Hand-Crafted Metalwork

Antique Hindu bronze sculpture of Krishna playing the flute. Circa late 19th century Exquisite lost wax bronze statue figurine depicting Lord Krishna Venu...

19th century Mughal Indo Persian fine antique brass round tray hand chased with Islamic calligraphy in Mameluke style. 19th century collector...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

A Chinese Brass Etched Lock with Key, Early 20th Century Provenance: Private Australian Collection. Dimension: Height: 2.5cm Width: 10cm Depth: 2cm.

Large Planter Vase from imperial Japan. This a beautiful piece of Japanese decorative arts, created in Japan during the Meiji imperial period, circa 1900. The oversized vase can be ...

Free international shipping Ando Cloisonne Company Mark From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...

Exceptional vintage Japanese silver mounted cloisonne vase decorated with veiltail gold-fish and carp swimming amidst pond weed and dating arou...

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...

JOHN SCOTT BRADSTREET (Attributed) - Arts & Crafts cast and patinated bronze center-piece flower bowl taking the form of a lotus - later patinated flower 'frog' - unsigned - United S...

Antique 19th century Asian, Middle Eastern style Turkish tinned copper ewer. Antique Turkish ottoman Islamic Ewer Tombak pitcher brass copper Ibrik. Nic...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

An exceptional hand crafted antique Moorish revival brass bowl engraved in relief with a continuous figural scene, probably a wedding dating from the 1...

Antique 19th century middle Eastern tinned copper ewer. Nice decorative old rustic hand-hammered ewer in the Mameluke style. Moorish middle e...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

A brush pot from the Meiji imperial period. This is a beautiful brush vase-pot created in the Imperial Japan during the early Meiji period (1868-1912), circa 1890. The fabulous roun...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

19th century Mughal Indo Persian fine antique brass round tray hand chased with Islamic calligraphy in Mameluke style in the center. 19th cent...

Presenting a beautiful Chinese cloisonné enamel egg depicting the faces of the Chinese traditional opera theme with a wood stand, early 20 century.

This superb heavy Egyptian Grand Tour wall charger dates to the mid to late 19th century at the time when the pyramids and Pharos tombs were being ...

Vintage South Asian hand hammered brass plate/charger - fine chasing and detail - unsigned - India - mid 20th century. Excellent vintage condition - hand made - minor polish residue...

Middle Eastern large red copper repoussé bowl, finely hand-etched, engraved, hammered and chased with elaborate Moorish geometric designs. Handcrafted copper metal vase with handles,...

Add authentic antique character and charm, sophisticated cultural interest, elegant warmth and rich historical depth with this graceful South Indian patinated cast brass ritual oil l...

A Fine antique Indian  tribal bracelet from Rajasthan made from Woven silver in strikingly simple but highly stylistic zigzag form. The Bracelet is open at one end so can be shap...

Presenting a beautiful Chinese cloisonné enamel egg depicting flowers and bird with a wood stand, early 20 century.

Quality work, amazing workmanship with absolutely fine details bronze cloisonné enameled teapot depicting the scene of floral and Yin Yang patterns with vivid colors of yellow, light...

Middle Eastern traditional Arabian brass Dallah coffee pot. Islamic Arabian Coffee pot hand-hammered and chased Moorish brass with riveted brass finish an...

Pair of very fine quality Chinese bronze censers feature twin handled tripod forms with wide openings and patinated accents. The open, rounded bodies with square cut looped handles ...

Japanese bronze vase. Age: Japan, Showa Period, early 20th century Size: height 29.1 cm / width 16.3 cm. Condition: nice condition overall.

Quality work, large pair of Chinese bronze cloisonné enameled vases depicting the scene of florals on a yellow ground with vivid colors of green, red, blue, and white. The items are ...

A richly detailed 19th-century Tibetan ritual vessel, hand-forged from copper and embellished with applied repousse and engraved brass medallions, geometric plaques, and symbolic mounts. Raised on three splayed feet, this bulbous, high-necked vessel features a domed body adorned with a dense array of ritual and decorative appliques, including stylized floral medallions, abstract symbols, and keyhole-like forms that reference tantric iconography. The vessel's expressive form is punctuated by three protruding spouts and retains its original arched swing handle with pierced brass finials. Meticulously decorated in traditional metalworking techniques, the surface patina reveals a rich, warm interplay between the copper ground and the golden brass overlay. An aesthetic that speaks to both spiritual function and ornamental sophistication. Likely used in ceremonial or domestic rituals, this vessel stands as a worthy testament to Tibetan artisanship and Buddhist ritual culture. A compelling piece for collectors of Himalayan antiques...

