R Wells Gallery Furniture

A great chest of drawers wrapped in lizard skins by R & Y Augousti of Paris. This design Duo of husband and wife have been creating luxury pieces since 1989 when the firm first start...

Sexy, sculptural, and glamorous cocktail tale with thick, curved, Lucite and brass frame, glass top over 1/2 inch thick. This item can be viewed in person at The Berkshire Gallerie...

Very handsome scrub top work table or Tavern table. Retaining all of the original surface and it's beautiful breadboard top. Made in both Pine and poplar, this table is very solid an...

A wonderful egg tempera on board painting by American Artist Meng S. Choy. This item is signed and dated on the back of the board as well as the safety backing for the board itself. ...

A wonderful egg tempera on board painting by American Artist Meng S. Choy. This item is signed and dated on the back of the board as well as the safety backing for the board itself. ...

This is a sweet, diminutive Dutch brass mirror. Created in the 19th century, this little beauty is filled with charm. A definite statement piece, mu...

A sculpted bronze and glass “Stalagmite” coffee table, the thick round glass top sits on top of a bronze base, decorated with thick impasto like application of bronze over an iron fr...

This is a beautiful and luxurious natural, sheared raccoon fur, king size blanket. Soft pelts with rich, earthy coloration, accented with black backing. This is perfect for a bed or...

A large, majestic, stately pair of hand blown black glass lamps. Created in the 1940s, these black glass urns are mounted upon gold gilded, wooden bases. I have seen many pairs of lamps in my decades of business, but none like this. Contact me for additional images or any questions that you might have. These can be viewed in person at The Berkshire Galleries of Great Barrington MA.

There are a total of four available but we are selling them as pairs. Behind every rose is one petal that is “smiley” and one with a “sad face”, reflecting on the old tradition of pi...

A very handsome 18th century American trestle table. Perfect for a dinning, work table, desk, hall table, or would also make a great library table to pile your books on. Made comple...

Rare Dutch Delft, large rosewater dish, attributed to Samuel van Eenhoorn, circa 1675-1680. A similar dish, now in the Museum Fine Arts, Boston, is illustrated in Aronson, Dutch Del...

A wonderful and well patina Pine cupboard Circa 1740 to 1760. Likely Rhode Island possibly Connecticut and just filled with charm. Retaining the original red surface iron hinges and ...

Beautiful American 18th century four poster bed retaining original red finish. Likely from Salem Massachusetts, this early Survivor is in...

Elegant coffee table with a double swan base in brass. Their wings serve as the tabletop supports. The coffee table has a heavy, oval, clear glass top. This Hollywood Regency design ...

A beautiful and rarely seen bronze and steel sculpture by American artist Gerald DiGiusto. Signed and dated 1981 this is Triangolar Totem #1 , the original . Signed, dated and title...

A large and decorative pair of Meissen porcelain vases, of ancient Roman krater form, with handles shaped as entwined serpents. Highly ornamental, these vases represent an interesti...

Absolutely beautiful, circa 1830's, grain painted, graduated chest of drawers. Likely from Maine or possibly Vermont , the workmanship is absolutely beautiful . From the fully turned...

This chair was created by Judith Leiber, most likely for a charity benefit, in 1995 . It is accented with signature pieces such as python skin and leopard printed suede used by Judit...

Beautifully carved Italian, likely Venice, 18th century Rococo console table with black Limestone top. The wonderful asymmetrical undulating forms that are carved are reminiscent of ...

A sweet and stunning circa 1900 American gilded and painted Thebes stool. Exceptional quality, construction and design. Retaining the original ocher paint and gold gilded surface. Th...

Circa 1900, Navajo weaving, likely Ganado, with a very simple and modern design. Nice mottling of the natural colors. This is a very bold weaving, likely a double saddle blanket. Thi...

A wonderful stool in the Windsor taste. Originally created in the 1830s. At some point one of the legs was replaced with what appears to be a very old broom...

A spectacular and fine, painted and stenciled, pine documentbox. The original blue paint having turned a dark green over time with the varnished finish, typical of Boston pieces. Yo...

Handmade industrial leather tool caddy with wooden bottom. This chic industrial form is had made from thick oiled leather, with a wooden base. This would be great as a drinks carrie...

Minimalist table with frame of welded wrought iron and glass top. American by Luther Conover, 1950’s Dimensions: 15.5h x 22.5w x 22.5d. This item can be viewed in person at The Berks...

Luxurious leather sofa with darker piping accents by Mogens Hansen. This sofa features gently sloping track arms with austere and refined silhouettes. It's finished in supple leather...

18th century Chippendale mahogany camelback sofa with scrolled arms, molded tapered legs and bowed front. This example has dynamic impact due to its super lines. The bowed front seat...

