Lynx Hollow Antiques

A rare and most interesting pair of two antique Southeast Asian Temple pillar struts / architectural elements. The hand carved and painted wood figura...

A magnificent collection of ten rare fine quality antique Italian hand blown enameled colored art glass stemmed cordial drinking glasses attributed to legendary glassmakers The Venic...

A visually striking midcentury French parcel gilt ironwork base coffee table attributed to / in the manner of celebrated Parisian designer and ironworker Gilbert Poillerat (France; 1...

A scarce nearly 300 year old Louis XV (1715-1774) period French gilt bronze ormolu mounted Japanned encrier (inkwell or inkstand) Paris, France, circa 1750, exceptionally executed in Louis 14th exotic far-east Japanesque / Chinoiserie oriental styling, popular at the time due to the rise in trade with China and Japan throughout the 18th century, Parisian Vernis Martin lacquer work, decorated with lavish Rocaille elements, having three inkwells fitted with glass jar inserts and ornate fiolated acorn finial covers, on a black lacquer cartouche shaped tray with roster...

A most impressive 19th century French gilt bronze three-piece fireplace set. France, circa 1870, almost certainly Parisian work, exceptionally executed in Renaissance Revival taste,...

A handsome vintage high-quality carved mahogany flip-top console in classic and refined English Georgian taste by fine quality American furniture maker Henredon, with interesting provenance. From the exquisite Noix collection, this large versatile six legged table morphs from a narrow console doubling in size to a card games table, also perfect proportions for use as a buffet server or opening to easily add additional dining seating when entertaining or large family gatherings. High quality hand-crafted solid wood construction, exceptionally executed in sophisticated and restrained traditional 18th century English Georgian style (similar to Neoclassical inspired French Louis XVI & American Federal), having a long rectangular antiqued...

A Florentine carved cream painted parcel gilt slant-top desk bureau with nicely aged dark warm distressed patina over the whole! Crafted in Florence, Italy, circa pre-1940, executed...

A visually striking vintage French Louis XV style painted whitewashed cerused oak petite bombé chest of drawers (bedside nightstand - small commode dresser - chair side cabinet - end...

A most charming pair of handmade Bohemian artisan-crafted polychrome decorated ceramic pottery candlesticks. Hand-crafted in the early 20th century, Czech Republic (Bohemia), the handmade ceramic candle holders executed in traditional Boho taste, with a reddish orange molten ground, richly detailed throughout with vibrant hand painted floral motifs, having bright colorful hues and hints of various colors including lemon, lime, lavender, cobalt, and sky blue. Signed underfoot; the circular base underside with beautifully aged craquelure, stamped and marked numbering, and stamped with the importers Coronet trademark, which is a stamp of a crown inside a laurel wreath. Above the crown is written "Trademark" and below the Crown "Coronet." This trademark was registered to George Borgfeldt & Co., a major U.S. importer located in New York City. circa 1920; Czechoslovakia. Dimensions (approx): Each 4.5" Diameter, 2.25" High Wonderful example of simplistic Bohemian pottery...

A visually striking Art Deco period inlaid burlwood travailleuse / work table, in the manner of iconic French designer Jules Leleu (Paris, France, 1883-1961) France, circa 1930s, ex...

A charming small English Queen Anne style walnut drop-leaf table, 18th / possibly early 19th century, with warm, rich, highly figured bookmatched burlwood top featuring scarce quilte...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A rare and most impressive early American Queen Anne style blanket chest, dating to the 18th century, found in New England, having a molded pine case fitted with rectangular iron pin-hinge top, opening to a deep storage compartment interior with faux drawer facing, over two lower drawers with hand cut dovetail joinery, rising on shaped bracket feet, early grain-paint over original red paint, adorned in later brass fittings, all enhanced by beautifully aged distressed original patina. circa 1750, Northeastern United States Provenance / Acquisition: O'Neill-Leonard Antiques...

A remarkable palatial nearly 7.5ft x 7.5ft facsimile of the important Map of the World (circa 1450) by Fra MauroFra Mauro (Italian; circa 1400–1464), featuring a solid wood framed hi...

A rare and remarkable authentic nearly 300 year old early French Gothic hand carved oak tabouret (today use as a stool, end table or plant stand) Crafted in France in the 17th/18th ...

