15th Century and Earlier Asian Art and Furniture

Spectacular hand-loomed Chyrpy with a checkered pattern, finished with a remarkable white wavy cotton edging. Women in Uzbekistan and Northern Afghanistan wore this outdoor veiling g...

Huge hollow molded terracotta, standing male figure wearing a hip-length multi-layered robe with a collared neck. Implements suspended from his waist, holding a staff in his right ha...

Early Burmese Monk. Cast out of a lead/bronze alloy. Probably over 1,000 years old looks to be a very rare Pyu/Mon example, and likely contemporary with e...

I present to you an impressive Possibly Korean Buddha. Exceptionally rare, I cannot find any comps, so I cannot be sure of origin- I will say that I do ...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Bactrian culture, Afghanistan. 3rd or early 2nd Millennium B.C.

Bactrian ritual object, Bactrian culture, Quetta, Afghanistan 3rd or early 2nd Millennium B.C.

This marble head of Buddha is of Gandhara culture, Pakistan, 6th century. This piece is part of designer John Brevard's personal collection and has been...