East Asian Prints

An absolutely stunning, large woodblock print by American master printmaker Clifton Karhu who lived in Japan for over 50 years. Karhu's work gai...

A wonderfully composed and subtly colored woodblock print by renowned Japanese woodblock artist Okiie Hashimoto (1899-1993) titled "Snow Hill #7". The work features a gorgeous wood g...

Antique Japanese Block Print “Tomioka Hachiman Shrine” from Series “100 Famous Views of Edo” Signed by Utagawa Hiroshige C1856. Measures - 14....

Zao Wou-Ki (Chinese-French, 1921–2013), *Untitled (Agerup 120)*, 1959, color etching and aquatint on Rives BFK paper, signed and dated in graphite at lower right, numbered 9/75 at lo...

A wonderfully composed and boldly colored Japanese woodblock print. The print appears to be signed along the top margin (or these are publisher marks). From an impressive collect...

A beautiful and engaging large limited edition serigraph print by Japanese artist/print master Muramasa Kudo (1948-) titled "Lilies in Stream". The wor...

Limited edition digital Superflat Pop Art print by renowned Japanese pop artist Chiho Aoshima. Signed, numbered, and dated by the artist. Chiho Aoshima worked with and was mentored by famed Japanese artist Takashi Murakami. The fine art print is framed and ready to hang. Aoshima's work can be found in various collections and museums including: Ackland Art Museum, Chapel Hill...

A wonderfully composed and subtly colored Japanese woodblock print featuring a beautifully decorated kimono-clad woman, likely a Geisha, with striking yellow hairpins (matching the b...

Chinese ink rubbing printing depicting Panthaka Arhat, no.4 of the 16 arhat images immortalized in stone at the former stupa at Shengyin Temple. Depicted here sitting on a rock with a book in his left hand and snapping his fingers in his right hand, symbolic of the speed at which he obtained enlightenment, accompanied by a beggar’s bowl and an incense burner, complete with colophons and silk scroll mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted by the famed artist Guanxiu (832-912). Even though the temple was destroyed in the Taiping rebellion, the steles remain and have been reinstalled at the Hangzhou Stele Forest. Condition: Creases from rolling, otherwise fine condition. Mounting: 58” x 22”. 19th Century. Ex Collection: Frank “Till” & Peggy Durdin, San Diego. For other rubbings of this stele see: Penn Museum, object number 2010-26-4 The Metropolitan Museum of Art AN#: 59.195.15 Fine Arts Library of Harvard University, record id: W280021_urn-3:FHCL:478850 For another example of this image rendered in jade and lacquer see: “Screen Paintings of Guanxiu’s Sixteen Arhats in the Collection of the Palace Museum” Luo Wehhua translated by Bruce Doar, Orientations, September 2010, p. 104. In this article the image is identified as the sixteenth arhat Abheda, It is explained in this article that Qianlong re-identified the arhats, thus the 16th Arhat attribution for this image. Also in this article the identical colophon by Qianlong above the image is translated as: “These accurate portraits of the Sixteen Arhats were created by the Tang Dynasty painter Guanxiu, as recorded in Xuanhe Huapu (Record of paintings in the Xuanhe Reign), and during the millennium from the Guangming reign period to the present day, the original works were to be found in Zhejiang, where they were housed in the collection of Shengyin Temple in Qiantang (Huangzhou). In spring of the dingchou year (1757) of his reign, the Qianlong emperor undertook a southern tour of inspection and stayed at an imperial lodge on the West Lake. He went to the temple to pay his respects and there he saw the arhats on display and wrote a description of these marvels. The sequence of the arhats and their names had been passed down since ancient times, but they did not correspond to their Sanskrit titles; the sequence of the arhat names conformed instead to the interpretation of the Sanskrit classics by the Zhangjia State Preceptor. The emperor penned the original names and positions in the sequence below each of the figures in accordance with the readings supplied in Tongwen Yuntong (Unified Rhymes), and below each he penned an encomium, which he signed. Then the images were returned to the collection, to be passed down as a perpetual treasure. Now, the fourth great arhat had long gone missing and we did not know where his painting was. But it was merely a trifling matter of matching the images with the names, and now surely we have found him! This I, the emperor, believe.” All 16 of these rubbings can be found in the Rubel Chinese Rubbings Collection at the Fine Arts Library of Harvard University with the following descriptive historical note: “Rubbing from stele depicting No. 4 of 16 arhats (Lohans, Buddhist saints) -- Nan ti mi duo luo qing you, Panthaka Arhat. Original painting attributed to Guanxiu, 832-912. Inscriptions written by Hongli, Emperor Qianlong (Gaozong, 1711-1799) of Qing Dynasty. 7 seals of Qianlong follow the inscriptions. Script style: in xing shu. Shi liu zun zhe -- "The 16 noble ones" are 16 lohans. Lohans are also called "a-lo-han" based on the transliteration of the Sanskrit term "arhat." (Japanese: Rakan; Chinese: Lohan; Tibetan: Gnas-brtan). Arhats or Arahants are saints or sages said to have renounced nirvana (freedom from the cycle of suffering and rebirth), vowed to remain in the world to protect the Dharma and propagate the Law of the Buddha in order to devote themselves more effectively to the relief of human misery, like the Bodhisattvas. These 16 Arhats, personal disciples distinguished by the Buddha, formed part of the 500 claimed by tradition to have attended the First Council in Rajagrha. The names and abodes of these 16 arhats are given in a work entitled "Record on the Duration of the Law, spoken by the Great arhat Nadimitra," which was translated into Chinese by the famous pilgrim Xuanzang (596-664) in 654. 16 lohans are quite often represented, especially in China and Japan, in sculpture and painting, in poses and with attributes. Every lohan can be easily with special icongraphic characteristics. Guanxiu (Jiang Deyin or Deyuan, a Buddhist monk also named Master Chan Yue, 832-912) -- painter during late Tang to Five Dynasties, specialized in painting lohan figures. Legend has it that the first portraits of the 18 Lohans...

