Tobogan Antiques Furniture

Important tray made in gilded bronze and “cloisonné” enamel attributed to Elkington and Willms. Ornamented with a centering polychrome enameled peacock plaque, made of very high standard quality, mounted on a gilt-bronze dish, decorated in relief with Japanese Nô theater masks. The great Birmingham firm of Elkingtons, was largely the creation of George Richards Elkington (1800-1865), who worked from 1824 in Birmingham as a manufacturer of silver-mounted scent bottles. By 1829 the business had expanded sufficiently for a branch to have been established in London. In the late 1830s the Elkingtons began making experiments to apply the principles of electro-metallurgy to gilding and plating with silver and in 1840 the patent was at last taken out. Elkingtons owed their rise to a position amongst the most important silversmiths of the country to their exploitation of this new process and the two of the most famous designers then employed, both of them French, Albert Wilms (1827-1899) and Morel-Ladeuil (1820-1888), who helped to make Elkingtons’ reputation with their elaborate exhibition pieces. Albert Willms was apprenticed as modeler and engraver to Klagman, Dieterle and Constant in Paris before working for Morel & Co. in London in 1848. On his return to Paris he was employed by the great Parisian silversmiths including Christofle and Froment-Meurice, for whom he designed pieces to be presented at the 1855 Universal Exhibition in Paris. It was during this period that he joined the firm of Elkington in London as head decorator. Elkington was soon to become one of the first to produce refined pieces in “champlevé” enamel in the Chinese and Japanese styles, which were presented with great success at the London Universal Exhibition in 1862 (see Masterpieces of Industrial Art & Sculpture at the International Exhibition 1862, J.B. Waring, London, 1863, III, pl. 211). Willms’ “champlevé” enamels could not be compared, however, with the delicate “cloisonné” enamels exhibited by Japan at the Universal Exhibition in Paris in 1867. This explains why Elkington adapted the ancient Japanese technique to produce pieces according to European taste and custom. Followings the 1867 Exhibition all the major European artists rivaled in ingenuity for the 1873 Universal Exhibition in Vienna. In London Albert Willms presented his luxurious vases and cups in “cloisonné” enamel for Elkington (see Illustrations of Art Manufacturers in the Precious Metals exhibited by Elkington & Co., Inventors, Patentees and Manufactures of electroplate, 1873), whilst in Paris, Ferdinand Thesmar (1843-1912) produced in the workshops of Ferdinand Barbedienne (1810-1892) a tray decorated with a golden pheasant in “cloisonné” enamel on copper...

Rare aesthetic movement showcase, opening in its upper part by two beveled glass doors framed by brass moldings, in its lower part by two door panels in carved walnut decorated with blooming branches and gilded bronze ornaments representing dragons and birds. The sides are carved, like wicker woven. This showcase is topped by an important carved and gilded walnut cornice depicting a Fô Dog in its center, with a protective power, and rests on elephant head with overtuned trunk shaped feet. This type of elephant head with overtuned trunk shaped feet is a characteristic of the Maison Giroux, which can be found on many objects they produced. Aesthetic movement cabinet, signed Maison Alphonse Giroux...

Charming Japanese-inspired « pagoda » table in tinted and carved wood attributed to G. Viardot. The rectangular top rests on four slightly curved legs adorned with openwork and sculpted geometric interlacing, joined by an engraved stretcher with a stylized cutout. Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Universal Exhibition in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father's business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects...

Charming Louis XVI style « cage » shaped chandelier in gilded bronze and cut crystal, with four lights. Many cut crystal pendants, daggers, prisms and flowers adorned the whole, connected with garlands of pearls. An indirect lighting...

Charming Louis XVI style chandelier in gilded bronze, clear and amber cut crystal with six lights. The central shaft, formed by a succession of balusters in cut and faceted crystal, ...

Height with lampshade : 73 cm (28,7 in.) ; Diameter lampshade : 44,5 cm (17,5 in.) ; Diameter base : 22 cm (8,6 in.) Beautiful pair of patinated and gilded bronze China vases mounte...

Beautiful Neoclassical chimney mantelpiece carved in Portor marble. The fluted lintel is decorated with a central rectangular cartouche in red marble and ends with a red marble pyramid...

Charming Limoges porcelain dish with scalloped edges representing a popular festival, a donkey race in a village in Bretagne, attended by families in traditional outfits. Maximil...

