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Early 19th Century Fireplaces and Mantels

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Period: Early 19th Century
A Highly Important Empire Period Rosso Antico Chimneypiece with Portrait Reliefs
Located in London, GB
A Highly Important Empire Period Rosso Antico Chimneypiece Inset with Specimen Marble Portrait Reliefs of Roman Emperors The carved and veneered surround comprising a moulded shelf supported by a bold dentil cornice, above an inverted breakfront frieze carved with a central triglyph panel, flanked by a pair of rosettes carved in shallow relief, the frieze mounted with six carved hardstone profile portrait medallions of Roman Emperors, the stop-fluted jambs raised on moulded footblocks; in excellent condition with small restorations commensurate with age and use; the pale inclusions in the stone naturally formed. This spectacular neoclassical marble chimneypiece is carved from Rosso antico, the frieze inset with six portrait reliefs of Roman Emperors, each carved in marmo giallo on a bardiglio background, five variously incised: VESPASIANUS, TIBERIVS, OTHO, JULIUS CAESAR, TITUS. Rosso antico (marmor taenarium) is first recorded as being quarried in 1700 BC at Akra Tainaron (Cape Matapan), Greece.¹ The majority of this stone, however, was extracted throughout the Roman period, when it was one of the most coveted materials for carving due to its rich red colouring and association with highly prized Egyptian ‘Imperial’ Porphyry.² Rosso antico was chosen in antiquity for portrait busts, notably depicting Bacchic subjects such as Dionysus and satyrs due to its rich red wine colour which symbolised conviviality whilst conveying the education and cultivated taste of the owner.³ In the Renaissance, Rosso antico was also used for architectural detail on important buildings, such as the steps leading up to the choir in the medieval church of S. Prassede, and the large columns at the entrance to the Camera dell'Aurora.⁴ In 121 AD, G. Suetonius Tranquillus, secretary to Emperor Hadrian, wrote a biographical history of the first twelve emperors of Rome entitled De vita Caesarum (The Twelve Caesars). A Renaissance edition of Tranquillus’ work was published in 1470, followed by further reprints and translations into all the main European languages. Many of these were illustrated with prints of emperors taken from coins and statues, or imagined by the artist based on Tranquillus’ accounts. These interpretations were copied, in turn, by Renaissance designers for medals, Limoges enamels, and busts, as well as paintings such as the Eleven Caesars, a series of eleven half-length portraits of Roman emperors made by Titian in 1536–40 for Federico II, Duke of Mantua.⁵ These paintings were later given to King Charles I, before being passed in the Commonwealth to the Kings of Spain. Unfortunately, the series was destroyed in the catastrophic fire of 1734 at the Royal Alcazar of Madrid, and is now only known through copies and engravings.⁶ From the middle of the 17th century until the end of the 18th century, there was an insatiable demand for marble carvings, often sold as Roman or assembled from ancient fragments, thus perpetuating the reverence for antiquity that was the quintessence of the Grand Tour. Rosso antico was in extremely short supply, even after the ancient quarries at Skutari were rediscovered in 1830, and remained one of the most highly valued of all stones. Described in 1776 as ‘dark red; scarce and dear’, it was mostly used for small objects such as Grand Tour desk ornaments, inevitably using material re-cut from classical fragments, due to its rarity, as was the case with porphyry.⁷ The portrait roundels on this chimneypiece are typical of those produced in Rome and Florence in hardstones, semi-precious stones, gold, silver, bronze, and mother-of-pearl, which, being easily transportable, would be taken home from the Grand Tour to be mounted within wooden, gilded or brass frames, as fashion dictated.⁸ A group of gold portraits of Caesars, dating from around 1660, are in the Museo Nazionale del Bargello in Florence. Images of Roman emperors were not limited to Italy, England and France, however, as examples executed in Deshima for the Dutch East India Company (Verenigde Oost-Indische Compagnie) show. Medallions depicting Roman emperors, invariably made of black and gold Japanese hiramakie or takamakie lacquer on copper, were produced for the Dutch market at the end of the 18th century. Examples can be found in the Rijksmuseum, Amsterdam.⁹ There are two possible sources for the Imperial profiles on the chimneypiece: the engravings of The Twelve Caesars by Marcantonio Raimondi, or the Imperatorum Imagines by Hubert Golz.¹⁰ The portrait medallions also bear remarkable resemblance to a set of eighteen carved portrait reliefs of Roman Emperors, also of marmo giallo, almost certainly bought by David Ker (1742–1811) of Portavo, Co. Down, on his Grand Tour between 1792–4 in either Florence or Rome. Ker’s diary entry for 17th October 1793 is interesting as it reveals that he was offering his brother a choice of chimneypiece designs, which further supports a Roman origin for the offered example.