A charming early patinated metal oil lamp, India, 19th century or earlier. Most likely originating in the South Indian state of Tamil Nadu, richly cast using the renowned ancient b...

A fine quality antique French credence cupboard by Eugene Dienst & Fils (active circa 1870-1900) Late 19th century, France, St. Faubourg Saint-Antoine region of Paris, at the time a legendary district renowned for the shops of some of the finest ébénistes (cabinetmakers) in all the world. This remarkable Parisian credence cupboard (dining buffet - sideboard - credenza, originally used for the storing and displaying of plates and for serving at banquets), circa 1880, showcases excellent quality craftsmanship, hand-crafted solid oak construction and profuse hand carved ornamentation, exceptionally executed in medieval Gothic inspired Renaissance era style, one-piece design, having a stepped cornice over dual cabinet doors, each with central portrait plaque among foliated scrollwork arabesques in low and high relief adding distinct three-dimensional qualities, warmth and rich depth. The doors opening to a shelved interior storage compartment, above a single dovetailed drawer with relief shell-form handle. Turned drop-finials flank ornate turned bluster-form column supports adorned in intricate acanthus carvings, rising on a conforming hexagonal platform base where the flowing scrolling foliate carvings continue over stepped molding, having large lower open display shelf against paneled backplate, further rising on sculpted tapering feet. The backside of the case giving a glimpse into the quality with visible hand-cut dovetail joinery. - Signature / Makers Mark / Hallmarked / Blind Stamp: Burn stamped to verso: "AMEUBLEMENTS / E.DIENST & FILS / PARIS / RUE DU FBG ST. ANTOINE 86" Retaining adhesive label to verso: "F. LE GALLAIS & SONS, DEPOSITORIES JERSEY" (Chanel island...

A custom one-of-a-kind A.T Ferrell & Co. Clipper Grain Cleaner now table or kitchen island. Featuring an antique American "Clipper" grain and seed cleaner by A.T. Ferrell and Company (Saginaw, Michigan, United States), dating to the turn of the late 19th / early 20th century, repurposed and now fashioned as a work table / kitchen island, with later wooden slab tabletop, beside tole grain chute, pulley turn wheels, tiered open shelf storage and a lower drawer, in the original red paint finish, with painted maker's mark to lower drawer. circa 1900 Beautifully aged warm rustic worn weathered distressed patina from age and industrial use adds to the overall authenticity, antique character, charm, and rich historical depth that can only be acquired over long periods of time - Dimensions: (approx) Overall: 44.5" High, 60.5" Wide, 35.5" Deep - Versatile: Having the ideal size and proportions for a variety of different uses, including as a farmhouse kitchen island or chopping block cutting board stand, workbench, large console, dining room sideboard server buffet serving table, bar height cocktail drinks or wine tasting table, Victorian era center table, placed in the foyer as a striking statement piece, general store counter, retail display, or in a old fashioned restaurant as a hostess counter or decoration that's sure to garner a lot of attention! - Company History: The history of AT Ferrell dates to 1869, when John E. Smith, a steam ship captain in the civil war, built the first air / screen grain cleaner. Having returned to Ohio after the war, Smith became interested in a small water powered flour mill and needed a wheat cleaner. Lacking the funds and credit, Smith built his own cleaner, and in 1869 the first fanning mill using a vertical air blast principle was put into operation. From his naval background Smith named his new machine “Clipper” after the very fast and advanced sailing ships of the time. Smith moved on from the flour mill business and turned his interest with the help of his new cleaner to becoming a grain buyer and trader. His success in that business stimulated the idea of further developments to the cleaner. And in 1879, ten years after the first, Smith had built 20 hand operated Clippers and sold them in the surrounding counties in Northern Ohio. By 1891 having built some 200 Clipper cleaners Smith thought he had hit his peak. He also thought he had saturated the market. Not able to foresee the future and wanting to retire, he sold his little cleaner business to Albert T. Ferrell who had been an employee for eight years. By the time just prior to World War Two more than twenty thousand various models of Clipper cleaners had been produced by the A.T. Ferrell company. Today it's estimated that sixety thousand Clipper cleaners have been produced and placed into operation worldwide over the last 150 years. Many of those have long been forgotten and lost to time, especially the older models, but surviving examples are still recognizable in barns, museums, feed mills and seed plants around the world. Keywords: Late Victorian era craftsman old fashion original general store counter country fair farm tool machine machinist agriculture machinery agricultural industry heavy-duty coffee bean grinder grinding mill vice carpenter shop carpentry bench Americana advertising commercial business fixture merchant mercantile display...

