Chinese Sculptures and Carvings

Chinese Spinach Nephrite Jade Immortal with Lotus, Mid-20th Century Dimensions: 5” H x 5” W x 3” D (including base) A finely carved Chinese figure of a celestial maiden, sculpted f...

An impressive Chinese scholar Lingbi stone (also known as Gong Shi in Chinese; meditation stone and spirit rock in the West) of substantial height and mass on a carved wood display s...

Rare and Hard To Find 19th Century From China's Qing dynasty (1644-1912) a hard to find solid limestone finely carved round top pedestal - perfect for displaying your indoor or outd...

A finely modeled Chinese porcelain figure of the Chinese God of Longevity, Shouxing, Republic Period, early 20th century, China. The God of Longevity, called Shouxing or Shoulao, stands upright holding a dragon staff in one hand, a peach (a symbol of immortality), in the other. He is dressed in a long yellow robe...

A fantastic pair of large Chinese tileworks sancai glazed Buddhistic lions and attendants, late Ming Dynasty, first half of the 17th century, Shanxi, China. Presented on custom 20th century wood and lacquer table-form stands. This pair of lions and attendants portray Buddhist lions...

This huge Chinese Serpentine/Jade tower was Intricately and elaborately open carved dragons with a lot of free rings and chains works and details. I...

An attractive carved wood figure of the Bodhisattva Avalokiteshvara, known as Guanyin in China, late Ming Dynasty, early 17th century, China. Guanyi...

This is a grouping of three (3) authentic Chinese old jade bi disc from the 20th century. These come from our private collection. Including Our Certificate of Authenticity Dimensi...

This antique decorative box is unsigned, but presumed to have originated from China, and date to approximately 1920 and done in a period Chinese...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A unique black and white "moon light" reflection on water stirs your eye and awaits you in a bubbling tide in this Chinese extraordinary natural marble stone landscape painting cal...

This is hand-carved loverly jadeite with a color of light blue. It's an oval shape and almost round. You may think it's a pendant, but in reality is a 360° carving with a Monkey ridi...

Minimal and refined, this elegant Chinese cup has a simple silhouette sculpted from a single piece of luminous white jade, carefully selected for its clarity and pale color. The delicate form is shaped with a flared lip, short footed base, and thin walls that appear nearly translucent in the light. The jade cup...

Qing Dynasty Carved Turquoise Snuff Bottle This Qing Dynasty snuff bottle is carved from a single piece of turquoise. It features a high-reli...

Here's one of the most beautiful Chinese antiques we have ever found in our travels in China over the past three decades. This is a one-of-a-kind antique sandstone lintel which when installed and displayed could be a handsome addition to your decor. It dates to the 18th century of the Qing dynasty. It still retains remnants of its original poly chrome surfaces. The carving and detail is deep and very fine. Depicted are a pair of writhing dragons competing for the fabled -wish granting jewel- and possibly water waves beneath- all auspicious signs. Dimensions: 13 inches high and 71 inches wide and 14 inches deep Photographs taken in natural light in our garden. Rare work of art. Provenance: originally found in Chengdu Province and has been part of family collection since its acquisition in 2004. Lifetime guarantee of authenticity. We are members of NAJGA- North American Japanese Garden...

Vintage Chinese Large Hand Carved and Gilded Wood Panel Elaborate and deeply carved wood panel dates from the end of the 19th century. The d...

jade with apple green and russet tones; jade carving on fitted wooden base; measurements of jade carving only: 5.5in(H) x 6in(W) x 4in(D); overall measurements with wooden base: 7i...

19th century Chinese carved figure. While this sculpture may be small it isn't lacking in its attention to detail. Across the chest of the figure you cans see two overlapping carved...

A beautiful natural rock crystal quartz snuff bottle. Carved on the raised exterior, a vase with ruyi and evergreens atop an elephant. A large scholar's stone to the right with shoot...

This exquisite pair of celadon jade guardian lions hails from the early Republic of China period, a testament to the era's craftsmanship. The lions are intricately carved from high-q...

Lapis Lazuli Mountain-Form Carving Chinese lapis lazuli carving depicting a mountain scene with a pavilion, rockwork, trees, and figures on winding trails. The blue stone features g...

tall wooden stand/pedestal shown in pictures is not included with this item; flower tree only (not including wooden stand): 43in(H)

A small desk top Chinese scholar stones (also known as Gong Shi, meditation stone and spirit rock) on a fitted display wood stand circa 19th century. This is likely a grey Lingbi type stone with subtle arch mimics a horizontal mountain range. The wrinkles and folds on the greyish black surface were perfectly weathered by elements for millenniums. Smooth and rugged at the same time, the mountain range shows a poetic formation that was often depicted in the ink scroll...

