Stoneware Bowls and Baskets

Handmade Danish midcentury modern decorative vide poche dish. Decorated by hand in blue graphic shapes over white and warm gray persia crackle glaze. The exterior of the bowl has cra...

A acorn-shaped brown bowl designed by Gunnar Nylund at Rörstrand, it´s 13,5 x 8,5 cm in diameter. It´s in very good condition except from some minor marks. ...

A serving dish in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 25,5 x 19 cm. It´s in very good condition. It´s marked with the Stig Lindberg characteristic Studio-hand.

Handmade leaf shaped vide poche. Thick lilac glaze over lined relief pattern. Small square shaped handle on asymmetrical bowl form with pointy end. Numbered under base. Great vintage...

A wonderfully, hand-painted, one-of-a-kind studio pottery bowl by Korean-American master potter/artist Sunkoo (Sun Koo) Yuh. Yuh's work is often inspired by Buddhist and Confucian be...

A beautiful platter designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 30.5 cm (12.2") in diameter. It has a black/brown color an...

Beautiful simplistic midcentury modernist piece from the 1970s by Danish artist Finn Lynggaard (1930-2011). Soft square shaped bowl / plate / centerpiece with rounded corners. Light ...

Exceptional and beautiful large platter designed by Birger Kaipiainen for Rörstrand in limited edition, number 294/500. Decor with apples, plums and bunches of grapes. Birger Kaipiainen has been called "the master of ceramics" and "the undisputed ruler of decorative art". Highlights of iridescent glaze. The platter is in mint condition. No sign of use. Birger Kaipiainen began his career at the Arabia Art Department in 1937 and quickly found his own way to make art. The soon-to-begin Winter War and several losses in his personal life cast a dark shadow over the beginning of his artistic career, and this manifested as sadness and longing in his early works. They are dominated by ethereal, fairy-tale-like characters depicted in pastel tones, with references to early Italian Renaissance and longing for a more beautiful world. Kaipiainen graduated from the School of Arts & Crafts (later known as the Aalto School of Arts of Helsinki). After graduation he went to work for Finnish ceramics...

Created by Winslow Anderson in 1941 while a student at Alfred University, it is one of a kind and unique. Measures: 1.5" tall, 9" wide and 7" deep. Signed with Winslow Anderson's ...

A beautiful stoneware art deco bowl with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

St. Clement, France. Colossal organically shaped bowl in hand-painted glazed stoneware. Beautiful glaze in yellow shades. Mid-20th century. Measures: 51 x 19 cm. Height: 9.5 cm. ...

Handmade California studio stoneware bowl with abstract modern carved design created by Dora De Larios of Los Angeles, California. Bowl measures 3.5" by 7.5" and is signed Dora de La...

Modernist design, stepped undulating edge. Bright blue glaze. Shown in natural light and under studio cool lights.

Carl Halier (1873-1948) for Royal Copenhagen, bowl in stoneware with sung glaze. Model number 21822. Marked. First factory quality. Dimensions: D 15.5 x H 3.5 cm.

Large round ceramic vide-poche or low bowl in earth tones beige-grey brown. Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linn...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

Large ceramic vide-poche or low bowl in earth tones beige-grey brown. Square with rounded edges. Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and h...

Large handmande and unique stoneware vase with incised pattern to exterior with matte beige glaze. Made in the 1960s in chamotte clay by Eva Stæhr-Nielsen for "Saxbo", Copenhagen. Stamped by maker. Eva Stæhr-Nielsen was one of the most influential Danish modern ceramic artists...

A blue and black glazed bowl designed by Vilhelm Bjerke-Petersen, for Rörstrand, Sweden, c. 1960s. .

A stunning Shigaraki ware pottery chawan tea bowl by famed Japanese master potter the 3rd Rakusai Takahashi. The bowl features a beautiful, unique natural organic ash glaze with wonderful shifts in colour and texture. Rakusai Takahashi III (1898-1976) is universally considered one of the most important Japanese potters of the 20th century. In 1964 he was named a human cultural treasure and bestowed a Shiga Prefectural Intangible Cultural Property. His work can be found in numerous collections and international museums including the Smithsonian's National Museum of Asian Art, and the Brooklyn Museum to name a couple. Shigaraki Ware pottery comes from Shiga Prefecture, Japan. The kiln there is one of six ancient kilns in Japan (along with Echizen ware, Seto ware, Bizen ware, Tamba ware...

The Perfect Wedding Gift! A fully hand built ceramic platter, in dark clay with black glaze and metallic black hand-painted decoration. This is a unique creation, made by artist Hel...

A spectacular example of the possible results from a wood firnig. This small hand built ceramic bowl is truly unique, from the rustic hand formed shape and rim to the surface treatme...

Wheel Thrown Flower Stamped Buncheong bowl by Jason Fox 2 1/8" x 5 1/2" Largely influenced by Korean Pottery, Jason pays respect to the rich history of Buncheong Ware with thi...

