Richard Taylor Fine Art Paintings

An original, circa 1970, oil on canvas by the listed Northern artist Harry Rutherford. This is a fine example of a Modern, early 20th century British portrait. In excellent, untouche...

This striking Abstract oil painting is by Scottish artist Iain Robertson. It was painted in 1997 just before he moved to Cornwall. The painting is a riot of red, white and blue with heavy impasto which works beautifully. Signed and inscribed with title and dated 1997 verso. Provenance. Scottish estate. Condition. Oil on canvas, image size 24 inches by 18 inches and in good condition. Housed in a white surround frame, 26 inches by 20 inches framed and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

Glyn Morgan, Welsh artist, studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton En...

A superb British Victorian city landscape oil painting by noted Nottingham born artist John Arnesby Brown, painted in 1887. This rare early work is a product of Arnesby Brown's time ...

This captivating portrait oil painting is by noted artist Georges Van Den Bos. Painted circa 1905, it is a half length portrait of a young girl wearing a peach dress with lace bodice...

This vibrant abstract oil painting is by Italian born but South African based artist Armando Baldinelli. It was painted circa 1960 after Baldinelli left Italy for South Africa and wa...

This gorgeous oil on canvas Victorian Old Master painting is by British artist Henry Jutsum. Painted circa 1850 the painting depicts a drover on horse back bringing up the rear behin...

This interesting painting is a British Old Master late 18th century or early 19th century oil painting attributed to Thomas Barker of Bath. It is stylistically very similar to his ot...

An original Scottish Impressionist oil by John Henderson. This fine painting dates to circa 1910 and is an oil on canvas in a stunning and fresh palette. The wooded moorland stream l...

This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...

A fine and very detailed large Victorian British landscape painting. Painted in oil on canvas it is by listed and exhibited Victorian artist George Cole, dated 1859. A wonderful larg...

This lovely British interior portrait oil painting is by noted British artist Anthony Devas. Painted circa 1940 the painting is of a seated grandmother and grand daughter in a lovely...

This lovely 18th century Old Master portrait oil painting is by noted British artist Francis Cotes. It was painted circa 1760 when Cotes was preferring oil as a medium and comparison...

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

This striking Abstract Expressionist oil painting is by noted Scottish artist Iain Robertson. Entitled Sunset verso, it was painted in 2006 after Robertson had moved to Cornwall to live and work. It is a superb example of Robertson's use of symbols in art and the bold use of orange with heavy impasto against the blue and white is fantastic. A really strong Abstract Expressionist art work by a sought after Scottish artist. Signed inscribed Sunset and dated 2006 verso. Provenance. Cornish estate. Condition. Oil on Canvas, 30 inches by 24 inches and in good condition. Frame. Housed in a white surround frame, 32 inches by 26 inches and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

This superb British 1950's landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1952 it is entitled verso as Elegy to a Dead Tree. In ...

This interesting British landscape oil painting is by noted artist Laurence Henry Irving. Painted circa 1940 it is a Kent harvest landscape of the Rother Valley from Prospect Hill, W...

This charming British Old Master Regency pastel portrait is attributed to John Russell RA. Painted circa 1790 the composition is a blonde woman in pretty mob cap with a blue ribbon. A really lovely image. Provenance. Oxford estate. Condition. Oil pastel on paper, 23 inches by 19 inches unframed and in good condition but has line in paper in middle. Frame. Housed in a fine frame, 30 inches by 26 inches framed and in good condition. John Russell RA (1745-1806) was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques. Russell was born in Guildford, Surrey, the son of John Russell Snr., book and print seller and five times mayor of the town; his father was something of an artist, and drew and published two views of Guildford. Russell was educated at the Royal Grammar School, Guildford, and soon showed a strong inclination for art. He trained under Francis Cotes RA (of Cavendish Square, London), one of the pioneers of English pastel painting, and, like Cotes, was an admirer of the pastel drawings of Rosalba Carriera whose methods influenced his technique of "sweetening". At the age of 19 he converted to Methodism, which was the cause of tension with his family and with his teacher; he made no secret of his strong evangelical leanings and would attempt to preach and convert at every opportunity. Russell set up his own studio, in London, in 1767. He made the acquaintance of the notorious Dr. William Dodd, whose portrait he painted in 1768. He was introduced to Selina, Countess of Huntingdon, who unsuccessfully attempted to persuade him to give up painting and attend her Methodist ministers' training college at Trevecca in Wales. On 5 February 1770, he married Hannah Faden, daughter of a Charing Cross print and map seller...