A gorgeous and quite radiant print by Japanese artist/printmaker Isamu Sakamoto titled "Morning Light." The work features the dawn ("Reimei") light reflecting off a traditional build...

Incredibly detailed Ryohei Tanaka etching of a structure on the Japan countryside c1993. Beautifully framed and matted. Signed in pencil by artist. Ryohei Tanaka (1933-2019) was wor...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Nakamura Tokizo V, as the kep...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Ichikawa Monnosuke VII as Cou...

A beautifully composed and subtly colored Japanese woodblock print featuring two women, likely Geishas, with one leaning on a banister languidly with an opium pipe in hand. This wor...

A beautifully composed, relatively rare woodblock print by famed Japanese Sosaku Hanga printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most ...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Coucher de Soleil à Menado, Celebes (Sunset in Menado, Celebes). Created in 1938, this is a first edition carved by Maeda and printed by Fujii and numbered 135/150 in Kanji verso. The print, a tongue-in-cheek subversive reinterpretation of the controversial 1863 painting Le Déjeuner sur l'herbe by Edouard Manet (1832-1883), is one of the most well-received prints by the artist. The work depicts a couple posed under the sunset in their traditional attires; except that this time, the male, with his back facing toward the viewer, is scantily clothed. The female, posed frontal, struck a more traditionally male pose...

A truly wonderful and exceedingly rare abstract limited edition woodblock print by famed Japanese artist/printmaker Junichiro Sekino. This print, which appears to be titled "Tori & ...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Onoe Kikugoro VII as Kirare Y...

A beautiful work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese art...

A wonderfully composed and colored, limited edition woodblock print by famed Japanese artist Junichiro Sekino. This print, which is titled "Profile/ Portrait of Young Girl in Kimono", is signed and sealed/ stamped in red at the lower right. It was created in 1957 and comes from a limited edition of 100 prints (the exact number of this particular print is likely listed in pencil below the matt but we have not removed the print from the frame to confirm the exact number). An exquisite and rare/hard-to-find work. The detail in the girl's kimono is quite beautiful. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. A version of this image can be found in the Harvard Art...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Onoe Baiko VII as the wet nur...