This carved stone stele depicts the historical Buddha, known also as Shaka, Shakyamuni, or Siddhartha Gautama. Seated in perpetual meditation, the Buddha embodies virtues of wisdom and composure. Hand-carved of limestone in the style of Northern Wei (386-535) statuary, the Buddha is depicted upon a lotus plinth with legs crossed in lotus position. His hands are held downwards in bhumisparsha mudra, a gesture representing the moment that the Buddha claimed the earth as witness to his awakening. The Buddha has a peaceful, benevolent expression and is framed by a halo of concentric circles. His figure is surrounded by attendant bodhisattvas, carved in relief on the curved stele behind and platform below. Leafy tree branches add a naturalistic touch to the background, wrapping around to the back of the stele to form a canopy above a second, smaller Buddha...

Chinese Carved Jade Covered Hu Vase, with two mask head with rings handles, incised taotie design to each side, and on a fitted carved wood stand. Overall: 7.5" H x 4.25" W x 2.25" D...

Exuding an energy of calm and tranquility, this larger-than-life stone bust depicts a Buddhist bodhisattva in serene meditation. A disciple of the Buddha, a bodhisattva is a compassi...

Very Unusual Horn Sectional Hand Carved Chinese Walking Stick or Dress Cane of outstanding quality, last half of the Nineteenth Century. The ...

Early 20th Century large bronze censer on three legs with a foo dog sitting on top and Chinese dragons on each side. Censers also known as incense burners, have a long history in Chi...

Exceedingly rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. The surface is treated with applications of natural pigments such; red, white and others. Has a measurements of 394 mm by 343 mm by 257 mm (15.53 x 13.52 x 10.15 Inches) (39.4 x 34.3 x 25.7 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

Porcelain erotic figure China Erotic group of enameled porcelain (menage a trois) three porcelain figurines stamped on their base (red base) White, black, pink and red color hand painted Origin China Circa 1920 Excellent condition without restorations small fissure on the penis Erotic depictions include paintings, sculptures, photographs, dramatic works, musical and literary compositions depicting scenes of a sexual nature. They have been created by almost all civilizations, ancient and modern. Ancient cultures frequently associated the sexual act...

Exuding an energy of calm and tranquility, this larger-than-life stone bust depicts a Buddhist bodhisattva in serene meditation. A disciple of the Buddha, a bodhisattva is a compassi...

A large and finely carved Tang-style stone statue of Buddha Amitabha, masterfully rendered with a serene, full-cheeked face beneath neatly gathered hair and a prominent ushnisha. The...

Description: A singular example of Guanyin. Deviating from the Bodhisattva’s conventional pose of ‘royal ease’, the figure is instead seated in the meditative padmasana, or ‘lotus position’, rendering this Guanyin something of a rarity. An Apana more typically associated with depictions of Buddhas, Guanyin assuming this pose immediately signifies this figure as one of particular spiritual reverence. Both feet are revealed crossed upon one another from beneath fabric which spills before her, her left palm turned upward with her hand resting upon her left knee and her right raised in a relaxed gesture. Adorned with a diadem housing a depiction of Amitabha Buddha, her own spiritual guide, she exudes an air of tranquil regality, further characterised by her numerous strings of beads and elaborately fastened dhoti, attire traditionally reserved for Indian princes. Though the figure’s dress is Indian her face is undoubtedly exemplifying artistic Chinese beauty standards. Her face is soft and rounded, full in both the lips and cheeks, with eyes that restfully peer down, as though she is watching over the worries of mankind with compassion. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

In this listing you will find a spectacular antique vase made in turquoise glass by Peking Glass. The piece is marked underneath with the incised four-character Qianlong reign mark w...

Exquisitely hand made and hand carved pink rose quartz figurine of the goddess Quan Yin. She is depicted holding a festoon of lotus blossoms and ...

Pair of Earths Spirits "Zhenmushou" from the China Tang Dynasty 618-907 AD. A beautiful and rare pair of "Earths Spirits guardians" from the Yunnan province region in the ancient China. This was created in clay earthenware pottery during the Tang Dynasty period between 618 and 907 AD. Featuring the molded figures of two seated guardians with decorations with polychrome pigmentations. The figures are seated on their haunches with cloven hooves planted firmly on the base looking forward with their front legs in a straight position. Both with face and body alert expressions on a rectangular base. Earth spirits usually appear in pairs, one with a human head and the other with a lion head. Their supernatural powers, indicated by antlers, spiky flanges and flames, enable them to confront evil spirits and protect any precincts within their gaze. Have been believed to protect the living by keeping the spirits of the dead from inappropriately roaming the world outside the tomb. Zhenmushou or guardian deities, developed from a line of protective spirits found normally in pairs at the front of Tang dynasty tombs. They served both to protect the figure from untoward spirits, and the outside world from the roving spirit of the dead. Combining features from a number of animals to form the perfect mythic beast, these mythical creatures were perceived to be the ideal guardians of the dead The semi human faced figure has a measures of 11.25 by 4.5 by 5.75 inches (28.57 x 11.43 x 14.60 Cm). The mythological lion animal figure has a measures of 10 by 5 by 5.8 inches (24.5 x 12.7 x 14.73 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

A Chinese Ming Dynasty period (1368 - 1644) hand-carved stone Foo Dog guardian lion sculpture depicting a male placing his paw atop a ball. Created in Ch...

