Jenna Burlingham Gallery Landscape Paintings

Barcos Rabelos, Oporto, Portugal, Laid on Board by Hans Tisdall, 1936 Additional information: Medium: Oil on Canvas, Laid on Board 43 x 51 cm 16 7/8 x 20 1/8 in Signed using natal n...

Guns on Cardiff Dock, Oil on Canvas by Nan Youngman, 1960 Additional information: Medium: Oil on Canvas 45.7 x 66 cm 18 x 26 in Signed and dated Nan ...

Glamorgan Shore, Oil on Canvas by Nan Youngman, 1962 Additional information: Medium: Oil on Canvas 50.8 x 76.2 cm 20 x 30 in Signed and dated Nan You...

Study for Twin Arches, Gozo, Oil on Paper Painting by Philip Jones 1933-2008, 1992 Additional information: Medium: Oil on paper 35.6 x 41.9 cm 14 x 16 1/2 in Signed, dated and title...

Provencal Landscape, Oil on Canvas Painting by Henry Inlander 1925-1983, 1971 Additional information: Medium: Oil on canvas 35 x 29 in 88.8 x 73.5 cm T...

Untitled Abstract, Oil on Board Painting by John Plumb, 1956/57 Additional information: Medium: Oil on board 81.3 x 121.9 cm 32 x 48 in

House Through Trees, Oil on Canvas Painting by Mary Potter, 1950s circa Additional information: Medium: Oil on canvas 30 x 41 cm 11 3/4 x 16 1/8 in Signed and titled on the canvas o...

House and Trees, Oil on Canvas Painting by Bernard Meninsky, circa 1925 Additional information: Medium: Oil on canvas 61 x 51 cm 24 x 20 1/8 in Signed Provenance Sale; Phillips, Lo...

Porthleven, Oil on Board Painting by Daphne Mcclure 1930-2023 Additional information: Medium: Oil on board 48 x 47 cm 18 7/8 x 18 1/2 in Signed Daphne...

M. le Clerc's Farm (Rouen), Oil on Paper Painting by Dick Lee 1923-2001, 1988 Additional information: Medium: Oil on paper 23.5 x 33.7 cm 9 1/4 x 13 1/4 in Provenance Acquired from...

Landscape near Vezelay, Oil on Canvas Painting by Peter Greenham 1909-1992, 1983 Additional information: Medium: Oil on canvas on board 25.4 x 30.5 cm 10 x 12 in Signed with initials Provenance Acquired from the 1998 exhibition by a private collector, UK. Exhibitions London, New Grafton Gallery, 'Peter Greenham', Dec 1998 Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Wharfedale After Rain, Oil on Canvas Painting by John Albert Cooper, 1932 Additional information: Medium: Oil on canvas 55 x 63 cm 21 5/8 x 24 3/4 in Signed

Landscape, House in the Woods, Oil on Canvas Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on canvas-board 20 x 26 cm 7 7/8 x 10 1/4 in Signed with initials lower right; also signed verso Provenance Estate of the Artist Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Cloud Shadows IV, Oil on Board Painting by Lindy Guinness 1941-2020, 2017 Additional information: Medium: Oil on board 10 x 12 in 25.4 x 30.5 cm Signed with initials Lindy Guinness, The Marchioness of Dufferin and Ava 1959 Met Duncan Grant and worked with him at Charleston for the next ten years 1960 Byam Shaw School of Art 1961-64 Chelsea School of Art 1962-63 Summer School, Salzburg - wins Kokoschka Watercolour Scholarship 1965 Scholarship to Slade School of Art 1970 Worked under Sir William Coldstream, Jeffrey Camp and Sir Lawrence Gowing Exhibitions 1971 Harvane Gallery, London 1972 Hole in the Wall Gallery, Belfast 1976 Gordon Gallery, Derry 1978 Maclean Gallery, London 1981 Soloman Gallery, Dublin 1982 Gordon Gallery, Derry 1984 Hartnoll & Eyre, London 1986 Browse & Darby, London 1986 Browse & Darby, London 1995 Mushroom Watercolour...

Cottages at Bibury, Oil on Canvas-Board Painting by Peter Greenham Additional information: Medium: Oil on canvas-board 15.2 x 22.9 cm 6 x 9 in Signed with initials Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Shapes Falling, Oil on Canvas Painting by John Eaves, 1968 Additional information: Medium: Oil on canvas 40.5 x 30.5 cm 16 x 12 in Signed, titled and dated

Rain Over Arran, Oil on Canvas Painting by William George Gillies, 1950s Additional information: Medium: Oil on canvas 72 x 113 cm 28 3/8 x 44 1/2 in Signed William George Gillies ...

Wind and Water, Oil on Canvas Painting by William Alfred Gibson Additional information: Medium: Oil on canvas 89 x 70 cm 35 x 27 1/2 in Signed

Summer Sultry Day, Oil on Board Painting by Frank Archer Additional information: Medium: Oil on board 61 x 76.2 cm 24 x 30 in Signed

Mediterranean View Across the Rooftops, Oil on Board Painting by John Copnall, 1954 Additional information: Medium: Oil on board 53 x 70 cm 20 7/8 x 27 1/2 in Signed and dated John...