¹¹ Indeed, fire surrounds incorporating antique fragments had been promoted from the late 1760s by Giovanni Battista Piranesi (1720–78), encouraged by Rome-trained architects including Robert Adam (d.1792). One such example, inset with mythological tablets carved from Rosso antico, was acquired by the 9th Earl of Exeter from Piranesi himself for Burghley House.¹² Another can be found at Islington House, Dorset.¹³ A third, inset with giallo antico and Rosso antico, follows Piranesi’s engraved design dated 1769 for a fire surround mounted with three marble portrait reliefs.¹⁴ It should be re-emphasised that Rosso antico was so precious that it was only ever used for small tablets or details rather than an entire chimneypiece, as with the offered example; likewise, while portrait reliefs are occasionally seen on the jambs of Italian surrounds, it is exceptionally rare to see the frieze mounted with a group, especially of this scale: the combination indicates an architectural commission by an extremely wealthy patron. The sophisticated lines of this chimneypiece epitomise the French Empire influence on the Italian states at the turn of the 18th century. This idiosyncratic ‘Roman’ taste is encapsulated by that of Napoleon, who identified with Rome’s Imperial past. Napoleon’s desire to establish a visual link between himself and Roman emperors is demonstrated by the portraits of his court painter, Jacques-Louis David, inspired by portraits of Emperor Augustus. This Imperial taste extended to architecture, furniture and porcelain, the latter two of which are combined in a group of magnificent ormolu-mounted guéridons commissioned in Sèvres between 1803–11, made to immortalise Napoleon’s reign.¹⁵ The second guéridon in the series, the Table des Grands Capitaines (Table of the Great Commanders of Antiquity), commissioned in 1806, is made almost entirely of hard-paste Sèvres porcelain. The top, painted in imitation of sardonyx, is centred by a portrait cameo of Alexander the Great, surrounded by twelve smaller heads of commanders and philosophers from antiquity: Pericles, Scipio Africanus, Pompey, Augustus, Septimus Severus, Constantine, Trajan, Caesar, Mithridates, Hannibal, Themistocles and Miltiades.¹⁶ Louis XVIII presented the table to the Prince Regent (later King George IV) in 1817 as a token of appreciation for Napoleon’s defeat two years earlier, and George IV treasured it so highly that it became part of the ceremonial backdrop for all his state portraits. The table remains in the Royal Collection.¹⁷ This chimneypiece remained, until recently, in the possession of a noble Dutch family, who acquired it from the owners of a bombed Knightsbridge house in the 1940s; unfortunately, its provenance prior to this has been lost. The use of Rosso antico on this scale, inset with these splendid Imperial profile medallions, appears unparalleled. 1. J. B. Grossman, 'Looking at Greek and Roman Sculpture in Stone' (Los Angeles, 2003). Grossman states that this material was ‘...quarried in three places during antiquity: on Cape Tainaron present day Matapan on the Peloponnese of Greece; on Crete; and at the site of Iasos in Asia Minor. 2. L. Lazzarini, ‘Rosso antico and other red marbles used in antiquity: a characterization study’, Marble, Art Historical and Scientific Perspectives on Ancient Sculpture’ (1990), 237–252. C. Gorgoni, L. Lazzarini, P. Pallante, ‘New archaeometric data on Rosso antico and other red marbles used in antiquity, ASMOSIA VI, Interdisciplinary Studies on Ancient Stone’ (2002), pp. 199–206. J. Deér, trans. G.A. Gilhoff, The Dynastic Porphyry Tombs of the Norman Period in Sicily (Cambridge, 1959), p. 144. R. Gnoli, Marmora Romana (Rome, 1988), pp. 187–191. 3. A notable example is a satyr from the Emperor Hadrian's villa at Tivoli, now in the Capitoline Museum, Rome. Another is the head of a satyr in the Minneapolis Institute of Arts, accession no. 2006.110. See T. Opper, Hadrian. Empire and Conflict (London, 2008), p. 165, fig. 149. 4. De Luca, Marmi antichi (Rome, 1998), p. 126. Faustino Corsi, Catalogo ragionato d’una collezione di pietre di decorazione (Rome, 1833), p. 93. 5. For related Limoges medallions, see set of ten circular Limoges enamel medallions depicting Roman emperors, en grisaille with gilding, from the workshop of Jacques I Laudin, sold Christie’s London, Fine Renaissance Bronzes and Works of Art, 19 December, 1977, lot 95. 6. See set of drawings sold Sotheby’s London, Of Royal and Noble Descent, 24 February, 2015, lot 184. 7. J. J. Ferber, Raspe’s Travels through Italy in the Years 1771–1772 (London, 1776), p. 218. 8. See Sotheby’s London, Pelham, the Public and the Private, 8 March 2016, lot 75: ‘A set of twelve mother-of-pearl cameos of Roman Emperors, Southern Italian, early 19th century’ 9. Oliver Impey, Christiaan J.A. Jörg, Cynthia Viallé, Japanese Export Lacquer 1580–1850 (Amsterdam, 2005) pp. 48–57, no. 56 & 57. 10. For a further reference, see the candlesticks by Jacques I Laudin in the Waters Art Gallery, illustrated in P. Verdier, Catalogue of the Painted Enamels of the Renaissance (Baltimore, 1967), p. 389, nos. 207 & 208. 11. John Ingamells, A Dictionary of British and Irish travellers in Italy 1701–1800 (London, 1997), pp. 572–3. 12. Oliver Impey, Four Centuries of Decorative Arts from Burghley House (Virginia, 1998), p. 53, fig. 23. 13. Country Life, 12 June, 1997, p. 162, figs. 9–11. 14. A. González-Palacios, Il Tempio del Gusto, Roma e il Regno delle due Sicilie, Vol. II (Milan, 1984), pp. 592–93, p. 260. 15. S. Grandjean, 'Napoleonic Tables...
Category

English Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

American Brass Finial and Artistic Wire Serpentine Fire Place Screen, Circa 1810
Located in Charleston, SC
American serpentine fire place screen with a brass rail top, three centered brass urn finials, and pleasing artistic scrolled wire work. Early 19th century, Philadelphia.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wire

American White Pine Carved Molded Edge Fire Place Mantel, Circa 1800
Located in Charleston, SC
American White Pine fire place mantel with carved molded edges, one board back, and rectangular carved vertical legs with squared plinths . Early 19th Century . Fire Box Dim. 40" Tall / 40.5" Wide...
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Pine

An Cast Iron Antique Georgian Register Grate English, Early 19th Century
Located in London, GB
A Cast Iron Antique Georgian Register Grate English, Early 19th Century. External Height: 38″ – 96.5 cm External Width: 36″ – 91.5 cm Depth: 13″ – 33 cm Can be extended to 40″ x 40″
Category

British Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Iron

American Brass Artistic Wire Work Folding Hinged Fire Place Screen, C. 1810
Located in Charleston, SC
American brass and artistic wire work folding hinged panels fire place screen, Early 19th Century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wire

American Brass Artistic Wire Work Fire Place Screen with Eyelet Holes, C 1800
Located in Charleston, SC
American brass and artistic wire work fire place screen with flanking eyelet holes for originally securing to fire place surround, Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wire

