20th Century Scholar s Objects

Beautiful Asian brass vase with black enamel finish inlaid with mother of pearl Flowers.

Exceptional mid century modern wall art by artist Greg Copeland. Features a fantastic display of squares and rectangles of gold, copper and...

A black carved Chinese inkstone with an conforming oval cover circa early 20th century (late Qing to Republic period). The inkstone appears to be slate stone and was likely a She type (SheYan), one of the four famous inkstones in China that comes from She County (Anhui Province) and Wuyuan County (Jiangxi Province). It features a slight scalloping edge with elaborate surface carving that depicts the Sanxings (three beloved gods): Fu, God of Fortune (top right), Lu, God of Prosperity (top center holding a Ruyi staff) and Shou, God of Longevity (center on the lid who is holding a magical peach and a staff with a gourd with a deer at the back) . A towering evergreen pine was placed on the left with scrolling clouds and bats (the sound of bat in Chinese is Fu, the fortune). A famous Chinese couplet...

A collection of four carved wood print blocks from Japan circa late 19th century (Meiji Period). Constructed and hand-chiseled from hardwood, the printing blocks were finely carved o...

An exquisite Ilan Ha-Gadol of the type historically attributed to the great 17th-century Kabbalist Rabbi Meir Poppers. The Ilan Ha-Gadol - the Great Ilan ('tree')– is a long parchme...

Exceptional vintage hand blown paperweight. Features a swirled purple and pink interior.

A malachite rock specimen with intense green and black colors fitted on a wood stand. The gemstone in the botryoidal form was polished in all sides except one side with a fissure to reveal the beautiful swirling patterns and colors. It is displayed as a viewing stone on a fitted wood base by an American collector of Chinese scholar rocks. Known as "Peacock Rock" in Chinese, there was a more recent tradition in China (from Qing Dynasty and on) to collect the exotic gemstones such as malachite and turquoise specimen...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A very fine Taisho Period bronze censer of bellied oval form, richly decorated overall with hand enamelled and 'shibuichi' 'shakudo' motifs, depicting geometric designs, pine t...

This Postmodern Abstract Glass Vase is a stunning blend of avant-garde design and high-quality craftsmanship. Made from hand-blown glass, its irregular shape defies traditional symme...

Wonderful vintage postmodern ceramic vase made in Italy. Features a cream glossy finish with purple, blue pink streaking around the surface.