Height with lampshade : 133 cm (52,3 in.) / without lampshade : 125 cm (49,2 in.) ; Lampshade - Height 74 cm (29,1 in.) ; Diameter : 86 cm (33,8 in.) Important Japanese style gourd-shaped lamp, made with a polychrome Kutani porcelain vase decorated with lake scene and flowers in cartouches, in the middle of flying waders on a red background. It is covered with its original beige pleated silk lampshade, embroided with flowers and waders. It rests on an « old gold » patinated bronze base with stylized openwork decoration, topped with a Fô dog on each foot. Related work : Japanese enamel porcelain...

Signed on the base Prof. G. Ca...? Charming illuminating alabaster sculpture representing a young naked woman leaning on rocks, and seated at the edge of a source concealing a lig...

Height : 15 cm (5,9 in.) ; Diam. : 15 cm (5,9 in.) ; Base width : 12 cm (4,7 in.) Charming hexagonal night light in painted porcelain decorated with flowers, surmounted by an openwork gallery in gilded bronze containing a cut crystal corolla. Bordered by three Greek-shaped handles ending in hooves, it rests on an openwork tripartite base ending in rosebuds. Biography “L’Escalier de Cristal”, an old and famous Parisian firm, specialized in glass products and ceramics but also suggested furniture and bronze sculptures. It was led from 1885 to 1923 by Emile Pannier’s sons, who gave the name of Pannier Frères to the society, located at the corner of Scribe street and Auber street, next to the new built Paris Opera house. Their Japanese style creations were among many others much appreciated by the critics and the public. They were awarded many medals at various exhibitions, such as the Gold medal at the 1900 Paris Universal Exhibition. Lots of artists participated in that world success, such as Emile Gallé, who gave to Pannier Frères the exclusive rights of some of his models, or François-Eugène Rousseau, who designed many vases and gave the model of his successful Japanese style dining-set as well. This set was made by the Creil et Montereau Manufacture. In the Japanese style furniture...

Enameled ceramic chandelier with flared border underlined by a frieze of stylized foliage, decorated on the body with Arabic characters on a light blue background, alternating with t...

Fine aesthetic movement clock in cloisonné enamel and gilded bronze, decorated with polychromed birds and flowers, and geometric gilded ornaments on a ...

Charming Art Deco salon set including a marquise, a pair of armchairs, a pair of chairs and a stool. They are composed of a gondola-shaped backrest ...

Pair of porcelain glass-coolers with painted medallions and gilded ornaments on a turquoise blue background, mounted on a gilt bronze base, in the style of the Manufacture of Sèvres....

Sofa = Height : 100 cm (39,3 in.) ; Length : 130 cm (51,2 in.) ; Depth : 53 cm (20,8 in.) Armchairs = Height : 100 cm (39,3 in.) ; Width : 71 cm (27,9 in.) ; Depth : 57 cm (22,4 in.) Charming Louis XV style salon...

Rare Japanese style cylinder desk in tinted and carved wood, richly engraved on all sides with foliage, cherry branches and geometric interlacing. Surmounted by two asymmetrical shelves, the cylinder is decorated with an engraved dragon. Opening this cylinder reveals many compartments with adjustable dimensions, a drawer with engraved decoration and letter storage. The cylinder sides can open laterally, allowing a larger area for working and writing. The lower part of the desk is formed on the left by five superimposed drawers decorated with geometric interlacing and carved branches, as well as Japanese characters, deer and mother-of-pearl foliage. On the right, there is a drawer and a door decorated with carved leaves and mother-of-pearl interlacing, revealing four drawers forming compartments. An ingenious mechanism makes it possible, when the cylinder is closed with a key, to completely lock the desk. Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Exposition Universelle in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father’s business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects...

A rare double-side Louis XV style flat desk, made of veneered wood, opening with three drawers decorated with a beautiful flower motif end-cut wood marquetry. With fine chased and gi...

Exceptional neo Renaissance bookcase forming desk. This monumental piece consists in a lower part forming drop-front desk supported by two pillars with drawers. The lateral parts each open with a moulded door. The bookcase occupies the upper part, opening by four windows...

Charming Restauration style Paris porcelain tea set with red and gold Amati background, composed of a teapot, five cups with winding handle and their saucer, and a bowl. This set, li...

