painting. Shifreen internalizes...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Oil, Acrylic
Price Upon Request
Abstract Composition in Grays
By Frank Shifreen
Located in New York, NY
These new works start from polar opposite impulses which juxtapose the purity and beauty of platonic forms opposed to impulsive muscular instantaneous painting. Shifreen internalizes...
Category
21st Century and Contemporary Abstract Paintings
Mare
By Maria João Salema
Located in New York, NY
Mare, 2013
Oil on canvas
36 x 40 in
Category
2010s Landscape Paintings
Materials
Canvas, Oil
Walking Shadow 9
By Maria João Salema
Located in New York, NY
Walking Shadow 9, 2013
Oil on drafting film
30 x 36 inches
Category
21st Century and Contemporary Abstract Landscape Paintings
Materials
ABS, Drafting Film, Oil
Walking Shadow 11
By Maria João Salema
Located in New York, NY
Walking Shadow 11, 2013
Oil on drafting film
30 x 36 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Drafting Film, Oil
Web of Desire #1 (Large Study for experiments in Pure Painting)
By Lee Wells
Located in New York, NY
Web of Desire #1 (Large Study for Pure Painting), 2013
Acrylic on canvas
76 x 84 inches
Signed, dated and titled on verso.
Lee Wells is a conceptual artist, curator, and writer...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Eyewitness 1
By Eleanna Martinou
Located in New York, NY
Eyewitnesses I
Mixed media on paper on canvas
200cm x 200cm
Eleanna Martinou was born in Athens (1981). Studied at the Athens School of Fine Arts (200...
Category
2010s Abstract Abstract Paintings
Materials
Mixed Media
Medical Plants, Canabis Sativa L. (MARIJUANA)
By Peggy Kliafa
Located in New York, NY
MEDICINAL PLANTS, CANABIS SATIVA L. (MARIJUANA), 2013
Tempera on paper
49,5 x 38,5 cm
Born in 1967 in Trikala, she grew up in Athens, Greece, where she lives and works. She graduate...
Category
2010s Contemporary Still-life Paintings
Materials
Tempera, Archival Paper
Summer, from the Seasons Series
By Eric Friedmann
Located in New York, NY
Friedmann’s expressive and colorful abstractions elicit an immediacy of painting and the relativity of time. The works in the series suggest a subjective impression of movement, like...
Category
2010s Abstract Abstract Paintings
Materials
Linen, Acrylic
Matthew the Fervid
By Lina Pigadioti
Located in New York, NY
Matthew the Fervid, 2017
Printmaking and mixed media on paper and re-board
165x121x68cm
Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...
Category
2010s Contemporary Mixed Media
Materials
Mixed Media, Archival Paper, Screen
Love (Simplicity is Complex series)
By Agni Zotis
Located in New York, NY
Love (Simplicity is Complex series)
Acrylic and phosphorescent pigments on canvas
72 x 66 inches
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic
Price Upon Request
Frozen 3 from Crossroad series
By Lina Pigadioti
Located in New York, NY
Frozen 3, 2016
Printmaking on plexiglass
46,5 x 37 cm
Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and Central Saint Martins ...
Category
2010s Contemporary Abstract Paintings
Materials
Mixed Media, Screen
Byzantium Zero
By Eleanna Martinou
Located in New York, NY
Byzantium Zero, 2017
Mixed-media on canvas
70 x 100 cm
Eleanna Martinou was born in Athens (1981). Studied at the Athens School of Fine Arts (2006) and graduated with a MA in the Ar...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Mixed Media
Medicinal Plants, Papaver Somiferum L. (Opium)
By Peggy Kliafa
Located in New York, NY
MEDICINAL PLANTS, PAPAVER SOMNIFERUM L. (OPIUM), 2013
Tempera on paper
49,5 x 38,5 cm
Born in 1967 in Trikala, she grew up in Athens, Greece, where s...
