Cotton Textiles

This is an antique Egyptian textile woven during the first quarter of the 20th century circa 1920s and measures 184 x 90cm in size. this textile depicts ...

Antique Spanish rug, Room size, circa 1920 A one-of-a-kind antique Spanish Carpet, hand-knotted with short wool pile. This beautiful rug is a unique double-faced carpet...

Vintage Spanish Savonnerie rug, room size, circa 1930. A one-of-a-kind vintage European Savonnerie Oriental carpet, hand-knotted with sh...

In the most technical sense of the word, ""Suzani,"" in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or...

Japanese horse trapping, "Uma-No-Haragake", Tsutsugaki, cotton, Meiji period This type of haragake is called yuiage ("tied up"). The central portion covered the belly of the horse an...

A striking vintage hand-woven Ikat textile panel from Indonesia, dating to the mid-1900s. This artisanal piece features a bold abstract design, achieved through the meticulous process of warp ikat—a technique in which the threads are selectively tie-dyed before weaving to create complex, interlocking patterns. Woven from natural cotton fibers, this panel likely originates from the Lesser Sunda Islands in eastern Indonesia, possibly from the culturally rich island of Sumba. The intricate craftsmanship and dynamic geometric forms reflect traditional Indonesian textile artistry while offering a timeless, global aesthetic. Ideal for display as wall-mounted tribal art, this textile adds texture, heritage, and warmth to any interior, whether as a centerpiece in modern spaces or a complementary accent in eclectic or traditional décor. Dimensions: 21” x 48” Date of Manufacture: Mid 20th Century Place of Origin: Indonesia Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2250 vintage Indonesian Ikat, handwoven Ikat textile, tribal textile art, Sumba Ikat panel, mid-century Indonesian fabric, antique Ikat wall hanging, abstract woven textile, Lesser Sunda Islands textile, ethnic home decor, Indonesian cotton Ikat, tribal wall art, global decor textile, vintage woven panel, traditional Indonesian fabric, hand-dyed Ikat textile, Southeast Asian textile art, collector Ikat, woven abstract art, Indonesian heritage textile, bohemian wall hanging, Indonesian Ikat Textile...

Antique Asian Ottoman style vest in emerald green velvet decorated with elaborate gold thread, trimmed with gold metallic thread. Elegant vest handmade embroidery on green silk velve...

An antique Tibetan Thankga depicting Amitabha and surrounding deities, circa late 19th century. The center Amitabha is in a meditation form holding a black beggar's bowl. In the Mahayana Tradition of Buddhism, Amitabha is a celestial Buddha: the Buddha of Infinite Light and the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Vintage Moorish Moroccan blue caftan, circa 1970s. Vintage Moorish Maxi Dress kaftan in Excellent condition never worn. Made in Morocco and imported for Mr...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

A fine example of a batik textile from Solo, Java, Indonesia. This textile features wonderful detailing & contrast. It features a wonderful array of flor...

This is a traditional Japanese noren (fabric shop curtain) dating to the Taisho period (1912–1926), crafted from cotton dyed with persimmon tannin (kaki...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

African Mali indigo textile circa 1950. Handwoven, vegetable dyed cotton. We only select the best. This soft textile was sourced in the spirit of Wabi-Sabi, a Japanese philosophy th...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. M...

A vibrant vintage silk Suzani embroidery from Uzbekistan, this hand-crafted textile showcases the rich cultural heritage of Central Asian artisanship. Originally created as a decorative tent panel, this piece features six large medallions intricately embroidered in silk threads on a bold red cotton ground. The floral motifs come alive in vivid hues of crimson, green, ivory, yellow, and purple, arranged in symmetrical, meditative patterns. The intricate detailing and radiant palette highlight the traditional craftsmanship and ceremonial significance of Suzani textiles, often associated with blessings, protection, and prosperity. This visually captivating panel can be displayed as wall art, used as a table runner, or integrated into a layered textile arrangement for a touch of cultural sophistication. A collectible and visually impactful textile that brings story, color, and artisan texture into refined interiors. Dimensions: 24” x 128" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Uzbekistan Material: Silk embroidery on cotton Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1674 vintage Uzbek Suzani, silk embroidery Suzani, red background Suzani, Central Asian textile art, Suzani tent panel, hand-crafted Uzbek textile, embroidered medallion Suzani, floral silk embroidery, collectible Uzbek embroidery, traditional Suzani decor, Suzani wall hanging, Uzbek table...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Beautiful 19th century indigo textiles from Africa, made into fabulous pillows. Antique textile on both sides with concealed zipper and inserts included. Large collection available. ...

