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Robert Azensky Fine Art Prints and Multiples

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"Insignia" #1 Hand Made Paper Aquatint Abstract
Located in Soquel, CA
"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Gold Leaf

Frog on a Stalk in the Jungle - Linocut Print on Tissue Paper (proof)
Located in Soquel, CA
Bold linocut proof print by an unknown artist (20th Century). A green-yellow underlayer shows through a bold black top layer, creating a strong contrast of highlights and shadows. A ...
Category

1990s Contemporary Figurative Prints

Materials

Ink, Rag Paper

Constance - Interior Scene Textured Print on Paper
By Starlie Sokol Hohne
Located in Soquel, CA
Starlie Sokol-Hohne (American, b. 1958) was born in Santa Monica, California and completed her studies at UCLA in 1980. Combining images of antiquity with contemporary mixed media pr...
Category

Late 20th Century American Realist Interior Prints

Materials

Paper, Printer s Ink

Portrait of Modern Man - Multilayer Woodblock in Ink on Paper
Located in Soquel, CA
Portrait of Anger - Multilayer Woodblock in Ink on Paper Bold and saturated woodblock print of a screaming man by Michael Dow (American, 20th Century). The man is centered in this m...
Category

1990s American Modern Figurative Prints

Materials

Paper, Ink, Woodcut

"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Paper, Ink, Drypoint

Kimono with Peacock Feathers Lithograph
By Patricia A. Pearce
Located in Soquel, CA
Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge, "1/5 Stage 1 Kimono 3 Patricia A Pearce" (images altered for better viewing). Presented in a new off-white mat with foam core backing. Mat size: 30"H x 25"W Paper size: 27"H x 22"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions...
Category

1980s Contemporary Figurative Prints

Materials

Paper, Ink, Mulberry Paper, Lithograph

"State 12" Blue Abstract Geometric Lithograph by Patricia Pearce
By Patricia A. Pearce
Located in Soquel, CA
Abstract geometric lithograph by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Presented in a new off-white mat with foam core backing. Mat size: 24"H x 30"W Paper size: 18.75"H x 25.75"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo...
Category

1980s Abstract Geometric Abstract Prints

Materials

Paper, Lithograph

Altered Illusions 1 Collograph
By Patricia A. Pearce
Located in Soquel, CA
Dramatic embossed collagraph titled "Altered Illusions 1" by Patricia A. Pearce (American, b. 1948). Titled and signed along the bottom edge (image altered for better viewing). Presented in a new off-white mat with foam core backing. Mat size: 32"H x 27"W Paper size: 28"H x 22.25"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo...
Category

1980s Contemporary Abstract Prints

Materials

Paper, Ink, Lithograph

The Samurai Genta Kajiwara - Japanese Woodblock Diptych in Ink on Paper
By Utagawa Yoshitora
Located in Soquel, CA
The Samurai Genta Kajiwara - Japanese Woodblock Diptych in Ink on Paper Boldly colored woodblock by Utagawa Yoshitora (Japanese, active c.1840-1880)...
Category

1860s Edo Figurative Prints

Materials

Paper, Ink, Woodcut

"Haarlem" Aquatint Etching on Paper
By Johnny Friedlaender
Located in Soquel, CA
Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...
Category

1970s Abstract Geometric Abstract Prints

Materials

Paper, Etching, Aquatint

Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category

Early 20th Century Romantic Interior Prints

Materials

Paper, Ink, Drypoint

12 Panels - Abstract Etching in Ink on Paper
By Patricia A. Pearce
Located in Soquel, CA
12 Panels - Abstract Etching in Ink on Paper Bold abstract composition by Patricia Pearce (American, b. 1948). Comprised of twelve panels, each one is textur...
Category

1980s Contemporary Abstract Prints

Materials

Paper, Etching, Ink

"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
By Margie Dickson
Located in Soquel, CA
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...
Category

Late 20th Century Fauvist Landscape Prints

Materials

Paper, Pastel, Screen

Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Paper, Ink, Drypoint

"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper
Located in Soquel, CA
"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...
Category

Late 18th Century Edo Landscape Prints

Materials

Paper, Ink, Woodcut

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper
By Tsukioka Yoshitoshi
Located in Soquel, CA
"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...
Category