A truly wonderful and extremely rare limited edition woodblock print by famed Japanese artist Junichiro Sekino This print of a pensive young girl dressed in a poncho and hat (likely in Mexico or Central/ South America) is hand pencil signed, sealed/ stamped in red, and numbered (appears to be 12/98 or 19/98) by Sekino. The image features a uniquely sparse composition and rich vibrant colors - very representative of the country this was likely initially conceived in. An exquisite and very rare/hard-to-find work. We have not seen this particular image ever come to the marketplace. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of fine Art, Boston, the British Museum, and the Portland Art Museum among many other fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

A truly wonderful and exceedingly rare early limited edition woodblock print by famed Japanese artist/printmaker Junichiro Sekino. This print, titled "Yosaku Feeling Ill", is one of Sekino's earliest known works. A very dramatic image done in black and white, this work features the artist himself in a self-portraiture as he comforts his young son (who evidently does not feel well) in an almost playful and knowing manner. The print is double signed - once in white ink within the image and also hand pencil signed and numbered (9/30) by Sekino in the lower margin. The image features a focused and rather direct composition emphasized by the use of just the two colors. It is an exquisite and very rare/hard-to-find work. Quite engaging. A must for collectors of Sekino's work. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

A beautifully designed and colored work by Japanese artist Joichi (Joshi) Saito. The print is pencil signed and numbered (16/20) by the artist. A very eye-catching work overall...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Apres Le Pluie. Tarang, Yap (After the rain). Created in 1938, this print was considered to be Jacoulet's fir...

Mandarin Taoist Chinese ceremonial scroll portrait painting in custom plexiglass frame. Exuding an air of spiritual significance and artistic mastery, this Mandarin Taoist Chinese ce...

Japanese Collagraph Print by Tsuguo Yanai (b. 1953, Hagi, Yamaguchi), titled “Broken Heart” in Japanese with the printing number 2/30 under the image on the left and pencil signatur...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

complete measurements with frame cm.52x40

Print Toyohara Chikanobu Japan Woodcut 1880

A captivating, intense gaze from the final days of feudal Japan. This is not merely a portrait; it is a time capsule, capturing a moment of profound cultural transformation. This au...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Retour de la Jungle Tondana Celebes (Return from the jungles Tondana Celebes). Created in 1948, this print wa...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Une Histoire Tres Drole, Mongols (A Very Funny Story, Mongols). Created in 1949, based on an earlier painting...

A Japanese folk art woodblock print by Shozan Takahashi of the Otsu-e School. This figural print is an excellent example of Takahashi Shozan's adept knowledge of traditional block pr...

A volume of prints and paintings by Japanese artist Kono Bairei (1844-1895), well known practitioner of the Ukiyo e school during the Meiji period. He was born and lived in Kyoto, sp...

Print size: 360 x 235 mm Sheet size: 400 x 260 mm Frame size: 530 x 390 mm 1650 g Packing estimate size: 630 x 440 x 60 mm 3 kg This woodblock print is by Kasamatsu Shiro...

A beautiful and alluring limited edition mezzotint print by Japanese artist Ushio Takahashi (born 1944). This work is titled "Reflecting". Ushio is widely known for his captivating ...

An exquisite original ukiyo-e woodblock print by Utagawa Kunisada I (Toyokuni III), a dominant force in 19th-century Japanese art. This piece captures three bijin (beauties) on a s...

An antique Japanese woodblock print from the 19th century depicting monks having tea. Created in Japan during the 19th century, this woodblock print showcases an indoor scene featuri...

Ancient and very rare Japanese painting made in the early 1900s of fine Japanese manufacture. The painting has a rectangular brass frame, with rounded corners. Internally we see an a...

A Japanese signed woodblock print by Chikanobu Toyohara (Chikanobu Yoshu), 1838-1912, titled "Start of an Archery Tournament", a tript...

Influenced by Western advertising, commercial posters featuring beautiful women in modern settings gained popularity in China in the 1920s and 1930s. Posters like this one came to symbolize prosperity and fortune and were often purchased by Chinese consumers to decorate their homes. This 1930s advertisement...