This charming oil painting is by British female artist Agnes L Reid. Painted circa 1920 the painting is of a little boy playing on the floor with his train set, with balloons and a b...

This superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, L...

This striking British 19th century portrait oil painting is by noted established Irish female artist Edyth Starkie. She studied at the Slade School as well as the Académie Julian in ...

This stunning, large British Edwardian Newlyn School interior portrait oil painting is by much noted and exhibited artist Walter Langley. Originally from Birmingham, Langley and his family moved to St Ives in 1881. He was one of the first artists to settle and painted the local fishermen and their families. Painted in 1906 and entitled The Evening of Life, the painting is a full length seated portrait of an elderly lady in a cottage interior. She is sat by a table on which she has a bible, jug of flowers and her sewing equipment. Across her lap she has a large patchwork quilt to mend but is lost in thought. In fact the same sitter and quilt can be seen in Memories, also painted in 1906 and in the Ferens Art Gallery, Hull. Memories includes more of the cottage interior but the sitter's head is bowed towards her hands. The Evening of Life is more vibrant and the sitters face is much more visible as are the lovely colours of the quilt. The painting has fantastic detail, great brushwork and the Newlyn school palette of colours. The provenance is excellent, having been kept in the same family ownership so fresh to market. The painting appeared in the artist's catalogue Raisonne and was also in 1997 biography by Langely's grandson, Roger Langley, entitled Walter Langley: Pioneer of the Newlyn Art Colony. This a superb example of Langley's work, a good size and composition and a pleasure to gaze upon. Signed lower left and dated (19)06. Provenance. : Ford, 1906 (£63). Long in the previous family ownership and sold by the executors of the estate. Thomas Wood and Sons label verso. Literature: Langley (R) - Walter Langley Pioneer of the Newlyn Art Colony 1997, catalogue raisonne p.170 (under 1906). Condition. Oil on canvas, 40 inches by 30 inches unframed, in good condition and unlined canvas. Frame. Housed in a gilt frame 47 inches by 37 inches and in good condition. Walter Langley (8 June 1852 – 21 March 1922) was an English painter and founder of the Newlyn School of plein air artists. He was born in Birmingham and his father was a journeyman tailor. At 15 he was apprenticed to a lithographer. At 21 he won a scholarship to South Kensington and he studied designing there for two years. The sometimes highly ornate work is mainly in gold and silver and in a Renaissance style. He returned to Birmingham but took up painting full-time, and in 1881 was elected an Associate of the Royal Birmingham Society of Artists. In the same year he was offered £500 for a year's work by a Mr Thrupp (a Birmingham photographer). With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community. Politically left wing for his era, he was noted for his social realist portrayals of working class figures, particularly fishermen and their families. He was a supporter of Charles Bradlaugh, a radical socialist politician. His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived. One of the best known works is the watercolour For Men Must Work and Women Must Weep (1883; Birmingham Museum and Art Gallery) based on Charles Kingsley's poem The Three Fishers (1851). Another is Between The Tides (1901; Warrington Museum & Art Gallery). Although one of the first to settle in the Newlyn artists' colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils. His early training in lithography gives his paintings a detail and texture that show his technical skills. In 1884, Langley was elected a member of the RBSA and continued to exhibit widely throughout the UK and abroad. Later in his career his reputation grew. One of Langley's paintings was singled out as "a beautiful and true work of art" by Leo Tolstoy in his book What is Art?, while in 1895 Langley was invited by the Uffizi to contribute a self-portrait to hang alongside those of Raphael, Rubens and Rembrandt in their collection of portraits of great artists. Today his work is considered "vital to the image of the Newlyn School" and "alongside Stanhope Forbes ... the most consistent in style and substantial in output". Exhibited: Royal Society of Artist Birmingham 57, Dudley Gallery 4, Dowdeswell Gallery 17...

This stunning British American Impressionist portrait oil on canvas painting is by Sir James Jebusa Shannon circa 1905. The painting is of the artist and his wife Florence and daught...

