20th Century Metalwork

Middle Eastern large red copper repoussé bowl, finely hand-etched, engraved, hammered and chased with elaborate Moorish geometric designs. Handcrafted copper metal vase with handles,...

China - Bronze and cloisonné enamel wine cup for ritual ceremonies with archaic Jue decoration, body decorated with a Chilong head early 20th c Heigth 15.5 cm

A refined rectangular cloisonné enamel tray on copper, its field finished in a saturated imperial yellow and centered by a roundel bearing a stylized hō-ō (phoenix) in swirling cloud...

A bold and well crafted Indonesian Yogya (Jogja, Djokja) silver bowl by Tom's Silver, Yogyakarta, Java, Indonesia, circa 1960's. The elegant bowl features a striking design of a Kala face, a protective monster often found above temple doors, and representative of time, death, and rebirth. A pair of makara flank the wide open, smiling mouth. A stylized foliate design surrounds the Kala. Kala are analogous with the Kirtimukha, or face of glory, originating in India and associated with Shiva. Both beings are devourers of evil and tasked with protection The bowl features two beaded borders, and a scalloped rim. The bowl set on three short out-swept feet. Stamped mark to the underside reading "TOM" "800" "DELUX". TOM stands for Tom's Silver, perhaps the most famous silver workshop in Yogyakarta. 800 is the purity of the silver (80%). DELUX is a common mark on Yogya silver...

A Japanese enamel over metal vase. The vase has a globular shaped body and a wide neck with a fluted mouth. The exterior of the ware is enameled with a polychrome design depicting bl...

A pair of extraordinary 26" wide, 63 lb, heavy cast bronze Foo Dog lions. Each modeled on its side with large turned head with open jaw, bulging eyes and curly eyebrows, framed by a tightly curled mane. One lion...

A pair of Japanese bronze vases with artist sign, used to decorate flower arrangements in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Sho...

Beautiful handcrafted decorative round tinned copper Mughal Indian box with lid, latch and handle. Antique South Asian Mughal Round Tinned Copper Box with L...

An antique Japanese, late Meiji era, enamel over copper charger plate. The plate is adorned with a polychrome scene with a rooster and a chicken on a pond with blossoming flowers and...

A small Laotian style bronze rain drum side table from the mid-20th century, with geometric relief motifs and central sun. This small Laotian style bronze rain drum side table from t...

FREE WORLDWIDE SHIPPING From our Japanese collection, we’re delighted to offer this beautifully made Japanese Silver and Shibuichi Box by Hiroteru 廣照, dating to the late Meiji peri...

Pair of Silvered Metal Vases, Asia, early 20th century. Decorated with dragons and birds. Measures H: 31. 5, W: 23 cm, D: 16 cm.

Antique Moroccan 'Jobbana' ceramic lidded butter pot glazed with blue, turquoise and orange with black patterned outlines on a white ground decoration with ...

An exceptional, fine and impressive antique Chinese export silver three piece tea service; an addition to our diverse silver teaware collection This exceptional antique Chinese silver tea service...

Antique Hindu bronze sculpture of Krishna playing the flute. Circa late 19th century Exquisite lost wax bronze statue figurine depicting Lord Krishna Venu...

A fine and beautifully enameled Chinese cloisonne incense burner, censer, with pierced cover, mid 20th century, circa 1960's, China. The ce...

Quality work, large pair of Chinese bronze cloisonné enameled vases depicting the scene of florals on a yellow ground with vivid colors of green, red, blue, and white. The items are ...

Archaistic Shang dynasty (1600-1046 BC) style bronze 'double ram' vessel, Zun type. Of unusual form with a lovely verdigris patina. This wonderful bronze can be a unique vase or centerpiece, or singular decorative sculpture. Circa 1900 The vessel is heavily cast in the shape of two addorsed rams sharing the same hollow body that is raised on four legs and from which rises an oblong neck decorated on each side with a taotie mask below a band of diagonal scrolls. The body is etched with scales and the legs with archaistic spiral motifs. 14 inches high 16 wide 6 deep The shape and decoration of this unusual vessel are based on late Shang dynasty bronze...

A large brutalist wall hanging or wall art. Belgium, c1960-70s. Good quality, this wall hanging remains remarkable contemporary in tod...

Large pair of standing elephants having fitted vases on their backs on wooden display stands Measures: Height: 15 inches, Length: 14 inches, Wid...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Large rare Antique Indian Hindu Silver Amulet Pendant Period 19th century Heavy High grade silver Pendant Length 11 x 7.5 cm weight 65 grams Condition: Fine.

A fine signed antique Chinese silver footed bowl. By Sing Fat. In solid silver. With applied flowering branches and birds to the exterior and a shaped rim. Supported by a wide f...

This compact Japanese bronze vase charms with its classic silhouette and richly mottled patina in warm reddish-brown tones. The subtle variations in the surface evoke the organic bea...

