Metal Metalwork

Vintage Owl Shaped Pewtertone Olde Tankardware Ice Bucket. The charming large ice bucket assembled from magnetic metallic parts in a pewter-like finish with body, wings and eyes all ...

Japanese Wireless Cloisonné Enamel Vase, likely from the Meiji period (1868–1912) or possibly the early Taisho period (1912–1926). The vase features a dynamic depiction of a Japanese...

Free international shipping Ando Cloisonne Company Mark From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...

A Japanese covered Totai enamel on porcelain ginger jar. The ware is enameled with polychrome medallions representing blossoming flowers surrounded by floral, foliage and geometrical...

Dimensions: Height 18.7 cm Origin: Tsubame, Niigata, Japan Material: Pure copper (dōsei) A finely hand-hammered copper vase (tsuiki dōsei kabin) crafted by the renowned metalwork at...

A PAIR OF CHINESE CLOISONNE ENAMEL BOXES AND COVERS, 19TH CENTURY, each decorated with polychrome tree blossom on black ground, the insides enamelled with blue, each resting on pier...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

Antique Indian Hindu Shiva Brass Votive Head – 19th Century Beautiful 19th-century brass votive head of Lord Shiva, finely cast with detailed moustache and turban. This larger form ...

Hailing from the Ming period in 16/17th century, this monumental bronze vase is a fine example of the auspicious decor and markings unique to Chinese furnishings. The vase is cast wi...

A Large Gilt Bronze Censer. A large, gilt, bronze censer with twin handles and adorned with an intricate, raised pattern. Stampled on base. Additional information: Dimensions: Heig...

Large unusual antique quality George III quality copper pan having a quality antique George III copper pan with the original turned handle

An amazing and rare Chinese silver Nine Phoenix Coronet or Crown, Ming Dynasty (1368 to 1644), late 16th to early 17th century, China. A delicate and...

A pair of extraordinary 26" wide, 63 lb, heavy cast bronze Foo Dog lions. Each modeled on its side with large turned head with open jaw, bulging eyes and curly eyebrows, framed by a tightly curled mane. One lion...

Vintage Japanese iron bird incense burner, circa 1960s. The piece has a removable vented piece for burning incense, a wonderful patina and measures 6.5"...

Chinese floral Islamic style cloisonné enamel and ormolu vase Chinese, early 20th century Dimensions: Height 13cm, diameter 13cm This beautiful bowl...

Exceptional vintage Japanese silver mounted cloisonne vase decorated with veiltail gold-fish and carp swimming amidst pond weed and dating arou...

The Arm Door Handles combine elegance and originality in a unique proposal that transforms any space with its iconic and sophisticated design. With the stylized shape of an arm, thes...

Monochrome Chinese Fish Scale cloisonne is long famed for it's high quality of craftsmanship and understated elegance. A staple of interior design...

Meiji Masterpiece attributed to Ando Jubei: A Maroon Cloisonné Vase with Dragons Phoenix, circa 1895 This monumental Meiji period Japanese cloisonné vase, attributed to the es...

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

An exceptional fine and impressive antique Burmese silver bowl; an addition to our ornamental silverware collection. This exceptional anti...

Islamic Arabic calligraphy circular tray with silver overlay. Round Egyptian brass tray overlaid with metal silver and copper Islamic calligraphy ...

A Large Jet Black Japanese Meiji Period Cloisonné Enamel Vase An elegant Meiji period Japanese cloisonné vase of ovoid form with a gently flared neck finely decorated on a rich bla...

A large antique Japanese Meiji period, 1868 to 1912, cloisonne enamel metal charger plate depicting a multicolored picture of vines and grapes with...

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

A pair of well cast and dramatic Japanese parcel gilt bronze dragon vases, Edo period, early 19th century. The heavy bronze vases of pear shape, each with a single writhing dragon cast in high relief...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...

Large pair of standing elephants having fitted vases on their backs on wooden display stands Measures: Height: 15 inches, Length: 14 inches, Wid...

JOHN SCOTT BRADSTREET (Attributed) - Arts & Crafts cast and patinated bronze center-piece flower bowl taking the form of a lotus - later patinated flower 'frog' - unsigned - United S...