The statue in the image is a depiction of Wei Tuo Bodhisattva (also known as Skanda), a major protective deity and dharma protector in Chinese Buddhism. Wei Tuo is considered a devot...

This patinated terracotta Tang horse is a refined decorative sculpture inspired by the imperial Chinese era. Crafted using traditional techniques and finished with a natural pigment ...

A finely cast bronze statue of Avalokiteshvara in his four-arm form with gilt and polychrome surface. The Bodhisattva of Infinite Compassion is worshiped in all Buddhism sect as one ...

A magnificent gilded giant statue of Amitabha Buddha, carved from a single block of solid wood. Seated dhyana asana on a high lotus throne, the Buddha's full and round face, hallmark...

Antique Thai Naga Temple Finial on Stand Southeast Asia, Naga is known as the king snake, the ruler of the underworld waterways (the Chinese equivalent is D...

This is a guaranteed authentic ancient Chinese jade bi cache of ninety four (94) discs from the Qijia culture, Northwestern China, circa 3000-2000 BCE. Including Our Certificate of ...

Monumental Chinese serpentine jade carved pagoda censer, early 20th century. A masterfully carved Chinese serpentine pagoda censer. The base of the tripod censer is set upon lion-he...

This magnificent antique Chinese bone carved elephant was 100% hand made and hand carved from OX bone. It has very detailed carving works on it. T...

This richly sculpted hand carved and gilded Bodhisattva sculpture is almost certainly a fragment of a larger structure, likely an architectural ornament from an East Asian Buddhist t...

A fine and unusual statue of standing horse with a Persian rider. Tang Dynasty (618-907 AD) Silk Road trader from Persia, comes with Oxford authenticati...

Yue Minjun’s Contemporary Terracotta Warrior No. 8 reflects a distinct Cynical Realism style, a contemporary Chinese art movement that emerged in the 1990s in response to rapid socia...

An unusually large vintage Chinese carved and pierced gilt wood story panel, early to mid 20th century, Southern China. The intricately carved panel depicts images from "The Romance...

Rare Pair -first we have seen Unusual find. One pair (2) "Longevity" calligraphy lanterns in the form of human effigies A fine and rare matching pair (2) of large 12 inch tall Chinese export hand cast lanterns with attractive longevity and mystical "human effigy...

1950s pair of Oriental puppet marionettes with original dress.

Hand-carved from a single block of limestone, this stone fu dog sits at attention as a watchful guardian of the home. He exudes a remarkable sense of life and energy - crouched on al...

Antique Chinese Carved Hetain Light Celadon Jade " Archer's Ring", 19th Century. Good use of russet skin coloring, 19th-century. -Dimensions and Density- Jade: Width: 1.125" Depth:...

A nice hand-carved antique, Chinese Celadon Jade Pendant depicting floral and lotus carving with 3D detailed presentation.

Finest Quality Dreamstone Inlaid Chair China- an extraordinary prolifically crafted example of an antique hand carved hardwood chair inlaid with multiple natural dream stone "paintings" plus "butterfly and mother of pearl" inlays in its hardwood arms and seat, late 19th century. This type of old Chinese furniture art form with marble inlay is centuries of years old dating as far back as the Ming dynasty (1368-1644). Fine round and rectangular dream stones depicting mountains and the natural outdoor scenery are inlaid in the seat, back and interior sides of this fine furniture example. Thin marble inlaid stone "paintings" are approximately 1/4" thick and are cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. The hardwood (elmwood) frame is tenon joined. The natural stone "paintings" were hand especially for fine export chairs as in this example. Chair dimensions: Height 38.75 inches Width 25.75 inches Depth 19 inches Period : late Qing period, 19th century Provenance: Private American Chinese collection Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have been dealing in authentic Chinese natural stone paintings...

China rare antique stone inlaid wine table, middle Qing dynasty (1644-1911), 18th/19th century. Elm wood (Humu) with original pudding stone inlay. All ...

wooden bases shown in pictures are included with these items; each phoenix is carved from a single piece of jade; jade with apple green tones; approximate measurements of each (overa...

A large and impressive Chinese caved jade vase, Republic Period, circa 1930. Carved from one massive piece of jade. The vase carved with the He He Er Xian...

An unusual Chinese scholar stone originated from Wuling Mountains, Hunan Province in central China. A type of geological wonder, formed through wind erosion and polishing by the elem...

Large 20th century Chinese head of Guanyin. This piece is quite large and has been hand crafted by a skilled artisan from a single log. It measures 27 1/2” ...