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American Decorative Dishes and Vide-Poche

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Place of Origin: American
Vintage Parrots Decorative Plates by Fitz and Floyd Set of 4
By Fitz and Floyd
Located in Moreno Valley, CA
Vintage Parrots decorative plates by Fitz and Floyd set of 4. Set of 4 Fitz and Floyd Parrot dishes, “Parrot in Ring”. Appetizer, bread, Salad, desse...
Category

Late 20th Century Bohemian American Decorative Dishes and Vide-Poche

Materials

Porcelain

Mid-Century Enamel-on-copper Vide-Poche
Located in Pasadena, CA
This is a charming mid-century vide-poche in enamel-on-copper. The catchall features an abstraction of multi-colored pebbles on a stunning lustrous gold enamel background. The dish c...
Category

1960s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Copper, Enamel

Midcentury Decorative Ceramic Dish by Phillip H. Paradise, California, 1950s
By Phillip Herschel Paradise
Located in La Teste-de-Buch, Nouvelle-Aquitaine
Rare decorative earthenware dish by renowned Californian artist Phillip Herschel Paradise. Hand-painted decor, circa 1955. Signed. Phil Paradise wa...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Ceramic

Concentric Ring Turned Wood Maple Platter or Charger Attributed to Russel Wright
By Russel Wright
Located in Ferndale, MI
Nicely turned maple wood charger. Concentric ring design in the manner of Russel Wright.
Category

Mid-20th Century Organic Modern American Decorative Dishes and Vide-Poche

Materials

Maple

Large Vintage Glazed Cobalt Blue Fish Tray by Bennington Potters
By Bennington Potters
Located in Brooklyn, NY
Vintage cobalt glazed studio pottery divided fish platter/tray made in the 1970s by Bennington Potters of Vermont (model #1807). Divided into three sections with incised floral decor...
Category

1970s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Ceramic

Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, c. 1965
Category

1960s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Ceramic

Jade Snow Wong Turquoise Enamel Copper Plate
By Jade Snow Wong
Located in Los Angeles, CA
Copper enameled plate by California artist, Jade Snow Wong c.1950s. The plate features a copper form with a turquoise enamel glaze. Signed on the underside. Dimensions 10.5" diamete...
Category

1950s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Copper, Enamel

Cambridge Art Glass "Crown Tuscan" Flying Nude w/ Shell Compote
Located in Van Nuys, CA
This is a beautiful Cambridge art glass bowl. It has a flying nude on the front of a lobed shell design bowl. The art glass is a solid pink color in Cambridge's Crown Tuscan design. ...
Category

1930s Vintage American Decorative Dishes and Vide-Poche

Materials

Art Glass

1950s alabaster Ashtray
Located in LYON, FR
Mother of Pearl ashtray bought in Hawaii in the late 1950's. Since then it has lived in Wollongong Australia. Amazing Lustre. Has a one chip on the botto...
Category

1950s Organic Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Mother-of-Pearl

Studio Stoneware Bowl with Pedestal Base in Rich Oxblood Glaze, USA 1960 s
Located in New York, NY
A rustic stoneware bowl on a pedestal. Rich oxblood glaze with hand-drawn lines complementing its simple organic form. The base as little cutouts that lighten the overall structure. ...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Stoneware

1950s Perforated Metal Atomic Dish Ashtray Nº S30 by Richard Galef Ravenware
By Richard Galef, Ravenware
Located in Hyattsville, MD
Wonderful 1950s functional design, and such an ingenious and sculptural piece. Also with a domed glass inset.  
Category

1950s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Steel

Kafi 3 Cheese Board in Oiled Walnut by Martin Leugers Tricia Wright for Wooda
By Wooda, Martin Leugers
Located in Omro, WI
The Kafi 3 (Icelandic for submerged) hors d'oeuvre board has an elongated proportion that adds a dynamic appearance to any setting large or small. Recessed bowls provide a perfect sh...
Category

21st Century and Contemporary Modern American Decorative Dishes and Vide-Poche

Materials

Wood, Hardwood, Walnut

Kafi 1 Cheese Board in Oiled Maple by Martin Leugers Tricia Wright for Wooda
By Wooda, Martin Leugers
Located in Omro, WI
The Kafi 1 (Icelandic for submerged) hors d'oeuvre board has an elongated proportion that adds a dynamic appearance to any setting large or small. Recessed bowls provide a perfect sh...
Category