An antique Japanese woodblock print from the 19th century depicting a ceremonial tassel. Created in Japan during the 19th century, this woodblock print attracts our attention with it...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in cont...

Ancient and very rare Japanese painting made in the early 1900s, fine Japanese manufacture. The painting has a rectangular brass frame, with rounded corners. Internally we see a further frame in yuta, classic sand colour, very nice. Yet another very small brass frame that frames the picture. The painting is a print painted on black cardboard, with whimsical and strong colors, typical of Japanese art. This represents a scene with a man and a woman, intent on dancing, arm in arm and spinning in a typical traditional Japanese dance...

Antique and very rare Japanese painting made in the early 1900s by a fine Japanese manufacturer. The painting has a rectangular brass frame with rounded corners. Internally we see a...

Ancient and very rare Japanese painting made in the early 1900s of fine Japanese manufacture. The painting has a rectangular brass frame, with rounded corners. Internally we see an a...

Japanese Wood Block Print Artist: Eisho Narazaki (1864-1936) Title: Asakusa Kannon-do no naido (Interior of the Kannon Temple at Asakusa) Year of Creation: 1932 Pencil marked title ...

Japanese Diptych Woodblock by Toyohara Kunichika (1835-1900) 豐原國周 published in 1881 by Yamamoto Heikichi Dimension: with frame, 24.75" x 20.75" with...

Original woodblock work " The Geisha" unsigned Dimension: Image 4.5" x 6.5": with frame 11.25" x 13.5", Professional Framing with highly skillful worker and material.

Influenced by Western advertising, commercial posters featuring beautiful women in modern settings gained popularity in China in the 1920s and 1930s. Commercial companies presented posters, like this one, to their clients for Chinese New Year. This poster depicts a woman luxuriously dressed in a western style fur-trimmed coat holding a purse that also indicates Art Deco influences. This brand of Chinese advertisement draws on the classic American advertisements...

Five posters from Chinese cultural revolution era circa 1970s. Four depicts scenes from modern revolutionary opera, two with music scores and lyrics. Two from "the Story of Red Lanten", one from "The Red Female Army" and one from "Sha Family Village". Some with publication date and origin. These are from a New England Collection purchased directly in Beijing in the 80s. They are in a simple black poster frame. These stylized posters served as a wide range of propaganda during the cultural revolution in China. For history and background as well as many similar posters, see" Chinese Posters...

Artist: Utagawa Hiroshige (1797 - 1858) Series: The Fifty-three Stations of the Tokaido (Upright) Number: 40 Chiryu: The Former Site of the Irises at Eightbridge Village (Chiryu, Yatsuhashimura kakitsubata no koseki) Medium: Woodblock Print Date: 1855 Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Tsutaya Kichizo Seals: Aratame and date Signature: Hiroshige hitsu...

Chinese extraordinary natural stone "painting" with hardwood frame Sea and Mountains IV This Chinese extraordinary natural stone "painting" of a mountain range in white and gray colors is called a dream stone Shih-hua. They are cut from historic Dali marble found in the Cangshan mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone "painting" is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Dimensions: Frame 12 inches high and 20 inches wide. Site 7.5 inches high and 16.25 inches wide. Provenance: Private Chinese collection, Yunnan, China. History of "White and Gray" dream stone paintings...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Le Mandarin Aux Lunettes. Mandchoukuo (The Mandarin with Glasses, Manchuria). Created in 1950, part of Dedica...

This poster from the 1930s draws from a well known Chinese opera scene. It melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art Deco movement in the west, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Layered with imagery of traditional Chinese life, the poster is nonetheless an advertisement for the modern cigarette industry, with several brands displayed in the top left corner, including Lan Ting, Hong Chun, and Jade Rabbit...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled La Lettre Du Fils, Seoul, Coree (The Son's Letter). Created in 1938, this print was carved by Maeda and print...

This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the Craft of color lithography. These adver...

This vintage poster from the 1930s features a fashionably dressed young mother posing with her son and daughter. The poster may have been given as a g...