Using 1500 clothes pins to combine painting and sculpture to a dramatic affect is what artist Annie Morris is most famed for. Each peg is individually pai...

A beautiful pair of Circa 1800 Italian tables in the neoclassical fashion. Carved and molded lower sections with original gilding and painted surface. The top with beautiful grain pa...

Jason Seley sculpture dated 1967 and titled 36 Key, Keyboard. From a private Chicago Collection. Seley was the Dean of Architecture at Cornell University and he taught at Hofstra University and The New York University...

Rare 19th century Adirondak duck / sneak boat in old blue paint. Rare because these boats were made from solid wood and unless protected have all but rotted. It has a spectacular old...

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

A pierced splat cupid's bow crested Chippendale great chair. This imposing Chippendale arm-chair is made of maple and figured maple. The profile of the crest and its pierced pattern ...

A large elm-wood altar or console table with everted flanges or 'qiaotou' (commonly called "birds wings"), supported on recessed trestle legs with multiple carved, stylized ruyi in s...

A very handsome, Neoclassical carved marble lamp, . This is a very impressive tale lamp, depicting Hercules the Nemean Lion. The earlier 18th century, caved body, decorated wit...

A large and handsome neoclassical style carpet. Handmaid in the same style that the Aubusson carpets of the eighteenth century were produced. I...

A rare to find, matched pair of brass mirrors by mastercraft. Designed by William Doezema for Mastercraft, and produced in the 1970's. This pair is in excellent condition and has a gorgeous patina. These are not lacquered and can be polished to a very high gloss, should one wish to. Do not hesitate to contact me with any additional questions or image requests. This item can be viewed at The Berkshire Galleries of Great Barrington MA.

This is the grandfather of Michael Elkan boxes. Retaining it's original surface and the rarely seen or found interior boxes of which this group is intact. All made from the same bloc...

Pair Wall Sconces by Deborah Thomas of The Northern Fleet Series Constructed using numerous pieces of broken glass jars, each individually wired to an a...

Beautiful early nineteenth century French trumeau mirror. Retaining original painted and gilded surface with very delicate and beautiful carving and a wonderful patina. Please examin...

Wind, Ocean, Sun by Balcomb Greene painted in 1963. Signed on the front titled and dated on the reverse. Paintings of the Montauk coast by Balcomb Greene are few and far between. Thi...

This historically important, American leather clad document box, was made in Boston in the early nineteenth century. The box belonged to, Samuel Francis Smith (October 21, 1808 – Nov...

Philippe Berry (French, 1956-2019), number 2 of an edition of eight, entitled: ''Sans les Mains'' (Without Hands), 1996, cast aluminum, initialed ''P.B.'', dated, and inscribed ''Fon...

A fine, rare to find matched pair of Boston federal servers / dressing tables with backboard and scrolled sideboards on rectangular tops. The frame has ...

A spectacular and fine, dovetailed poplar, rosewood grain painted and ebonized document box. The gold stenciling is of a very fine quality. Retains the original fire gilded steel bai...

Rare, Louis XV carved walnut bench with original finish and original leather upholstery. Such a wonderful state of preservation, yet strong and ready to be used. Please contact me wi...

Large and beautiful live edge mirror. Made with California redwood, the patina is warm and glowing, and the size makes it a statement piece. This piec...

A one of a kind chess set by Italian American artist Marco Celotti. Created circa 1970, the set is quit marvelous. Each figure is filled with detail. Even the individual pawns, each...

This is a beautiful and luxurious natural nutria beaver king size blanket. Soft pelts with rich, earthy coloration, accented with black backing. Thi...

A highly unusual and interesting Chippendale mirror. Frame is created from a single plank of mahogany. The glass is original and in exceptional condition. This is a definite one of a...