A rare French Napoleon III Second Empire Period (1852-1870) Boulle marquetry table. France, almost certainly Parisian work, Mid-19th Century, executed in sophisticated Louis XV tas...

Add whimsical elegance, sophistication, and romantic warmth with this one-of-a-kind antique Italian Renaissance sculptural floating putti wall mirror enhanced by beautifully aged war...

A pair of finely cast and incised burnished bronze candlestick elephants, Chinese school, 18th-19th Century, Qing Dynasty (1636-1912). Each elephant is standing foursquare with head...

A rare, important and most charming French carousel amusement ride by important Parisian craftsmen Limonaire Frères / Limonaire Brothers (France; 1839-1932) Hand-crafted in Paris, France in the late 19th century, exceptionally executed near life-size form depicting a standing donkey figure with the rare unique feature of a nodding head. Finished in country fair taste, hand-carved solid wood construction, the menagerie merry-go-round ride presents splendidly, with the original layered polychrome paint finish, enhanced by beautifully aged heavily worn patina acquired over many years of carnival use. Signed, retaining the original manufacturer's brass plaque that reads: "Sculptures Pour Forains, Chevaux De Bois Etc, Limonaire Freres, Paris, 166 Avenue Daumesnil" The extremely rare, museum quality example is one of the very few surviving Limonaire Frères wooden carousel fixtures, one of only a handful imported to the United States, and quite possibly the last surviving donkey! DIMENSIONS: (approx) 44" High, 52" Wide, 10" Deep PROVENANCE / ACQUISITION: Acquired from the highly reputable auction house, Schultz Auctioneers, Clarence, New York. Important Antiques & Decorative Arts catalog HISTORY: Limonaire Frères were an amusement ride and later street organ...

Add authentic antique character and charm, sophisticated cultural interest, elegant warmth and rich historical depth with this graceful South Indian patinated cast brass ritual oil l...

A charming scarce Spanish Colonial era parquetry inlaid cedar legged storage chest (large table box / small trunk) with nicely aged warm rich dark patina. circa 1790 Rustic handmade...

A beautiful vintage French Limoges porcelain swan handled table centerpiece / vase / fruit bowl / jardiniere / wine cooler with medallions after renowned 18th century Rococo painter ...

A stunning two-piece French Limoges porcelain vase / jardiniere planter / cachepot / table centerpiece / wine bottle cooler on stand, featuring exceptional "L'Escarpolette medallion ...

A stunning early 20th century French Belle Époque period Bourdois & Bloch Porcelaine de Paris Meissen style porcelain figure of a parrot. Made in Paris, France, circa 1910, exceptionally executed, exquisitely detailed throughout and displaying brilliant hand painted rich coloring, with a unique pierced beak, realistically modeled with wings slightly open perched atop a naturalistic tree stump base, Signed, underglaze blue crossed arrows mark to lower tree trunk. What truly stands out and is absolutely remarkable is how the maker/artist manged to make this work appear like a completely different sculpture depending on the angle it's viewed from. History: Paris Porcelain (Porcelain de Paris), a term that conjures images of grandeur, elegance, and sophistication; is to France what Dresden Porcelain is to Germany. Porcelain by a variety of makers from a region rather than one maker, it's the collective name given to the various porcelain studios and decorating workshops within and around Paris, France. In this case and many others Porcelain de Paris is also as good if not sometimes better than Dresden, Meissen or Sevres porcelain and is certainly a collectible to look out for. The Bourdoir and Bloch factory was originally founded around 1820 and specialized in producing fine quality porcelain in the style of the famous 18th century factories. This most distinctive figural bird was made by the Paris porcelain factory of Bourdoir and Bloch around 1910. This example bears the August 8, 1887 registered trademark of two blue crossed arrows, used around the time that Eugene Marx Clauss had joined forces with Achille Bloch and Leon Bourdois (who were both collaborators of Samson) and were operating under the name Clauss Co from 1887-1890 in the small factory started by Eugene's grandfather Jean-Marx Clauss in 1788 on rue de la Pierre-Levee in Paris. This Parisian antique porcelain parrot...