1880s Edo Figurative Prints

Materials

Paper, Ink, Woodcut

"Sun Saburo Matsugaya" - Mid 19th Century Figurative Japanese Woodblock Print
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
"Sun Saburo Matsugaya" - Mid 19th Century Figurative Japanese Woodblock Print Beautiful mid 19th century figural Japanese woodblock print of a seated man with lilies in the background by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). Artist's chop is in the lower right corner of the piece. The actor is Magosaburo Matsugaya from the play "Katakiuchi Rumors" Presented in a new grey-blue mat with foamcore backing. Mat size: 21"H x 16"W Paper size: 14"H x 9.75"W During his lifetime Kunisada Utagawa...
Category

1850s Edo Figurative Prints

Materials

Paper, Ink, Woodcut

Women Outside Breton Hotel - Chromolithograph on Paper
By Alson Skinner Clark
Located in Soquel, CA
Women Outside Breton Hotel - Chromolithograph on Paper In a pastel palette, Alson Skinner Clark (American, 1876-1949) captures the rustic beauty of a side street in a Breton village as two women converse outside of a hotel on a blue sky day. Signed “Alson Clark...
Category

1910s American Impressionist More Prints

Materials

Laid Paper, Lithograph

Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Located in Soquel, CA
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...
Category

1920s American Impressionist Landscape Prints

Materials

Paper, Ink, Drypoint

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category

1980s Minimalist Landscape Prints

Materials

Paper, Ink, Drypoint

"Covered Bridge Near Columbia" California - Woodblock Landscape on Tissue Paper
Located in Soquel, CA
"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...
Category

Mid-20th Century American Impressionist Landscape Prints

Materials

Ink, Tissue Paper, Woodcut

Yellow Dining Room Interior - Multi Layer Fauvist Screenprint on Archival Paper
By Doris Warner
Located in Soquel, CA
Bold and bright depiction of a dining room by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky, rectilinear forms, creating an ani...
Category

1980s Abstract Impressionist Landscape Prints

Materials

Paper, Ink, Screen

Victorian House - Multi Layer Fauvist Screenprint on Archival Paper
By Doris Warner
Located in Soquel, CA
Bold and bright depiction of a Victorian house by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky,...
Category

1980s Abstract Impressionist Landscape Prints

Materials

Paper, Ink, Screen

"Sharing" Multi Layer Screen Print on Paper
Located in Soquel, CA
Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...
Category

1980s American Impressionist Figurative Prints

Materials

Paper, Ink, Screen

"A Midsummer Night s Dream" - Surreal Lithograph in Ink on Paper (#1/9)
Located in Soquel, CA
Detailed and vivid close-up of an eye with a reflection by an unknown artist (American, 20th Century). In the reflection of the eye, there is a person seated on the ground with a lar...
Category

1990s Surrealist Figurative Prints

Materials

Paper, Ink

A Breach of Promise - Hand Colored Etching on Paper 1900 Victorian
By James Dobie
Located in Soquel, CA
Victorian-style drypoint etching by James Dobie (British, 1849-1911), after a painting by Walter Dendy Sadler. Printed in London by J. Brooker & Co. and ha...
Category

Early 20th Century Victorian Figurative Prints

Materials

Paper, Watercolor, Drypoint, Etching

"Pills" - Outsider Pop Art - Woodblock on Paper (#5/5)
Located in Soquel, CA
Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...
Category

2010s Outsider Art Still-life Prints

Materials

Paper, Ink, Woodcut

Hanging Cloth to Dry - Etching on Paper (#8/15)
Located in Soquel, CA
Clean, balanced etching of cloth hanging over poles by an unknown artist "Jeanetta (e)" (20th Century). Several pieces of cloth or clothing are hanging o...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink

"Press Two" - Artist s Proof Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...
Category

1980s Abstract Impressionist Interior Prints

Materials

Paper, Ink, Etching

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist Landscape Prints

Materials

Paper, Ink, Lithograph

"Bones" - Abstracted Etching in Ink on Paper (Artist s Proof)
By Doris Warner
Located in Soquel, CA
"Bones" - Abstracted Etching in Ink on Paper (Artist's Proof) Abstracted print by Doris Ann Warner (American, 1925-2010). The subject of this piece is a close-up depiction of bones, ...
Category

1980s Abstract Interior Prints

Materials

Paper, Ink, Etching

"Bottles" - Etching in Ink on Paper (Artist s Proof)
By Doris Warner
Located in Soquel, CA
Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...
Category

