Late 19th Century Asian Art and Furniture

A large charming late 19th-century to early 20th-century, Chinese export reverse mirror painting, depicting a lady playing a Chinese musical in...

A very fine quality monumental Japanese vase depicting Samurai on one side and distinguished female and her attendants on reverse, particularly unique for its very prominent stylized...

Late 19th-Early 20th Century Chinese Roof Tile. Our lovely antique Chinese glazed pottery or porcelain roof tile depicts a warrior ridin...

Late 19th century Chinese silk embroidery rank badge textile, with a finely detailed dragon along with other various symbols embro...

Pair of antique (late 19th century) Meiji period Japanese Satsuma vases depicting Samurai warriors and other figures. Signed. 11 7/8 by 5 1/2 inches each.

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

Antique Chinese cloisonné enamel round box with lid depicting floral patterns. A white base tone and colorful floral all around, from the 19th century.

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

A set of 4 screens, made in elm wood. Lacquer decorated in polychrome. Panels decorated with vases, flowers, etc. Former screen wall from house in Shanxi pro...

A Japanese Meiji period keyaki wood Sendai tansu clothing chest from the late 19th century, with hand-cut iron hardware and safe box. Created in the Sendai Prefecture during the last quarter of the 19th century, this keyaki (elm) wood tansu is a fine example of Japan's traditional mobile cabinetry. Featuring a lacquered finish with reddish brown tones, the chest showcases a rectangular top, sitting above a perfectly organized façade. A long upper...

This is an old Japanese wooden work board. The wood is cedar, and due to long-term use, the black color around the edges remains, and the color has peeled off only in the middle. Th...

A pair of Art Deco lounge chairs, known as “Moon Gazing” chairs, dating from the late Qing dynasty. The chairs are crafted in solid hongmu (blackwood) with a beautiful and lively nat...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Antique Chinese porcelain teapot with fine hand-painted decoration, marked with a seal period mark of Tongzhi (1861-1875) Perfect condition, no chips, cracks or other defects Total ...

Of Classic vessel form, with an oval, splayed foot, narrow, waisted body and wide, flaring mouth. Very heavy and archaist vessel with lucky beetles around the sides.    

An antique Japanese, Early Edo period, enamel copper tray. The oval shaped tray is enameled with a polychrome image of a Phoenix bird with flowers and leaves made in the Cloisonne te...

Pair of 19th century Satsuma vases, Japan 19th century.

A good antique Imperial Chinese Qing dynasty, Guangxu period yellow glazed and incised decorated dragon bowl, mark & period, circa 1875. The bowl...

An antique Japanese copper vase with wireless cloisonne enamel design. Late Meiji era, before 1912. Round shape with pronounced base. The piece is decorated with a stork or crane bir...

An antique Japanese Meiji period two-part tansu chest from the late 19th century with dark red lacquer, iron hardware, small safe and carrying handles. Created in Japan during the Meiji period (1868-1912), this wooden chest called an Isho-Dansu chest is a fine example of Japan's traditional mobile cabinetry. Tansus were portable chests...

It is an old Japanese drawer. It is an item from the Edo period (1800s-1860s). It has a keyed door so that it can also be used as a safe. Both metal fittings are attached with very ...

This refined rectangular lacquer box was crafted during the Meiji period and showcases the height of Japanese raden mother-of-pearl artistry. The wood-core body is coated in deep bla...

Antique Byobu Four Panel Screen. Japan, late 19th to early 20th century. Taisho period.

A charming late 19th-century to early 20th-century, Chinese export reverse glass painting, depicting a noblewoman within a courtyard setting with a kid who is holding a lotus, walkin...

This whimsical pair of porcelain figures depict kneeling Chinese boys holding square containers suitable for single blossoms. The symmetry is graceful from all angles and the color p...

This is a set of 3 pcs Chinese antique open carved wooden panels which used to be the interior divider/door panels in ancient China that are put together to make into a screen. Scree...

An impressive 'famille-noire ‘magpie and prunus' Floor vase, in very good condition possibly 19th century or earlier note : bears old label of French Collector Count de Semalle'...

Turkish tin copper tray table on wooden folding stand Turkish Persian Mameluke style tinned copper tray table. Very nice unusual Asian dark bron...

An antique Korean wedding wood Bandaji circa 19th century from the late Joseon Dynasty. Rarely available, this Bandaji was from Pakchon area in Pyongan Do (in nowadays North Korea). ...

A large Chinese Qing dynasty porcelain wucai (five color) glazed bowl painted in underglaze blue and overglaze red, green, and yellow upon a pure white ground, and featuring a design...

This late 19th century covered jar takes its rounded shape from serving tureens used to serve soups and stews. Contrasted by a crisp white field, the lid and sides are decorated with a lively scene of children at play in a courtyard garden. Accompanied by a man and woman, the children are each playing with a different toy, including a kite, a reed organ...

Flowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

Made of carved wood with transparent fences and scrollwork panels, two dragons at the front and pagoda roofs on top. A beautiful realization by the Chinese woodcarver and furniture m...

A set of four fusuma (sliding door) panels from the 19th century, painted in ink and colors on gold leaf. The panels depict a blossoming cherry tree extending beyond a woven fence an...

