Ceramic Decorative Baskets

Offered here is a large basket from the Herend factory. Decorated all around with hand-sculpted flowers and leaves. Painted with floral motifs and a beautiful gilding. The walls are...

Handmade fruit basket in ceramic with a white glaze made in Italy. Perfect for the romantic looking country kitchen.

Charming Majolica Wire Basket with an angel and a butterfly Circa 1900.

Beautiful quality and stylish antique jardiniere. This rare and marvelous design Arts & Crafts jardinière is beautifully decorated with organic yet symmetrical Jugendstil motifs. In...

Antique Meissen braided porcelain basket with handles. Hand-painted flowers and golden border. Late 19th century. Measures: 22.5 x 16.5 x 7.5 cm. In excellent condition. Stamp...

19th century French porcelain urn painted with polychrome decoration.

This is a very rare offer of a spectacular moulded and pierced chestnut basket, cover and stand, made by Worcester between 1770 and 1775 in their 1st or "Dr Wall" period. The set con...

A handcrafted plant pot holder by the Zaccagnini pottery. This lovely piece is styled as a cylinder of plain white columns under a plain edge, sporting two highly detailed bunches of...

Antique Chamberlain Worcester Porcelain Basket with Sea Shell Border, circa 1835-40. The Chamberlain porcelain fan basket with a white handle enhance...

A maroon ground basket in Rococo Revival style with pierced pale yellow ends, a twig handle and five flower reserves with single flowers. Pattern 2/5610 Year: ca 1835 Size: 22.5cm (8.75”) long, 13cm (5”) tall Condition: handle has been repaired, see last picture; some rubbing This basket forms part of the Murray Pollinger Collection of Samuel Alcock Porcelain...

A small porcelain basket in Rococo Revival style with scroll and shell moulded borders, pierced handles on both ends, a pale yellow twig handle, a French blue ground with pale yellow foliage and a fine landscape painting in the centre. This would make a perfect gift as a trinket dish - these baskets were often used to collect visting cards from guests. Pattern unknown Year: ca 1830 Size: 17.5cm (6.8”) long, 9cm (3.5”) tall Condition: excellent The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain...

Brown Westhead Moore and Co Majolica basket which features flowers on the four corners, basketweave style sides and the handle modelled in the for...

Glazed stoneware sculpture of Saint-Solange by André Rozay. Artist signature at the back « La Borne - Rozay». Unique piece. Circa 1960-1970. H : 22.4 x 7.9 x 7.9 inches.

A large basket with a Persian-inspired moulded Alma border in black on a bright pink ground, a moulded swan-head handle in white, gilt and pale green, pierced ends and a beautiful pa...

Wonderful Art Nouveau large ceramic handled bowl or basket by German artist/designer Wilhelm Süß for Karlsruhe Majolika (Majolica) circa 1910. He was one of their top designers at th...

Italian glazed ceramic basket of mushrooms. Beautiful vintage Italian glazed ceramic basket of mushrooms. This Hollywood Regency Italian...

Italian giant swan in shell by Gabriella Binazzi. In a world where the boundary between art and imagination is becoming increasingly thin, the extraordinary work of Gabriella Binazzi...

This is a Royal Crown Derby porcelain basket hand painted with bright red, black, white & 22 carat gold. It is depicting a large flower in the center against a gilt foliage black bac...

Display your fruit or other perishables in this colorful antique Majolica dish. Created in Provence, France crafted, circa 1920, the decorative p...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Red and black ceramic table centerpiece made in Rockabilly style, the colors are strong and decisive, the black has the distinction of having beautiful reflections nacreè (mother of pearl), reflections that unfortunately the photos can not capture, from life are really seductive, the form is nicely undulating, pleasant and very capacious; the centerpiece was produced between 1950 and 1953, by skilled artisans in the area of Vallauris, the "French city of ceramics" in Provence north-east of Cannes, renowned since ancient times for the production of this fascinating material; there were more than 250 production centers, but today very few remain and since the mid-20th century, they are dedicated to the manufacture of contemporary ceramics. The word "Rockabilly" is a combination of "rock and roll" and "hillbilly" (a derogatory term used to define the Appalachian mountain people and, in a generic sense, meant country boor); Rockabilly was a musical genre developed in the early 1950s, it was one of the first forms of rock & roll. It was a fusion of bluegrass, country, boogie-woogie, and jazz, originally from the southern United States, and was played and sung by artists such as Buddy Holly...

Herend, Hungary, reticulated porcelain bowl, hand painted with orange flowers. Mid-20th Century. Perfect condition. Marked. Dimensions: ...

Large Italian handmade ceramic basket in white glaze with handle. Works great as a fruit and vegetable basket. Perfect for seasonal decoration such as Easter or Christmas.

A ceramic cup by André Rozay ( 1913-1991) to La Borne. Perfect original conditions. Signed under the base " Rozay". Circa 1946. Unique piece.

English Majolica basket with mottled green basketweave, a cobalt blue handle, and lavender interior, ca. 1875, Measures: W 6 x H 4 x D 1.5 inches For 30 years we have been among th...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Large...

This is a rare and beautiful porcelain basket made by Worcester circa 1765 in their 1st or "Dr Wall" period. These baskets were used for dinners or desserts to serve fruit or bread. The basket is decorated in the famous "blue scale" ground with very fine Japanese Kakiemon...

Roger Capron Bowl, Glazed Earthenware Made in France, c. 1960 Glazed earthenware, signature to underside ‘Capron Vallauris M82’.

A monumental Meissen reticulated flower-encrusted basket Late 19th-early 20th century, blue crossed swords mark, IMPRESSED C.6., IMPRESSED 79, PAINT...

