East Asian Art and Furniture

A good antique Early 19th Century Southeast Asian Bronze Buddha statue, Circa 1800. The Buddha seated upon a triangular shaped base with lotus decoration, the Buddha's hands posed i...

Fascinating Japanese 19th century Edo period six-panel Rakuchu Rakugai folding byobu screen featuring scenes in and around the capitol Kyoto, Japan. This type of non-commissioned scr...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

An engaging and quite coveted work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese artists to combine Western-style elements with the traditional methods of woodblock printmaking. This work is known as "The Big Owl" Kawano's owl images are some of his most popular works, this one in particular. This print is hand signed in pencil and sealed (in red) by Kawano within the image. This work is a quite rare self-printed lifetime print. Prints made and signed by Kawano are becoming harder to find. A very beautiful and rich image. Would make for a great addition to any Japanese art and print collection or eye-catching stand-out accent work in about any setting. Frame dimensions: 21.25" high, 16.25" wide, .5" deep Viewable art: 14.5" x 9.5". Please note that the work is framed but there is no glass covering...

A very fine, antique Chinese Rose Mandarin porcelain vase. With rich polychrome enamel decoration on a light celadon ground. An excel...

This is a fantastic piece. Perhaps part of a Tibetan temple shrine at one time. Beautiful faded gilt coloring and patina. We believe this is the Tibeat figure of the white Tara, the goddess of great compassion. She is akin to the Chinese figure of Quan Yin.  We are listing as 20th century but could be older. Nice size and weight. Would be a great addition to any collection and sure to stand out in any setting. From a large collection of Chinese and Tibetan antiques...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Japanese Vase with Black Background in the Style of Chinese Famille Verte. Well decorated with woman in a garden. No chips, cracks or repairs, drilled for electricity 21" h to socke...

Material: gold Paper on wooden frame One piece: W935×H680mm×D15mm, Unfolded size: W1870mm Folded size: W935×H680×D30mm, 3kg Estimate packing size: (sandwiched with 5-10mm plywood): 1...

Pair of patinated bronze Chinese foo dogs, circa 1930s. Excellent vintage condition with amazing detail and a gorgeous patina. Each dog measures 6.5" high x 3.5" deep x 4.75" wide. #...

A Chinese lacquered apothecary, circa 1820-1840. 77 drawers each with Chinese script for, herbs, minerals and natural remedies. Original restored lacquer with a wonderful warm color...

Despite common belief that water pipes such as these were used to smoke opium, water pipes such as these were more commonly used for smoking Tobacco. The h...

Vibrant 20th century Chinese export coromandel screen depicting a walled pagoda courtyard. The lacquered panels are incised and decorated with colorful pigments of green, red, and wh...

18th century painting of European hound and her pup. Mineral pigments on gold leaf with black lacquer trim.

This Antique Tibetan Painted Cabinet is 100% hand made and hand painted using mineral painting which last the paint a much longer time. You can see some of the finish has already los...

An Exceptionally Fine Pair of Chinese Cantonese Hand Decorated Porcelain Vases of traditional baluster outline, of unusually quite good size proportions, (see last image in situ) mid...

A Chinese Qing Dynasty period Elmwood wine tasting console table from the 19th century, with humpback stretcher and horse hoof feet. Created in China during the Qing Dynasty, this El...

Pair of impressive, antique kakejiku (hanging scrolls) showcasing the awe-inspiring Niô guardians, also referred to as heavenly kings. Each painting cap...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

A vintage Chinese butterfly relief blue glass snuff bottle, circa 1940s. The bottle has a unique tall thin shape and is in very good vintage condition. This bottle is a wonderful ...

A 2nd quarter of the 20th-century feminine colored Tibetan rug with a dragon motif on a brown color field. Size: 3'1'' x 5'7''.

Antique Japanese natural Momo Red Coral Graduated Bead Necklace - Gilt fish hook Clasp. A fine 19th C coral necklace. The red coral round beads have a nice cut, color, shape and l...

This seven drawer Chinese console cabinet dates from the 1920s. We believe this is made of elm wood. The original black painted finish has significant honest wear / patina and has b...

If you love the look of De Gournay wallpaper but not the price, this is for you. Measures: 36" W x 96" H. The colorways in this sections present our latest colorways, which can be...

Large Chinese export carved soapstone foo dog scholars seal, nicely carved, in two color soapstone, with large seal at base. The inscription reads: ...

This is an old Japanese wooden work board. The wood is cedar, and due to long-term use, the black color around the edges remains, and the color has peeled off only in the middle. Th...

A fine Chinese Peking glass snuff bottle, hand-blown and finely carved in high relief through an amber-red overlay on a clear ground. Each side is decorated with a carp swimming bene...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with cobalt underglaze in a manner typical of the region. Dated to the 15th...

A Magnificent Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Pheasants and Maple Leaves, Attributed to Inaba An exceptional Japanese cloisonné enamel vase from the Mei...

Sharing with you this fantastic Chinese Porcelain dish. Yongzheng period Fantastic decoration in Famille Rose, floral scene. Super ennamelling Please enjoy Condition 1 short hairlin...

Tibetan possibly Nepalese bronze, 18th-19th century. Detailed Vajrasattva figure, a Bodhisattva. It is peacefully seated in dhyanasana (position/pose in Meditation) and resting on a ...