Beach with Dark Sky, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 11 3/8 x 17 3/8 in 29 x 44 cm Exhibitions Possibly London, New Grafton Gallery, 'Jane Dowling...

Italian Scene, Pen and Ink with Wash Painting by Reginald Brill, 1950s circa Additional information: Medium: Pen and ink with wash 33 x 48.3 cm 13 x 19 in Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

Water Movements, Oil on Paper Painting by John Hubbard 1931-2017, 1968 Additional information: Medium: Oil on paper 57 x 69 cm 22 1/2 x 27 1/8 in signed and dated 'XI-68' Writing o...

View from the Road Between Cambo and Hexham (Northumberland), Oil Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on canvas 59.5 x 80 cm 23 3/8 x 31 1/2 in Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Beach Scene, Norfolk Coast, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 18.5 x 30 cm 7 1/4 x 11 3/4 in Signed with initials Provenance Jonleigh Gallery, Surrey Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Mundesley Beach, Norfolk, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 19.1 x 26.7 cm 7 1/2 x 10 1/2 in Initialled Provenance Jonl...

Lake Annecy, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 18 x 27 cm 7 1/8 x 10 5/8 in Signed with initials Provenance Jonleigh Gallery, Surrey Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Playing on the Beach, Oil on Board Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on board 25.4 x 35.6 cm 10 x 14 in Signed with initials Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Italian Landscape, Pen Painting by Reginald Brill, 1950 circa Additional information: Medium: Ink 20 x 34 cm 7 7/8 x 13 3/8 in Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

Late Summer above Chittern Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 16 x 36 cm 6 1/4 x 14 1/8 in Martin Yeoman was born in 1953, a...

River Landscape Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on canvas-board Dimensions: 24 x 42.5 cm 9 1/2 x 16 3/4 in Martin Yeoman was born in 1953, and...

Beach with Cliffs (Dorset) Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on paper laid on board Dimensions: 24 x 35 cm 9 1/2 x 13 3/4 in Signed Martin Yeoma...

Ewe in a Sunflower Field, Oil on Panel Painting by Jo Aylward B. 1974, 2023 Additional information: Medium: Oil on panel Dimensions: 22 x 40 cm 8 5/8 x 15 3/4 in Signed Jo Aylward ...

Receding Tide (Deal, Kent), Oil Pastel Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil Dimensions: 25 x 31 cm 9 7/8 x 12 1/4 in Signed,...

West Knoyle, Autumn Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 19.5 x 36 cm 7 5/8 x 14 1/8 in Martin Yeoman was born in 1953, and s...

Weathering, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 20 x 30 cm 7 7/8 x 11 3/4 in Signed with stamp and d...

Hillside I, Oil on Board Painting by Stephen Palmer B. 1959, 2019 Additional information: Medium: Oil on board Dimensions: 24 x 27 cm 9 1/2 x 10 5/8 in...

Rye Bay, Woodcut Painting by Keith Purser B. 1944 Additional information: Medium: Woodcut Dimensions: 44 x 53.5 cm 17 3/8 x 21 1/8 in Signed and titled Keith Purser lives and works...

Cloth of Gold (Birch, Beech, Bracken and Bract), Painting by Ffiona Lewis B. 1964, 2019 Additional information: Medium: Oil on board Dimensions: 92 x 102 cm 36 1/4 x 40 1/8 in Ffio...

Dungeness, Oil on Board Painting by Keith Purser B. 1944, 2020 Additional information: Medium: Oil and sand on board Dimensions: 43 x 164 cm 16 7/8 x 64 5/8 in Signed, titled and da...

Late Autumn, Oil on Canvas Painting by Martin Yeoman B. 1953, 2019 Additional information: Medium: Oil on canvas Dimensions: 152.5 x 107 cm 60 1/8 x 42 1/8 in Martin Yeoman was bor...

Beyond the Obelisk, Ballard Down, Mixed Media Painting by Peter Joyce B. 1964, 2023 Additional information: Medium: Mixed media Dimensions: 77 x 112 cm 30 1/4 x 44 1/8 in Signed and...

Margate Sands, Oil on Board Painting by Keith Purser B. 1944, 2020 Additional information: Medium: Oil and sand on board Dimensions: 46 x 114.5 cm 18 1/8 x 45 1/8 in Signed with ini...

Gold Coast, Oil on Panel Painting by Keith Purser B. 1944, 2020 Additional information: Medium: Oil and sand on panel Dimensions: 54 x 94 cm 21 1/4 x 37 1/8 in Signed, titled and da...

Sun Tide, Oil on Board Painting by Keith Purser B. 1944, 2015 Additional information: Medium: Oil and sand on board Dimensions: 44.5 x 118 cm 17 1/2 x 46 1/2 in Signed, titled and d...

Sun Over Chalk (October), Oil on Panel Painting by Keith Purser B. 1944, 2018 Additional information: Medium: Oil, sand and found objects on panel Dimensions: 40 x 122 cm 15 3/4 x 4...

Rain, Oil on Board Painting by Keith Purser B. 1944 Additional information: Medium: Oil on board Dimensions: 27 x 100 cm 10 5/8 x 39 3/8 in Signed with initials and dated Keith Pur...