1960s Asian Art and Furniture

J Buttin was a French artist who lived in Indochina. This painting shows water carrier women under banana leaves. It is signed.. The painting has been recently cleaned by a professio...

Pair of heavy weight cast stone foo dogs freshly lacquered in white. Great addition to your chinoiserie inspired interiors and table tops. Each piece is...

Jian straight sword. Possible 60s 70s Another model available in the store Good conditions. Thank you

Pair of Chinese floral-decorated and mirror-image black cloisonne vases. Colorful flora and fauna depicted in green, red, blue, gold, purple and t...

Le Pho was a Vietnamese painter (1907-20010 who is now internationally known. He painted scenery of Vietnam, still life with flowers, family setting...

Spada diritta Jian. Possibile anni 60 70 Disponibile un'altro modello nel negozio Buone condizioni. Grazie

Original Exhibition Poster – Quarta Exposició del Círcol de Sant Lluch, Alexandre de Riquer, 1969 Details: Exhibition: Quarta Exposició del Círcol de Sant Lluch Artist: Alexandre d...

floral motif on blue ground; wooden bases are included with these vases; approximate overall measurements (with base): 28.75in(H) x 14in(diameter), vase only (approximate measurement...

Pair of oriental vases from 20th century. Objects in chiselled metal in cloisonné style of beautiful line and pleasant decor. Vases with side h...

1960s Hand Carved Thailand Elephant Playing A Horn All Wood Musician Ganesh / Musician Ganesha Thailand Ganesh Ganesh as a musician who, like Shiva, gives rhythm to the universe

Elegant pair of large decorative Chinese porcelain vases from the 1970s, featuring intricate designs and a striking presence. These vases showcase the classic artistry of Chinese ce...

< This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition: ・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience. ・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character. ・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change. ・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today. ・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness. Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection. << Characteristics of the fabric This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble. << About the frame Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Large NYC 1960s Nobumitsu ‘Nobu’ Fukui oil on canvas. Measures: 47" x 47", signed on the back, framed. The artist made smaller prints (both on paper and on canvas) of this image.

Yasumi Nakajima II (1906-1988) Ikebana vase, circa 1960, Japan. Trumpet form, Tomoe model, with nice patinated brown-red (seido) bronze. Signed underneath. Dimensions: 26 cm H, 9 ...

A model of a spirit dugout canoe, from the Asmat village in New Guinea. A replica of the large canoes they use for transportation and fishing, this smaller model is hand-carved in ...

A beautiful and rare teak storage box on wheels, Denmark, 1960–70s. This elegant and functional mid-century design features a cubic form with finely crafted dovetail joints and smoot...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely suite of five original Watercolour paintings dating to the Ch'ien Lung Period 1736-1796 publishe...

1960s hand-painted wood and porcelain tabletop screen Each panel is 5” wide and has prominent colors of blue, green, pink, and yellow.   

Amazing vintage Moroccan Caftan, gold silk damask threads trim, Circa 1960's The gold floral damask kaftan was entirely finish by hand. Feel li...

Amazing vintage caftan, royal blue silk velvet heavily hand embroidered with silver trim, circa 1970s The velvet kaftan is handcrafted and embel...

Slender French female bronze sculpture with delicate form and intricate detailing.

Carved wood Chinese garden seats with parcel gilt, cloisonné like decoration. Open interior, four sided drum shape.

1960s Asian side chair by George Zee very interesting abstract Asian design.

Large patinated bronze lamp with butterfly details. Solid wood base. Professionally restored and rewired. Double socket with pull chains. Adjustable. Capacity: 2 x E26 per lamp.

This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is filled with storytelling ...

Absolutely stunning textile print from the late 1960s. Bring a pop of color to intrigue to any room with this lovely vintage cotton fabric tapestry designed by Marjatta Seppälä. The ...

A Japanese Wakasa lacquer folder to carry poems and paintings. It has a silver raised Togidashi maki-e design of cherry blossom, created by lay...

An early ceramic long-neck vase with a brilliant copper red glaze by Benedictine monk potter Brother Thomas Bezanson (1929-2007). The minimalistic an...

A cast brass Finial from Turkey, mounted on a circular base. Measures: 18 1/4" High, 7" Wide, on 6 3/4" Diameter base.

Made in Czechoslovakia Made of Art Glass Re-polished Original condition

Lithograph print with image entailing to a rabbi cutting challah bread. Stylistically similar to George Crionas. Rare and unexpected piece that commemorates a faithful scene. Mid-...

Exceptional clay bottle from Amsterdam by Erven Lucas. Features a browned clay tone with its capacity, maker and place of origin carved into the sides. 1 liter

Beautiful antique fish batik stamp set in an espresso teakwood frame. Andrianna Shamaris, Inc. The Leader In Modern Organic Design™

Particular terracotta sculpture decorated with graffiti made by sculptor Aldo Londi in the 1960s Excellent condition Literature: Luigi Ulivieri, Capraia '91 ceramiche verso il XXI s...

This ceramic bowl, featuring vibrant orange and yellow colors, hails from the 1960s, a period known for its bold use of color and innovative design in home decor. The bowl's striking...

Wonderful vintage mid century modern glass vase. Features a painted green and gold finish.

Incredible mid Century Modern danish pottery vase. Features a brown and gold coated finish.

Set of 8, Glazed Porcelain

< This work is inspired by traditional Japanese natural symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with...