1980s American Impressionist Interior Prints

Materials

Paper, Ink, Etching

"Still Life" - Etching in Ink on Paper (Artist s Proof)
By Doris Warner
Located in Soquel, CA
Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...
Category

1980s American Impressionist Interior Prints

Materials

Paper, Ink, Etching

Nine Pane Window - Abstracted Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Abstracted print by Doris Ann Warner (American, 1925-2010). Nine panes are arranged in a three by three grid, each with a small abstracted scene. There are objects that look like flo...
Category

1980s Abstract Interior Prints

Materials

Paper, Ink, Etching

"Night Moves" - Abstract Etching in Ink on Paper (Artist s Proof)
By Doris Warner
Located in Soquel, CA
"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...
Category

1980s Abstract Interior Prints

Materials

Paper, Ink, Etching

"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20)
By Doris Warner
Located in Soquel, CA
"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20) Dark abstract print by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, with three rows of three similarly shaped objects. They are somewhat rectangular, but with rounded corners, like stacked rocks...
Category

1980s Abstract Impressionist Interior Prints

Materials

Paper, Ink, Etching

"Conception" - Portrait of a Native American on a Vision Quest
Located in Soquel, CA
"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...
Category

1990s Surrealist Figurative Prints

Materials

Laid Paper, Screen

Native American Figurative Woodblock -- "Weaving" #5/12
By Virginia J Hughins
Located in Soquel, CA
Wonderful woodblock print titled "Weaving" by Aptos, California artist Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004), circa 1990. Signed "Virginia" bottom rig...
Category

1990s American Impressionist Figurative Prints

Materials

Paper, Ink

Starfish Etching in Ink on Paper (#8/16)
Located in Soquel, CA
Delightfully detailed starfish at the shore by unknown artist J. Brown (20th Century). A starfish sits atop a rock at the edge of the water. The scene is rendered with great detail, ...
Category

1980s Contemporary Still-life Prints

Materials

Ink, Archival Paper, Etching

"Simple Delight" - Wine Glass Rose Still Life Etching in Ink on Paper (#6/15)
Located in Soquel, CA
Art nouveau style illustration by Curtis G. Leonardo (American, b. 1960). A rose with a few leaves sits in a wineglass, with a pencil at the base. The composition is slightly abstracted, with geometric shapes creating a backdrop for the still life. This piece has an art nouveau style, with heavy transparent outlines to the objects. Numbered, titled, signed, and dated along the bottom edge: 6/15 Simple Delight Curtis G. Leonardo '81 Presented in a new grey mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 15"H x 11"W Curtis G. Leonardo (American, b. 1960) grew up in San Leandro...
Category

1980s Art Nouveau Still-life Prints

Materials

Paper, Ink, Etching

"Press" - Artist s Proof Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...
Category

1980s Abstract Impressionist Interior Prints

Materials

Paper, Ink, Etching

"La Paz de la Muerte" - Still Life Etching in Ink on Paper
Located in Soquel, CA
Bold, dark etching with a skeleton by an unknown artist (20th Century). The ribcage, spine, and hips of a skeleton are laying down in front of some furniture. A small table sits on either side, with a large patterned blanket...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Etching

"Home from the Fair" Wagon and Horses Print on Canvas
Located in Soquel, CA
"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...
Category

1980s American Impressionist Figurative Prints

Materials

Canvas, Printer s Ink, Oil

Brainiac Silkscreen Abstract -- "Sesos" - Rauschenberg Style
By Michael Pauker
Located in Soquel, CA
Unique silkscreen of Bay Area artist Michael Pauker (American, b.1957) "brainiac" series titled "Sesos" circa 2010. Upside down verbiage/script adds mystery to an already interesting piece. This piece is an artist's test, and is labeled "Trial Proof" and signed along the bottom edge. Piece was acquired with a collection of his work. Presented under plexiglass in light wood frame. Frame size: 43"H x 32.25"W Image size: 39"H x 29"W. Born in New York in 1957, Michael Pauker studied at the New York Suny Purchase school of art and design, was working in the style of Robert Rauschenberg and other New York School Abstract Expressionists. "Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines, a group of artworks which incorporated everyday objects as art...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Paper, Ink

Abstract Botanical Monoprint in Ink on Paper
Located in Soquel, CA
Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of pale magenta, olive green, grey, and pale blue. Signed, dated, and marked with the artist's chop in the lower right corner (Roxanne Lo...
Category