This very fine example of Chinese cloisonné art is beautifully hand decorated onto a gilt metal body, which has been intricately worked with fine wire, which is soldered onto the bod...

A fine Pair of Islamic silver vases. Richly decorated with Ishafan (Eshafan) style repousse decoration throughout including gryphon heads, flowers & vines, birds of paradise, foliage...

Antique 19th century beautiful handcrafted decorative round tinned copper bronze South Asian box with lid, latch and handle. A very fine antique Pandan or B...

The hand-hammered brass Moroccan tray with fine intricate Islamic design is a stunning piece of craftsmanship that exudes the beauty and intricacy of Moroccan artistry. This exquisite tray showcases the rich cultural heritage and traditional metalworking techniques of the region.  The tray's design may also incorporate delicate cutouts , allowing light to pass through and casting beautiful patterns when the tray is placed in the sunlight. This adds an extra element of visual interest and elegance to the overall aesthetic. The tray has a hook in the back if you would like to use it as a wall decorative tray. it could function as a wall hanging, ottoman tray, or a display on a bar or coffee table, use it as a serving platter, catch all, vanity dish...

A IMPRESSIVE ANTIQUE CHINESE CARVED AMETHYST FIGURE OF GUANYIN QING DYNASTY. Standing in flowing robes and holding a hand fan beside the ta...

Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass finish and a ...

Silver Mounted From our Japanese collection, we are thrilled to offer this Japanese Cloisonne Enamel Koro by Tsukamoto Hikokichi. The Cloisonne Enamel Koro of exceptional quality sh...

Sculptural vintage bronze censer, or incense burner, is raised on three short feet and equipped with distinctive twin elephant mask handles. The rounded, graphic body blends seamless...

Middle Eastern Egyptian hand etched polished brass vessel. Could be used as a vase or Jardiniere, indoor or outdoor. Arabic Mameluke revival style brass vessel with figural scenes and pyramid architectural and geometric designs hand-hammered on metal polished vessel. Etched with figures of the Pharaoh and scenes from the ancient pharaonic period. Great decorative collector antique Middle Eastern Egyptian Islamic metalwork folk art object brass bowl hand crafted by artisans. Hand made in Egypt, 19th Century.

Presenting two beautiful Chinese cloisonné enamel eggs depicting flowers with wood stands, early 20th century.

Antique fine Middle Eastern Moorish revival brass table lamp with Arabic calligraphy writing. Moorish, Syrian style brass table lamp with hammered brass with fine Islamic designs and Egyptian figure and animals. Hand-cut filigree shade. Brass Egyptian...

Handcrafted antique 19th century copper Middle Eastern Islamic copper ewer with basin. The Turkish Ottoman style Arabian brass ewer with a rounded body, on short splayed foot, engrav...

Vintage cast & chased bronze ram - signed on the base - E F - China - late 20th century. Excellent vintage condition - original patina with sharp casting/chasing - no loss - no dama...

Presenting two beautiful Chinese cloisonné enamel eggs depicting flowers and animals with wood stands, early 20th century.

Presenting a beautiful Chinese cloisonné enamel egg depicting a dragon flying in the cloud of the sky with a wood stand, early 20th century.

Extremely fine antique Islamic floor brass lamp with Kufic Mamluke revival pierced foliate openwork’s chased and chiselled with arabic calligraphy and figures. Antique 19th century Middle Eastern Egyptian floor decorative candle lamp, Rising from wide trumpet foot through to slightly tapering cylindrical shaft with two pronounced collars to gently flaring mouth and flat rim, the shaft with pierced openwork lattice containing scrolling vine issuing from cusped palmettes, bordered above and below by bands of engraved scrolling floral vine, the upper section of the foot and the body below the mouth with further pierced openwork sections in rectangular cusped cartouches with similar design set in a ground of engraved scrolling floral vine, interlocking palmettes and stylized cloud bands, band of verses. This large floor Moorish Syrian Middle Eastern...