This work uses an antique tomesode (festive kind of kimono) with fern design to evoke feelings of tranquility, harmony, and appreciation for the beauty of the environment. Can be used both vertically and horizontally. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation of colors and patterns In Japanese traditional culture, ferns, particularly the Japanese painted fern (Athyrium niponicum), hold several meanings and symbolisms: ・Elegance and Beauty: Ferns are admired for their graceful, delicate appearance and intricate leaf patterns. In Japanese aesthetics, they are appreciated for their natural beauty and are often used in gardens, landscapes, and floral arrangements to add a sense of refinement and elegance. ・Resilience and Perseverance: Ferns are known for their ability to thrive in diverse environments, including shady forests, rocky cliffs, and damp soil. Their resilience in the face of challenging conditions is seen as a symbol of endurance and perseverance. In Japanese culture, ferns may represent the ability to overcome adversity and flourish despite obstacles. ・Connection to Nature and Tranquility: Ferns are native to forested areas and are often associated with the natural world. In Japanese traditional culture, they symbolize a deep connection to nature and the importance of maintaining harmony with the environment. The lush green foliage of ferns evokes feelings of tranquility and peacefulness, making them popular motifs in Zen gardens and traditional landscape paintings. ・Purity and Simplicity: Ferns are emblematic of simplicity and purity in Japanese aesthetics. Their unassuming beauty and understated elegance reflect the principles of wabi-sabi, an aesthetic worldview that values imperfection, impermanence, and simplicity. Ferns may be used in tea ceremonies, Ikebana (flower arranging), and other traditional arts to evoke a sense of tranquility and appreciation for life's fleeting moments. Overall, ferns in Japanese traditional culture symbolize elegance, resilience, connection to nature, purity, and simplicity. Their presence in art, literature, and landscape design underscores their enduring significance as symbols of natural beauty and spiritual resonance. << Characteristics of the fabric This vintage textile is hand-painted with a traditional Japanese technique called "yuzen". << About the frame Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with pau...

[Story behind the work] This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. In this artwork, the aim was to capture the the auspicious symbol of camellia used in antique kimono. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. [Explanation and meaning of pattern and colors] This delicate piece features hand-drawn camellia motifs flowing gracefully on a softly brightened grayish background. Camellias, native to Japan, bloom from winter to early spring. As an evergreen tree with green leaves throughout the year, it symbolizes the anticipation of spring and is considered an auspicious plant. Due to its seasonal significance and auspicious meanings, camellias have been used as motifs symbolizing good fortune. Additionally, they were highly valued for their use in oil, cosmetics, and medicine, representing nobility. Believed to possess the power to ward off misfortune, camellias also carry the meaning of "protection from calamity" and have strong ties to traditional ceremonies. In this artwork, camellias are delicately depicted alongside flowing branches, subtly representing good fortune with their pale pink and white hues. "Sora-iro nezumi 空色鼠" refers to a light grayish color with a hint of blue, reminiscent of the slightly brightened sky on a lightly cloudy day. Popular during the late Edo period (19th cent.), it elegantly captures the slightly brighter sky pattern seen on lightly overcast days. Notably, the term "nezumi-iro" (mouse gray), popular during the late Edo period, was paired with brown tones, collectively known as "Forty-eight Teas and a Hundred Mice 四十八茶百鼠." Colors within the "nezumi" (gray) spectrum, particularly "sora-iro nezumi," were favored by young people for their cool and sophisticated appeal. [Characteristics of the fabric] The fabric features intricately woven patterns that reveal subtle gradations through dyeing, creating a grid pattern that transforms depending on the light conditions. Originally, this fabric was part of a formal kimono known as a "hōmongi 訪問着," featuring motifs along the hem, shoulders, and sleeves. These motifs have been carefully selected and combined to create a unified piece of artwork. [About the frame] Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Festive and elegant Susani embroidery, suitable for bed or table or wall. Silk embroidery on a cotton ground. B/ 2003 - cm. 213x 177.   

Vintage Persian Tabriz Rug 8'1'' x 10'1'' A Tabriz rug/carpet is a type in the general category of Persian carpets. From the city of Tabriz, the capital city of East Azarbaijan Prov...

A stunning piece of mid 20th Century oil painting, showing a family of elephants strolling through the jungle. The parents lead their young amidst the greenery. It's a nice piece for...

Asian carved mahogany wood pedestal.

Signed wood sculpture.

Pair of lacquered and painted wood Asian style barrel shape side tables fitted with decorative metal handles.

A beautiful and expressive freestanding tropical hardwood tree sculpture with highly textured and striated surfaces and evocative forms. Variable sections in cocobolo and lignum vita...

Sculptural L shape elbow tube made of tempered Pyrex glass.

An interesting bronze sculpture of medium size but considerable weight. Constructed of solid, worked and formed rods connected in an organic manner.?

A brass and copper watering can.

Ceramic plate glazed in orange and black, Lenci Torino, 1960s. Ceramic plate glazed in orange on the upper part and black on the lower part, signature pr...

A leather wrapped and hand-stitched shoe horn with a leather cord hanging strap.

An elegant comb hand-carved from cow horn with naturally occurring variations in color and pattern.

Exceptional carved tripod table Teak wood South East Asia, Bali Nice flower carving in the traditional style.

Wooden back massager in well figured maple having the form of a protruding ball encased in a hollowed disc.

An abstract sculpture carved of richly figured marble and mounted on an organically shaped lacquered wooden base.

A hand-loomed textile of incorporating a colorful array of tufted wool and variegated fabric elements.

All well maintained, no mildew smell. Original fabric and pillow cases with zippers. Batik!! Always in style!