Antique 19th Century Chinese rose medallion umbrella stand. Vibrant floral and figures in colors of pink, red, green, etc. on a white bac...

Shunga Unknown artist Meiji era, circa 1880 Hand-scroll mounted with 12 paintings Ink, pigment and gofun on silk Dimensions: Each image measures H. 23.2 cm x W. 34.4 cm (9.15” x 13.5”) The hand-scroll measures H. 28 cm x W. 540 cm (11” x 212”) A set of 12 late 19th century Japanese Shunga paintings mounted as a hand-scroll. Two of the leaves bear the signature and seal ‘Setsuzan’, although we are unable to confirm the identity of the artist using this art name. 6 of the 12 images are taken almost directly from Katsukawa Shuncho’s late 18th century woodblock series, ‘Erotic Pictures...

Chinese red coral carving of female figure in flowing robes. Very fine 19th century work. The figure attached to a 1" stand, and total weigh...

A Beautiful Pair of Giltwood French Jardieres Dated C1880

Antique Korean two piece stacking tansu. The chest dates approximately from the late 19th Century to the early 20th Century. Light weight, yet durable modular cabinets that were the ...

This is a charming 19th century Chinese carved and gilt wood 3 panel screen. The panels are carved in high relief with multiple figures and architectural elements. The panels are pai...

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

Antique hanging cast bronze oil lamp in the shape of a beautiful mythical bird peacock figure with hanger chain. The body of the bird acts as a reservoi...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament with bl...

Exhibition-Quality Japanese Shrine Cabinet – Meiji Period, ca. 1880–1900 A rare and important multi-tiered Buddhist shrine cabinet, constructed in pagoda form and richly decorated i...

This Japanese antique low table features a scattered fan motif and is a type of zataku (low table), historically used for meals, tea ceremonies, and other seated activities. Lacque...

Incredible example of Asian lacquer carving. Standing over seven feet tall, this monumental display shelf was produced in Japan at the end of the Ed...

Pair Huge Chinese Qing Tongzhi Style Famille Jaune figures floor porcelain vase Item description: an amazing pair of huge Qing Tongzhi style Famille Rose figure porcelain vases. A pair of foo dogs on each side of the neck. Turquoise glazed interior. These vases are fully painted around their entire body. Also you can find a pair of dragons on both front and back shoulder of these vases. Throughout the entire painting around this pair, it tells a great story from Chinese history...

A fine antique signed Japanese Imari porcelain bowl. In the form of a shaped bowl with a plum-like shape. Decorated throughout with exquisitely detailed painted or enameled dec...

A Japanese Meiji period Igezara transferware plate from the late 19th century, with phoenix and foliage motifs. Created in Japan during the Meiji era, this Igezara transferware plate...

Meiji Period Silver Oxidized Screen Period: Meiji Size: 352 x 174 cm SKU: 2423 Step back in time with this Meiji period screen, where the allure of silver oxidation artfully c...

An antique Meiji period Japanese cloisonne enamel brass plate. The central part depicts an elegant motif with butterflies flying on a goldstone gr...

Presentation Tebako box from the Japanese Meiji period (1868-1912). Beautiful decorative presentation Tebako box from the Japanese Imperial Meiji period, circa 1880. This box has been meticulously crafted in a squared cushioned shape in wood with kara coating Kobayashi red lacquer, gilding, black lacquer and inlaid decorations of abalone shell, Raden. Tebako literally means "portable box", it is a toilet box containing the objects necessary for washing and make-up, especially blush mirror...

Meiji-Taisho Period Buddhist Temple Cabinet Doors Period: Meiji-Taisho Size: 158 x 56 cm (62.2 x 22 inches) SKU: PTA127 Embrace serenity with these temple cabinet doors from the ea...

A Japanese six-panel screen painted on paper, depicting Mount Fuji emerging from the clouds, its snow-covered peak set in a soft, atmospheric haze. On the right, dark pines appear fa...

A captivating pair of late 19th-century bronze statues depicting Chinese officials. The left figure portrays an imperial advisor, his full face adorned with almond-shaped eyes beneath arched brows and a pursed mouth, surmounted by an elaborate crown. His hands are clasped together, holding a Ruyi scepter, while he is attired in an open-neck robe. The right figure, an older advisor, shares similar facial features but is distinguished by a long beard and a flat crown, symbolizing his seniority. Clad in a closed robe befitting his age and rank, he holds a jade scepter...

A truly beautiful and amazing piece. From the late 19th century of the Qing Dynasty in China, this lacquered writing box is decorated with the desi...

Offered is a Qing Dynasty civil rank badge. Centered in the embroidery is a silver pheasant. Sight 9 by 9 inches circle Frame 14 ⅛ by 14 ⅛ inches

A beautifully executed Meiji period Japanese cloisonne enamel plate featuring a vivid sky blue central medallion framed by an elaborate border of intricate wire work. The center is d...

A refined Japanese cloisonne enamel plate by Goto Seizaburo, one of the most distinctive enamel artists active in Yokohama during the late Meiji period. The plate is composed in an e...