An exceptional antique Chinese qing silver box with stylized creatures and Chinese symbols dating from the latter 19th century. The heavily made rectangular shaped box has angled cor...

An antique Indian Shiva Mukhalingam made from a brass alloy and formed as a human face dating from the 18th century. The Shiva Mukhalingam has a single face (some come with four or ...

A good antique bronze temple horse on wheels toy originating from Jhansi City in Bundelkhand in Northern India and dating from the 19th century. The Hindu region of Bundelkhand is we...

A fine antique Asian Indian brass alms dish molded with a hamsa bird design and dating from the 19th century. The hamsa is believed to be based on ...

A stunning antique Japanese singing bowl with beautiful rose gold-colored interior. Crafted in solid bronze with hand hammered divots and one broad cross band, the bowl embodies the ...

FREE WORLDWIDE SHIPPING From our Japanese collection, we are pleased to present this Japanese Bronze and Mixed Metals Koro by Kumagai, dating to the Meiji Period (1868–1912). The ...

Presenting a beautiful Chinese cloisonné enamel egg depicting flowers and birds with wood stands, early 20 century.

Group of three brass vases Probably, Tanjore, South India 19th century The bodies of flattened, spherical form, rising to the narrowed neck and a ...

Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...

19th century Antique Middle Eastern Islamic Copper Vase with Snake Handles. Large Islamic Asian copper vase with traditional Islamic Moorish embossed f...

1930s Middle Eastern Round Brass Tray 23.5 in. Diameter. A magnificent antique Middle Eastern round brass tray, a true masterpiece of craftsmanship. The metal decorative islamic brass polished tray gleams with the warm, lustrous glow characteristic of brass, its surface intricately adorned with a mesmerizing display of hammered intricate patterns. The skilled hands of artisans have transformed this metal canvas into a work of art that captures the essence of Middle Eastern heritage. Dimensions: 23.5 inches diameter. Circa: 1930s. Middle East provenance, Syria or Egypt region Moroccan style. At the heart of the brass tray lies an exquisite focal point: an eight-pointed star that radiates outwards, symbolizing unity and balance. The intricate patterns that envelop the star draw inspiration from traditional Middle Eastern motifs. Delicate arabesque tendrils weave and wind their way around the central star, forming a harmonious tapestry of interconnected designs. Geometric shapes interlock seamlessly with flowing curves, showcasing the artists' profound understanding of balance and aesthetics. The outer edges of the Moorish style tray bear a border that frames the intricate center. This border is embellished with an array of geometric shapes, Moorish patterns, and ornate detailing, all hand-hammered with great precision. The Middle Eastern tray...

Antique Indo-Persian Tinned Copper Jar Hand-Engraved Islamic Metalwork, c. 1900 A striking example of early 20th-century Indo-Persian artistry, this antique lidded jar is handcrafted from heavy tinned copper in the traditional Ghalamzani style—an ancient Persian technique of fine metal engraving. The bulbous body, slender neck, and flared lid are richly decorated with intricate floral, geometric, and arabesque motifs, along with medallions featuring musicians and couples, evoking Mughal and Islamic influences. The surface is intricately decorated with detailed floral, geometric, and calligraphic motifs, reflecting deep influences from Mughal design and Islamic decorative arts. The embossed and incised patterns shimmer over the darkened silver-toned tinned finish, catching the light with elegant shadows and reflections. The dark patina enhances the silver-toned tin finish, lending depth and contrast to the detailed repoussé and chased designs. A rare and refined collector’s piece, this jar captures the elegance and spiritual symbolism of Islamic decorative arts. Design Highlights: * Material: Tinned copper with blackened silver finish * Technique: Hand-engraved and repoussé (Ghalamzani / Qalamzani) * Motifs: Intricate floral vines, arabesques, Islamic geometry, and mythological scenes. * Base: Beautifully detailed brass with Mughal-style engravings Dimensions: * Total Height (with lid): approx. 18.5" * Width: approx. 7.5" * Lid Height: approx. 9" * Mouth Opening: approx. 2.75" This antique Persian vessel...