A stunning pair of excellent quality bronze Pixiu wealth dragon mythical creatures with visually striking scattered verdigris bluish green patina! Well known in Chinese culture and...

A visually striking authentic Congolese mined polished solid Malachite & Chrysocolla natural specimen (midcentury modern Brutalist decoration, sculpture, or paperweight) The undulating surface of this unique freeform example presents with a layer of bright blue Chrysocolla interrupted by the Malachite's desirable rich deep green shades of banding. This beautiful specimen even shows an intricate botryoidal growth of the Malachite below the Chrysocolla. This is one highly decorative and intriguing offering, perfect for any fossil or geode collector, artifact collection, nature enthusiast, or simply displayed as a stunning objet d'art for anyone looking to elevate their home decor. Easily adding bold vivid color and dramatic variations, unique texture, organic shape and distinctive sculptural form design elements; this fairly large and impressive curiosity is sure to bring a touch of timeless elegant sophistication, rustic warmth, tranquil serenity...

A charming period Napoleon III Second Empire (1852-1870) brass accented ebonized wood and crystal French cave à liqueur. France, mid-19th century, an object of practical use as well as beauty, add a touch of sophisticated elegance and refinement to your next dinner party with this scarce antique cave à liqueur (petite liquour caddy), featuring an ebonized wooden box-form case inlaid with brass string banding, the locking case opens by turning the original key to release the latch lock mechanism then gently lifting the hinged top and front panel, revealing a richly figured mahogany fitted interior, housing a lovely assembled etched crystal liqueur service, including a pair of hand blown crystal decanters decorated in elegant flowing fiolate vine etchings with matching stoppers, accompanied by eight stemmed cordial drinking glasses with geometric etching patern; the folding panels can stay in the up/open position when in use or for display, or press the hinge mechanism to close the panels, then you can lock it and remove the key to secure the contents, the case is finished on all sides so it can be placed anywhere in the room, all raised on short turned feet. circa 1860 Dimensions: (approx) Closed: 10" High, 8.25" Wide, 7 7/8" Deep; Open: 15.25" High, 8.25" Wide, 10" Deep; 5.5lbs Total **Additional photos available upon request** CONDITION REPORT: Good antique condition with nicely aged warm worn patina and desirable unrestored original finish. Wear consistent with 160 years of age, use, handling and exposure, including retaining antique character marks and charm throughout, worn distressed original ebony finish, with scattered nicks, scuffs, scratches, rough spots and very minor chippy paint losses. The imperfections not noticeable in most lighting or at most angles, however we went way out of our way to make sure to capture the flaws in the photos to try and be as transparent and upfront as possible. Please be sure to inspect all the photos. Overall a wonderful assembled set, sturdy, stable, structurally sound, all crystal intact with typical wear but no cracks or damage. Overall a wonderful example, with nothing that detracts from the aesthetics or functionality but only adds to the sophisticated elegance, warmth, antique character, classic refinement, and rich historical depth that can only be acquired over very long periods of time! Keywords: cave a liqueur serving set tantalus bar...

Vizagapatam box, India, 19th century. This highly decorative and unusual Anglo-Indian table box features rustic workmanship that adds to the character and charm of this unique Sout...

A fine quality Italian modern chest of drawers designed by famed architect and designer Carlo de Carli (Milan, Italy; 1910-1999) for luxury furniture maker Sormani, model D154, circa...

A large and most impressive Southeast Asian carved giltwood figure of a horse and mounted rider. Early 20th Century, likely from Burma (present day Myanmar) or Thailand, possibly Hi...

A visually striking smaller scale vintage WWII era maritime salvage ship's binnacle pedestal with compass by Sestrel Henry Browne & Son. circa 1940s The beautifully aged heavily patinated polished brass binnacle housing a high quality marine navigational instrument, having an enclosed brass bowl English Sestrel compass...