1990s Abstract Abstract Prints

Materials

Paper, Ink, Archival Paper

Abstract Botanical Monoprint in Ink on Paper
Located in Soquel, CA
Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of magenta, olive green, grey, and pale blue. Signed, dated, and marked with the artist's chop in the lower right corner (Roxanne Lo...
Category

1990s Abstract Abstract Prints

Materials

Paper, Ink, Archival Paper

"Roots" Abstract Monoprint in Ink on Paper
Located in Soquel, CA
Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of dark magenta, olive green, black, and pale blue. Extending below the majority of the piece are brushstrokes resembling roots. Signed, dated, titled and marked with the artist's chop in the lower right corner (Roxanne Lu Roots FA 98) Presented in an aluminum frame with an off white mat...
Category

1990s Abstract Abstract Prints

Materials

Ink, Archival Paper, Lithograph

"Back to the Sea" - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of the sea, a maddox. random fishing buoys and crab claw titled "Back to the Sea by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Back to the Sea" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

Native American Figurative Woodblock -- The Weaver #3/12
By Virginia J Hughins
Located in Soquel, CA
Wonderful woodblock print titled "Weaver" by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004), circa 1990. Presented in a rustic black wo...
Category

1990s American Impressionist Figurative Prints

Materials

Paper, Ink

"Unremembered Dream" Dragon Fly and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of dragon fly and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Unremembered Dream" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

"Rebirth" Honey Bee and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W Titled "Rebirth" along the bottom edge. Signed and dated "T. Uchida" in the lower right corner. Presented in a new double mat mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1
By Michael William Eggleston
Located in Soquel, CA
Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1 Brightly colored one-of-a-kind multi-layer abstract composition by Michael William Eggleston (American, 20th Century). Patche...
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Paper, Ink, Woodcut

Early 20th Century Camping in Sierra Mountains Lithograph
Located in Soquel, CA
Wonderful hand-colored lithograph of Sierra Mountain camping scene by Donald Masefield Easton (American, 1896 - 1956), published in 1931. Signed lower right (partially obscured by mat). Presented in rustic wood frame under glass. Image size: 14"H x 18"W. Donald Masefield Easton was a painter, illustrator with his subjects being California landmarks and western scenes. Born is Port Costa...
Category

1930s American Impressionist Landscape Prints

Materials

Paper, Oil Crayon, Ink

Female Figure Underwater Realist Etching --"Separation" by Carol Bennett
By Carol Bennett
Located in Soquel, CA
Female Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...
Category

1990s American Impressionist Figurative Prints

Materials

Etching, Laid Paper

"Coast July No. 2" - Multi Layer Landscape Screenprint (9 of 23)
By Dorr Bothwell
Located in Soquel, CA
Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...
Category

1960s Modern Landscape Prints

Materials

Paper, Ink, Screen

"Birth" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Birth" by Tomoya Uchida (American, 20th Century). This piece is mostly abstract, high-contrast organic shapes, with the exception of one straight line that sits above the organic shapes. In the lower left corner of the piece, there is a wasp. Titled "Birth" along the bottom edge. Signed "T. Uchida" in the lower right corner. Presented in a new white and black double mat with foamcore backing. Mat size: 14"H x 10"W Paper size: 12"H x 8.5"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Animal Prints

Materials

Paper, Ink, Drypoint

"II Cottonballs" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
Abstracted drypoint etching by Tomoya Uchida (Japanese, 20th Century). Two cottonballs on the stalk sit in a minimalist space. Titled "II Cottonballs" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

"II Walnuts" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
Abstracted dry point etching by Tomoya Uchida (Japanese, 20th Century). Two walnuts sit in an abstracted space, with ropes in the background. Titled "II Walnuts" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new grey mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

"Dialogue to the Wind" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind. Titled "Dialogue to the Wind" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Mat size: 22"H x 17"W Paper size: 19.75"H x 13"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Landscape Prints

Materials

Paper, Ink, Drypoint

Vertical Geometric Abstract Etching by Carol Shaw
Located in Soquel, CA
Bold geometric abstract etching by Carol Shaw (20th Century). Sharp lines - created with the use of negative space - divide the composition into sections, with shading between them. ...
Category

Mid-20th Century Abstract Geometric Abstract Prints

Materials

Paper, Ink, Etching

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