Metal Paintings and Screens

Antique and very rare Japanese painting made in the early 1900s by a fine Japanese manufacturer. The painting has a rectangular brass frame with rounded corners. Internally we see an...

Step into a world of timeless beauty with our exceptional six-panel screen from the Edo-Meiji period. In impeccable condition, each panel features stunning paintings of chrysanthemum...

Ancient and very rare Japanese painting made in the early 1900s, fine Japanese manufacture. The painting has a rectangular brass frame, with rounded corners. Internally we see a further frame in yuta, classic sand colour, very nice. Yet another very small brass frame that frames the picture. The painting is a print painted on black cardboard, with whimsical and strong colors, typical of Japanese art. This represents a scene with a man and a woman, intent on dancing, arm in arm and spinning in a typical traditional Japanese dance...

Antique and very rare Japanese painting made in the early 1900s by a fine Japanese manufacturer. The painting has a rectangular brass frame with rounded corners. Internally we see a...

Ancient and very rare Japanese painting made in the early 1900s of fine Japanese manufacture. The painting has a rectangular brass frame, with rounded corners. Internally we see an a...

Set of 8 Asian Chinese (19th century) gouache paintings of traditionally clad figures framed in modern gilt faux bamboo frames.

Kano School painting depicting an interior with finery such as a lacquer table, silk textiles, and other paintings. The fusuma doors appear to be a famous...

Majestic Hawks Edo Screen Period: Edo Size: 150x168 cm (59x66 inches) SKU: PTA93 Step back in time to the Edo period with our superb Tosa school screen d...

<< Story behind the work Obi fabric I used for this artwork is taken from three different over 100-years-old antique sashes, and is framed in wood taken from antique ...

Japanese two-panel screen: Ikebana on gold. Meiji period (1868-1912) painting of a basket with beautifully arranged spring flowers in the style of ikebana (Japanese traditional flowe...

People dressed in ceremonial robes and masks celebrate the New Year. On New Year's eve a traditional Japanese custom is to ward off evil spirits by pretending to chase away people w...

The Mughal miniature portrait, created with a single-hair brush on delicate rice paper and embellished with 24k gold water, depicts the noble Mughal Emperor Akbar and his esteemed consort, Jodha Bai. This exquisite artwork exemplifies the pinnacle of Mughal artistry, renowned for its intricate detail and luxurious use of materials. At the center of the composition, Emperor Akbar is portrayed with an air of majestic authority and wisdom. He is dressed in regal attire, featuring rich textiles adorned with elaborate patterns. The gold water applied to his garments and accessories adds a shimmering, ethereal quality, highlighting the emperor's status and the richness of his attire. His turban is prominently adorned with a jeweled ornament, enhancing his royal presence. Akbar's expression is composed and contemplative, reflecting his reputation as a wise and benevolent ruler. Beside him stands Jodha Bai, exuding grace and elegance. Her attire is a masterpiece of Mughal textile...

This work uses an antique furisode (festive kind of kimono with long sleeves) with peacock feathers - a symbol of royalty and prosperity. Can be used both vertically and horizontall...

Step into a world of timeless beauty with our exceptional six-panel screen from the Edo-Meiji period. In impeccable condition, each panel features stunning paintings of chrysanthemum...

<< About this artwork This artwork has been upcycled from a stunning obi, which is adorned with calligraphy weaving saying "moon" and "moonlight". << Period /...

Taisho Golden Fan Screen Period: Meiji Size: 190x171 cm Step into a world of elegance with our exquisite two-panel Taisho screen adorned in gold, depicting fans adorned with vario...

Originally fusuma doors, three deer stand in a clearing in a pine forest with gold leaf mist. Mid Edo period painting in mineral pigments on gold leaf wi...

Decorative panel entitled “Fragmentations – IX” in inlaid and patinated brass. Glossy varnish finish. Unique piece. Dimensions: H 85 x W 65 cm Reference: LS63782900/2

Hasegawa School painting in ink and gold dust accents on mulberry paper.

< The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono. I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it? The piece uses the concept of "kintsugi" - it "unites" the pieces of antique kimono back together with golden leaf to give it a second wind as art work. << Period / Story The kimono used in this piece was originally crafted during the late Showa period (1960-80ies). << Explanation and meaning of pattern and colors The Japanese saying goes, "A crane lives a thousand years, a tortoise lives ten thousand years," making cranes a symbol of longevity. Cranes are also known for staying with the same partner for their entire lives, which is why they are often used at weddings and other celebrations to symbolize "marital bliss" and the desire for harmony between husband and wife. On this particular piece, cranes are flying through snow woven on the fabric, as if they are overcoming all the disasters to get to their beloved ones. The color scarlet, or deeply dyed red, used for the most of the cranes here, has long been associated with the meaning of "warding off evil." It is believed to possess the power to repel malevolent forces and invite good fortune. During the Heian period, scarlet was reserved for sacred buildings and ceremonial objects that held great significance. Ordinary people were prohibited from wearing scarlet-red kimonos, which made it a highly special color. << Characteristics of the fabric Cranes, going up and down, are generously decorated by kimpaku here. "Kimpaku" (金箔) refers to gold leaf/foil in Japanese. Gold leaf is a traditional material used in various aspects of Japanese culture, including art, crafts, and even in culinary applications. In traditional Japanese art, gold leaf is often applied to religious objects, sculptures, paintings, and lacquerware to create a luxurious and decorative effect. The use of gold leaf in art dates back centuries and is associated with a sense of wealth, prestige, and the divine. Traditional kimpaku technique is used here to make an accent decoration in the middle. << About the frame This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Decorative panel entitled “Fragmentations – X” in inlaid and patinated brass. Glossy varnish finish. Unique piece. Work of contemporary French craftsmanship. Dimensions: H 85 x W ...