A large and most impressive antique Indian early bronze copper alloy Hindu temple vahana statue / sculpture. India, likely Deccan region, 16th-19th century, exceptionally executed figural work depicting Nandi Bull (devine steer / mythical horned cow), a significant figure in Hinduism, vehicle (mount) of diety Lord Shiva, symbol of devotion, and an important part of Hindu culture and philosophy. This rare high quality example, heavy, nearly solid, in stylized Brahman bull animal form, the naturalistic rendering with meticulous attention to authentic detail throughout, including proper facial features and comprehensive muscular structure, beaded jewelry decoration, natural looking horns, utter and teats, curved tail, and integral hoof feet. Attractive antique metalwork with warm alloy tonal variations, ehanced by beautifully aged worn weathered heavily patinated bronze & copper alloy accented by scattered visually striking verdigris bluish green patina. Dimensions: (approx) 24" Tall, 29" Wide, 11" Deep Probably 70lbs Ideal for both indoor and outdoor use History: NANDI: THE DIVINE STEED AND SYMBOL OF DEVOTION Introduction In the rich tapestry of Hindu mythology, few figures carry the depth of symbolism and spiritual significance as Nandi, the divine bull. As the sacred mount of Lord Shiva, Nandi occupies a revered place in Hindu culture and philosophy. In this blog post, we will delve into the multifaceted significance of Nandi, exploring the spiritual, cultural, and symbolic dimensions that make this celestial creature an indispensable part of the Hindu pantheon. The Vahana of Lord Shiva: Nandi's most prominent role is that of the vahana, or vehicle, of Lord Shiva, one of the principal deities in Hinduism. In this capacity, Nandi is not just a physical mount but a symbol of unwavering devotion and loyalty. The inseparable bond between Lord Shiva and Nandi signifies the importance of humility, obedience, and dedication on the spiritual path. Symbol of Strength and Virility: Depicted as a powerful and muscular bull, Nandi embodies strength and virility. The bull is a symbol of fertility and abundance in Hindu culture, representing the life-sustaining forces of nature. Nandi's robust form serves as a reminder of the inherent power within all living beings and the vital energy that sustains the universe. Guardian of Shiva's Abode: In many Shiva temples, one often encounters a prominent statue of Nandi positioned at the entrance. This is not merely decorative; it is symbolic of Nandi's role as the gatekeeper to Lord Shiva's abode. Devotees believe that Nandi safeguards the sanctity of the sacred space and acts as a spiritual protector, warding off negative energies. A Beacon of Spiritual Discipline: Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual and religious connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Festivals and Celebrations: Nandi is also celebrated in festivals like Maha Shivaratri, where devotees pay homage to Lord Shiva and his divine mount. During these festivities, the spiritual significance of Nandi is magnified, with rituals, prayers, and processions that honor the inseparable bond between the bull and the lord. Conclusion: In conclusion, Nandi is far more than a mythical creature or a decorative element in Hindu iconography. As the loyal steed of Lord Shiva, Nandi symbolizes profound spiritual truths, embodying qualities of devotion, strength, and discipline. Whether gracing the entrance of a temple or adorning the altar in a devotee's home, the significance of Nandi extends beyond religious boundaries, touching the hearts and minds of those who seek inspiration on their spiritual journey. The divine presence of Nandi serves as a timeless reminder of the enduring values that enrich the human experience. Various Possibilities: Ideal for both use as an interior / indoor sculpture or exterior / outside / outdoors / patio...

A large and most impressive late 19th century Swiss Black Forest style hand carved and painted wooden bear sculpture (also known as a Black Forest bear...

A scarce, large and most impressive European antique urn-form mirrored wooden statue. Late 19th century, most likely Italian, possibly French, hand carved, painted and gilded solid...

Take a step back in time with this authentic antique country French boucherie billot de boucher (butchershop butcher block) A charming early example, circa 1810, with beautifully aged heavily worn patina, full of antique character and charm, rustic warmth, and rich historical depth! Created in Provincial France in the early 19th century, this culinary icon exudes history and craftsmanship, hand-crafted of mixed woods including maple and oak, quality solid wood construction with visible pegged mortise and dovetail joinery that adds to the interest, having a shaped backsplash with convenient tool slot for storing utensils, meat cleavers, and knives. Featuring a thick heavy-duty contoured end-grain work surface with attractive worn smooth dark rich distressed patina, authentic wear, knife marks, and uneven organic form acquired from generations of cutting, chopping, carving, typical industrial knife work and butchery. Banded with large brass corner brackets, the rectangular butcher block sits over a paneled base stand fitted with a single deep spacious drawer, affixed with the original oversized brass ring pull, ideal for convenient knife storage and easy access, over a scalloped apron, rising on chunky turned legs. Includes a later stag antler handled sharpening rod and two rustic antique wooden handle...

