Objects with Narratives Decorative

The Sakura glass Art collection uses cherry blossoms as its inspiration.“I am bewitched by spring”, Maarten Vrolijk explains. “Where I grew up in small Dutch town. There was a very special cherry tree in our garden that I felt very connected to in a certain way"". ""I regard my Sakura glass as a canvas where I paint with the various glass pieces like a painter with his paint”. As a child there was something magical about how the black dark branches were converted into something magnificent in the form of cherry blossom that was apparent everywhere. I could not understand how people could keep on working or carry on living in the normal way when this miracle was in progress and nature was wakening again. Children see more clearly. As adults we are so busy fighting for our own egos, for money, success, a bigger house and suchlike that we forget what is important. ” The glass vessels are recognised with their outgrowth of colored glass fragments. The volatility in accomplishing the exceptional thickness of his vases creates a risky balance between strength and delicacy. The thermal stress caused when trying to equalize the interior and exterior temperature of the cooling vessels, is fraught with the threat of breakage. The vessels show show a duality between the crystalline clarity posed against their substantial physical impact. To create each piece, a meticulously patterned bed...

The Sakura glass Art collection uses cherry blossoms as its inspiration.“I am bewitched by spring”, Maarten Vrolijk explains. “Where I grew up in small Dutch town. There was a very special cherry tree in our garden that I felt very connected to in a certain way"". ""I regard my Sakura glass as a canvas where I paint with the various glass pieces like a painter with his paint”. As a child there was something magical about how the black dark branches were converted into something magnificent in the form of cherry blossom that was apparent everywhere. I could not understand how people could keep on working or carry on living in the normal way when this miracle was in progress and nature was wakening again. Children see more clearly. As adults we are so busy fighting for our own egos, for money, success, a bigger house and suchlike that we forget what is important. ” The glass vessels are recognised with their outgrowth of colored glass fragments. The volatility in accomplishing the exceptional thickness of his vases creates a risky balance between strength and delicacy. The thermal stress caused when trying to equalize the interior and exterior temperature of the cooling vessels, is fraught with the threat of breakage. The vessels show show a duality between the crystalline clarity posed against their substantial physical impact. To create each piece, a meticulously patterned bed...

24K is a sophisticated whiskey set handcrafted from clear mouth-blown glass and adorned with pure 24 K gold leaves, showcasing exceptional craftsmanship. In addition to the unique tu...

Intuitive Archaisme is a collection of furniture whose design and manufacturing process is based on the primitive instinct of assembling shapes to create a structure. The wood is wor...

Bringing worlds together. Soft, matte and formable with hard, shiny and fragile. A dreamscape object made in collaboration. With hints of blossoms and corals. Intuition and life. Sho...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Jan Ernst is a multidisciplinary creative specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

The table centerpiece is entirely handcrafted in transparent resin, dyed and casted into solid rod. Each rod is individually polished and shape to give the bowl its organic complexio...

Chen Furong graduated from Shanghai Institute of Visual Arts, majoring in comprehensive design. And he started the design studios WUU and CHEN FURONG Studio. Vega Zaishi Wang gradua...

Chen Furong graduated from Shanghai Institute of Visual Arts, majoring in comprehensive design. And he started the design studios WUU and CHEN FURONG Studio. Vega Zaishi Wang gradua...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

The Norma Table is obtained through extensive research into the properties of Yellow Pine. The table top consists of three pieces. The wood grain of every piece is directed towards t...

The table centerpiece is entirely handcrafted in transparent resin, dyed and casted into solid rod. Each rod is individually polished and shape to give the bowl its organic complexio...

Blend is inspired by the thought that out of one and the same tree, the same wood, different kind of patterns and structures can be gained. BLEND is based on the idea to visualize th...

DOT collection uses furniture archetype as sculpture base, it's quite a process of sculpture that falls into place. From a geometrical assembly to an organique object, the human body...

Twiggy was created as an imaginary creature that embodies the physical attributes of different life forms that fascinate me. As an artist, I often get lost in a make-believe world ...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and animal bodies. From his work shop in the South West of France he shapes his marble pieces by hand with due regards to material and environment. This piece is from Büp collection which is deeply inspired by the submarine world, the coral and its inhabitants. Those pieces show life, calm, inclusion and movement through a different temporality, creating a link between ocean floor...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and animal bodies. From his work shop in the South West of France he shapes his marble pieces by hand with due regards to material and environment. This piece is from Büp collection which is deeply inspired by the submarine world, the coral and its inhabitants. Those pieces show life, calm, inclusion and movement through a different temporality, creating a link between ocean floor...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and anim...

The collection called ‘Gradienti’ is inspired by the infinite colour nuances of the sky. The technique used to make these vases is called ‘sfumato’, where the goal is to achieve imperceptible transitions between hues of soft colours. Because of the unpredictable behaviour of the colours during melting and during the hot working pro- cess, every vase is different: sometimes the transition from one colour to another is perfectly smooth, other times you can read a clear transition, a kind of horizon. This unpredictable component is what makes each vase unique. To make a piece, two colours of molten glass are combined at the beginning of the glass-making process. They are then dipped in an extra thin layer of transparent glass and mouth-blown into a wooden mould. Finally, the opening of the vase is shaped freehand. After cooling overnight in the kiln, the vases are sandblasted and waxed giving the pieces a satin, smooth and soft surface. Gradient mouth-blown glass, fading from steel blue to warm grey, sandblasted and waxed. This piece has been designed by Laura Sattin...

The collection called ‘Gradienti’ is inspired by the infinite colour nuances of the sky. The technique used to make these vases is called ‘sfumato’, where the goal is to achieve imperceptible transitions between hues of soft colours. Because of the unpredictable behaviour of the colours during melting and during the hot working pro- cess, every vase is different: sometimes the transition from one colour to another is perfectly smooth, other times you can read a clear transition, a kind of horizon. This unpredictable component is what makes each vase unique. To make a piece, two colours of molten glass are combined at the beginning of the glass-making process. They are then dipped in an extra thin layer of transparent glass and mouth-blown into a wooden mould. Finally, the opening of the vase is shaped freehand. After cooling overnight in the kiln, the vases are sandblasted and waxed giving the pieces a satin, smooth and soft surface. Gradient mouth-blown glass, fading from steel blue to warm grey, sandblasted and waxed. This piece has been designed by Laura Sattin...

The Norma Table is obtained through extensive research into the properties of Yellow Pine. The table top consists of three pieces. The wood grain of every piece is directed towards t...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

The Norma Table is obtained through extensive research into the properties of Yellow Pine. The table top consists of three pieces. The wood grain of every piece is directed towards t...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

CHUNK is an iconic design shaped under high pressure. Hand folding the tinfoil gives every piece its own unique weight and structure. The texture gets its luster by this technique ...

CHUNK is an iconic design shaped under high pressure. Hand folding the tinfoil gives every piece its own unique weight and structure. The texture gets its luster by this technique ...

CHUNK is an iconic design shaped under high pressure. Hand folding the tinfoil gives every piece its own unique weight and structure. The texture gets its luster by this technique ...

CHUNK is an iconic design shaped under high pressure. Hand folding the tinfoil gives every piece its own unique weight and structure. The texture gets its luster by this technique an...

CHUNK is an iconic design shaped under high pressure. Hand folding the tinfoil gives every piece its own unique weight and structure. The texture gets its luster by this technique ...