Asian Art and Furniture

This early 20th century Chinese table is designed after classic altar table forms used for ancestor worship in the home. The table has a slightly splayed form, with recessed legs, an...

A rare, Dutch Colonial, Batavian (now Jakarta) Dutch East Indies silver and tortoise shell Sirih casket, circa 1750. The casket was used for storing highly prized betel nut, which was chewed ritually by high ranking Indonesian officials and adopted by settlers from the Dutch East Indies Company...

A pair of Japanese silver wire enamel vases. The vases have an urn shaped body and a fluted neck. Each ware is enameled with a polychrome image of dragons on the dark blue ground mad...

A vintage Burmese woven rattan and wood lidded basket from the mid 20th century lidded with strap, perfect to be used as a hamper, storage or toy box. This charming vintage Burmese w...

Japanese Four Panel Byobu Screen, with hand-painted scenes of flowers within gilt borders, chop seal marks to each panel. Larger panels: 38.75" H x 17.25" W x 1" D. Provenance: From ...

Indonesian sculpture from the second half of the 20th century. Finely carved and crafted exotic wooden object depicting an oriental dancer of excellent quality. Sculpture made from a...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

A stunning late 19th century Campaign Korean tansu cabinet or chest. The Korean chest features 4 small drawers on top of a two door cabinet offeri...

A set of Japanese bronze animal monkey with artist sign. Age: Japan, Showa Period, 20th Century Size: Height 6.2 - 12.8 C.M. / Width 5 - 10.2 C.M. (size excluding stand) Condition: ...

This Chinese altar table from the early 19th century exemplifies the refined forms of Ming and Qing dynasty furniture. The table has a classic recessed-leg design, featuring a flat, ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A very fine, antique Chinese Rose Mandarin porcelain vase. With rich polychrome enamel decoration on a light celadon ground. An excel...

This hand-carved mask originates from the island of Bali and depicts Rangda, the Demon Queen of Balinese Hindu Mythology. This mask would've been used in ceremonies and/or dance perf...

A Chinese Qing Dynasty red cabinet from the 19th century, with oval hand painted medallions and hand carved motifs. Created during the 19th century, this Qing Dynasty red cabinet fea...

Dazzling Chinese export lacquered four-panel coromandel screen featuring a flora and fauna waterscape with stylized cranes. The carved lacquer panels...

Large-Scale Islamic Astrolabe with Five Rolling Celestial Globes India or Persia, Early 20th Century Reproduction after Medieval Islamic Originals An impressive early 20th-century Is...

Vintage Cambodian Repoussé Silver Pumpkin Shaped Box. A squat low form with sections having chased and punched scales, coiled silver wire sepals in ...

This long bamboo pipe dates to the late 19th century and was originally used for smoking opium. Unlike a tobacco pipe, the opium pipe was designed especially to allow resinous opium ...

This lovely Chinese antique carved low coffee table was made from solid elm wood with natural finished. It has 2 drawers with antique hardware let you store your stuff in it. There a...

A Chinese Qing Dynasty period side cabinet from the 19th century with double doors, distressed black lacquer and brass hardware. Created in China during the Qing Dynasty in the 19th ...

This item is a giant wooden penis that was used in old Japanese houses from the late 19th century to the early 20th century (Meiji to Taisho eras). This i...

Pair of 19th century Satsuma vases, Japan 19th century.

A fine example of a hand carved solid wood Oriental Buddha head, in overall good condition, hand painted and the top ornament made of bronze. Mounted on decorative genuine coral...

Material: fabric on wooden frame One piece: W870×H580mm×D15mm, Unfolded size: W1730mm Folded size: W870×H580×D30mm, 3kg Estimate packing size: (sandwiched with 5-10mm plywood): 10cm ...

A fine antique gilt-wood & black lacquer Chinese Export Qing dynasty table desk, circa 1850. The table top is finely hand-painted to the top with a gilded landscape scene, depicting ...

Pair of impressive, antique kakejiku (hanging scrolls) showcasing the awe-inspiring Niô guardians, also referred to as heavenly kings. Each painting cap...

A 2nd quarter of the 20th-century feminine colored Tibetan rug with a dragon motif on a brown color field. Size: 3'1'' x 5'7''.

These large mid-century chinoiserie terracotta planters or cachepot are the perfect blend of vintage charm and exotic allure. Crafted from glazed terracotta, these planters boast a ...

Charming Japanese four-panel Showa period byobu screen depicting colorful floral arrangements in various vases and baskets. The hand-painted screen features vibrant natural color pig...

A stunning large antique Chinese Zhangzhou (Swatow) blue and white shallow porcelain dish of rounded form decorated centrally with a standing phoenix bird set amidst flowering blooms...

Gorgeous Chinese export four-panel coromandel screen featuring a courtyard scene of beauties engaged in leisurely activities. The lacquered panels are incised and painted in soft pas...

Material: gold Paper on wooden frame One piece: W935×H680mm×D15mm, Unfolded size: W1870mm Folded size: W935×H680×D30mm, 3kg Estimate packing size: (sandwiched with 5-10mm plywood): 1...

A good antique Early 19th Century Southeast Asian Bronze Buddha statue, Circa 1800. The Buddha seated upon a triangular shaped base with lotus decoration, the Buddha's hands posed i...

This seven drawer Chinese console cabinet dates from the 1920s. We believe this is made of elm wood. The original black painted finish has significant honest wear / patina and has b...