Regency-style fireplace in Rance marble, 19th century
Located in Honnelles, WHT
Cheminée de style Régence en marbre de Rance, XIXème siècle Dimensions of the fireplace: 80/86 x 94,5cm
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

American Brass Finial Polished Steel Fire Place Tools on Marble Stand, C. 1810
Located in Charleston, SC
American brass finial and polished steel fire place tools resting on the original squared grooved marble stand, Early 19th century. Set consists of pierced shovel, tong, and poker.
Category

American American Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Marble, Brass, Steel

Double-Slip Georgian Carved Fireplace in Italian Grey Bardiglio Marble
Located in London, GB
Double-slip Georgian carved fireplace in Italian grey bardiglio marble Can be made in different sizes.
Category

British Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Pair of Italian Brass Neoclassical Figural Tiered Urn Finial Andirons, C. 1820
Located in Charleston, SC
Pair of Italian brass neoclassical figural tiered beaded urn finial andirons resting on decorative fluted triangular bases, Early 19th Century.
Category

Italian Neoclassical Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

Louis XVI style fireplace in Carrara marble, circa 1880
Located in Honnelles, WHT
Louis XVI style fireplace in Carrara marble, circa 1880 fireplace dimensions: 92 x 126 cm et 70 x 68cm
Category

French Louis XIV Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Very Important Late Eighteenth Century Statuary Marble Chimneypiece
Located in London, GB
The chimneypiece bears a center tablet that closely resembles that by Robert Adam in the library at Kenwood House, the overall form echoing his work in its detail and in the quality ...
Category

British Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

American Brass Rail and Rope Artistic Wire Work Fire Place Fender, NY, C. 1800
Located in Charleston, SC
American fire place fender with brass rail, pleasing scrolled artistic wire work, and resting on a decorative brass rope base. New York, Early 19th century.  
Category

American American Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

American Brass and Artistic Wire Work Folding Fire Place Screen, Circa 1815
Located in Charleston, SC
American brass and artistic wire work folding fire place screen with a pleasing brass gallery and flanking ball finials. Early 19th century Each adjustable folding end on fire scree...
Category

American American Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wire

French Bronze Flanking Winged Cherub Shell Foliage Fire Place Fender C. 1800
Located in Charleston, SC
French bronze serpentine flanking winged cherub and shell foliage pierced gallery fire place fender. Early 19th century.
Category

French Louis XVI Antique Early 19th Century Fireplaces and Mantels

Materials

Bronze, Iron

Antique English Geo, IV Pierced Brass Fireplace Fender with Cast Brass Paw Feet
Located in CHARLESTON, SC
Fine Antique English Geo. IV pierced solid brass Fireplace Fender with traditional "ivy motif"; retaining original cast brass paw feet. The original steel spark guard pan in the bott...
Category

English George IV Antique Early 19th Century Fireplaces and Mantels

Materials

Brass

Kilkenny Marble Regency Chimneypiece
Located in London, GB
Kilkenny marble Regency chimneypiece with cushion fluted jambs and frieze set between corner blocks with roundels. Plinths to meet the hearth and a simple moulded shelf. Restored. In...
Category

Irish Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Regency-style limestone fireplace, circa 1880
Located in Honnelles, WHT
Regency-style limestone fireplace, circa 1880 fireplace dimensions: 102.5 x 131.5 cm
Category

French Louis XIV Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

American Wire and Brass Fireplace Fender with Decorative Wire Work, Circa 1810
Located in Charleston, SC
American wire and brass fireplace fender with pleasing decorative wire work, Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

English Brass Urn Finial and Artistic Wire Work Fire Place Fender, Circa 1800
Located in Charleston, SC
English brass Urn finial and artistic wire work fire place fender with stylized scrolled feet. Early 19th century.
Category

English George III Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wrought Iron, Wire

19th Century French Designed by Nature Stone Antique Fireplace Surround
Located in Beervelde, BE
The bicolor hard limestone for this antique fireplace surround is a Burgundy Corton stone flecked with violet colored veins. We call it designed by nature for a rustic, French country room. We can provide the hearth in original antique Burgundy dalles with original ancient surfaces...
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Stone