21st Century and Contemporary Modern American Decorative Dishes and Vide-Poche

Materials

Wood, Hardwood, Maple

Modernist Abstract Colorful Art Glass Sunburst Bowl
Located in Moreno Valley, CA
Vintage colorful abstract flower art glass plate. Hand-crafted multi-color fused stained glass festive sunburst bowl. Splash starburst hand blown art glass bowl, in the pictures you can see the deep shape and glazing of the sunburst bowl. The interior is very smooth glass and the exterior of the place is like volcanic glass very tactile. The colors are blue, yellow, orange and some black. The back is multicolored as well. Colorful art...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Art Glass, Blown Glass, Stained Glass

Bovano bright iridescent fused glass on copper charger or serving try
By Bovano
Located in Ferndale, MI
Large size Bovine serving tray or charger . Fused glass on copper . The history of Bovano of Cheshire began in 1952, when artist Jim Bower began experimenting with powdered glass fu...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Copper, Enamel

Catherine McClung for Lenox. "Winter greetings everyday". Large serving dish.
Located in København, Copenhagen
Catherine McClung for Lenox. "Winter greetings everyday". Large serving dish in glazed stoneware decorated with mistletoe and birds. Approx. 2000. M...
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Stoneware

John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category

1990s Expressionist American Decorative Dishes and Vide-Poche

Materials

Ceramic

Ward Bennett glass vide- poche in smoke / gray tone
By Ward Bennett, Brickel Associates
Located in Los Angeles, CA
Beautiful glass vide poche , does not seems to be signed but has lots of ware in bottom .
Category

Mid-20th Century Modern American Decorative Dishes and Vide-Poche

Materials

Art Glass

Vintage Plaster and Resin Giant Tridacna Clam Shell Centerpiece/Vide Poche
Located in Brooklyn, NY
Faux giant Tridacna clam shell in cast/modeled plaster and resin (ca. 1940s/50s, USA). Striking piece ideal as a functional serving/centerpie...
Category

1950s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Resin, Plaster

Metal Critter Catchall Sculpture by Local Pa Artist
Located in Philadelphia, PA
Metal Critter Catchall Sculpture by Central Pa Artist. brass with patina. can hold coins or keys.
Category

Early 2000s Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Brass

Pair of Sascha Brastoff Enameled Bowls
By Sascha Brastoff
Located in Chicago, IL
Enameled Metal, copper and brass tones.
Category

1970s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Metal

Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware. Signature to underside: [CB]. American, circa 1965.
Category

1960s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Ceramic

Vintage Boho Original Studio Pottery Tray
Located in West Palm Beach, FL
Introduce a soft, sculptural touch to your interior with this distinctive vintage studio pottery tray. Hand-built using the slab technique, this ceramic piece exemplifies the playful...
Category

Late 20th Century Post-Modern American Decorative Dishes and Vide-Poche

Materials

Pottery

Plump Trinket Dish in Cherry Red, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket dish by Ian Alistair Cochran Resin Measures: L 12" x W 6" x H 1.5" in The Plump Trinket Dish is a continuation of the Plump series of colorful, sculptural furniture ...
Category

21st Century and Contemporary Modern American Decorative Dishes and Vide-Poche

Materials

Resin

John Glick Plum Street Pottery Signed Monumental Ceramic Charger
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category

1990s Expressionist American Decorative Dishes and Vide-Poche

Materials

Ceramic

Midcentury Nancy Wickham Boyd Stoneware Plate with Branch Design
By Nancy Wickham Boyd
Located in Southampton, NJ
A late 1940s stoneware plate by Nancy Wickham Boyd featuring a dynamic design motif of bare twigs. The curved organic shape of the plate is a nice compliment to the more severe carvi...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Clay, Pottery, Paint

Antique American Gilt Inset Glass Decorative Dresser Box or Vide Poche
By Apollo Woodwoking and Metal Corp
Located in Hamilton, Ontario
This antique decorative box was made by the Apollo Manufacturing Company of the United States in approximately 1920 in an Anglo-Indian style. ...
Category

Early 20th Century Anglo-Indian American Decorative Dishes and Vide-Poche

Materials

Spelter

Well Crafted Hammered Copper Boomerang Dish Signed LE
Located in Ferndale, MI
Very nicely made and crafted boomerang or flying V-form hammered copper bowl.
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Copper

Set of Five Bronze Weights
Located in Los Angeles, CA
Set of five round metal weights originally used for weighing goods and things like precious materials. They would make for petite ashtrays or catchalls for rings. They can also be st...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Bronze