The Violinist – Height : 97 cm (38,1 in.) ; Width : 30 cm (11,8 in.) ; Depth : 43 cm (16,9 in.) The Wait – Height : 93 cm (36,6 in.) ; Width : 36 cm (14,1 in.) ; Depth : 41 cm (16,1 in.) Beautiful pair of wrought iron sculptures representing a violinist and a man holding a rose sheltering with an umbrella under a street lamp. These sculptures are the work of Jean-Alexandre Delattre, a French sculptor born in 1935 and who died in 2022, who specialized in the production of slender wrought iron sculptures, representing sportsmen, jobs or situations. J-A Delattre has also achieved numerous sports trophies...

A pair of two patina bronze torcheres attributed to V. Paillard. Each modelled as a pair of putti holding aloft a large foliate shaft issuing eleven berried-acanthus scrolled branche...

Rare Napoleon III display pedestal with curved front, in wood veneer and chiseled and gilded bronze ornamentation. Topped by a rotating circular top underlined by a frieze of laurels...

A Japanese style carved wood cabinet, with a painted decor imitating Japanese lacquer, ornamented with flowers, birds and butterflies. Opening onto two drawers and a paper filer, the upright-secretary door is also fitted with red velvet. Surmounted by a drawer and asymmetrical shelves, composed in the Japanese « zen » spirit, the cabinet stands on four legs joined by an engraved stretcher. The great influence of the Far-East, through China and Japan, in the second half of the 19th century French art could be found first in painting and soon after in decorative arts and furniture as well. Following the Franco-English military campaign led in 1860 against the Imperial army in China, the French troops of Napoleon III brought back from the Summer Palace, a part of the Chinese Imperial court treasure, which will make up the famous Chinese Museum of Empress Eugénie at the Fontainebleau Palace. The French artists won’t be long to take inspiration from those exotic and sumptuous objects for their creations, as they used to do in the 18th century, when the best French cabinet-makers adapted the Chinese lacquers on the luxurious royal chests. But the influence of Japan, at the Meiji period (1868-1912), came also very quickly to France, thanks to the opening of the country in the middle of the 19th century, as well as the development of traveling and the amazing Universal Exhibitions, in which Japan participated for the first time in 1867 in Paris. Then many Japanese objects and prints were imported to France and to all Europe, and for which some collectors spent already fortunes. With Manet and Impressionists generation, the passion for Japanese art, more than a simple taste for an exotic style, was still in fashion until the turn of the 19th century. It provoked not only a craze among the French aristocratic families as well as the wealthy Paris high society, wishing renew their mansion inner decoration, but turned also to a real revolutionary movement among the “avant-garde” artists. Those artists, whoever they were, painters, cabinet-makers or designers of ceramic, bronze and crystal objects, adapted then those techniques and naturalistic motifs unknown until this time. Christofle, very famous since 1867 as a silversmith, was also one of the leaders among the inventors of Japanism. He knew how to use Japanese elements to his own splendid works made in silver or “cloisonné” enameled bronze. During the 1878 Paris Universal Exhibition, Christofle presented with great success his life-sized bronze Japanese ladies torcheres, executed by the renowned sculptor Guillemin. Another famous company to be mentioned, is “L’Escalier de Cristal”, producing art objects and furniture, all of high standard quality and innovating much with their Japanese decor. Highly remarked during the Universal Exhibitions, “L’Escalier de Cristal” collaborated with the greatest artists, such Gallé and Rousseau for glass- and ceramic wares, and the cabinet-makers Lièvre and Viardot, whom made furniture including sometimes authentic Japanese elements. In 1872, Alfred Perret and Ernest Vibert opened in Paris, at 33 rue du Quatre-Septembre a store that offered “natural bamboo furniture and cane seats” and all kinds of textile fittings for furniture. This furniture used for winter gardens and terraces of mansions knew then a resounding success. They developed their business around 1884 with their Japanese style furniture, very close to that executed by Gabriel Viardot (1830-1906). In 1886, the company appearing in the category of “Chinoiserie and Japoneries” offered, in addition to furniture and seating creation, works of art and inlaid furniture directly imported from the Far East ; an activity that expanded rapidly. Their exotic fantasy furniture presented at the Universal Exhibition of Paris in 1889 and 1900, rewarded them two silver medals. In 1894, the company was listed under the name “Perret et Vibert”, headed by the son of Alfred Perret and Ernest Vibert. The same year, they redesigned their store on rue du Quatre-Septembre, creating ten new show-rooms, showing complete furniture sets of Japanese and Chinese style inspiration. It was not until 1895, that the company was finally named “La Maison des Bambous” and organized then in their shops an “exhibition of country furniture and seats for castles and villas”, which was visited by Empress Eugenie to furnish her villa Cyrnos at Cap Martin. She actually was a regular customer of the “Maison des Bambous” as she bought repeatedly furniture. In October of the same year, the king of Greece...