American Wire and Brass Fireplace Fender with Decorative Wire Work, Circa 1810
Located in Charleston, SC
American wire and brass fireplace fender with pleasing decorative wire work, Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

Pair of French Bronze and Brass Mythological Figural Floral Chenets, Circa 1820
Located in Charleston, SC
Pair of French bronze and brass mythological figural scrolled floral and step back rocky plinth chenets with supporting iron backs, Early 19th century.
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Bronze, Iron

An Exceptional Neoclassical Statuary Marble Chimneypiece with Roman Decoration
Located in London, GB
An early 19th Century English Regency Neoclassical statuary marble fireplace, carved in Italy to the highest quality with crisply and deeply carved undercutting to the sculptural dec...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Marble, Statuary Marble

Early 19th Century Regency Marble Fireplace
Located in London, GB
Early nineteenth century Regency marble fireplace in the manner of Sir Jeffrey Wyatville. In Belgian Black marble with applied Statuary marb...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Belgian Black Marble, Statuary Marble

American Painted Wire and Polished Brass Fireplace Fender on Iron Base, C. 1810
Located in Charleston, SC
American hand painted wire and polished brass fireplace fender with interior vertical rod supports and iron base, Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

Georgian Limestone Bolection Fire Mantel
Located in Wormelow, Herefordshire
An original late Georgian limestone bolection fire mantel dating from circa 1800 and reclaimed from a property in Oxfordshire, UK. Despite being over 220 years old, this antique ston...
Category

English Antique Early 19th Century Fireplaces and Mantels

Materials

Stone, Limestone

Art Deco fireplace in beige onyx, circa 1920
Located in Honnelles, WHT
Art Deco fireplace in beige onyx, circa 1920 Dimensions of the fireplace: 62 x 54cm
Category

French Art Deco Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

American White Pine Sunburst and Flanking Urn Column Mantel Piece, Circa 1820
Located in Charleston, SC
American white pine sunburst mantel piece with carved molded edge top, decorative carved urns and flanking fluted capital ringed columns. Early 19th Centu...
Category

American American Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Pine

French Bronze and Polished Steel Flanking Mastiffs Floral Chenet, Circa 1820
Located in Charleston, SC
French bronze and polished steel Chenet with flanking adjustable mastiffs resting on rectangular plinths with decorative acanthus floral motif, Early 19th Century 63 inches wide max,...
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Bronze, Steel

English Regency Brass Fire Fender with Artistic Wire Work Gallery, Circa 1815
Located in Charleston, SC
English Regency brass fire fender with artistic wire work gallery, original flanking tool holders, lower fluted banding with decorative shell & foliage motif, and resting on the orig...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

An antique Italian Statuary marble mantlepiece (over 200 years old)
Located in Tyrone, Northern Ireland
An antique late 18th/ early 19th century Italian Statuary marble mantlepiece of fine quality Small in scale and beautifully made in Italy around the year 1800. The exquisitely carve...
Category

Italian Neoclassical Antique Early 19th Century Fireplaces and Mantels

Materials

Statuary Marble

English Regency Brass Hand Chased and Bossed Fire Fender, Circa 1810
Located in Charleston, SC
English Regency brass hand chased and bossed fire fender with circular medallions, floral motif, and terminating on stylized paw feet, Early 19th century.
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Charles X fireplace in Carrara marble, 19th century
Located in Honnelles, WHT
Charles X fireplace in Carrara marble, 19th century Dimensions of the fireplace: 75,5 x 91,5cm
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Pair of American Brass Ball Top Andirons, Boston, Circa 1800
Located in Charleston, SC
Pair of American brass ball top andirons with turned bulbous ring plinths, matching log stops, and original wrought iron dog legs, Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

French Brass Figural Pierced Chased Folding Fan Fire Place Screen, Circa 1820
Located in Charleston, SC
French brass figural fire place screen with dancing woman playing tambourine, central flame urn finial with lambs tongue plinth, eight flanking pierced chased folding fans, decorativ...
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