Pop Art Black White Large Collector Plate of Jim Morrison
Located in Pasadena, CA
This acrylic-painted ceramic plate features a reproduction of one of photographer Joel Brodsky's iconic portraits of Jim Morrison. The artist depicts Morrison's striking features tru...
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Ceramic

Geometric Brass Ashtray
Located in Los Angeles, CA
Brass hexagonal ashtray featuring a deep round well with three divots on alternating sides. Dimensions 7.25" width x 7.25" depth x 1.25" height. Condition Good vintage condition; b...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Brass

Large Brass Hand-Embossed Offering Tray
Located in West Hollywood, CA
Hand-embossed brass offering trays Traditionally used for serving or as offering trays in religious ceremonies Sourced by Martyn Lawrence Bullard
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Brass

John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category

1990s Expressionist American Decorative Dishes and Vide-Poche

Materials

Ceramic

1970s Modernist Art Optical Dish Green Plate Usa
Located in Chula Vista, CA
1970s Fabulous modernist optical art green plate USA. Made USA. Measures: 14.25 diameter x 1.75 tall Original Vintage Condition. See images provided.  
Category

Late 20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Pottery

Steve Chase Studio Ceramic Pink Speckled Dishes
By Steve Chase
Located in Palm Springs, CA
Studio ceramic decorative dishes by Tony Evans for Steve Chase. Can be used to set your jewelry or soap. Out of a Steve Chase Design estate. Both are signed Evans. Measurements: ...
Category

1980s Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Ceramic

Decorative Glass Dish with Gold Accents
Located in Brooklyn, US
This gold-accented glass dish is perfect for serving, displaying, or simply as a decorative accent. The luxurious gold splatter adds a touch of elegance and sophistication, making it...
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Gold

Wide Lucite Bowl by Ritts Co.
Located in Los Angeles, CA
Lucite bowl by Ritts Co., c.1970s, USA. The bowl features curled sides with soft rounded curves. This piece can serve as a vide poche, catchall, or fruit bowl. Dimensions 12" width ...
Category

1970s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Lucite

Ed Moulthrop (1916-2003) Black Walnut Footed turned Plate, 1960s Studio Craft
By Edward Moulthrop
Located in Virginia Beach, VA
A black walnut footed turned plate by master wood turner Ed Moulthrop. A beautiful example can be used as a catch all, or as a tray for displaying objects, as well as on a plate stan...
Category

1960s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Walnut

Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl, Signed
Located in Manhasset, NY
Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl Unique live edge tableware entirely made of cherry burl by Tom Frey. This work is signed and dated on it's undersid...
Category

1990s Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Cherry, Burl

Stephen Schlanser Postmodern Glass Ashtray
Located in Los Angeles, CA
Thick textured glass ashtray by Stephen Schlanser, c.1996, USA. This piece features a deep well with textured glass and one metal divot at one side to place a cigarette or other smok...
Category

1990s Post-Modern American Decorative Dishes and Vide-Poche

Materials

Metal

Waypoint Centerpiece, Aged Bronze, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category

21st Century and Contemporary Futurist American Decorative Dishes and Vide-Poche

Materials

Metal, Brass, Bronze, Sheet Metal

Mid-Century Modern Sculptural Ceramic Ashtray or Catchall in Brown, Signed
Located in Oklahoma City, OK
A sculptural Mid-Century Modern ceramic ashtray. This piece is in cream, and in an unusual oblong shape. The bottom is glazed in black, with a small illegible signature. The top is h...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Ceramic, Paint

Los Castillo Mixed Metal Bowl
Located in Los Angeles, CA
Mexican made dish, c.1960s, comprised of copper, brass and silver. It's freeform shape showcases a fishing scene with three fish inlaid with turquoise and blue rock. It rests on two ...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Silver, Brass, Copper

Waypoint Centerpiece, Blackened Steel, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category

21st Century and Contemporary Futurist American Decorative Dishes and Vide-Poche

Materials

Metal, Brass, Steel, Sheet Metal

Cast Iron Heart Ashtray
Located in Los Angeles, CA
Square cast iron ashtray with off center heart well and large oval divot. The thick ashtray would be a great catchall or paper weight.    Dimensions ...
Category

Mid-20th Century Organic Modern American Decorative Dishes and Vide-Poche

Materials

Iron

Brass Tied Satchel
Located in Los Angeles, CA
Brass paper bag satchel in the style of Sarreid Ltd. The brass patinated bag has a gathered side with a round opening at the top and Chinese lettering inscribed on one side. The vess...
Category