Lovely damascened metal smoking kit composed of a tray with branch-shaped handles and four removable containers. It’s adorned with flowers, red and gilt or...

A tripod gueridon in gilded bronze attributed to F. Barbedienne, decorated with palm-leaves and standing on lion’s feet. The black marble top is decorated with an antique chariot...

Signed Elkington & Co Numbered Rd 92173 Beautiful rectangular table clock executed in gilded and silvered electrotyped metal, decorated in relief with butterflies, music instrume...

Charming easel mirror in the shape of a lyre, in gilded bronze and polychrome cloisonné enamel decorated with interlacing and flowers. Paul Louchet (1854-1936), a French artist, worked at the beginning at chiselling bronze pieces, before becoming President of the Bronze Manufacturers Society, located in Paris. Sculptor and painter, as well, he collaborated with his brother, Charles, and together participated to the Chicago Universal Exhibition in 1893, with a great success : « Il n'y a pas de plus belle ou plus magnifique exposition à Chicago qui attire l'attention universelle que celle dans la section des fabricants de Paris. Il s’agit du stand des frères...

A lovely oval gilded bronze table mirror, adorned with a polychrome “champlevé” enamel decor made of stylized flowers and beautiful gilded bronze mounts with putti, palms and garlands of flowers. Alphonse Giroux and Company, famous curiosity and luxury goods shop was situated at No. 7 rue du Coq-Saint-Honoré and in business from the time of the Consulate until the end of the Second Empire. The company was founded by Francois-Simon-Alphonse and continued in 1838 by his two sons, Alphonse-Gustave (1810-1886) and André (1801-1879). The father became a close associate of the royal family and specialized in the manufacture of refined items for gifts, winning a silver medal at the in 1834. Kings Louis XVIII and then Charles X were both supplied with gifts for « The Children of France » by Giroux. Making progressively small furniture, they were mentioned for the first time in 1837 in the class « cabinet...

Measures: Total height 270 cm (106,3 in.), width 197 cm (77,6 in.), depth 45 cm (17,7 in.) Chimneypiece height 111 cm (43.7), overmantel height 159 cm (62.6 in.). Opening : 91*88 cm ...

A Japanese style carved wood cabinet attributed to G. Viardot. A painted decor imitating Japanese lacquer, ornamented with flowers, birds and butterflies. Opening onto two drawers an...

Rare pair of Greek style candelabras made in patinated bronze and gilded bronze, attributed to G. Servant. Each with ten light arms topped by a heron shaped extinguisher. Decorated with various Greek style motifs such palmets, pine cones ans water leaves. Standing on a small triangular architecture presenting a theatre mask and reposing on a tripod base formed with lion paw feet. Georges Emile Henri Servant (circa 1828-1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a Gold Medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of blackened wood columns with a very fine straw "Paille" marquetry frieze ornamented with geometrical motifs.

Presented at the Universal Exhibition of Paris in 1889 Important sculpted and engraved natural wood, patinated bronze and Griotte de Campan red marble inlaid Neo-Renaissance style cabinet. The upper part is composed of a frieze of bronze medallions separated by triglyphs and supported by ribbed columns with Corinthian capitals. There are eight of these columns paired at the front and two simple columns at the rear. The facade presents an alternation of bronzes in niches and cartouches, of marble slates in cartouches sometimes flanked by palmettes, and of engraved motives of laurel and foliage scrolls. The upper part opens with three leaves and three mobile compartments. The belt carved with acanthus leaves opens with two drawers. This cabinet is supported by four richly sculpted tapered feet ending with claws. Four fluted pilasters are inscribed in the moulded back as counterparts. The whole ensemble stands on a moulded plinth and eight rounded feet. Neo Renaissance Cabinet...