A fine antique Chinese Export silver epergne or flower vase. By Kwan Wo of Canton and Hong Kong (active ca. 1875 - 1940). The epergne with 4 horn shaped, tapered arms or vases, a r...

Antique Indo-Persian Tinned Copper Jar Hand-Engraved Islamic Metalwork, c. 1900 A striking example of early 20th-century Indo-Persian artistry, this antique lidded jar is handcrafted from heavy tinned copper in the traditional Ghalamzani style—an ancient Persian technique of fine metal engraving. The bulbous body, slender neck, and flared lid are richly decorated with intricate floral, geometric, and arabesque motifs, along with medallions featuring musicians and couples, evoking Mughal and Islamic influences. The surface is intricately decorated with detailed floral, geometric, and calligraphic motifs, reflecting deep influences from Mughal design and Islamic decorative arts. The embossed and incised patterns shimmer over the darkened silver-toned tinned finish, catching the light with elegant shadows and reflections. The dark patina enhances the silver-toned tin finish, lending depth and contrast to the detailed repoussé and chased designs. A rare and refined collector’s piece, this jar captures the elegance and spiritual symbolism of Islamic decorative arts. Design Highlights: * Material: Tinned copper with blackened silver finish * Technique: Hand-engraved and repoussé (Ghalamzani / Qalamzani) * Motifs: Intricate floral vines, arabesques, Islamic geometry, and mythological scenes. * Base: Beautifully detailed brass with Mughal-style engravings Dimensions: * Total Height (with lid): approx. 18.5" * Width: approx. 7.5" * Lid Height: approx. 9" * Mouth Opening: approx. 2.75" This antique Persian vessel...

Japanese Bronze Two Handle Koro, early 20th century, with salamander form handles and exotic bird decorated body, on four mythical beast formed feet, the base drilled. 8" H x 12" W x...

Presenting two beautiful Chinese cloisonné enamel eggs depicting flowers with wood stands, early 20th century.

These are a very good pair of antique Ming style Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the late Qing or early Republic period of the 20th Century, Circa 1920. These pieces are well cast with very good detail, showing wear and a good natural patination to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked These lovely pair of antique Chinese foo dogs...

Antique 19th century beautiful handcrafted decorative round tinned copper bronze South Asian box with lid, latch and handle. A very fine antique Pandan or B...

Large pair of Pagoda Chinoiserie gilt bronze lanterns, Mid-Century Modern. Exceptionally decorative and beautiful, each lantern has a pair of candle holders accessible through a hin...

Lot of four chinese cloisonne vases and teapot 20th century. From left: Baluster-shaped black ground vase with flowering prunus emerging from a rock, ruyi band around flaring ...

Japanese bronze vase. Age: Japan, Showa Period, Early 20th century Size: Height 40.2 C.M. / Width 27.5 C.M. Condition: Nice condition overall.

Presenting two beautiful Chinese cloisonné enamel eggs depicting flowers and animals with wood stands, early 20th century.

Japanese bronze mirror with stand. Age: Japan, Showa Period, Early 20th Century Size excluding stand: Diameter 15 C.M. / Height 24.7 C.M. Height including stand: 39.7 C.M. Condition...

1930s Middle Eastern Round Brass Tray 23.5 in. Diameter. A magnificent antique Middle Eastern round brass tray, a true masterpiece of craftsmanship. The metal decorative islamic brass polished tray gleams with the warm, lustrous glow characteristic of brass, its surface intricately adorned with a mesmerizing display of hammered intricate patterns. The skilled hands of artisans have transformed this metal canvas into a work of art that captures the essence of Middle Eastern heritage. Dimensions: 23.5 inches diameter. Circa: 1930s. Middle East provenance, Syria or Egypt region Moroccan style. At the heart of the brass tray lies an exquisite focal point: an eight-pointed star that radiates outwards, symbolizing unity and balance. The intricate patterns that envelop the star draw inspiration from traditional Middle Eastern motifs. Delicate arabesque tendrils weave and wind their way around the central star, forming a harmonious tapestry of interconnected designs. Geometric shapes interlock seamlessly with flowing curves, showcasing the artists' profound understanding of balance and aesthetics. The outer edges of the Moorish style tray bear a border that frames the intricate center. This border is embellished with an array of geometric shapes, Moorish patterns, and ornate detailing, all hand-hammered with great precision. The Middle Eastern tray...

Chinese Archaistic bronze ritual bell with raised stylize tigers on the sides, a Taotie mask on front and back, incised and relief geometric decoration. With a wonderful olive green ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Vintage Tibetan Buddhist inlaid bronze singing bowl - featuring the sacred Tibetan mantra with a lotus flower to the center representing 'OM MANI PADME HUM' - Tibetan engraved and in...