Mid-20th Century Organic Modern American Decorative Dishes and Vide-Poche

Materials

Brass

Large Brass Hand-Embossed Offering Tray
Located in West Hollywood, CA
Hand-embossed brass offering trays Traditionally used for serving or as offering trays in religious ceremonies Sourced by Martyn Lawrence Bullard
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Brass

Steuben Glass and Nickel Plated Bowl Designed by Richard Meier
By Richard Meier
Located in Stamford, CT
A glass bowl on stand produced by Steuben, circa 2000. Designed in 1994 by Richard Meier.
Category

Early 2000s Modern American Decorative Dishes and Vide-Poche

Materials

Glass

Round Onyx Ashtray
Located in Los Angeles, CA
Polished onyx ashtray features an all over cream color with brown and red veining throughout and a thick edge. The round vessel has a deep curved well perfect for trinkets, ash or ev...
Category

Mid-20th Century Organic Modern American Decorative Dishes and Vide-Poche

Materials

Onyx

Catherine McClung for Lenox, "Winter Greetings", Large Round Dish
Located in København, Copenhagen
Catherine McClung for Lenox. "Winter greetings". Large round dish in glazed stoneware decorated with mistletoe, birds and red ribbon. Approx. 2000. ...
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Stoneware

Bronze Indian Chief Dish, Olaf Carl Wieghorst, American, circa 1820
Located in New York, NY
Bronze Indian chief dish, Olaf Carl Wieghorst, American, circa 1820. Inscribed O. Wieghorst.
Category

Early 19th Century Antique American Decorative Dishes and Vide-Poche

Materials

Bronze

Clyde Burt Ceramic Charger
By Clyde Burt
Located in Chicago, IL
Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, circa 1965.
Category

1960s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Ceramic

Hand Thrown Ceramic Speckle Glazed Bowl
Located in Los Angeles, CA
Studio pottery hand thrown bowl. This bowl features a neutral toned speckle glaze in beige and brown. The bowl has a ribbed body and is signed by the ar...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Ceramic

Heath Ceramics Speckle Glazed Ashtray
By Heath Ceramics
Located in Los Angeles, CA
Ceramic ashtray by Heath Ceramics, c.1960s, USA. The ashtray features a stoneware exterior and tan speckle glazed interior with a purple glazed burst at the center of the well, with ...
Category

Mid-20th Century Mid-Century Modern American Decorative Dishes and Vide-Poche

Materials

Stoneware

Plump Trinket Dish in Green, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket dish by Ian Alistair Cochran Resin Measures: L 12" x W 6" x H 1.5" in The Plump Trinket dish is a continuation of the Plump series of colorful, sculptural furniture ...
Category

21st Century and Contemporary Modern American Decorative Dishes and Vide-Poche

Materials

Resin

Plump Trinket Dish in Blue, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket dish by Ian Alistair Cochran. Represented by Tuleste Factory Resin Measures: L 12" x W 6" x H 1.5" in The Plump Trinket dish is a continuation of the Plump series of...
Category

21st Century and Contemporary American Decorative Dishes and Vide-Poche

Materials

Resin

Plump Trinket Dish in Orange, Translucent Polyurethane Resin, by Ian Cochran
By Ian Cochran
Located in New York, NY
Plump Trinket Dish by Ian Alistair Cochran Resin L 12" x W 6" x H 1.5" in The Plump Trinket Dish is a continuation of the Plump series of colorful, sculptural furniture by designe...
Category

21st Century and Contemporary Modern American Decorative Dishes and Vide-Poche

Materials

Resin

Set 3 Ted Teeter 1970’s Studio Stoneware Pottery
Located in West Palm Beach, US
Set of three stoneware clay pottery pieces in graduating sizes by artist Ted Teeter. All Signed on the underside Ted Teeter with one bing dated 1975 and an...
Category

1970s Mid-Century Modern Vintage American Decorative Dishes and Vide-Poche

Materials

Clay, Pottery, Stoneware

Impressed Glass Bowl
Located in Los Angeles, CA
Round glass bowl features a sleek body that tapers towards two sides. The underside of the bowl is impressed with a leaf like design. Signed - on the bottom. Dimensions 11.5" width...
Category

Mid-20th Century Organic Modern American Decorative Dishes and Vide-Poche

Materials

Art Glass

Late 20th Century Vintage Boho Slab Built Studio Pottery Plate
Located in West Palm Beach, FL
A stunning vintage Boho studio pottery plate. A chic slab built piece in pale neutral colors. Acquired from a Palm Beach estate
Category

Late 20th Century Bohemian American Decorative Dishes and Vide-Poche

Materials

Pottery

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