Fabric Textiles

An antique Tibetan Thankga depicting Amitabha and surrounding deities, circa late 19th century. The center Amitabha is in a meditation form holding a black beggar's bowl. In the Mahayana Tradition of Buddhism, Amitabha is a celestial Buddha: the Buddha of Infinite Light and the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism...

1950’s Vintage Kitchen Towels – Mixed Selection. We have a large stock of these heavy weight kitchen towels from Hungary. Some are new old stock, some are well washed and loved. All...

A beautiful piece with an incredible history. This exquisite hand-embroidered tapestry was created in Japan and purchased by an American man who taught English. The scene depicts a t...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Hand embroidered and quilted textile from North India. Large Mughal silk and metal threaded tapestry Fanciful Asian folk designs this distinctive quilt wor...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

This is an antique silk Azerbaijan embroidery woven during the 18th century and measures 76 x 74CM in size. It has an all-over highly geometric floral design with muted pastel colors...

Vintage Moorish Moroccan blue caftan, circa 1970s. Vintage Moorish Maxi Dress kaftan in Excellent condition never worn. Made in Morocco and imported for Mr...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

A beautiful Japanese textile art panel with an embroidered dragon on a swirling cloud background, nicely framed with a linen matt in an antique-fi...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Vintage Samarkand Suzani, Uzbekistan embroidered textile red and black Tashkent Suzani from Samarkand Uzbekistan, 1950. Overall good condition for its age and use some stains. "Suzani" means needlework and these embroideries are some of the most characteristic forms of textile art from Central Asia. The mastery of color and the dynamic sense of movement they convey continue to add depth and joy to contemporary interiors. A high level of creative variation and the individuation of each flower are what make each piece unique. Measures: 67.5" x 57". The Silk Road Bukhara: Like scattered pearls along the vast expanse of the Great Silk Road, the cities of Uzbekistan glisten radiantly under the unforgiving sun. This nation, nestled in a picturesque oasis, holds a treasure trove of historical artifacts, owing to its advantageous position at the heart of the ancient Silk Road network. In the year 138 BC, a transformative era commenced as China graciously opened its borders to trade, giving rise to caravans that embarked upon this illustrious route. These trading pathways served as conduits not only for the exchange of goods and craftsmanship but also for the intermingling of cultures, beliefs, and wisdom. Even today, within the ancient walls of cities like Samarkand, one can still discern the echoes of bustling voices, the melodious jingle of camel harnesses...

A Japanese silk embroidery Fukusa panel circa 1890-1910s toward the end of Meiji Period. On the deep blue satin background, the artist showcases a clump of bamboos in a realistic sty...

An exquisite and visually commanding vintage Uchikake wedding kimono from Japan, dating from the late Meiji to early Taisho period (circa 1910s–1930s). Traditionally worn by brides ...

Post War II Chinese silk embroidery of a five-clawed imperial dragon in rendered orange thread against a green background. The words "Shanghai China" are embroidered below the dragon...

Antique Framed Chinese Embroidery Panel C.1920 Embroidered with an exotic bird perched on a cherry blossom tree, a butterfly hovering above ...

A fine example of a batik textile from Solo, Java, Indonesia. This textile features wonderful detailing & contrast. It features a wonderful array of flor...

This is a traditional Japanese noren (fabric shop curtain) dating to the Taisho period (1912–1926), crafted from cotton dyed with persimmon tannin (kaki...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Hand embroidered in Japan, this large framed silk embroidered wall art was made in Meiji era, approximated 1900s. Very detailed hand embroidere...

A finely embroidered Japanese silk Fukusa panel presented in a beautiful silk-lined giltwood frame (newly framed and glazed), circa late 19th century of Meiji Period. Fukusa is a traditional Japanese textile art used to wrap and present gifts at important occasions. Depending on the occasion, the panel itself can be a very fine textile art on its own. On the deep blue background, this elaborate textile art depicts an old couple standing on a bridge with three bystanders, flanked by pine trees with hills afar. The couple is Jotomba (Joo and Uba are their respective names), characters in the Legend of Takasago, one of the oldest Japanese mythologies, who are associated with old pines. The legend goes as: "At Takasago Shrine there is a very old pine tree, the trunk of which is bifurcated; in it dwells the spirit of the Maiden of Takasago who was seen once by the son of Izanagi who fell in love and wedded her. Both lived to a very great age, dying at the same hour on the same day, and since then their spirits abide in the tree, but on moonlight nights they return to human shape to revisit the scene of their earthly felicity and pursue their work of gathering pine needles. His pine tree is called “The Pine of Suminoe” while hers is "Takasago pine". In Japan, Takasago couple...

Moroccan Kaftan Black Velvet Vest with Gold Embroideries This Moroccan traditional kaftan is embroidered and embellished with gold trim. Evening Moroccan ...

African Mali indigo textile circa 1950. Handwoven, vegetable dyed cotton. We only select the best. This soft textile was sourced in the spirit of Wabi-Sabi, a Japanese philosophy th...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. M...

A vibrant vintage silk Suzani embroidery from Uzbekistan, this hand-crafted textile showcases the rich cultural heritage of Central Asian artisanship. Originally created as a decorative tent panel, this piece features six large medallions intricately embroidered in silk threads on a bold red cotton ground. The floral motifs come alive in vivid hues of crimson, green, ivory, yellow, and purple, arranged in symmetrical, meditative patterns. The intricate detailing and radiant palette highlight the traditional craftsmanship and ceremonial significance of Suzani textiles, often associated with blessings, protection, and prosperity. This visually captivating panel can be displayed as wall art, used as a table runner, or integrated into a layered textile arrangement for a touch of cultural sophistication. A collectible and visually impactful textile that brings story, color, and artisan texture into refined interiors. Dimensions: 24” x 128" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Uzbekistan Material: Silk embroidery on cotton Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1674 vintage Uzbek Suzani, silk embroidery Suzani, red background Suzani, Central Asian textile art, Suzani tent panel, hand-crafted Uzbek textile, embroidered medallion Suzani, floral silk embroidery, collectible Uzbek embroidery, traditional Suzani decor, Suzani wall hanging, Uzbek table...