This charming British Victorian genre oil painting is by attributed to noted exhibited artist Henry Turner Munns. Painted circa 1870 the composition is of a baby by a hearth, asleep ...

This superb French Victorian portrait oil painting is by noted French society painter Jules-Elie Delaunay. Painted in 1883 it is a three-quarter length profile portrait of the Marquesa de Escombreras. Her full name was Trinidad Maria Piedad Fulgenico de Aguirre. She was born in 1824 in Cartagena, Spain, the seventh and last child of Jose de Aguirre, a retired naval officer. On October 22nd 1843 she married Frenchman Hilarion Roux (1819-1898) who was a banker from Marseille who settled in Cartegena in January 1843. After her marriage she was known as Trinidad Roux. Hilarion Roux had arrived in Cartagena first to trade silver. He quickly became one of the main lead industrialists in Catagena then in the Mediterranean area. The couple later lived in France again, in Marseille and later in Paris, where Trinidad died in 1905 aged 81. Interestingly there is no similar portrait of her husband. In this superb painting, the Marquesa, aged about 60 in reality, is wearing a black off the shoulder dress...

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

This strong Flemish Old Master portrait oil painting is attributed to Ferdinand Voet. The sitter is Anna De Hooghe, the fourth wife of artist Ludolf Bakhuizen (1631-1708), a German-born Dutch painter, draughtsman, calligrapher and printmaker. He was the leading Dutch painter of maritime subjects after Willem van de Velde the Elder and Younger left for England in 1672. He also painted portraits of his family and circle of friends. Painted circa 1660 Anna is standing profile but turned to the viewer/artist with her hand to her heart. She is set in a landscape at twilight. A really lovely painting and superb example of Dutch art. It is recorded in the RKD archives with N Maes signature LL - since removed through restoration. Provenance. The estate of George Way. Archive RKD Condition. Oil on canvas, 38 inches by 34 inches unframed and in good condition. Frame. Housed in a fine period carved frame, 46 inches by 42 inches framed and in good condition. Jacob Ferdinand Voet or Jakob Ferdinand Voet (1639-1689) was a Flemish portrait...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

This beautiful Victorian portrait oil painting is by Belgian artist Alfred Ronner. Painted circa 1890 the painting is of a young woman sat at a spinning wheel. She is spinning flax, ...

This stunning arched top Victorian figurative oil painting is by noted Belgian artist Charles Soubre. It was painted in 1853 and is signed and date lower right. The composition is a ...

This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...

This superb British realist portrait oil painting is by noted artist Gerald Leslie Brockhurst. It was painted in 1952 when Brockhurst was in his sixties and living in America since 1939. The sitter is Hope G. Simpson. The painting is a half length portrait of a striking blonde woman in a blue buttoned up Chinese style garment. It is a strong portrait with bold colours and confident brushwork and an excellent example of his work. Signed and dated 1952 lower right. Provenance. Hiram Hoelzer New York label verso. Portraits Inc. East Street new York. Label verso. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in its original wooded frame, 37 inches by 32 inches and in good condition. Gerald Leslie Brockhurst (1890-1978) was a British painter and etcher. Brockhurst was born in the Edgbaston district of Birmingham on 31 October 1890, son of a coal merchant called Arthur Brockhurst, he soon showed precocious drawing skills and entered the Birmingham School of Art at the age of twelve. A pupil at the Royal Academy Schools in 1907, he won the gold medal and a travelling scholarship in 1913, enabling him to visit both France and Italy. This led to a closer study of such 15th-century artists as Piero della Francesca, Botticelli and Leonardo da Vinci, whose work had an abiding influence on him. In 1914 he married for the first time to a Frenchwoman, Anaïs Folin, whom he used as the model for most of his early etchings of young womanhood (especially from 1920 till 1934). From 1915 to 1919 Brockhurst and his wife Anaïs lived in Ireland, where they were friendly with the artist Augustus John and his circle. Though he tried his hand at etching in 1914, it was not until 1920 that he began his career as an etcher in earnest, eventually achieving success as both a printmaker and society portraitist. Brockhurst held his first important exhibition in 1919, in London, and after it was well received returned to live there. In 1921 he was one of the early members of the newly-formed Society of Graphic Art and exhibited with them. Throughout the 1930s he continued an increasingly successful career as a portrait artist, with notable sitters including the film stars Merle Oberon and Marlene Dietrich, as well as the Duchess of Windsor, whose husband commissioned her portrait. In 1937 Brockhurst was elected to the Royal Academy and was able to command a price of 1,000 guineas for a portrait. In the same year however details of his relationship with his young model Kathleen Woodward, whom he had renamed Dorette, were made public after she gave an interview to the Sunday Express. Brockhurst's marriage had previously come under strain in 1922 when his wife discovered his adultery with her sister, Marguerite, and now broke down acrimoniously, with Brockhurst counter-suing on the grounds of his wife's adultery. In August 1939 Brockhurst and Dorette moved to the United States, and he was eventually divorced from his first wife in 1940. He married Kathleen in 1947. In New York City, Brockhurst became both famous and rich with a series of society portraits but his printmaking output diminished, especially his etchings. He produced a few lithographs at the end of his career (around 1945). In 1951, he was elected into the National Academy of Design as an Associate member. In 1958, he appeared as a guest challenger on the TV panel...

