The Illustrated Gallery Figurative Paintings

Medium: Mixed Media Signature: Signed Lower Center Published May 1973 by Pyramid Books

Medium: Gouache on Board Signature: Signed Lower Left The Saturday Evening Post cover, September 12, 1953

Medium: Oil Painting Signature: Signed Lower Right Sight Size 24.00" x 20.00", Framed 31.00" x 27.00" The Saturday Evening Post cover illustration, December 1907

Medium: Oil, Ink and Gold Leaf on Paper Dimensions: 15.00" x 12.00" Signature: Signed Lower Center The present work was published as the cover of the December 2nd, 1899 issue of Lif...

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

World War I scene Story illustration for “Will You Tell Her I’m All Right?” by Catherine Van Dyke for The Ladies Home Journal, published March 1918, illustrated page 11. The full c...

Painting of famed New York Yankees baseball player Mickey Mantle Medium: Painting Signature: Signed Lower Left Contact for dimensions. While growing up, Ron Lesser was recognized for his artistic potential. He was admitted into New York's High School of Music and Art and later the Pratt Institute of Art and the Art Students League, studying under the influential teacher, Frank J. Reilly. Drawing on his extensive fine art background, and inspired by the great classical painters such as N.C. Wyeth, Norman Rockwell, Tom Lovell and others, Ron focuses on historical paintings of high visual impact and strong characterizations. He creates paintings inspired by his fascination of the culture and environment of his subject matter. These paintings bring back the important and often exciting moments that existed in the 19th century. While giving attention to detail, a devotion to strong and dramatic compositions coupled with a unique creative vision sets a Ron Lesser painting apart. This overall impact transports the viewer to another time and place. "I'm trying to tell a story. I like people to look at one of my paintings and feel like they could step into the scene." Lesser created Western movie art for "High Plains Drifter," "Paint Your Wagon," "The Way West," and the story boards for the dream sequence in "A Man Called Horse." He has painted the covers of Western book...

Painting of New York Yankees baseball player Derek Jeter Medium: Painting Signature: Signed Lower Right Contact for dimensions. While growing up, Ron Lesser was recognized for his artistic potential. He was admitted into New York's High School of Music and Art and later the Pratt Institute of Art and the Art Students League, studying under the influential teacher, Frank J. Reilly. Drawing on his extensive fine art background, and inspired by the great classical painters such as N.C. Wyeth, Norman Rockwell, Tom Lovell and others, Ron focuses on historical paintings of high visual impact and strong characterizations. He creates paintings inspired by his fascination of the culture and environment of his subject matter. These paintings bring back the important and often exciting moments that existed in the 19th century. While giving attention to detail, a devotion to strong and dramatic compositions coupled with a unique creative vision sets a Ron Lesser painting apart. This overall impact transports the viewer to another time and place. "I'm trying to tell a story. I like people to look at one of my paintings and feel like they could step into the scene." Lesser created Western movie art for "High Plains Drifter," "Paint Your Wagon," "The Way West," and the story boards for the dream sequence in "A Man Called Horse." He has painted the covers of Western book...

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Board Signature: Signed Lower Center This illustration was published as the paperback cover of The Devil of Bucks County by Edmund Schiddel (Bantam Books, 1967).

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned

Story illustration for “Confession” by Margret G. Trotter for The Saturday Evening Post, published March 20, 1948, page 26. The full caption reads: “He was saying hoarsely, ‘Here’s...

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for ''Motor'' Magazine, February 1931 Depicting a Duryea Automobile Driving by a Blacksmith Shop

Illustrating an article about the life of Alexander Hamilton titled “The Duel,” published in LIFE Magazine, July 7, 1947, page 69. The full caption reads: “The Hamilton-Burr Duel, w...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Medium: Oil on Paper Signature: Signed Lower Right On August 2, 1990, Iraqi President Saddam Hussein -- the Iraqi tyrant greedy for domination of the M...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.00" x 13.00;" Framed 18.00" x 15.00" This painting was originally published on the Fleetwood First Day Cover for the U.S. 37c Flag Folding Fan...

Medium: Oil Painting Signature: Signed Lower Right Lady

Medium: Oil on Canvas Signature: Unsigned This is a study for the cover illustration of the 1 January 1927 issue of The Saturday Evening Post.