The Cliffs by Balcomb Greene painted in 1978. Signed on the front titled and dated on the reverse. Paintings of the Montauk coast by Balcomb Greene are few and far between. This painting likely created at his Studio in Montauk New York. Painting is in excellent original condition and retains the original gallery frame. provenance: Estate of Gertrude B. Pascal / Gifted from the previous in 1987, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY / Christie's, New York 2012 / Private Collection, New Jersey Public collections: Baltimore Museum of Art, Baltimore, MD Brooklyn Museum, Brooklyn, NY Cleveland Museum of Art, Cleveland, OH The Art Institute of Chicago, Chicago, IL Corcoran Gallery of Art, Washington, D.C. Guild Hall, East Hampton, NY Wadsworth Atheneum, Hartford, CT Museum of Fine Arts, Houston, TX Indianapolis Museum of Art, Indianapolis, IN Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY National Museum of American Art, Washington, D.C. Joslyn Art Museum, Omaha, NE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Norton Simon Museum, Pasadena, CA Portland Museum of Art, Portland, OR Neuberger Museum, Purchase, NY Solomon R. Guggenheim Museum, New York, NY Parrish Museum, Southampton, NY Whitney Museum of American Art, New York, NY Walker Art Center, Minneapolis, MN Butler Institute of American Art, Youngstown, OH Boca Museum of Art, Boca Raton, FL Over a lifespan of 86 years, Balcomb Greene followed his muse wherever it led, unfettered by what had come before, unafraid of where the future might lead. Despite a series of different pathways explored, his purpose remained ever constant: to express truth as he found it and communicate it to a broader audience. In the 1930s, Greene was a young artist committed to abstraction as his expressive language. Greene’s paintings and collages of the 1930s reflect the influence of Pablo Picasso and Piet Mondrian and put him in the company of fellow Americans, including Ibram Lassaw, Josef Albers, Ilya Boltowsky and George L. K. Morris, all among the founding members, in 1936, of American Abstract Artists. John Wesley Greene, his christened name which he never legally changed, was born in 1904 in Millville, New York, the third child and only son of Methodist minister The Reverend Bertram Stillman Greene (1864–1929) and Florence Stover Greene (1876–1911). His family on both sides were Revolutionary-era colonists, originally living in Connecticut and Vermont before joining the Yankee migration to the western frontier of New York State. In 1922, John Wesley Greene enrolled at Syracuse University aided by a scholarship for the sons of Methodist ministers and intending to fulfill the promise of his name and follow his father into the ministry. As with so many before and after him, the liberal education he absorbed at Syracuse broadened his horizons and reshaped his life plan. Studying philosophy, psychology, and literature, along the way he separated himself from organized religion. During his senior year, on a visit to The Metropolitan Museum of Art in New York City, Greene was introduced to Gertrude Glass (1904–1956), an art student and the Brooklyn-born daughter of Latvian Jewish immigrants. Following Greene’s graduation, the two married in 1926 and went to Europe. They stopped briefly in Paris but spent most of their time in Vienna where Greene had a fellowship to study psychology. When they returned to New York in 1927, Greene enrolled in a master’s program in ‘English literature at Columbia University. When his thesis advisor rejected his essay topic on the “fallen woman” in seventeenth-century literature as inappropriate, he left without a degree. From 1928 until 1931, Greene taught English at Dartmouth College in Hanover, New Hampshire. At some point, he stopped using his given name, John, and began to call himself, more distinctively, Balcomb, the family name of his paternal grandmother. While Greene wrote three novels (all unpublished) during his teaching years at Dartmouth, his wife was a working artist, and he eventually developed an interest of his own in painting. In 1931, Greene gave up his teaching position and he and Gertrude went to Paris, determined to immerse themselves in the modern art ferment they had briefly experienced in their earlier visit. For young Americans with no prescribed agenda, a receptiveness to innovation, and wide-open eyes and minds. Paris, in 1931, offered a rich stew of approaches to modern art. The city absorbed and transmuted an international mélange of styles—cubism, orphism, futurism, dadaism, constructivism, neoplasticism, suprematism, de Stijl, Bauhaus—France encountering Holland, Germany, Italy, and Russia with Pablo Picasso from Spain, Constantin Brancusi from Romania, and Jacques Lipchitz from Lithuania. As a sculptor, Gertrude Greene...

James Patrick Maher (20th Century), bronze Sculpture of a nude woman. James P. Maher, was a renowned artist whose drawings, paintings and sculptures reflected an innate appreciation ...

This sculpture grouping titled "Caryatids" was created in 1977 by listed American artist Gerald DiGiusto. The inspiration for Gerald DiGiusto to create these incredible pieces was f...

This is a beautiful and luxurious sheared beaver king size blanket. Soft pelts with a rich medium brown color, accented with black backing. This is perfect for a bed or just for sitt...

Rare victorian terracotta and pipe clay cigar holder, late nineteenth century. Produced by the J&C China company of Bavaria. Made for holding cig...

This early and important work by Martin Kline is one of the first of this kind and the only of its stylistic type available. Titled "Youthful Protuberance" and created in 1998 with e...

This is a very beautiful , highly detailed and well executed portrait of a woman. Created in the early nineteenth century with graphite on paper. The sitter can be seen with a book in her hand and a ring on her finger. She is sitting in a painted fancy chair by the window with the drape pulled back...

Fantastic maximalist mirror of the utmost quality. Custom made with no expense spared. Made from carve wood with silver and gold leaf. The age glass made with perfection. Please not...

18th century Irish looking glass made with gilded gesso and glass moldings. It is a highly unusual and rare fine. The majority of these mirrors never survived the test of time but th...