A rare and important early work by the iconic American artist/photographer Ann Stautberg (United States, b.1949) Van, Dallas, 1979 Signed, titled, and dated in pencil, lower margin ...

A wonderful 19th Century Italian religious textile banner with beautifully colored Our Lady Of Sorrows Mary, Mother of Jesus oleograph, original backing, rod, rope, fringe and tassel...

A most impressive antique Italian Venetian Rococo carved painted parcel gilt wooden hall lantern. Hand carved in the Veneto region (Venice) of Northeast Italy in the 18th / possibly early 19th century, exceptionally executed in the highly ornate, whimsy, light, airy, dramatic splendor that is period late Baroque Rococo style, lavishly ornamented and elaborately sculpted, featuring a large triangular sculptural form enclosing later electrified three faux candle lights, showcasing the original pale pastel green ground adorned with whimsy hand painted polychrome flower motif and ornate giltwood carvings, with beautifully aged patina over the whole. circa 1740-1810 This very large lantern probably graced a sweeping hall or palatial entry of a Venetian aristocratic palazzo decorated with frescoed walls and ceilings, marble floors, surrounded by opulent artwork. Importance / History: For many centuries, the control of artificial light was an important status symbol for people living in most cultures and was an instantly understood sign of wealth and power. Beginning in the early 17th century, grand lanterns such as this were first created and hung in the entrance halls, foyers and/or vestibules of important mansions and manor houses of the aristocratic and affluent classes of Italy, France and Spain. Up until the early 20th century, the entrance hall was considered to be one of the most important spaces in any house. The main reason was that was the most public space in a house, and prior to phones or email, the space into which guests were admitted. Many, such as business people or important tradesmen, seldom went any further into the house. Therefore, that important entryway was designed and decorated with the intent of making the best impression on anyone who might enter it and to ensure they had the highest opinion of the residents of that house. Dimensions: (approx) 32" Tall, 16.75" Wide, 16.75" Deep Condition: Very good antique condition with highly desirable original warm rustic distressed chippy paint patina. Modern lighting and wiring. Lots of antique character and old world European charm, wear consistent with age and use, including scattered minor nicks, losses and exposed gesso adding to the sophisticated whimsical elegance, warmth, and rich antique opulence! Similar to a chandelier / hanging ceiling lamp / monumental pendant light...

A rare and exceptional vintage Peruvian folk art pottery harvest vase. Hand-crafted in Peru, most likely Ayacucho region / Quinua, the South American primitive executed in distinct...

A stunning rare vintage Haute Couture bib necklace attributed to Maison Gripoix for Chanel. Made with Pate de Verre, a process perfected by famous French Atelier Augustine Gripoix in...

A pair of Japanese Meiji Period (1852-1912) bronze altar candlesticks / incense holders with attractive warm brownish red bronze color and patina. Japan, 19th century, diminutive /...

A most charming and artistic naturalistic embellished wall mount with imitation deer antlers and accents. Featuring faux eleven point antlers mounted to a square lacquered wood boa...

A elegant antique German Dresden porcelain amphora-shaped vasiform urn, Carl Thieme, Potschappel, richly decorated with stunning hand painted floral roses and laurel garlands against...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

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A fabulous pair of high-quality patinated bronze American Art Deco period bookends by Ronson Art Metal Works, circa mid-1920s, #7072, tilted "Cherub And Butterfly". Created in the early 20th century, the beautifully detailed works depict sculptural high relief figures of classical winged cherub putti seated among leaves, each enchanting putti holding a closed book, while their raised hands grasp butterflies. The naturalistic base with floral vines and a frog on each, backing to large book form, detailed book bindings with elegantly aged dull gilt finish, and green felt covered bases. Provenance / Acquisition: A fine and magnificent private estate in Greenwich, Connecticut Acquired from the reputable auction house Blackrock Galleries, Greenwich, Connecticut Maker: Ronson's Art Metal Works, founded by Louis V. Aronson (1869-1940) in the 1800s, was a leader and pioneer in the manufacture of fine decorative metalwares into the 1930s, producing a diverse selection of beautifully designed bookends, figural lighters, hood ornaments, figurines, lamps, and more. Dimensions: (approx) 6.5" High, 4.5" Wide, 4.5" Deep (each) History: Louis Aronson while still a student in the mid 1880s, registered his first patent for the electroplating of metal. In 1886, he sold his patent, raising $5,000, to start the Art Metal Company in New York City. The following year, he moved the company to Newark, NJ and changed the name to Art Metal Works. Ronson is best known for cigarette lighters, he invented the “safety match” in 1897, and the first mechanical cigarette lighter in 1910. But it was throughout the 1920s and 1930s, Ronson Art Metal Works became one of the most prolific and creative of all artistic bookend producers. In 1915, he copyrighted his first pair of bookends, and by 1936 had over 150 copyrighted bookends in his company catalog. By 1928 the company was traded on the American stock exchange...