Category
2010s Contemporary Figurative Paintings
Materials
Tempera, Archival Paper
UFO Adamski-Type
By Lee Wells
Located in New York, NY
UFO Adamski-Type, 20167
Watercolor on paper
22 x 26 inches
--
Lee Wells is a conceptual artist, curator, and writer in New York and Athens Greece. His artwork and projects have bee...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Price Upon Request
Still Life
By Nikos Kanarelis
Located in New York, NY
Still Life, 2015
Oil on canvas
30 x 40 cm
real
Category
21st Century and Contemporary Realist Still-life Paintings
Materials
Canvas, Oil
Niqab Rocker
By Brian Leo
Located in New York, NY
Niqab Rocker, 2016
Acrylic on canvas
24 x 24 inches
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Canvas, Acrylic
Price Upon Request
The Teacher
By Nikos Kanarelis
Located in New York, NY
The Teacher, 2015
Oil and mixed media on panel
19 x 27 cm
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 199...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mixed Media, Oil
Shell
By Nikos Kanarelis
Located in New York, NY
Shell, 2015
Oil and Mixed media on panel
19 x 27 cm
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he studied at the pain...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Oil
The Actress
By Nikos Kanarelis
Located in New York, NY
The Actress, 2015
Oil and mixed media on panel
19 x 27 cm
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he studied at th...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mixed Media, Oil
Two Flags
By Leandros Pigades
Located in New York, NY
Two Flags, 2017
Florescent Acrylic and crystal reflective tape
60 x 40 cm
Category
2010s Minimalist Abstract Paintings
Materials
Acrylic Polymer
Abstraction with Blast Wound
By Lee Wells
Located in New York, NY
Abstraction with Blast Wound, 2011
Oil on linen
18 x 14 inches
From the exhibition Action for Freedom
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Linen, Oil
Price Upon Request
The Lighthouse of Nauplion
By Nikos Kanarelis
Located in New York, NY
The Lighthouse of Nauplion, 2015
Oil on canvas
25 x 30 cm
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween ...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Canvas, Oil
The Stamp
By Nikos Kanarelis
Located in New York, NY
Nikos Kanarelis
The Stamp, 2015
Oil on canvas
30 x 25 cm
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil
Price Upon Request
Bather with Cruse Ship #2
By Michael Ricardo Andreev
Located in New York, NY
Bather with Cruse Ship #2, 2014
Gouache on paper
12 x 9 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Archival Paper, Gouache
Price Upon Request
Bather on Coastline
By Michael Ricardo Andreev
Located in New York, NY
Bather on Coastline, 2014
Gouache and ink on board
20 x 16 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Archival Ink, Archival Paper, Gouache
Price Upon Request
Sea Monster #2
By Michael Ricardo Andreev
Located in New York, NY
Sea Monster #2, 2014
Gouache on paper
12 x 9 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Archival Paper, Gouache
Price Upon Request
Sea Monster #1
By Michael Ricardo Andreev
Located in New York, NY
Sea Monster #1, 2014
Gouache on paper
12 x 9 inches
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Archival Paper, Gouache
Price Upon Request
Orange and Grey Disturbance in the Force
By Lee Wells
Located in New York, NY
Orange and Grey Disturbance in the Force, 2013
Acrylic on canvas
20 x 16 inches
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic, Canvas
Price Upon Request
Study for pure painting #1 (diptych)
By Lee Wells
Located in New York, NY
Study for pure painting #1 (diptych), 2013
Acrylic on canvas
33 x 52 inches
Category
2010s Abstract Abstract Paintings
Materials
Acrylic
Study for the Street Battle
By Lee Wells
Located in New York, NY
Study for the Street Battle, 2013
Oil and fluorescent pigment on canvas
14 x 10 inches
16 x 12 inches framed
Signed and annotated on the verso
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Oil
Price Upon Request
Rome Wasnt Burn
t in a Day
By Raymond Salvatore Harmon
Located in New York, NY
Rome Wasnt Burn't in a Day, 2016
Ink & pva on paper, mounted on wood
22 x 24 x 8 inches
Although RSH’s artwork originated on the streets, he has spent over a decade developing a...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Mixed Media
Gray Scale Study for Pure Painting 3
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 3, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic
Russian EVA 27 9:29 AM - 2:52 PM
By Vargas-Suarez Universal
Located in New York, NY
Vargas-Suarez Universal
Russian EVA 27 9:29 AM - 2:52 PM, 2015
Enamel paint on canvas
91 x 91 cm
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Enamel
Price Upon Request
Venus 8 (Lung)
By Christina McPhee
Located in New York, NY
Venus 8 (Lung), 2009
ink on synthetic paper
30 x 22 in / 762 x 558 mm
unframed drawing
Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity.
McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Archival Ink
The Imminence of a Revelation which does not Occur
By Raymond Salvatore Harmon
Located in New York, NY
The Imminence of a Revelation which does not Occur, 2016
Oil & aerosol on folded paper/structural foam
40 x 40 x 11 inches
Although RSH’s artwork originated on the streets, he h...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Mixed Media
Gray Scale Study for Pure Painting 2
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 2, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 1
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 1, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 4
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 4, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Impressionist Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 5
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 5, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 6
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 6, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 7
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 7, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 8
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 8, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Acrylic
Gray Scale Study for Pure Painting 9
By Lee Wells
Located in New York, NY
Gray Scale Study for Pure Painting 9, 2016
Acrylic on museum board mounted to board
Artwork size - 8 x 6.5 inches
Framed Size - 16 x 20 inches
signed and dated on recto
Lee We...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic
Vector Motion Array
By Vargas-Suarez Universal
Located in New York, NY
Vector Motion Array (2014)
oil enamel on polypropylene canvas
54 x 48 inches
Category
21st Century and Contemporary Abstract Paintings
Materials
Enamel
