19th Century Metalwork

Mughal dynasty gold and gem encrusted Spinach jade dagger having a dark green pistol grip, inlaid with gold, ruby and sapphire applied rosettes to either s...

A large antique Japanese Meiji period, 1868 to 1912, cloisonne enamel metal charger plate depicting a multicolored picture of vines and grapes with...

Middle Eastern 19th century large scale Jewish Egyptian finely hand etched brass memorial bowl decorated with medallions with Hebrew inscriptions, pyramids, sphinx, and human figures...

Large Tibet bronze and copper vase with handles: exceptional and perfect. Sizes: diameter at the top cm. 52, with handles cm. 61. Base 35 cm. High cm. 43....

An exceptional fine and impressive antique Burmese silver bowl; an addition to our ornamental silverware collection. This exceptional anti...

Meiji Masterpiece attributed to Ando Jubei: A Maroon Cloisonné Vase with Dragons Phoenix, circa 1895 This monumental Meiji period Japanese cloisonné vase, attributed to the es...

This is a wonderful Japanese, silver inlaid, solid Bronze incense burner from the late 19th century or early 20th century. The removable lid features beautiful modelling of a small ...

Chinese silver box with repousse, chasing and cast applied dragons. Very fine period work. Marked with French import hallmarks.

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament with bl...

A Large Jet Black Japanese Meiji Period Cloisonné Enamel Vase An elegant Meiji period Japanese cloisonné vase of ovoid form with a gently flared neck finely decorated on a rich bla...

A large Japanese covered tripod enamel censer koro or incense burner. The sphere form ware is enameled with polychrome medallions representing cranes and birds in blossoming flowers ...

A Japanese covered and footed enamel tea set including three pieces. The set includes a large tea pot, a small tea pot, and a sugar bowl. The wares are adorned with a polychrome enam...

A collection of 18th and 19th century Arabic astrolabes and quadrant Persian, 18th/19th Century Largest: height 23cm, width 13cm, depth 3cm Smallest: height 6.5cm, width 4.5cm, depth 1.5cm This excellent set of antique astronomical instruments is a selection of five Persian brass astrolabes...

A pair of well cast and dramatic Japanese parcel gilt bronze dragon vases, Edo period, early 19th century. The heavy bronze vases of pear shape, each with a single writhing dragon cast in high relief...

A Silver-Mounted Cloisonné-Enamel Vase By Satō, Meiji era By Satō, Meiji era (late 19th century), circa 1890–1900 Of globular form with a gently tapered neck, the body worked in y...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...

An antique Japanese copper lidded jar with polychrome red cloisonne enamel design. Late Meiji period, before 1912. Round shape, lid with globe finial. The piece rests on three feet. ...

Antique Chinese Enameled Vase with Figural Handles Signed C1890 (12" x 7 1/2" x 7 1/2"). This exquisite antique Chinese vase dates to circa 1890. It features figural handles wi...

FREE WORLDWIDE SHIPPING From our Japanese collection, we are pleased to present this Japanese Bronze and Mixed Metals Koro by Kumagai, dating to the Meiji Period (1868–1912). The ...

An exceptional hand crafted antique Moorish revival brass bowl engraved in relief with a continuous figural scene, probably a wedding dating from the 1...

Antique 19th century Asian, Middle Eastern style Turkish tinned copper ewer. Antique Turkish ottoman Islamic Ewer Tombak pitcher brass copper Ibrik. Nic...

A magnificent Japanese cloisonne enamel Vase. Signed. Meiji period of tapering form with everted neck, decorated in various coloured enamels with two cranes in flight above the cra...

An antique Japanese, late Meiji era, enamel over copper tray. The interior of the ware is adorned with a polychrome enamel design representing figural medallions depicting plants in ...

An antique Japanese copper serving plate with polychrome cloisonne enamel design. Meiji period, ca. 1880s. Round footed piece. Turquoise blue ground color. The plate depicts a samura...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

This is an antique Buddhist Avalokiteshvara figure. An Asian, bronze religious deity, dating to the late Victorian period, circa 1900. Delightful rendition of the Bodhisattva Avalo...

A brush pot from the Meiji imperial period. This is a beautiful brush vase-pot created in the Imperial Japan during the early Meiji period (1868-1912), circa 1890. The fabulous roun...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

"Bronze Statue Of Nepalese Tara (royal Relaxation Position), Late 19th Century" A finely cast bronze figure of Tara, seated in lalitasana (royal ease pose) atop a double-lotus base. ...

This superb heavy Egyptian Grand Tour wall charger dates to the mid to late 19th century at the time when the pyramids and Pharos tombs were being ...