A stunning 19th century gilt bronze ormolu mounted mirrored three light sculptural wall sconce girandole. Created before electricity was available, this sconce was originally used as a candle holder, with the light of the candle flame intensified by the reflecting mirrored backplate; now electrified, having a lion mask bracket ejecting three scroll arms terminating in faux candle covers, with a beveled glass mirror plate framed by an ornate gilt bronze border, over a rectangular wooden panel in faux tortoise-shell black and dark red paint stain finish, surmounted by a fancy protruding Rococo pierced fiolated scroll flourish figural spread wing eagle finial. Provenance / Acquisition: Acquired from the highly reputable auction house Dallas Auction Gallery, Dallas, Texas. The Fine Art & Antiques catalog. Owned and curated by Reyne Hirsch, a notable media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A fabulous pair of American mid-century sculptural paint decorated wooden console tables by the iconic luxury designer Phyllis Morris (United States; 1925-1988) Executed in timeless mid-20th century glitz and glam Hollywood Regency Moderne taste, the rare, possibly custom one-of-a-kind design, having a demi-lune red lacquered top, over conforming fluted apron, rising on elegant carved figural swan form legs, terminating in claw and ball feet, finished in parcel gilt antiqued cream paint finish. Bold, large scale, statement pieces, these extraordinary tables are sure to add a touch of sophisticated whimsical elegance, warmth, opulence, and comfort to any space! circa 1970 Signed, "Phyllis Morris" to the rear support in typical stylized font (under later metal wall mount brackets) Provenance / Acquisition: From an important Guadalajara, Mexico Estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Dimensions: (approx) 31" High, 49" Wide, 24.75" Deep (each) Phyllis Morris was one of the design industry’s first multitaskers. She wore many hats: furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. Phyllis Morris is known for them all, but mostly that last one. The legendary interior designer of the 1950s and ’60s wrote her own rules and lived a life as large and colorful as the designs she favored. Morris began her design career in 1953 in Los Angeles, California by creating the "Poodle Lamp," a sculpture of her own poodle topped with a little flared shade. Dubbed “The Marilyn Monroe of the furniture industry” — she took charge of her destiny with her famous poodle lamp. After sculpting the original, based on her own pink-dyed pup, Morris left it on consignment in a Beverly Hills shop. She had friends place orders for it; the shop asked for a dozen models, and Morris was in business. “I knew I was not a homemaker,” she said. What transformed Morris from lamp designer to “designer to the stars” may have been her instinct for publicity. She reportedly delivered two of the lamps to Liberace, her first big-name customer, in a pink Cadillac convertible, while wearing a mink cape. Morris was a pro at offering provocative quips or outrageous photo-ops, which often made headlines around the globe. “My mom was a marketing genius,” says Morris’ daughter Jamie Adler, who now runs the brand and reintroduced the poodle lamp for Currey & Company last year. “She understood branding and how to get press. She was so brave and fearless as a woman in a male-dominated industry.” At a time when most women stayed home, Morris was a furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. “She was multitasking long before the word was invented,” Adler says. With her colorful and eclectic interiors and over-the-top furnishings, Morris turned the interior design world upside-down, and celebrities came calling. She designed hotel suites frequented by Frank Sinatra, Jackie Kennedy Onassis and Elvis. Her opulent canopied beds became a status symbol for the likes of Cher and Sonny Bono, the Who’s Keith Moon, Gladys Knight and Jerry Vale, according to a 1978 People magazine story. A typical Morris room setting during the mid-1960s would find Pop art accessories...

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