American Serpentine Brass Finial and Artistic Wire Work Fire Fender, Circa 1810
Located in Charleston, SC
American Empire serpentine fire place fender with bulbous ringed brass ball finials, brass rail top, and pleasing scrolled artistic wire work, Philadelphia, Early 19th century.
Category

American American Empire Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wrought Iron, Wire

American Wire and Polished Steel Fire Place Fender, Circa 1800
Located in Charleston, SC
American wire and polished steel fire place fender with centered iron supports and wrought iron base, Early 19th Century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Steel, Wrought Iron

Pair of French Brass Flame Finial Acanthus Foliage Dolphin Andirons, C. 1820
Located in Charleston, SC
Pair of French brass flame finial andirons with tapered ringed acanthus foliage columns, flanking dolphins on rectangular plinths, foliage bulbous feet, matching bulbous log stops, a...
Category

French Louis Philippe Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Iron

Pair of American Brass Urn Finial Wrought Iron Andirons with Penny Feet C 1800
Located in Charleston, SC
Pair of American brass urn finial and wrought iron andirons with flanking central rings, spit hooks, and resting on scrolled legs with stylized penny feet. Early 19th Century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wrought Iron

Pair of Italian Wrought Iron Poly Chromed Medallion Andirons w/ Log Stops 1810
Located in Charleston, SC
Pair of Italian gilt figural mask wrought iron and poly chromed medallion andirons with flanking gilt foliage and painted ball finials, decorative scrolled gilt foliage iron work, ce...
Category

Italian Neoclassical Antique Early 19th Century Fireplaces and Mantels

Materials

Wrought Iron

Set of Three English Polished Steel and Brass Fire Place Tools, Circa 1800
Located in Charleston, SC
Set of three English polished steel and brass fire place tools with decorative urn finials and foliage handles. Set consist of pierced floral shovel, tong, and brass tipped poker for...
Category

English George III Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Steel

American Artistic Wire and Brass Gallery Diminutive Fire Place Fender , C. 1810
Located in Charleston, SC
American diminutive complex artistic wire work and brass rail gallery fire place fender with centered wrought iron supports and base. Early 19th century.
Category

American American Colonial Antique Early 19th Century Fireplaces and Mantels

Materials

Brass, Wrought Iron, Wire

A French Empire Egyptian Revival Marble and Ormolu Fireplace Mantel
Located in London, GB
A large and very well decorated French Empire Egyptian Revival fireplace surround, in well configured Antico Verde Marble with exceptional quality Ormolu mounts. The Jambs with taper...
Category

French Egyptian Revival Antique Early 19th Century Fireplaces and Mantels

Materials

Marble, Ormolu

Antique Venetian Renaissance Marble Mantel
Located in Tyrone, Northern Ireland
The serpentine shaped frieze has incredibly fine carvings of fabulous Renaissance ornament. The centre cartouche is upheld by male figures terminating in scrolling acanthus leaf’s, these flanked by dragons amongst foliage and female figures on each of the curved corners. The frieze upheld by highly carved baluster shaped pedestals on Rosso Verona jambs. Made from Pietra d’Istria marble and Rosso Verona marble. Photographed in un-restored original condition, can be cleaned if preferred, circa 1830 Provenance: Talygarn house in Wales, rebuilt during the 19th century by George Thomas Clarke, industrialist, ironmaster for Isambard Kingdom Brunel.
Category

Italian Renaissance Revival Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

A George III Greek Revival Chimneypiece in the Manner of Architect James Stuart
By James Stuart
Located in London, GB
Provenance: Stair & Company, Inc. New York, NY, private collection, gifted to Telfair Museums, c. 1977. The elegant moulded breakfront shelf with an egg and dart and a beaded motifs...
Category

English Greek Revival Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Reclaimed Georgian Style Statuary Verde Marble Surround (Pair Available)
Located in Ware, GB
An impressive reclaimed Statuary marble fireplace surround with Verde marble inlay. We currently have a matching pair of these surrounds (ARMSTRONG & DARLING); both were reclaimed fr...
Category

British Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Statuary Marble

Antique Bluestone Fireplace Mantel with Wooden Mantel from the 19th Century
By Achterhuis
Located in Udenhout, NL
Antique bluestone fireplace mantel with wooden mantel from the 19th century, from Belgium, to place around the chimney.
Category

Belgian Antique Early 19th Century Fireplaces and Mantels

Materials

Stone

Louis XV Style Carrara Marble Mantel , Circa 1980
Located in Honnelles, WHT
‘Louis XV style Carrara Marble Mantel, circa 1980 ’ Louis XV style mantel in Carrara marble , circa 1980 shelf broken and repaired dimensions of hearth : 79 x 94 cm
Category

French Louis XV Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Antique ‘Bolection De Versailles’ Fire Mantel
Located in Wormelow, Herefordshire
A tall, Louis XIV ‘Bolection de Versailles’ antique chimney-piece or fire place in richly coloured cherry red Griotte marble. The concave fluted fri...
Category

Antique Early 19th Century Fireplaces and Mantels

Materials

Marble, Griotte Marble

Regency Greek Revival Statuary Marble Fireplace
Located in London, GB
A Regency period Greek Revival Statuary marble fireplace, early nineteenth century, with laurel-wreath corner blocks and plain pilaster jambs. One of a near pair, see 1stDibs stock r...
Category

British Greek Revival Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

Original Large Georgian Period Iron Fire Grate
Located in Wormelow, Herefordshire
An original large-scale Georgian period wrought and cast iron fire grate circa 1800 with a detachable decorative summer grate to the front. Historically, summer fireplace grates li...
Category

English Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Metal, Wrought Iron

Antique George III Style Fire Grate
Located in Wormelow, Herefordshire
An antique George III style fire grate in cast iron. This early 19th century fire grate is finely cast at the hand of its Georgian blacksmith. The tall cast iron back plate depicts a...
Category

English Georgian Antique Early 19th Century Fireplaces and Mantels

Materials

Metal, Iron

Antique Black Bulls-Eye Fireplace
Located in Tyrone, Northern Ireland
An antique black marble fireplace from the Regency period. With bulls-eye roundels at the top of tall pilasters with no plinths. The cushion molded frieze with reeded shelf on top. ...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

A Regency Belgian Black Marble Chimneypiece
Located in London, GB
A Regency chimneypiece of scale and presence, the whole carved from Belgian Black marble, with fluted Doric columns for jambs. These columns employ entasis, the application of a gent...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Belgian Black Marble

Regency Statuary Marble Fireplace of the Finest Quality
Located in London, GB
A fine quality English Regency fireplace in Italian statuary marble. The frieze with interspersed flutes and carved panels depicting pipes and other musical instruments. The jambs wi...
Category

English Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Statuary Marble

Regency Statuary Marble Greek Revival Fireplace
Located in London, GB
A Regency Statuary Marble Greek Revival fireplace, or architectural form, with laurel-wreath corner blocks and pilaster jambs, on shallow block feet. One of a near pair. Dimensions...
Category

English Greek Revival Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

19th Century Statuary Marble Antique Fireplace
Located in London, GB
A fine quality antique Italian fireplace carved in Statuary marble. The running frieze delicately carved with sunflowers and foliage with female mask to centre. The full round taperi...
Category

Italian Regency Antique Early 19th Century Fireplaces and Mantels

Materials

Statuary Marble

French Ardennes Grey Marble Mantel
Located in Dallas, TX
Expertly crafted in the 1820s, this French Ardennes Grey Marble Mantel exudes elegance and sophistication. Its Louis XVI design features a carved motif in the center and on the mante...
Category

French Antique Early 19th Century Fireplaces and Mantels

Materials

Marble

19th Century Antique French Marble Stone Fireplace Mantelpiece
Located in Udenhout, NL
Nice French marble stone fireplace mantle 19th Century from France to place in front of the chimney.
Category

French Antique Early 19th Century Fireplaces and Mantels

Materials

Stone, Marble

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