Aqua Majolica basket with plate Sarreguemines, circa 1930. Basket 8" by 7.5", height / 2.5" Pplate 8.5" diameter, height / 1.3".  

Longwy, France. Equinoxe basket in glazed ceramics. Abstract polychrome decoration on black background. Mid-20th century. Measures: 24 x 23 cm. In excellent condition. Stamped.

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

This woven basket is actually a Japanese tabako-bon, or 'tobacco tray,' used as a portable hibachi for lighting tobacco pipes. Believed to have evolved from the traditional accessories of Japanese incense ceremony, tabako-bons first came into use in the 17th century and were often beautifully decorated to display one's wealth and status. This tabako-bon is woven of smoked bamboo and features a ceramic...

Pair of Chinese Ginger jars dating from the end of the 19th century. Lids with phô dogs as handles. Decorated with colorful birds and flowers. Very elegant and delicate. Red stamp be...

With pierced latticework sides; the interior well painted with floral blossoms and a butterfly in a garden setting.

Contemporary Porcelain Bowl / Vessel by Ceramic Artist, Paula Murray, Light Blue A contemporary porcelain bowl of the 'Radiant Acquiescence' series by world renowned ceramic artist,...

A fine pair of 19th-century creamware bi-color pierced baskets represents a pinnacle of ceramic craftsmanship during this period. Creamware, a type of refined earthenware, gained pop...

By Wedgwood, England. This pair of Chestnut Baskets and underplates was one of Wedgwood's most intricate handmade designs, circa 1790s. Redolent of the Georgian period, this color co...

This pair of French waste basket trash cans is made from terracotta and can be used in either an outdoor or an indoor setting. The inside of the wastebaskets have the structural lining to support a bin or trash bag...

Rare antique English Yorkshire or Staffordshire creamware pierced basket with intricate reticulated body. Lovely color no damage or repairs.

A large, beautiful, and rare 19th century neoclassical reticulated Meissen centerpiece with open filigree, rams heads, flaming finial, and love bir...

Fantastic quality antique Victorian porcelain basket having a wonderful basket with cherubs to either side of the handle decorated with gilt decoration with doves, flowers and leaves...

Large Paris porcelain centrepiece basket, circa 1840.

Important pair of openwork baskets in white hard porcelain with gold decoration. The body, of flared circular shape, features a regular openwork design with ogive motifs, enhanced by...

Meissen Porcelain reticulated two-handled basket Late 19th century. Blue underglaze crossed swords mark on the underside. Of oval form, applied with flower heads and flanked by en...

Pair of Paris porcelain figural baskets, circa 1840.

Fruit platter in terracotta by Marta Bonilla Dimensions: D22 x H25 cm Materials: Terracotta , clay. Fruit Platter in terracotta: Low temperature hand modeled piece.Kkeeps the na...

A set of 8 terracotta triangle matt vases by Valeria Vasi Handmade in Barcelona, 2021 Materials: stoneware, clay Dimensions: 34 x 28 x 5 cm Also available in: baby blue, white. ...

The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and vibes. Sun-blessed pure volumes, shapes mar...

A set of 8 white Konos Matt vases by Valeria Vasi Handmade in Barcelona, 2021 Materials: stoneware, clay Dimensions: 25 x 12 cm Also available in: terracotta, glossy white. A...

Mate cracked sage Lali big vide Poche by Sophie Parachey Dimensions: W 37 x D 33 x H 4 cm Materials: Stoneware. Inspired by extended stays in Central America, Sophie Parachey’s ...

A set of 8 white matt vacuum vases by Valeria Vasi Handmade in Barcelona, 2021 Materials: stoneware, clay Dimensions: 23 x 5,5 cm Also available in: terracotta, baby blue. A ...

Shell I Vide Poche by Sophie Parachey Dimensions: W 34 x D 20 x H 3 cm Dimensions satellite: W 6 x D 6 x H 3 cm Materials: White stoneware, velvet w...

Shiny Camel Lali Small Vide Poche by Sophie Parachey Dimensions: W 28 x D 24 x H 3.5 cm Materials: Stoneware. Inspired by extended stays in Central America, Sophie Parachey’s wo...

Malabar Pink Lali Small Vide Poche by Sophie Parachey Dimensions: W 37 x D 33 x H 4 cm Materials: Stoneware. Inspired by extended stays in Central America, Sophie Parachey’s wor...

Velvet white lali small vide poche by Sophie Parachey Dimensions: W 28 x D 24 x H 3.5 cm Materials: Stoneware. Inspired by extended stays in Central America, Sophie Parachey’s w...

Set of 3 cells table Centerpieces by Sophie Parachey Dimensions: W 32 x D 22.5 x H 4.5 cm W 33,5 x D 18 x H 4,5 cm W 19,5 x D 14 x H 4,5 cm Materials: Sand stoneware, velvet pear...

Red white Yugen stonewares No 4 bowl by Yusuke´ Y. Offhause One of a Kind, the work is in two parts. Dimensions: D 24 x W 24 x H 8.8 cm. Materials: polished stoneware, polished po...

A set of 8 Baby Blue Matt Vacuum vases by Valeria Vasi Handmade in Barcelona, 2021 Materials: stoneware, clay Dimensions: 23 x 5,5 cm Also available in: terracotta, white. A ...

A Set of 10 Terracotta You Matt Vases by Valeria Vasi Handmade in Barcelona, 2021 Materials: stoneware, clay Dimensions: 25,5 x 13,5 x 3,5 cm Also available in: Baby blue, white....

La Che pot by Sebastian Herkner Materials: 100% fique fibers from Furcraea leaves from Furcraea leaves. Technique: Hand-woven in Colombia. Dimensions: diameter 45 cm x width 24 ...