19th Century Asian Art and Furniture

Jumu wood antiques Asian Kang low table, can be use large coffee table or side table or bench seating with relief carving on the aprons. The table is very sturdy and can be use for ...

Antique Leather Mughal Moorish Turkish Ottoman Shoes with Gold Embroidered. A pair of rare late 19th century hand stitched and hand tooled leather shoes ...

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

Large Thai bronze sitting buddha.

A pair of Qing Dynasty period wooden palace doors from the 19th century with iron fittings. This striking pair of Qing Dynasty period wooden palace doors from the 19th century instan...

The countless layers of black lacquer that texture these 19th-century doors have aged with a dark patina and an inimitable crackle that only time can achieve. Crafted of northern elm...

A fine antique Chinese export porcelain plate. In the Rose Mandarin style. Depicting an Imperial court scene. The man on the right is either a servant/government official come to v...

Amazing and beautiful Chinese cloisonné opium pipe, enamelled with loto flowers, character marks to the base, 28cm high Astonishing opium pipe with mot...

Rare and Hard To Find 19th Century From China's Qing dynasty (1644-1912) a hard to find solid limestone finely carved square footed pedestal - perfect for displaying your indoor or ...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

This Asian screen print is a stunning six-panel byobu (folding screen) featuring a traditional Japanese landscape. The artwork showcases a serene scene with a lakeside pavilion set a...

Muromachi period inspired Japanese four panel byobu screen depicting wild geese in flight over reeds. The 19th century Meiji period painting bears an artist's signature Chisokuken. C...

Mineral pigments and gold leaf on mulberry paper with black lacquer trim.

This painted Chinese cabinet dates to the mid-19th century and has a richly aged patina that only time can achieve. The narrow cabinet is finished with layers of dark brown and burgu...

African Toma Tribal Initiation Ceremonial Mask From Liberia (Guinea) From the Tribal people of Liberia (Guinea, Africa) Initiation masks were used by secret male socity know as Poro

Japanese Woodblock print by Sadanobu Hasegawa III,(1881~1963), unframed. About the artist Born in Osaka, Sadanobu Hasegawa III combines traditi...

Pair of cast and patinated bronze figures of Parvati & Shiva, shown in dancing poses on shallow lotus plinths. Tamil Nadu, Southern India, 19th century. Dimensions: 7" W x 5-1/2" D ...

This late 19th century covered jar takes its rounded shape from serving tureens used to serve soups and stews. Contrasted by a crisp white field, the lid and sides are decorated with a lively scene of children at play in a courtyard garden. Accompanied by a man and woman, the children are each playing with a different toy, including a kite, a reed organ...

Antique hanging cast bronze oil lamp in the shape of a beautiful mythical bird peacock figure with hanger chain. The body of the bird acts as a reservoi...

Exquisite and timeless, behold this captivating framed decorative panel hailing from the illustrious Qajar period in Iran. Crafted with utmost finesse, the panel boasts a splendid mo...

A dark brown lacquered Qing Dynasty Chinese cabinet from the early 19th century with three drawers, double doors and nicely distressed patina. Created in China during the early years...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

This 19th C. Japanese Buddhist bronze temple or monastery bell, features a stylized two-headed dragon loop handle at top, four studded panels at shoulde...

Elegant Canton export ginger jar (bojan) made of white porcelain, richly decorated with blue floral and foliate motifs in classic Chinese style. The jar retains its original profiled...

A 19th century Middle Eastern, Asian brass decorated Islamic Moorish Qalamdan. The Qalamdan is an inkwell in solid brass. It consists of an inkwell and a pen compartment of typical tubular form with an interior cavity to store a reed pen. Attached to the body is an inkwell with engraved designs with a shell style cover. The piece measures 9 1/2" inches long x 2" inches high x 2" inches deep. Great brass decorative Islamic Metal...

IMPRESSIVE SIZE MIXED METALS BOX From our Japanese collection, we are pleased to offer this Japanese Mixed Metals Box by Fujii Yoshitoyo. This substantial rectangular box, raised u...

An antique Indonesian wooden cabinet from the 19th century, with carved and painted doors. Born in Indonesia during the 19th century, this wooden cabi...

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

19th Century Asian Architectural transom panel with pierced carved foliage.

Medicine chest in original red lacquer with 40 drawers. with Chinese calligraphy in lacquer. These were used to store and organise Chinese herbs and the...

This grand, earthenware jar is a 19th-century storage vessel from Myanmar or Thailand, drenched with dark brown glaze and decorated with a button pattern of raised lines and dots. So...

A Exceptional Canton carved faux tortoiseshell snuff box. Qing Dynasty. A Canton carved tortoiseshell snuff box 19th Century Of circular shape and carved in high relief to the cover...

Early 19th century Chinese bench. A special black lacquered antique Elm wood bench circa 1800. A waisted (refers to specific Chinese furniture construction & joinery) raised top set on frame with hump back stretchers and struts. A most sensational patina of black lacquer worn through to the wood showcases the benches elegant presence and raw beauty. This is an original piece with a 200 plus year history. The raw top is worn silk like smooth from age and use. The reaming black lacquer is thick having an alligatored rustic patina. The construction is solid and strong. Feet having scroll key detail carved to faces with wear prevalent to the bottom of the feet. The humpback struts show ware from one side being more evident then on the other side, more lacquer remains covering one strut. A very significant Antique Chinese Bench...