This early 20th century Tibetan snuff bottle is delightfully ornate, crafted with silver metalwork and encrusted with colorful beads. The small bo...

Oversized Antique Chinese Cloisonne Ginger Jar With Floral Pattern C1920. 16 3/4" x 12 1/4" x 12 1/4". An oversized antique Chinese cloison...

A wonderful, quite special and unique Thai (Thailand) Buddhist sacred amulet/charm necklace featuring 32 silver and gold toned amulets/charms plus one main larger key shaped center p...

Monumental Moroccan metal polished brass tray platter. Polished decorative metal brass tray with very fine intricate Moorish geometric designs. Hand-hammered and chiseled in geometri...

Middle Eastern traditional Arabian brass Dallah coffee pot. Islamic Arabian Coffee pot hand-hammered and chased Moorish brass with riveted brass finish an...

Presenting a beautiful Chinese cloisonné enamel egg depicting a dragon flying in the cloud of the sky with a wood stand, early 20th century.

Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass finish and a ...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...

A large and stylish antique Japanese Meiji bronze lidded twin handle urn standing on a rounded plinth base with tongue and grotesque head formed legs with dragon handles and a flat c...

An exceptional and finely decorated vintage Chinese Republic period cloisonné bowl decorated with panels containing grotesque masks. The rounde...

Vintage graduated Amethyst Necklace A Very fine Vintage Amethyst Necklace made from graduated beads interspersed with small gold plated meta...

A Large Japanese Cloisonne Enamel vase attributed to Ando Jubei. Taisho period (1912 – 1926) A large baluster Cloisonne-Enamel vase worked in musen and silver wire of varying gauge...

A SILVER OFFERING BOWL WITH SCENES FROM THE VIDHURA-PANDITA JATAKA, LOWER BURMA (MYANMAR), DATED 1901. A hammered repoussé Buddhist beggar’s bowl form with high relief  design depicting scenes from the Vidhura-Pandita Jataka on the upper row of cartouches and beneath neat rows of semicircular lappets each depicting various auspicious human and animal forms with scrolling acanthus leaf backgrounds. The overall concept is similar to the layered effect of a Burmese court costume. The circular etched design on the base is of Punnaka astride his magical horse mid-stride holding the white umbrella and Vidhura pleading behind. All surrounded by an inscription, translated as, "Mr Saw Marn's silver bowl. Year 1263 [1901 CE]". Excellent condition. 11 3/4 in. (30 cm) diameter x 5 7/8 in. (15 cm) high. 38 troy oz., 2lbs. 10 oz. (1175 grams). Provenance: The Noble Silver Collection. Bonhams New York, 24 March 2022, The Noble Silver Collection Treasures from the Burmese Silver Age, lot 942. Published: David Owens, Burmese Silver Art: Masterpieces Illuminating Buddhist, Hindu and Mythological Stories of Purpose and Wisdom, 2020, p. 76, no. S81, fig. 3.57. Bonham’s Footnotes: In the Vidhura-Pandita Jataka, the bodhisattva that will later become Gautama Buddha perfects the virtue of truthfulness (sacca), at once a keen perception of the true reality of things and an unwavering commitment to imparting this truth. Reborn as a renowned advisor to a virtuous king, the bodhisattva uses undivided speech throughout the story—even when it puts him in harm's way—thereby preventing disputes among rulers, offering amnesty, and ultimately saving the antagonists who initially conspired to kill him. Burmese Silver Ceremonial Offering Bowls were produced in great numbers, the finely decorated ceremonial offering bowl is the quintessential Burmese silver artwork...

Patinated bronze Southeast Asian rain drum or frog drum that could also serve as a drinks table. The drum has a tall tapered, waisted form. The drums are typ...

Sculptural vintage bronze censer, or incense burner, is raised on three short feet and equipped with distinctive twin elephant mask handles. The rounded, graphic body blends seamless...

Presenting a beautiful Chinese cloisonné enamel egg depicting flowers and birds with wood stands, early 20 century.

Middle Eastern Copper hand etched polished brass cache pot. Could be used as a vase or Jardiniere, indoor or outdoor. Figural scenes and pyramid architectural and geometric designs hand-hammered on metal copper vessel. Middle Eastern Egyptian copper...

An antique Japanese Persian style vase set offers Champlevé enameled bronze urn form vessels with figural double handles, decorative bands to i...

A stunning antique Japanese singing bowl with beautiful rose gold-colored interior. Crafted in solid bronze with hand hammered divots and one broad cross band, the bowl embodies the ...

Beautiful and Unique metal sunburst by Curtis Jere. This stunning piece is truly a showstopper. Brass and Turquoise make a beautiful contrast. 37 x 37 x 6.5Deep

Pair of Chinese red cloisonné zodiac vases, with stands, each one with gilt brass phoenix bird ring handles, with 'cracked ice' and floating animal medalli...