Well listed Chinese Artist Yamin Young. "View from the Terrace". Mixed-media on handmade rice paper, mounted to the fabric base, protected by the plexiglas...

Ribbons of 17th century calligraphy poems are mounted on an 18th century screen with a woven bamboo motif. These poems are aristocratic Waka poem...

Children at play in a Chinese palace garden, a favorite subject of Japanese painters. Kano School painting in mineral pigments on mulberry paper with si...

This artwork uses antique fabric from Taisho era (early 1920ies) kimono and paulownia wood taken from antique kiritansu - chest-of-drawers used initially to keep kimonos. It is el...

with thought to be Izumo no Okuni (1578-1613). Mineral pigments and gold dust on mulberry paper with silk brocade border.

< This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition: ・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience. ・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character. ・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change. ・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today. ・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness. Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection. << Characteristics of the fabric This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble. << About the frame Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Delicate painting of garden chrysanthemums with a fine gold mist. A cat grooms herself while a kitten plays with a chrysanthemum. Mineral pigments...

Charming pair of late Regency pole screens Intricately decorated with needlepoint tapestry One screen features a vivid floral spray and the othe...

Detailed painting of varieties of chrysanthemums behind a bound-twig garden fence rendered in silvered, raised gofun. Stylized low-hanging gold mist clouds. Rimpa-style painting in m...

Kano School painting, reminiscent of early Kano School paintings, in sumi (ink) and minimal pigments on gold leaf with a silk brocade border.

The Genpei War took place from 1180–1185, during which the Minamoto clan rebelled against the Taira clan for control of Japan. The two clans had a bitter rivalry for years, and the M...

Houdini - Outdoor screen The Houdini Screen is a modular partition that blends privacy with striking design. Composed of customizable panels in stainle...

Beautiful fine detail of a variety of wild grasses. Lacquer on wood panel with carved surface and metal rim. Exhibited at National Nitten Exhibition 1969.

Mineral pigment and gold dust on mulberry paper. Silk brocade border and black lacquer trim. From the collection of Moke Mokotoff

Sesshu-style painting in ink on mulberry paper with gold dust accents and a silk brocade border.

A collection of sound-absorbing dividing panels able to guarantee privacy without isolating from the surrounding environment. The self-supporting structure allows the integration of ...

Japanese Two Panel Screen: Peonies In the Mist. Showa period (1926 - 1945) painting in oil on canvas of peonies with gold and silver dust clouds. Signature reads, Seishu.

The room screen attaches to the column. The sandwich of panel colours are interchangeable to play with translucency and indirectly illuminate the room, possibilities can include a sm...

Green teal blue screen by Mentemano Dimensions: W 196 x D 28 x H 181 cm Materials: Green teal blue, grey print, black hinges The hinges allow the struct...

Bountiful mountain overlooking a city, divided by an occupied river. The shapes and colors that make up this unique painting allow for an unconventional take on a modern harbor view....

Kano School painting of a bamboo grove with blooming flowers and gold dust mists. Painted in mineral pigments on mulberry paper with gold dust and a silk brocade border.

Pair of green teal blue screen by Mentemano. Dimensions: W 196 x D 28 x H 181 cm. Materials: green teal blue, grey print, black hinges. The hinges allow the structure to take di...

Green petrol screen by Mentemano Dimensions: W 196 x D 28 x H 181 cm Materials: Green petrol panel, Grey print, Black hinges The hinges allow the structure to take different s...

Abstracted painting of ships moored in the background. Painted by Nishide Kofuku and exhibited at the 1963 Nitten National Exhibition. Kofuku was born in 1926 in Shiga Prefecture. He...

Japanese two panel screen: Nara Deer in Gentle Yoshino Landscape. Yoshino is in the Nara Prefecture, an area famous for these small and tame deer native to J...

Late Meiji Period (1868 - 1912) painting with a wonderful use of gold dust on mulberry paper with a silk brocade border. Signature reads: Ryutei.

Antique Japanese screen with Festival Cart design. Edo period painting (First half of the 19th century) of one brown lacquer cart and one bla...

Lacquer and aluminum on wood. Exhibited at Northern Japan Art Exhibition. Signature reads: Yuki.

Japanese two-panel screen, deco landscape with river fans. Modern scene of a 12th century festival in Kyoto in which fans are sent down the Kamo River and caught downstream. Taisho (...

Room divider Manufactured by SIDE GALLERY Barcelona, 2019 Iron and painted coloured glass Measurements 175 cm x 4 cm x 200 cm 68,89 in. x 1,57 in. x 78,74 in. Edition Edition of 7 + 1 AP More sizes available upon request Biography Frida Escobedo...

A Collection of Thirteen Ink and Chalk Drawings by Johan Gerard Sinia (1875-1948) All framed in gilt-metal or giltwood frames Sinia started his professional career as an army off...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

Pair of green petrol screen by Mentemano Dimensions: w 196 x d 28 x h 181 cm Materials: Green petrol panel, Grey print, Black hinges The hinges allow the structure to take diffe...