Japanese mixed metal and bronze Meiji period finely cast and inlaid vase of an eagle in a tree. Marked for Nogawa workshop and signed by maker on the side.

An antique Japanese Meiji era enamel plate. The plate is enameled with a polychrome image of a bird sitting on a branch with blossoming flowers on a blue turquoise ground made in the...

Bronze Tray from the Meiji Period (1868-1912), Japan. A high-quality bronze tray featuring a finely detailed relief dragon motif in the center, expertly patinated in silvery and lig...

Pair of brilliant blue Japanese Meiji period cloisonne enamel metal vases with rounded square shape. Each 24 by 8 1/2 by 10 inches.

A Japanese cloisonné vase with a rooster and a hen set against a dark blue ground, decorated with polychrome enamels within a flowering meadow. The neck is adorned with a wisteria m...

A Fine Pair of Japanese Cloisonné-Enamel Vases with Swallows and Parrots Meiji period Each of square shape with rounded shoulders, rising to a slightly waisted neck and flaring mout...

China, Bronze incense burner with archaic decoration, Qing dynasty. Brown original patina and traces of aged use 19th century Diameter body 10.5 cm, heigth 8 cm

Add authentic antique character and charm, sophisticated cultural interest, elegant warmth and rich historical depth with this graceful South Indian patinated cast brass ritual oil l...

A rare 19th Century Japanese copper serving tray with cloisonne enamel design. The central part of the tray depicts a wireless cloisonne picture, a coastal landscape view with a full moon. The hieroglyphical signature of the artist is in the lower right. The rims and the backside are decorated with floral ornaments. Blue and black color palette. Collectible Oriental Decor And Applied Arts For Interior Design. Namikawa Sosuke (1847–1910) was a Japanese cloisonné artist,[1] known for innovations that developed cloisonné enamel into an artistic medium sharing many features with paintings.[2][3] He and Namikawa Yasuyuki (no relation)[notes 1] were the most famous cloisonné artists of the 1890 to 1910 period, known as the "golden age" of Japanese enamels.[1] Around 1880 he set up and ran the Tokyo branch of the Nagoya Cloisonné Company.[1] He exhibited his artworks at national and international expositions, where he took an organising role.[2] He was recognised as an Imperial Household Artist and created art works for imperial residences. He sometimes signed his works with the character sakigake (Pioneer) the art work is based off a art work done by Sesshu Toyo Sesshu Toyo (?? ??, c. 1420 – August 26, 1506), also known simply as Sesshu (??), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshu's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics.[1] His prominent work captured images of landscapes, portraits, and birds and flowers paintings, infused with Zen Buddhist beliefs, flattened perspective, and emphatic lines.[2] Sesshu was born into the samurai Oda family (???) and trained at Shokoku-ji temple in Kyoto, Japan, as a Zen monk.[1] From his early childhood, Sesshu showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu.[3] Sesshu worked in a painting atelier whilst training under Tensho Shubun (c. 1418–1463). But upon visiting China, his work betook a distinctive Chinese influence, merging Japanese and Chinese styles to develop his individualistic style of Zen paintings.[3] Sesshu's influence on painting was so wide that many schools of art appointed him their founder.[4] Sesshu's most acclaimed works are Winter Landscape (c. 1470s), Birds and Flowers (1420–1506) and Four Landscape Scrolls...

This is an antique Lion Rampant doorstop. An English, cast iron decorative heraldic door keeper, dating to the late Victorian period, circa 1880. Robust and generously sized, with ...

A Pair of Japanese Cloisonné Vases, 19th Century With enameled flowers. Provenance: Private Australian Collection. Dimensions: Height: 20cm. Diameter: 8cm.

Unusual ornate cast iron foot scraper having an ornate cast iron base with scraper to the centre.    

An antique Japanese late Meiji era covered Totai enamel on ceramic ginger jar. Circa: late 19th century The ware is enameled with polychrome images of blossoming flowers, butterflies, and dragonflies made in the Cloisonne technique. The cover of the ware is made in the same design. The neck and the base are adorned with polychrome floral, and foliage motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo is the name given to Japanese cloisonne on ceramics, both on earthenwares and on porcelain. It has a similar appearance to metallic cloisonne ware...

Quality work, amazing workmanship with absolutely fine details bronze cloisonné enameled teapot depicting the scene of floral and Yin Yang patterns with vivid colors of yellow, light...

An Ando Factory Japanese enamel vase. The vase has an urn shaped body and a wide neck with a fluted mouth. The vase is covered with enamel in a blue shade and decorated with a symmet...

Antique 19th century middle Eastern tinned copper ewer. Nice decorative old rustic hand-hammered ewer in the Mameluke style. Moorish middle e...