A fine pair of antique late 19th/early 20th Century Chinese Ming style carved, lacquered & gilt throne armchairs, Qing dynasty, circa 1900. This very attractive pair of antique carve...

A very fine pair of antique Edo period four paneled screens (Takagari), hand-painted with tethered birds of prey, in the manner of Soga Nichokuan, circa 1860. Wonderful pair of...

This Antique Chinese Altar Cabinet is from the early 20th century, handcrafted from northern China area. The intricate carvings of traditional Chinese design decorate the front of th...

A Chinese Qing Dynasty period altar console table from the 19th century, with carved apron and side stretchers. Created in China during the Qing Dynasty, this altar console table fea...

Celestial Chinese export coromandel four-panel screen depicting figures in colorful robes in a heavenly landscape among the white clouds. Eac...

This print by Kawase Hasui (1883–1957), entitled Evening at Tago Bay (Tago no ura no yube), from the series Selected Views of the Tokaido Road (Tokaido fukei senshu) was created in S...

Exquisite mid-20th century Showa period four panel folding byobu screen featuring a fruiting pomegranate tree over a dramatic cream toned background. Vivid ink and natural pigment co...

An antique Chinese camphor wood blanket chest from the early 20th century, with brass hardware, natural patina and dovetail construction. Created in China during the first quarter of...

A Museum Quality Chinese Longquan Twin Fish Celadon Glazed Bowl, Song Dynasty Description: Celadon, 2 fish design at the center, scroll design on the cavetto. Provenance: Private A...

Korean Minhwa Spotted Leopard Snarling Magpie and another Magpie flying in the pine tree Minhwa, Korean folk paintings, portray the simple and unaffecte...

This Chinese altar table from the early 19th century exemplifies the refined forms of Ming and Qing dynasty furniture. The table has a classic recessed-leg design, featuring a flat, ...

A pair of Japanese silver wire enamel vases. The vases have an urn shaped body and a fluted neck. Each ware is enameled with a polychrome image of dragons on the dark blue ground mad...

Japan, a rare dated large bronze hand hammered temple bell rin, Edo period , incised and dated Tenpo era 13th (1842) around rim. Perfect meditation instrument. When struck emits a pleasing bold reverberating sound guaranteed to please you. Bell is in very good condition... Includes red lacquered display base as shown and a complimentary striker This hand-hammered and wrought bronze percussion instrument created by specialized Samurai craftsmen with dimpled construction and incised signature of maker along rim sets atop a round red lacquered footed wood display base with wooden striker and when struck creates a serene reverberating sound. Perfect for meditation gardens or interior spaces. Total Height of bronze bell with red lacquered stand...

A Chinese Qing Dynasty silk embroidered mirrored panel, 19th century. Sight: 9 by 21 inches frame: 10 ¼ by 22 ¼ inches

Court Uniform for Imperial Appointee, c. 1887. Wool with gold brocade. Court and military uniforms in emulation of European ensembles were officially adopted by the Japanese gover...

Japanese Four Panel Byobu Screen, with hand-painted scenes of flowers within gilt borders, chop seal marks to each panel. Larger panels: 38.75" H x 17.25" W x 1" D. Provenance: From ...

This is an old Japanese wooden carving of Daikokuten, created during the Edo period (1800s–1860s). It is carved from sugi (Japanese cedar). Having endured the passage of centuries, i...

Spring and Autumn Birds & Flowers Hasegawa Gyokujun (1863-1921) Meiji period, circa 1900. Ink, color and gofun on silk. Dimensions of each screen: H. 172 cm x W. 188 cm (68’’ x 7...

This low console table balances modern simplicity with a touch of the traditional. The lacquered table features a bronze-toned mirror top, a slatted floor shelf and waterfall sides i...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

A Tibetan Thangka Buddhist painting hand-painted on canvas, created for the veneration of the Three Great Bodhisattvas. Embrace the rich tradition of Tibetan Buddhism with this vibra...

A set of Japanese bronze animal monkey with artist sign. Age: Japan, Showa Period, 20th Century Size: Height 6.2 - 12.8 C.M. / Width 5 - 10.2 C.M. (size excluding stand) Condition: ...

A pair of extra large, sold wood, 19th century Chinese Horseshoe Chairs. The solid, 2" thick, continuous rounded crest rail is composed of thre...

XIANG TIAN - 'Relaxing' - Vintage watercolor painting on paper - nice quality and composition - signed with a single red chop mark and Chinese characters (upper left) - signed and ti...

Dazzling Chinese export lacquered four-panel coromandel screen featuring a flora and fauna waterscape with stylized cranes. The carved lacquer panels...

Late 19th century Chinese silk embroidery rank badge textile, with a finely detailed dragon along with other various symbols embro...

A fine antique gilt-wood & black lacquer Chinese Export Qing dynasty table desk, circa 1850. The table top is finely hand-painted to the top with a gilded landscape scene, depicting ...

Medicine Chest in original black lacquer. Shanxi province, China. Dating back from the late 18th Century.

a 3rd quarter of the 20th century bright orange color Tibetan rug Details rug no. j3229 size 3' x 5' 9" (91 x 175 cm