Framed refined Indian court painting, beautiful colors and gold leafing, exquisite details, 19th century, Conservation framed Conservation fram...

Antique Large Chinese Rose Medallion Oblong Fish Tray Serving dish with separate pierced strainer, 19th century, length 19 1/4 inches. In very good condition with no cracks, chips, o...

A pair of extra large, sold wood, 19th century Chinese Horseshoe Chairs. The solid, 2" thick, continuous rounded crest rail is composed of thre...

Antique A Chinese Carved Hetain White Jade Pendant, 19th-century. -Dimensions and Density- Jade: Width: 3.5" Depth: 2.5" Height: 0.25" Weight: 82 grams Volume: 28 cm³ Density: ...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Japan during the 19th century, early Meiji period. This rectangular shaped papier mâché box has a well fitting hinged lid, with the box base and lid slightly domed. The box was probably originally made as a pocket box but could easily sit on a desk or dressing table as required. This is a very decorative box with finely hand painted scenes of three people, one holding a parasol, in a garden setting, with a pagoda type building, large gate...

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

A very fine Japanese lacquer tebako, box for personal accessories, in the form of rolled bolts of brocade fabric, Meiji Period, late 19th century, Japan. The box is whimsically shap...

A Chinese antique black vertical sign from the 19th century, with gold calligraphy. Created in China during the 19th century, this tall and narrow woode...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament against...

Antique fine quality - Qing Dynasty - forbidden or seed stitch silk embroidery panel - metallic and silk threads - densely packed embroidery on a light weight damask pattern silk - m...

Antique 18th Century Indian Hindu Bronze Figure of Rama and Sita – South Asian Religious Art A finely cast and beautifully patinated antique Indian bronze sculpture depicting Lord R...

Quality small antique George III copper kettle having a quality copper kettle with a removable lid with the original brass knob having a shaped handle and spout

Meiji-Taisho Period Buddhist Temple Cabinet Doors Period: Meiji-Taisho Size: 158 x 56 cm (62.2 x 22 inches) SKU: PTA127 Embrace serenity with these temple cabinet doors from the ea...

Chinese red coral carving of female figure in flowing robes. Very fine 19th century work. The figure attached to a 1" stand, and total weigh...

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

Wonderful quality antique Japanese imari plate, having a quality antique Japanese imari plate with a scalloped shaped edge, decorated with panels with birds and flowers hand painted ...

Pair of Chinese Famille Rose Porcelain Plaques. Nicely detailed and in excellent condition with no chips, cracks, or damage.   

A fine antique Chinese porcelain spittoon. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, foliage, a bridge, a river...

This Chinese chair, dating from the late 1800s and crafted in the Ming style, is a fascinating example of traditional Chinese art and craftsmanship. The da...

Offered for sale is this large 19th Century Victorian antique copper and brass kettle of good quality, having a shaped brass and copper...

This is an antique figural doorstop. An English, cast iron Lord Nelson door keeper, dating to the Regency period, circa 1820. Fascinating historical figure, with a substantial form...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer and hand-painted gilt décor. Created in China during the Qing Dynasty period in the 19th centur...

An impressive Chinese scholar Lingbi stone (also known as Gong Shi in Chinese; meditation stone and spirit rock in the West) of substantial height and mass on a carved wood display s...

A fine antique Korean medicine or apothecary chest from late Joseon Dynasty (circa 19th century). Known as Yakchang in Korean, this type of chest was used to sort and store herb medicines in its many small drawers. The prototype was originated in China, but this piece is distinctively Korean. The fine piece was made from Paulownia wood, which has an insect-repelling quality. Relatively tall, the Yakchang features a slightly overhanging and upturning pagoda plank top. The upper part has ten rows of smaller drawers, eight per row and eighty total. The lower part is centered with double doors with brass hinges and pull that open to a small storage space, which is surrounded by twelve larger drawers. Each drawer is fitted with yellow brass pulls and with two names of the herbs in gilt Hanja writings. Examination of the construction and patina shows that this is an authentic antique piece that has seen extensive historical use. Provenance: Purchase from Lucky-Chosun Furniture, Seoul, Korea in 1986 and remains in an American collection until now. With an original invoice and also a freight invoice from Korea to Hongkong. There is also an insurance appraised by Sotheby's from 1997. A tall medicine chest with similar configuration from a doctor's home in Yongin Folk Village is illustrated on plate 75 page 61 in the book "Korean Furniture and Culture" by Bokcha, Soon and Youngsoon. To compare with another Medicine Chest, see illustration on page 47 in "Korean Antique Furniture...

A rare and most impressive size rustic Provincial Chinese recessed-leg painting table (dining table) Early 19th century, crafted of northern elm (yumu) ...

Quality work, Antique Japanese Lidded Cloisonné Canister, Meiji Period, with the theme of dragons. Dimensions; 2.125" Dia x 2.625" H