Early 20th Century Coats and Outerwear

Fortuny's coats often take their inspiration from a myrid of references,renaissance,persian,arabic .These are often elaborately decorated in historical motifs surprisingly unrelated...

This three-quarter length black velvet persian coat was printed with metallic paints with Venetian glass buttons and silk loop closures at the center fr...

Transparent Fortuny gauze pieces are based on the ancient tunic which was a shirt like garment that became traditional attire in roman times, the copts or christian egyptians...

Fortuny's coats often take their inspiration from a myrid of references,renaissance,persian,arabic .These are often elaborately decorated in historical motifs surprisingly unrelated...

Fortunys coats take their inspiration from a myrid of references,renaissance ,persian,arabic .These are often elaborately decorated in historical motifs...

This three-quarter length black velvet persian coat was printed with metallic paints with Venetian glass buttons and silk loop closures at the center fr...

Fortuny translated the caftan as a loose fitting outer garment, usually made out of silk velvet crepe or gauze the fitted back and open front allowed for elaborate stenciled decorati...

this three-quarter length orange-red cut velvet jacket was printed with metallic paints with Venetian glass buttons and silk loop closures at the center front.

The han...

Fortuny translated the caftan as a loose fitting outer garment, usually made out of silk velvet crepe or gauze the fitted back and open front allowed for elaborate stenciled decoration and venetian bead trim .Mariano Fortuny created his stenciled silk...

Transparent Fortuny gauze pieces are based on the ancient tunic which was a shirt like garment that became traditional attire in roman times, the copts or christian egyptians...

Fortuny translated the caftan as a loose fitting outer garment,usually made out of silk velvet crepe or gauze the fitted back and open front allowed for elaborate stenciled decoratio...