Warnock Fine Arts Art

Untitled landscape of trees against a stormy sky. Signed by the artist, with full information of signature on verso. RENAUD ALLIRAND was born in 1970, and currently lives and works ...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

Final trial proof before edition for the black and white version of this print. Signed, titled and numbered by the artist. Smith-Harrision's work very often features architectural elements, along with trees. This is a uniqued trial proof from the edition that is sold out. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...

Signed, titled and numbered from the edition of 30. Imaginary topiary and garden scene, with incredibly fine line work in one of Houtin's earliest etchings. François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...

Signed, titled and numbered in pencil, 32/40. an hommage to Giuseppe Arcimboldo, a 16th century artist best known for creating imaginative portrait heads made entirely of such objec...

Signed, titled and numbered in pencil by the artist. Ricardo Estrada, is a Los Angeles Chicano artist best known for his portraits of street people a...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Signed and numbered in pencil from the edition of 44. Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...

This mezzotint from 1984 is an excellent example of this difficult medium. Signed, titled and numbered, from the edition of 75. Wax is recognized as a master of the mezzotint techni...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...

Signed, title and numbered in pencil by the artist. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate mor...

Medium: Etching and aquatint Year: 2016 Image Size: 15.5 x 11.5 inches Edition of 25, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated fro...

Signed, titled, and numbered from the edition of 14. Image of a young girl with a traditional tea pot and ramen noodle cup. While the images have some resemblance to traditional Japa...

Signed, titled, and numbered from the edition of 15. Image of a young girl i Kimono. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whi...