This superb Scottish Edwardian Impressionist interior oil painting is by noted Scottish female artist Annie Rose Laing. Painted circa 1910, the composition is the interior of a room...

This cheery Scottish portrait oil painting is by noted artist David Alison. Painted in 1906 it is a half length portrait of a smiling girl in a red dress and white collar and white p...

This superb Italian 17th century Old Master animal oil painting is attributed to Baroque artist Giovanni Agostino Cassana. Painted circa 1650 the composition is of two rabbits, a guinea pig and a dove in an interior. The two rabbits, one brown one grey are in the immediate foreground, head to head eating something and the dove is standing to their right. The brown and white guinea pig is sitting above and behind them. As the background is dark the animals really stand out and there is superb detail in their respective fur and feathers. This is a charming Italian Old Master animal oil painting and an excellent example of Cassana's work. Provenance. Scottish estate. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a ebonised frame, 32 inches by 28 inches, in good condition. Giovanni Agostino Cassana (c.1658 – 6 May 1720) was an Italian painter of the Baroque period. He was a son of Giovanni Francesco Cassana and an elder brother of Niccolò and Giovanni Battista. He was born at Venice, and was initially instructed by his father. In 1670 he worked at the court of Ferdinando de' Medici in Florence and travelled regularly between the two cities, but spent at least the years 1718–1720 in Genoa, where he later died. He painted portraits with some success, but preferred painting animals in the style of Antonio Maria Vasallo, Benedetto Castiglione, and Joannes Fyt, a style which he learned from Jacques van de Kerckhove...

This superb Dutch Old Master floral still life oil painting is attributed to circle of Simon Pietersz Verelst. Painted circa 1700 the compositio...

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated half length portrait of a beautiful lady in a b...

This lovely British Victorian Impressionist coastal landscape oil painting is by noted artist Robert Finlay McIntyre. Painted circa 1880 it is a view along the cliffs towards Cromer,...

This breath taking Scottish Edwardian landscape oil painting is by much exhibited landscape artist William Young RSW. Entitled Loch Eck and painted circa 1908...

This lovely Impressionist landscape oil painting is by prolific exhibitor and British artist Oliver Hall. Painted circa 1930 the composition is a path curving through some trees with...

This superb vibrant Oriental Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted circa 1925 when Pryse first visited Morocco. He was so en...

This lovely Scottish Victorian portrait oil painting is by noted Scottish female artist Annie Rosie Laing. Laing grew up and studied art in Glasgow around the time of the Glasgow Girls...

This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...

This charming floral oil painting is by Cornish born artist Marion Grace Hocken. Painted circa 1950 it is a floral arrangement of pink and purple fuchsia with sprays of blue flowers ...

This lovely Victorian landscape oil painting on canvas is by noted exhibited British artist John Horace Hooper. Hooper was particularly known for his landscapes and was fond of the s...