This new traditional Kilim cushion cover is a handwoven piece constructed in the early 21st century. The design has been delicately woven by hand and features a symmetrical geometric...

Handwoven Bogolan mud cloth textile from Mali, Africa, Bambara. It is a handwoven tribal cotton fabric traditionally dyed with fermented mud. Woven Afr...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Measures : 17"X18". Delicate and specialise...

These dainty, pointed slippers, made of blue silk and embroidered with pink flowers, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity in the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These embroidered silk lotus slippers...

Material: cotton Width 1700 x Height 1000 x Depth 5 mm (about) weight 600g estimate Packaging (It will be rolled or folded and shipped in bubble wrap and cardboard.) 30 cm x 50 cm x ...

Material: cotton Width 1550 x Height 1500 x Depth 10 mm (about) weight 2 kg estimate Packaging (It will be rolled or folded and shipped in bubble wrap and cardboard.) 45 cm x 45 cm ...

Chapan is the iconic front-open flowing robe traditionally worn by the nomadic people in Central Asia. In countries like Uzbekistan, it was almost the old national costume. This Uzbek chapan...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. ...

African Mali tribal textile circa 1950. Handwoven, vegetable dyed cotton. We only select the best. This soft textile was sourced in the spirit of Wabi-Sabi, a Japanese philosophy ...

Early 20th Century Bhutanese wrapping cloth / bhundi A beautifully preserved example of a rare Bhutanese wrapping cloth (bhundi), which would have be...

A Japanese festival Kimono robe circa late 19th to early 20th century (end of Meiji Period) for fishing ritual. Made in a cotton fabric, the kimono was elaborately decorated by Tsuts...

African Mali indigo textile circa 1950. Handwoven, vegetable dyed cotton. We only select the best. This soft textile was sourced in the spirit of Wabi-Sabi, a Japanese philosophy th...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Measures : 17"X18" Delicate and specialise...

Handmade Vintage Cotton Suzani, Red, Maroon, and Charcoal Richly hand-embroidered vintage Uzbek suzani in iconic black and copper oranges. Sun burst flowers are ringed with black scrolls on natural cotton. Cotton embroidery in tight stitches give a lovely weight. Excellent condition, commensurate with age Perfect as a bedcover or as a bold and beautiful wall hanging.. Approximately 70 years old...

A Tatibin Ceremonial cloth from Lampung Sumatra Indonesia, woven cotton with natural dyes with stylized ship and mythical motifs, Good condition with expected wear, late 19th / earl...

A Japanese woven cotton textile panel with white pattern on indigo background circa 1900-20s (end of Meiji to Tasho period). The panel was joined by four vertical stripes and was tra...

A rare and well preserved Japanese woven child's kimono circa early 20th century (end of Meiji period). The small kimono was a great example of Nemaki (...

This textile is a “Suzani” from Central Asian nomadic peoples primarily from Kazakhstan, Tajikistan and Uzbekistan. Suzanis are embroidered textiles composed of mainly Cotton. They a...

A TANGKA PAINTING OF MANIFESTATIONS OF PADMASAMBHAVA TIBET, 20TH CENTURY He appears as the Dorje Drolo. He rides a fierce tigress, and brandishes a vajra in his right hand and a ritual dagger...

A large unframed Japanese textile art circa late early 20th century toward the end of the Meiji period. Seamed together from four vertical sections of cotton in deep indigo color, th...

This is an extra-large antique Indian Kashmir textile woven during the end of the 19th-century circle 1900 and measures 310 x 162 cm in size. This pie...

Unusual color for this vintage Uzbekistan Suzani, suitable as bedspread, wall decoration or table cover. There are little stains, but the price I'm asking is less than its cost ...

B/2004 - Wonderful "Susani" with a rare size, large central medallion with open pomegranates, symbol and wish of prosperity. The Susani is the most classic and oldest gift for the ne...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. ...

This is an antique Indian cashmere shawl woven during the beginning of the 19th century circa 1800 -1820’s and measures 315 x 144CM in size. The design of this piece is created with ...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Vintage Sumba Slendang Shoulder Cloth/Scarf with Animal Design. Indigo and morinda root dyed cotton warp handwoven in a mirror image design depicting an ark of animal pairs including...

1950's Handwoven Hungarian Folk Blanket. Heavy weight original folk blanket, cotton base with wool hand applique. Workshop Report: Our workshop team inspect every product and carr...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Vintage Indonesian Kain Batik Tulis Supit Urang, Solo (Surakarta), Java, 1950. A traditional meticulously hand drawn wax resist painting by canting on cotton, of an aquatic theme Sup...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...