Japanese Meiji finely decorated cloisonne vase. Multiple designs within different cartouches. Unmarked

A Silver-Mounted Cloisonné-Enamel Vase By Satō, Meiji era By Satō, Meiji era (late 19th century), circa 1890–1900 Of globular form with a gently tapered neck, the body worked in y...

Large Tibet bronze and copper vase with handles: exceptional and perfect. Sizes: diameter at the top cm. 52, with handles cm. 61. Base 35 cm. High cm. 43....

Pair of exquisite bronze Thai Teppanom kneeling angel Buddha table lamps. These intricate bronze sculptures lamps, dating 1940’s to 1950’s, feature a dark green patina with gold det...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament with bl...

Chinese silver box with repousse, chasing and cast applied dragons. Very fine period work. Marked with French import hallmarks.

A large Japanese covered tripod enamel censer koro or incense burner. The sphere form ware is enameled with polychrome medallions representing cranes and birds in blossoming flowers ...

A Japanese covered and footed enamel tea set including three pieces. The set includes a large tea pot, a small tea pot, and a sugar bowl. The wares are adorned with a polychrome enam...

A fine and impressive Nepalese gilt copper filigree votive plaque inset with coral, turquoise, and colored glass "gems", 19th/20th century, Nepal. This large votive plaque would ori...

Antique 19th century Asian, Middle Eastern style Turkish tinned copper ewer. Antique Turkish ottoman Islamic Ewer Tombak pitcher brass copper Ibrik. Nic...

A fine signed antique Japanese Meiji period mixed metals vase. By Miyabe Atsuyoshi for Inoue of Kyoto. With a bronze body and d...

A collection of 18th and 19th century Arabic astrolabes and quadrant Persian, 18th/19th Century Largest: height 23cm, width 13cm, depth 3cm Smallest: height 6.5cm, width 4.5cm, depth 1.5cm This excellent set of antique astronomical instruments is a selection of five Persian brass astrolabes...

A beautiful pristine condition Ando Jubei wireless cloisonné vase in baluster form. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vin...

A magnificent Japanese cloisonne enamel Vase. Signed. Meiji period of tapering form with everted neck, decorated in various coloured enamels with two cranes in flight above the cra...

Antique Chinese Enameled Vase with Figural Handles Signed C1890 (12" x 7 1/2" x 7 1/2"). This exquisite antique Chinese vase dates to circa 1890. It features figural handles wi...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

An exceptional hand crafted antique Moorish revival brass bowl engraved in relief with a continuous figural scene, probably a wedding dating from the 1...

An antique Japanese copper lidded jar with polychrome red cloisonne enamel design. Late Meiji period, before 1912. Round shape, lid with globe finial. The piece rests on three feet. ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Antique 19th century middle Eastern tinned copper ewer. Nice decorative old rustic hand-hammered ewer in the Mameluke style. Moorish middle e...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

Mughal dynasty gold and gem encrusted Spinach jade dagger having a dark green pistol grip, inlaid with gold, ruby and sapphire applied rosettes to either s...

A forge iron Japanese samurai tsuba from the Edo period (1603 - 1868) Katana tsuba 7.5 x 7.5 cm Good condition as shown in the pictures uncleaned with its old patina

This is an antique dog door stop. An English, cast iron decorative keeper in Retriever form, dating to the Edwardian period, circa 1910. Fascin...

Large pair of Pagoda Chinoiserie gilt bronze lanterns, Mid-Century Modern. Exceptionally decorative and beautiful, each lantern has a pair of candle holders accessible through a hin...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A brush pot from the Meiji imperial period. This is a beautiful brush vase-pot created in the Imperial Japan during the early Meiji period (1868-1912), circa 1890. The fabulous roun...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

An antique Japanese, late Meiji era, enamel over copper tray. The interior of the ware is adorned with a polychrome enamel design representing figural medallions depicting plants in ...

This is an antique Buddhist Avalokiteshvara figure. An Asian, bronze religious deity, dating to the late Victorian period, circa 1900. Delightful rendition of the Bodhisattva Avalo...