An Indian wooden ox cart with metal accents from the 19th century, made into a coffee table. This intriguing coffee table, repurposed from a 19th-century wooden ox cart, captures our imagination with its blend of rustic charm and unique design. The table showcases a rectangular wooden top, rich in history and character, accentuated by a series of metal braces that not only reinforce its structure but also add a touch of industrial flair. The sides present square motifs, each pierced in the center, creating a captivating pattern that draws the eye. The front of the table is particularly eye-catching, featuring ornate scrolls and hooks that lend a whimsical touch to the piece. Raised on curving legs, the table stands with a sense of grace and solidity, making it a perfect centerpiece for any living room or family room. The weathered appearance of the wood, combined with the contrasting metal accents, evokes a sense of nostalgia and adventure, reminiscent of the bustling markets and vibrant cultures where such ox carts were once a common sight. This Indian wooden ox cart coffee table...

Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...

This is a very decorative Chinese Export, porcelain, Rose Medallion dish or plate which we date to the 19th century, Qing dynasty, circa 1875. I...

This Antique Tibetan Painted Cabinet is 100% hand made and hand painted using mineral painting which last the paint a much longer time. You can see some of the finish has already los...

Medicine Chest in original black lacquer. Shanxi province, China. Dating back from the late 18th Century.

Large Chinese export carved soapstone foo dog scholars seal, nicely carved, in two color soapstone, with large seal at base. The inscription reads: ...

If you love the look of De Gournay wallpaper but not the price, this is for you. Measures: 36" W x 96" H. The colorways in this sections present our latest colorways, which can be...

XIANG TIAN - 'Relaxing' - Vintage watercolor painting on paper - nice quality and composition - signed with a single red chop mark and Chinese characters (upper left) - signed and ti...

A Tibetan hand-painted cabinet from the 19th century, with two pairs of doors and floral motifs. Created in Tibet during the 19th century, this cabinet captures our attention with it...

Traditional Chinese Rose Medallion large bowl with social scenes and nature motifs of butterflies, florals, and birds. A very nice larger size bowl! All hand painted with enamel and ...

A Chinese Qing Dynasty period elmwood cabinet from the 19th century with tapered silhouette and two drawers. Created in China during the Qing Dynasty era, this elmwood noodle cabinet...

Japan, a rare dated large bronze hand hammered temple bell rin, Edo period , incised and dated Tenpo era 13th (1842) around rim. Perfect meditation instrument. When struck emits a pleasing bold reverberating sound guaranteed to please you. Bell is in very good condition... Includes red lacquered display base as shown and a complimentary striker This hand-hammered and wrought bronze percussion instrument created by specialized Samurai craftsmen with dimpled construction and incised signature of maker along rim sets atop a round red lacquered footed wood display base with wooden striker and when struck creates a serene reverberating sound. Perfect for meditation gardens or interior spaces. Total Height of bronze bell with red lacquered stand...

A Magnificent Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Pheasants and Maple Leaves, Attributed to Inaba An exceptional Japanese cloisonné enamel vase from the Mei...

A Japanese Meiji period keyaki wood Sendai tansu clothing chest from the late 19th century, with hand-cut iron hardware and safe box. Created in the Sendai Prefecture during the last quarter of the 19th century, this keyaki (elm) wood tansu is a fine example of Japan's traditional mobile cabinetry. Featuring a lacquered finish with reddish brown tones, the chest showcases a rectangular top, sitting above a perfectly organized façade. A long upper...

A very fine quality monumental Japanese vase depicting Samurai on one side and distinguished female and her attendants on reverse, particularly unique for its very prominent stylized...

Our calligraphy brush stands are made of solid wengé wood, a prized, sustainable, exotic wood with beautiful grains. Top of the stands are deco...

Rare – 1987 Franklin Mint ‘The Raj’ Chess Set "The RAJ" hand painted India-British War 1857, Franklin Mint highest quality metal chess set game year 1...

A very nicely decorated and large tankard in underglaze blue. With a figural scene. Visible is a literatus in a garden scene with 2 servants. Similar pieces are sold here: Countr...

A Chinese Qing Dynasty period elmwood coffee table from the 19th century, with chow legs and carved apron. Created in China during the Qing Dynasty (1636–1912), this low table, which...

An Exceptionally Fine Pair of Chinese Cantonese Hand Decorated Porcelain Vases of traditional baluster outline, of unusually quite good size proportions, (see last image in situ) mid...

Kaiho Yusetsu (1598-1677) Tiger and Dragon Early Edo Period, Circa 1650 A Pair of Six-fold Japanese Screens. Ink and slight color on paper. Dimensions: Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’) In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme. The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...

A fine pair of antique late 19th/early 20th Century Chinese Ming style carved, lacquered & gilt throne armchairs, Qing dynasty, circa 1900. This very attractive pair of antique carve...

A rare Minai pottery bowl depicting Bahram Gur and Azada, late 12th/ early 13th Century of deep rounded form with slightly everted rim on a splayed foot, decorated overglaze in poly...

A Chinese Qing Dynasty period console table from the 19th century, with carved spandrels. Created in China during the Qing Dynasty period, this c...

Inspired by the Silhouette of a Classic carousel, this portable lamp is authentic in spirit, yet modern in expression. its design is highly intricate, articulated with an outer shade...

Sharing with you this fantastic Chinese Porcelain dish. Yongzheng period Fantastic decoration in Famille Rose, floral scene. Super ennamelling Please enjoy Condition 1 short hairlin...