Medium: Oil on Canvas Signature: Signed Upper Left

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Image shows Kobe Bryant shooting a basketball for the LA Lakers Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right Liberty Magazine Cover, August 26th 1939

Medium: Oil on Canvas Signature: Signed Lower Left One of seven paintings in the Great Moments in U.S. Olympic History collection, Howe's artwork shows that achieving greatness begins with a dream. Here, a young boy dreams of running with the U.S. Olympic Track...

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Medium: Oil on Board Signature: Signed on Back

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 23.00", Framed 34.00" x 29.00" Cover of The Saturday Evening Post, February 2, 1935

Medium: Oil on Canvas Signature: Unsigned Sight Size 24.00" x 16.50;" Framed 31.75" x 24.75" "Universal Peace" by Hamilton Holt, August 1911. Cosmopolitan Magazine...

Medium: Oil on Canvas Signature: Signed Lower Right "A Successful Man," by Ella Wheeler Wilcox, from book Poems of Optimism (1919).

Medium: Oil on Canvas Signature: Unsigned A Gunfight Forthcoming

Medium: Oil Painting Signature: Unsigned Cover of 'April Gold' written by Grace Livingston Hill

Medium: Oil Painting Signature: Signed Lower Right Book Cover 'The Tryst' written by Grace Livingston Hill, 1992

Medium: Oil Painting Signature: Unknown Original Poster Illustration

Medium: Oil on Board Signature: Signed Lower Left Sight Size 34.50" x 28.00;" Framed 39.50" x 32.50" Eyes of Love: Bachelor Party, Pictorial Review, October 1921

Medium: Oil on Canvas Signature: Unsigned, stamped "The estate of/ EDMUND F. WARD" on the stretcher, with a partial composition on the reverse. Provenance: Through the artists estate

Medium: Gouache on Board Signature: Signed 'Darden' Lower Left Sight Size 17.25" x 34.25," Framed 21.125" x 38.125" llustration from a story in Black Sports Magazine, circa 1975. A dynamic image showing the Hall of Famer stealing a base from Chicago Cubs...

Medium: Painting Signature: Unsigned Contact for dimensions.

Medium: Oil on Paper Signature: Signed Lower Right

Original cover for Liberty magazine, published September 18, 1926. Lil receives an unexpected flower delivery at the Morse home, while a jealous Sandy glowers in alarm and disapprov...

Original cover for Liberty magazine, published January 22, 1927. Blissful in her recent engagement to Sandy, Lil spends an evening at home knitting him a pair of green zigzag sport ...

Original cover for Liberty magazine, published July 24, 1926 Sandy, Lil, and their friends gather on the front porch of the Morse home to sing. They began in the late afternoon, but...

Original cover for Liberty magazine, published January 26, 1929. After the passing of Sandy’s Great-Uncle Ulysses, Sandy and Lil walk around the cluttered brownstone mansion he left...

Medium: Acrylic on Board Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Left Grandmom with grandson and dog

Medium: Watercolor on Paper Signature: Signed Lower Right

Medium: Oil Painting Signature: Signed Lower Left Hide Rack

Medium: Oil on Paper Laid Down to Board Signature: Signed Lower Left This is an illustration for the book by Samual McChord Crothers, The Children of Dickens, originally published in 1925. Bob Cratchit first appeared in Charles Dickens' A Christmas Carol as the victimized clerk of cold-hearted Ebenezer Scrooge. Timothy Cratchit, also known as Tiny Tim...

Medium: Mixed Media Signature: Signed Lower Right Contact for dimensions.

Medium: Oil on Canvas Signature: Signed Lower Right A close friend of Norman Rockwell, Mead Schaeffer focused his early career on illustrations for classic, historical, and adventure novels, including Moby Dick, The Count of Monte Christo, and King Arthur and His Knights. The featured lot, a masterpiece of political intrigue, was published as a story illustration for Joseph C...

Medium: Oil on Board Signature: Signed Lower Left

Date: 1955 Medium: Gouache on Board Dimensions: 24.00" x 18.50" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, February 5, 1955. The Post ...

Medium: Oil on Canvas Signature: Signed on the Back

Medium: Oil on Canvas Signature: Signed on the Back House Enchanted

Medium: Oil on Canvas