The painterly effect obtained by mixing varying proportions of ivory and indigo wool is peculiar to this family of northern Chinese weavings. As most of them were sourced directly in...

Antique hand-knotted rug from Eastern Turkey, circa 1940. Size: 3 ft 9 in x 6 ft 5 in. Traditional Turkish design and hearth colors in pink, rust, grey and beige. Flat pile rug w...

Elegant Moroccan hooded burnous cape in off-white fine wool with black and ivory passementerie trim and closure a long tassel on hood, the caftan is fully Lined.The burnus (also call...

An lavishly decorated Turkish coat likely from the Ottoman Empire period circa 19th century, presented in a shadow box gilt frame with dark blue fabric lining. The jacket was made fr...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

19th Century Set of 3 Framed Chinese Kesi Textiles ( 1' x 1'3" - 30 x 38 )

19th Century Chinese Silk Embroidered Panel with Peking Knot and Gold This exquisite 19th-century Chinese silk embroidered textile is a rare masterpiece, probably of Qing Dynasty cra...

This pair of artisan-designed pillows was made by hand from a vintage Japanese obi patterned with orange wave-like swirls against a metallic silver field. ...

Originally purchased from Hong Kong, this Chinese antique embroidery presented in a museum quality. This textile was a roundel design likely from the center front of a noble woman's...

Antique Suzani Textile – Prayer Arch Design Origin: Central Asia (likely Uzbekistan) Dimensions: Approx. 19th century This exquisite antique Suzani textile showcases a rare and elega...

Tabriz, the capital of the northwestern Iranian province of Azerbaijan, has for centuries enjoyed a great reputation as a center of Persian culture. Under the benign patronage of Sha...

These Moroccan silk slippers are handmade to perfection the inside sole is crafted of soft leather. hand-sewn leather sole. You won't want to take ...

A Noh costume made from magnificent silk twill brocade woven with metallic gold threads circa 1930s. The robe is identified as "Atsuita", made for male actors in the Noh play. The luxuriant fabric has a deep blue background with golden interlocking hexagon pattern that resembles tortoise shells, the symbol of longevity. The motifs showcase three auspicious symbols in repetitive patterns: roundels of coiled dragon, phoenix and peony. The kimono robe...

1950s vintage silk sari tapestry quilt patchwork. 1950s Vintage Silk Sari Textile Quilt Patchwork made in India. Handcrafted quilt patchwork made from antiqu...

Beautiful 19th century indigo textiles from Africa, made into fabulous pillows. Antique textile on both sides with concealed zipper and inserts included. Large collection available. ...

This enchanting antique tapestry beautifully illustrates the remarkable depth and richness that was perfected by French artisans of the 19th-20th century. A remarkable Tapestry displ...

This new traditional Kilim cushion cover is a handwoven piece constructed in the early 21st century. The design has been delicately woven by hand and features a symmetrical geometric...

Antique Chinese - Textile Size: 4'3" x7'6"

A Japanese festival kimono expertly mounted and displayed in a large acrylic shadow box. This impressive ceremonial garment circa late 19th-early 20th century was made from a thick l...

Hand embroidered and quilted textile from India. Backed with black linen. Fanciful Asian folk designs this distinctive quilt work is a true sen...

Handwoven Bogolan mud cloth textile from Mali, Africa, Bambara. It is a handwoven tribal cotton fabric traditionally dyed with fermented mud. Woven Afr...

Elegant Moroccan caftan orange color embroidered with gold trim, circa 1970s. This long maxi dress kaftan trim is embroidered and embellished with pearls entirely by hand. One of a k...

Middle Eastern end of the bed quilted textile with appliqué, elegant Moorish design in black, deep red and beige. Ideal to use as a tablecloth on a centre or console table, on the ba...

The unique and beautiful fabric piece, that's called noren - traditional Japanese fabric divider that was made during the Meiji era. This traditional Japanese curtains used to divide...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Measures : 17"X18". Delicate and specialise...

An embroidered silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar). This striking example features a two-tiered design with eleven inner and outer lobes radiating in a circular fashion. The red inner lobes feature floral embroidery design in satin stitches, the border with twisted chain stitches. The outer lobes are in the shape of auspicious "ruyi", which represents the head of Lingzhi mushroom, a symbol of longevity. Each showcases fine needlework of butterfly with spread wings and various floral motif. A small ball clasp remains on the front. This textile art is beautifully presented in a giltwood frame floating within a double mat of conforming shape. Detachable collars such as this were worn around the shoulders as part of the traditional Chinese garment...

Vintage Brocade silk bolster pillows made from silk sari fabric in turquoise blue and gold colors. Set of two Indian Mughal style pillows with majestic pea...

Silk decorative accent pillow with Baroque Moorish decor gold velvet applique in front of the pillow, Light orange and gold silk velvet applique on cream...

Antique Ikat silk robe. Late 19th century large brilliantly coloured silk rare striped pattern in fuschia, purple, blue, acid green, yellow and soft pink fro...

Today Mongolian carpets are highly appreciated for the geometric character of their design and for their neutral palette, which is often centred on an ivory/dark colour combination. ...

These dainty, pointed slippers, made of blue silk and embroidered with pink flowers, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity in the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These embroidered silk lotus slippers...