Elegant centerpiece in finely chiseled vermeil. Composed of a Baccarat cut-crystal cup from which emerge four sinuous light-arms. The whole rests on a scalloped mirrored tray adorned with foliage, with a molded contour of wrapped rushes and ending with four openwork feet. The two French goldsmiths George Boin and his son-in-law Emile Taburet created circa 1875 in Paris the company Boin-Taburet. They made many silver pieces inspired by the beautiful services of the eighteenth century. At the Paris Universal Exhibition of 1878, Georges Boin presented a “service de toilette” inspired by the work of François-Thomas Germain (1726-1791), and then at the Universal Exhibition of 1889, several epergnes, including one of them executed after drawings by the famous artist Juste-Aurèle Meissonier (1695-1750), as well as tea sets of Louis XIV, Louis XV and Louis XVI styles. Boin-Taburet firm also exhibited a tureen and platter after Pierre Germain...

Large octogonal illuminating mirror in rosso antico marble and silvered bronze, decorated with gilt bronze garlands and semi-precious stones such as lapis-lazuli, porphyry. It is part of a serie of six...

Elegant pair of square section vases attributed to Baccarat, in enameled crystal with polychrome decoration of birds of paradise, resting on an openwork patinated and gilded bronze b...

Scene from everyday life representing a crowd returning from the fair, attributed to J.F. Demay. Born in 1798 in Mire court (Meurthe-et-Moselle Dept.), died in 1850 in Paris, Jean-L...

A magnificent cut crystal three-stage chandelier attributed to the Crystal Manufacture of the Granja, underlined by crown of prisms, pearls and mirza. The lower part holds ten light arms finishing by green crystal cups with gold foliate patterns. The chandelier is supported by a central baluster in cut crystal enriched with large green crystal cups highlighted by intern lights. A similar chandelier is exhibited at the Liria Palace in Madrid, the Duke of Alba’s residence. La Real Fábrica de Cristales de La Granja was established in 1727 in San Ildefonso under order of the Bourbon king Felipe V of Spain, in order to furbish the royal palace of the Granja in glaces and mirrors. French glass masters came at the royal manufacture in 1746, and then masters from Germany and Bohemia (1750). Like the Buen Retiro royal manufacture of porcelain, the Santa Barbara tapestry manufacture, the Granja royal manufacture of crystal took part in the diffusion of Spanish decorative arts in Europe during the 18th century. The manufacture was closed in 1808, consequently to the Spanish independence war, before being restored in 1815 under the reign of Fernando VII...

Pair of Louis XIV style five-light candelabras. Chiseled and silvered bronze. Ornamented with palmettes, medallions and feminine masks. Central stem with guilloche motifs, resting on...

Blackened wood side-cabinet attributed to Susse Frères, opening with a central cupboard door underlined with gilt bronze rods, flanked by two small onyx c...

A very fine Louis XVI style upright secretary, executed in veneered wood, finely decorated with painted medallions representing mythological scenes. Fine chiseled and gilded bronze m...

A very fine pair of Gothic Revival natural wood stands. Each composed of a hexagonal molded red Griotte marble top, resting on a hexagonal tapering shaft. Adorned all-over with carve...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Important pair of curved shape Louis XV style covered vases attributed to Maison Lexcellent, with godrons, in Aswan granite, gilded and chiseled bronze. The lid is topped by a pomegr...

Important presentation frame in carved and gilded wood, of curved shape, with symmetrical decoration of shells and foliage. It is enriched with the two sides consoles...

Elegant Louis XVI style set comprising a thermometer and a perpetual calendar attributed to F. Linke. Each consisting of a metal plaque, painted with floral motifs on a beige backgro...

Charming Louis XV style reading table attributed to H. Dasson. It opens on one side by a compartmental drawer and by a sliding shelf, forming a writing board and being able to switch...

A very fine pair of Imari porcelain vases, of tapering form with flared top. Decorated with polychrome birds and flowers on white background. The body is painted with shaped panels o...

A Japanese style lacquered table consisting of a circular top adorned with a gold nuagé lacquered decor and with red exotic flowers and scrolled foliage. The top is supported by four...

Signed Désiré Attarge Fit and F. Barbedienne Paris Pair of silvered bronze cups, chased by Désiré Attarge after an antique model (Ist Century), known as the Coupe d’Alésia or Cantha...

Charming pair of baluster shaped vases made in Valentine porcelain, with openwork handles enhanced with gold. They are decorated on the front with ...

Label mentioning “I.R. Scuola, Sezione Intarsio e Intaglio, Cortina d’Ampezzo, n°146” Exceptional Venetian Renaissance style center table. The top and the frieze opening with four...