A beautiful and unique stoneware bowl with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1978. Excellent condition. Incised ’Palm / Mölle / G8’ and ma...

Contemporary American ceramic artist Richard Hirsch's Raku tea bowls embody all the typical characteristics -- a rolling rim, an organic asymmetrical fo...

A Swedish Scandinavian Modern wine-red and grey stoneware bowl by Swedish Modernist designer Carl-Harry Stålhane for Rörstrand. This model is named "California" or "Californien" in S...

Height 2 cm Width 4 cm Depth 4 cm Height 2 cm Width 2.5 cm Depth 2.5 cm Height 2 cm Width 2.5 cm Depth 2.5 cm This set of 3 miniature bowls was designed by John Andersson for ...

A charming late 20th century American studio pottery bowl with an etched duck motif and glazed in earthy browns, blues, and whites, perfect for catching your pocket change...

This unique studio pottery bowl, signed and dated "W. Wicks '03," is a compelling example of contemporary artisan ceramics that embraces a rustic, Wabi-Sabi aesthetic. The hand-throw...

A pair of rare and beautiful stoneware bowls with amazing glaze. Made by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'. Car...

An unusual low vase or decorative bowl designed by Carl Harry Stålhane for Rörstrand. A wonderful predominately green glaze with areas of other colors showing through. A wonderful pi...

A beautiful stoneware art deco footed bowl. Amazing glaze with details in hand-painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great cond...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1962. Great condition. Incised signa...

This signed earthenware vase, masterfully hand-thrown, showcases a distinctive design characterized by its unique shape and flat side. Its surface is adorned with a glossy glaze that...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1965. Great condition. A dark spot in...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. Incised signa...

Large glazed pottery centerpiece with geometric dot and stripe, hand-painted decorations, signed.

Karen Boel stoneware bowl

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

Bjørn Wiinblad (1918-2006), Det Blå Hus (The Blue House), own studio. Large ceramic bowl. Hand-painted in blue. Motif of a bridal couple. Early and rare bowl. Signed and dated 1955. ...

A beautifully handcrafted cream toned pottery stoneware bowl with ocean blue fish and bubble designs by artist Carl Harry Stalhane . The blue glaze on the body of the bowl gives the ...

French ceramist. Two round serving dishes in glazed stoneware. Beautiful glaze in azure shades. Unique, high-quality ceramics. Mid-20th century. Measure: diameter: 31 cm. In ex...

A striking mid-century modern stoneware bowl or bonsai planter with a distinct Brutalist aesthetic. Raised on four sturdy legs, this sculptural piece features a rough-textured exteri...

Rare 1960s hand thrown stoneware bowl by Swedish artist Marianne Westman. On the inside there is spiral shape in a beautiful green glazing. Made at the Rörstrand Ateljé in Sweden whe...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Gustavsberg Argenta was a series of stoneware objects designed by Wilhelm Kåge for the Gustavsberg pottery company in Sweden. Wilhelm Kåge (1889-1960) is one of the most well-known ...

Lovely “Farsta” vase by Wilhelm Kåge in a small design with thick sides. Beautiful scalloped pattern and rich green glaze running over the body, gathering ...

Glazed stoneware ashtray/catch all by Carl-Harry Stålhane. Sweden circa 1950's. Signed.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Gerd Hjort Petersen for Royal Copenhagen. Small...

This large bowl is unique, handmade, numbered and signed by Carl-Harry Stålhane himself at Rörstrand during the 1950s. Stålhane later succeeded Gunnar Nylund as artistic leader of Rö...

A brutalist stylized stoneware bowl decorated with black glaze and shark teeth/fin decor around its perimeter. It's a unique piece by an unidentified Scandinavian ceramist. Its dated...

A charming bowl designed by Carl Harry Stålhane for Rörstrand. Bowl features an emerald green body with a yellowish/gold rim. A very ...

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

An impressive and large stoneware bowl designed by Gunnar Nylund for Rörstrand. Gorgeous coloring and great scale, the bowl has wonderful movement. Could be used as a fruit bowl, or ...

Eli Keller (b. 1942), Sweden. Unique bowl in glazed stoneware. Japanese style. 21st Century. Measures: 18.5 x 8.5 cm. In excellent condition. Signed.

Rare pair of Swedish mid century ceramic / stoneware "Rubus" bowls by Gunnar Nylund for Rörstrand Sweden, 1950s. In good original condition and signed by the artist. Dimensions: H:...

Wilhelm Kåge stoneware dish for Gustavsberg, Sweden, 1950s. The KAPA series was produced in Kåges workshop at Gustavsberg, together with Björn Alskog, Axel Pettersson & Birger Arvid...

Beautiful stoneware platter in a leaf shape by Gunnar Nylund. Purplish brown glaze with contrasting bright blue areas. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...