This antique Chinese mirror is cast of bronze in the tang-dynasty style, with a lobed rim of eight flower petals, each filled with small cloud ...

An Exquisite and Large Pair of Meiji Period Japanese Cloisonné Enamel Plates with Tsuba Fittings and Nature Scenes, circa 1885 This exquisite pair of large Meiji period Japanese clo...

A large and impressive Japanese Meiji period (1852-1912) patinated bronze guardian lion censer. Late 19th century, Japan, exceptionally executed, the group consisting of four shishi...

A Fine Japanese Cloisonné Enamel Vase by Ota Toshiro Meiji/Taisho period Of slightly tapered form with a narrow neck, worked in gold and silver wire a...

Pair of very fine quality Chinese bronze censers feature twin handled tripod forms with wide openings and patinated accents. The open, rounded bodies with square cut looped handles ...

Chinese Export silver dinner knife. Overall motif on the handle of dragons with clouds. Single knife could also be used as a letter opener. Stamped markings on the blade.

A very fine and charming Chinese export silver spoon in the form of a dragon, by Wang Hing & Co., Qing Dynasty, late 19th century, China. ...

An antique Japanese flat brass enamel ceremonial food container with a cover. Characterized by cloisonne floral designs adorning the surface, this ceremonial container showcases the ...

An antique Indian metal water jug from the 19th century, with large belly, flaring neck and large lip. Born in India during the 19th century, this metal water jug charms our eyes wit...

Asian antique Beaten Brass Betel Nut Pandan Box, Northern India. Beautiful antique hand hammered Asian round brass betel with a lid and delicate engravings with floral design handle hand crafted by skilled artisans from Northern India. Indian Beaten Copper Betel Nut Pandan Box with hand hammered beaten floral and incised decoration used to store betel leaf, lime, tobacco and the nut from the areca palm. This mixture of ingredients when prepared and placed in the mouth for long periods gives the user a mild aphrodisiac effect. The preparation of the betel nut with lime stored in ornate boxes with several smaller internal containers was popular all over Asia and is still a common practice in Myanmar and India and among the hill tribes of many S. E. Asian countries. Engraved with intricate designs on the lid which has a carved floral design handle and a latch in front for opening or closing the box and for safekeeping. Nicely hand-hammered with intricate details. Please check photo #5, there is about 1 inch damage area on the side of the box. Museum quality Asian Hand-hammered decorative Islamic brass folk art metalwork collector treasure box. Measures: Diameter 7 in. x Height 4 in. The box has a rich, deep brown patina. Quality of Mughal style. A pandan was used to store the pan, or betel quid after it had been stuffed and rolled ready to eat, rather than for the individual ingredients. The chewing of betel is an ancient Asian tradition comparable to tobacco in the western world. Betel consists of three main ingredients: the areca nut, betel leaf and lime paste. Betel was, and still is enormously popular throughout Asia and plays a major role in the entertaining of guests, in courtship and marriage, and in the traditional etiquette of the royal courts, where it often forms part of the state regalia.[1] Research on several pandan boxes has been published by Zebrowski.[2] Brownrigg, H. Betel Cutters...

Large antique 19th century or before brass Middle Eastern Persian Islamic style footed bowl finely and heavily hand-etched and embossed with brass repousse and decorated with calligraphic decoration inscriptions medallions. A large Mamluk style brass bowl, hammered and engraved brass, with slightly rounded base, inverted sides narrowing to rim, the exterior engraved with a large honorific thuluth inscription, alternating with roundels containing blazons. Islamic work from the the 19th century, in the style of Mamluk productions. Handcrafted and embossed with geometric designs and Arabic writing on brass vessel. Great brass decorative collectible Islamic metal...

Antique hand-hammered metal bronze ceremonial pot "Lota" from India. Brass water pot with fluted design in the centre narrow neck with flat rim. In India Hindu...

A richly detailed 19th-century Tibetan ritual vessel, hand-forged from copper and embellished with applied repousse and engraved brass medallions, geometric plaques, and symbolic mounts. Raised on three splayed feet, this bulbous, high-necked vessel features a domed body adorned with a dense array of ritual and decorative appliques, including stylized floral medallions, abstract symbols, and keyhole-like forms that reference tantric iconography. The vessel's expressive form is punctuated by three protruding spouts and retains its original arched swing handle with pierced brass finials. Meticulously decorated in traditional metalworking techniques, the surface patina reveals a rich, warm interplay between the copper ground and the golden brass overlay. An aesthetic that speaks to both spiritual function and ornamental sophistication. Likely used in ceremonial or domestic rituals, this vessel stands as a worthy testament to Tibetan artisanship and Buddhist ritual culture. A compelling piece for collectors of Himalayan antiques...