Henry Room, noted Birmingham artist, painted this lovely Victorian portrait oil painting. It was painted in 1842 and exhibited at the Society of British Artists the same year, entitled Forsaken Innocence. It is a charming half length portrait of a young lady in a hat, dark ringlets gleaming and ruby red lips slightly smiling. She is holding a sheaf of wheat with trees beyond. The detail and brushwork are lovely. A super pastoral oil painting and an accomplished example of Henry Room's work with excellent provenance. . Signed lower left. Indistinctly inscribed to label verso. Provenance. Exhibited at the Society of British Artists 1842 no. 63 entitled Forsaken Innocence. Mentioned in “German Compliments to British Art,” The Art-Union (Dec. 1842), 279-281. Comments by Dr. Henry Merz on the exhibition of the Society of British Artists (Suffolk Street, Pall-Mall East); p.280: “In this exhibition we find also the peculiar sentimentalism of the English school, in No. 129, ‘Sterne’s Poor Maria,’ by F. Stacpoole; No. 63, ‘Forsaken Innocence’ (a coquettish young lady with a sheaf of gleanings in her apron), by H. Room” Berwick House, Shropshire. James Watson was born in Edgbaston, Birmingham in 1818, He bought Berwick House In August 1875. With the renovations on the mansion house nearing completion, by 1879 Watson turned his sights to forming a collection of suitably impressive paintings and furnishings for the recreated rooms. Condition. Oil and panel, 30 inches by 25 inches and in good condition. Frame. Housed in an ornate gilt frame, 38 inches by 33 inches and in good condition. Henry Room (1802–1850) was an English portrait-painter, from an evangelical background in Birmingham. Henry Room was born in Newhall Street, the son of John Room, a japanner, and studied at Joseph Barber's drawing school on Great Charles Street. An original member of the Royal Birmingham Society of Artists, he was also one of the group of artists that broke away from the Society in 1828 to exhibit at a rival institution in Temple Row. Room was in London in the late 1820s, sharing a studio with Peter Hollins in Old Bond Street. He was a deacon in the church of John Morison. He was a frequent exhibitor at the Royal Academy from 1826 onwards and completed many portraits of missionaries, academics and reformers which were engraved by John Cochran. Room maintained close links with Birmingham and was appointed as auditor for the newly formed Birmingham Society of Artists in 1842. He had a reputation as a painter of portraits, and received commissions, some of his portraits being engraved. He first exhibited at the Royal Academy in 1826. He practised for some time at Birmingham. He painted a portrait of Thomas Clarkson...

This beautiful British Impressionist oil painting is by noted animal artist Arthur Spooner. Painted circa 1935 it is a superb painting of two working horses standing in the shade of ...

This interesting British Victorian military portrait is by artist C Marten. Painted in 1897 it is a three quarter length portrait of a soldier by a brick wall and window with bars. T...

This superb trompe l'oeil painting is in the typical manner and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central ca...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

This superb British Impressionist portrait oil painting is by noted female artist Florence Kate Upton. Born in America to English parents, Upton visited Britain with her family aged 20 and remained here to further her art career. Although a children's book illustrator, Upton was first a painter and exhibited at the Paris Salon and the Royal Academy. This lovely portrait, painted circa 1900, is a half length profile view of a lady in a black dress with gold front panel. A vibrant peacock blue shawl is across her arm and the background is a rich plum coloured drape. She has a black and silver choker...

This superb British Abstract oil painting is by noted artist Christopher Sturgess-Lief. Painted in 1961 it is an evocative and captivating abstract using the highly individualised sy...

An original ink on canvas by Theodore Mendez who played an important role in the Post War British art movement and the Post Modern art movement. This simple yet stunning work, circa 1968, has the conceptual properties of Bridget Riley. Signed verso. Provenance. London collection. Christies London. Family Estate. Condition. Ink on canvas, image size 30 inches by 30 inches and in fine gallery condition. Unframed. Theodore R P Mendez (1934-1997) was an English abstract artist who taught at Camberwell College of Arts in London for over thirty years. After attending Strand School, he entered Camberwell College of Arts in 1950 as a student, where his contemporaries included Terry Frost, Howard Hodgkin, Euan Uglow, Roy Turner Durrant...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

An original, circa 1970, oil on canvas painting by listed Northern artist Harry Rutherford. A fine example of a Modern British portrait. In fine untouched condition and framed in a p...

This captivating British portrait oil painting is by noted exhibited and listed female artist Alice Mary Burton. Painted circa 1955, the painting is a portrait of a woman gazing out ...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

Glyn Morgan was a Welsh artist who studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the B...

A Welsh artist, Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End ar...