Center table made exclusively in richly carved wood and attributed to A.E. Beurdeley ; with a fine pierced belt ornamented with laurel branches. Raised on four legs joined by a stret...

A similar model was exposed at the 1889 Paris Universal Exhibition ( see picture attached) Patinated and gilded bronze gueridon with four paw feet joined by X-shaped stems, attributed to Sévin and Barbedienne. Round green marble top mounted with a bronze rim adorned with oves and pearls motif. Born in 1821 and dead in Paris in 1888, Louis-Constant Sévin was apprenticed to the parisian sculptor Marneuf. In 1839, he joined the sculptor-modelors Phénix and Joyau, as designer, and designed silver-smith’s objects for famous firms like Denière, Froment-Meurice, Morel and Duponchel. During the Revolution in 1848, C. Sévin joined Morel in London, as workshop manager and designed pieces that Morel exhibited in 1851. Back in France in 1851, C. Sévin went to Limoges and designed models for the porcelain factories of Jouhanneaud and Dubois of which many pieces were exhibited at the Universal Exhibition in 1855. From this date on, he worked for Ferdinand Barbedienne as sculptor-ornemanist until the end of his life. Sévin’s works are considerable, he designed furniture bronzes for the « hôtel de La Païva ». At the London Exhibition in 1862, he was awarded a medal « pour l’excellence artistique des meubles qu’il a dessinés et qui sont exposés par Barbedienne » : for the artistic excellence of the furniture he designed and which is exhibited by F. Barbedienne. He won a second class medal at the Union centrale des Arts décoratifs Exhibition in 1863 and was awarded a gold medal as « cooperator ». F. Barbedienne said that posterity would remember Sévin’s compositions. The most extraordinary object designed by C. Sévin for F. Barbedienne, was a Renaissance style gilded bronze monumental clock...

A pair of neo-Greek wall-light sconces executed in two patina bronze attributed to F. Barbedienne. The central up-turned foliage stem, surmounted by a Greek style vase...

Inscribed Cecilia Josuan, Colegio de N. S. del Huerto, Buenos Aires, 1896 A rare “fixé sous verre” painting using a combined technique of chromolithography for the faces and hands, and silk embroidery for the clothes and background drape. Representing three women holding each other’s hands. Chromolithography technique uses thin paper motifs glued and varnished to integrate its support. Along from the rich Spanish legacy, Argentina is also very influenced since 19th century by European culture, notably Italian. Traces of American Indian culture are harder to find than in the other Latin America countries. During 19th century, with the National pride appears Argentina specific cultural themes. The Gaucho character, keeping the cattle in the Pampas, is recurrent in literature and particularly in poetry: Fausto (1866), by Estanilaslao del Campo, or Martin Fierro (1872), by José Hernandez, often considered to be an hymn to the Pampa. Painting also celebrates this genre with the works of painter Prilidiano Pueyrredon (1823-1870). At the beginning of 19th century, painters in Latin America and particularly in Argentina are foreigners (French, Germans and British) named Costumbristas, painting folkloric landscapes and portraits much appreciated in Europe. During second part of 19th century, a national painting appears with internationally renowned painters such as Prilidiano Pueyrredon, Angel de La Valle...

Beautiful pair of polychrome “cloisonné” enamel display dishes attributed to A. Giroux, decorated with birds flying over rushes and flowers on a sky blue background, bordered with a stylized foliate motif frieze. Finely mounted with gilded bronze ornaments such bamboos, masks and scrolls. Alphonse Giroux and company, famous curiosity and luxury goods shop was situated at No. 7 rue du Coq-Saint-Honoré and in business from the time of the Consulate until the end of the Second Empire. The company was founded by Francois-Simon-Alphonse and continued in 1838 by his two sons, Alphonse-Gustave (1810-1886) and André (1801-1879). The father became a close associate of the royal family and specialized in the manufacture of refined items for gifts, winning a silver medal at the in 1834. Kings Louis XVIII and then Charles X were both supplied with gifts for “The Children of France” by Giroux. Making progressively small furniture, they were mentionned for the first time in 1837 in the class “cabinet...

Signed by Cojoie AD, the decor-painter and on the reverse, LM et Cie, the making mark of the manufacture A circular hand painted pottery charger, decorated with an orientalist sc...

18th century Famille verte China porcelain mural fountain, decorated with lotus, tree and bird motifs. The faucet is coming out of a dragon mouth. Beaut...