Hand-Carved Decorative Boxes

Free Worldwide Shipping Profusely Carved Wooden Casket From our Boxes collection, we are pleased to offer this HMS Trefoil Ship Launching Presentation Casket. The Oak Casket...

This Antique Charles II Oak Bible Box, dating from c. 1660-1685, is a remarkable piece of early English furniture, showcasing the detailed craftsmanship and design aesthetics of the ...

Octagonal snuff box in sterling silver 925/1000 gold plated with borders in the English Queen Anne style and sides with translucent fired enamels on ...

Openwork wooden box, worked with a decoration of flowers and animals; the lid is enhanced with a bone net; iron fasteners Work in the style of the workshops of Abramtsevo and Elen...

Richly carved hardwood Indian box for storage of fans in a fine quality Late 19th century length 38 cm, width 6.5 and 12.5 cm, height 7 cm Aged patina

Nice condition for its age. Does not have key. Has original sewing box utensils inside - spools, etc.

Franco Salimbeni Gold-Plated Sterling Silver and Enamel Cigarette Case with Hunting Dog Miniature by Romano Buccioni, Florence, 1976 Exquisite rectangular cigarette case with softl...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

18th century oak carved bible box. Intricate design, original hardware and still in good condition considering its age.

Vintage small decorative trinket box with pull-out drawer compartment features handcrafted sculptural form, carved of solid Zebra wood. The fine wood texture is emphasized by the gra...

A stunning and rare antique Italian Renaissance revival hand carved wooden match holder and striker mounted with a sleeping putti by world renowned furniture maker and carved Luigi F...

19th century Anglo-Indian wooden box fitted with various compartments finely hand carved. The top is finely hand carved with the Taj Mahal. The interior with removable hand carved nine-lidded compartments, the front cover has a mirror, the whole exhibiting very fine workmanship. This fine late Victorian Anglo-Indian box from India is in great condition for it age. A beautiful example of an Anglo-Indian fine art...

A very fine antique carved rose wood needle case with hinged cover with spring clasp and with central inset brass cartouche, the edges of the box with finely carved detail and with i...

Circa 1900 Chinese box decorated with green, blue, red and yellow floral design set against a white background. The top with a carved white jade floral medallion. The apple green ena...

19th century oak box from England with lovely carving throughout. The box is reminiscent of a miniature blanket chest with the initials MW carved into the lid. The top opens to revea...

1950s Fine And Densely Carved Anglo-Indian Style Box Drawer at outside base of box South-Indian or Anglo-Indian style Lacking keys Decoration adorned on all sides depicting birds amo...

Art Nouveau Jewel: Guilloché Enamel & Hand-Painted Pill Box by Giorgio Salimbeni, 1977 This exceptional oval pill box is a masterful synthesis of two revered decorative arts: the pr...

Rare Switzerland mahogany & ebonized hinged music box with the original crank, three interior paper labels, and cylinders. Music box is stamped by maker and is In working condition, ...

A fine specialist painted cellarette, the moulded lid with a carved vine leaf and grape cluster and the bored with trailing vine leaf and grape decoration. The tapering sides with si...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Egg on tripod in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè, Russian Empire style inspired by Carl Fabergè eggs late 1800s, early 1900s. Measurem...

Mid 19th century Swedish folk art painted box circa 1865. Good quality Swedish pine metal bound box.  Decorated with original ragwork paint and blue painted strap work.  Hand painte...

Fantastic and rare example of Black Forest folk art, a tour de force of carving by a master woodworker. This lift top box in the form of a thatched cottage has many wonderful details...

An Antique Victorian Chess and Games Box, 19th Century Description: The timber box with faux burr walnut painted finish and rounded lid with inset gilt panel bearing the monogram ‘M...

19th century Anglo-Indian sandal wood box, Sadeli mosaic box fitted with various compartments finely hand-carved with the Taj Mahal. Of sarcophagus form ...

Set of three carved wood hand painted donation / offering ALM Boxes, Spain, 18th century. Polychromed wooden Church Collection offering donation money boxes as wall decorations. Beautiful wall decoration comprised of three wall hanging collection / doation money boxes. Originally used to collect donations at Christian churches/chapels. Each one has a different design. All three create a colorful set displayed together. Rare find. Provenance: Private collection. On sale as a set. Measures: Religious woman: 45 cm H x 26 cm W x 21 cm D Saints Box: 33 cm H x 37 cm W x 14 cm D Blue Box:46 cm H x 31,5 cm W x 14 cm D Poor box...

This is a rectangular, gold-plated sterling silver pill box, exquisitely decorated with translucent enamels over a guilloché (engine-turned) pattern and featuring a hand-painted flor...

This exquisite hand-carved wooden jewelry box features a beautifully stylized depiction of a kingfisher bird. The octagonal box showcases intricate craftsmanship, with the bird motif...

Snuff Box rectangular in 925/1000 sterling silver with fine hand engraving, black fired enameled “niello” type, in early 19th century “Rococo” style. Snuff Box measurements cm. 4.5 x...

Quality made antique alabaster trinket xox with brass rose lid, romantic decor. Beautiful antique lidded box made from alabaster, featuring a finely crafted brass rose as the handle...

A 19th century Mughal dowry chest with carved patterns from India. This chest wooden chest with a slanted top strengthened by metal hardware reinforcements. The front displays lightly carved geometrical friezes. A large carved geometrical medallion adorns the triangular lid. The chest rests on four conical legs. This chest opens thanks to an door on the centre of its top. This unusual item was used as a dowry chest in India. This 19th century, Indian Mughal wood dowry chest...

Romance is in the air—make that Alpine air—with these two hand carved wood plaques. They depict a pair of romantic, bucolic scenes, and likely originated from Switzerland or the Tyro...

Vintage handcrafted decorative box with lid features live edge design in spalted Oregon maple burl wood. The rich texture of the burl wood is emphasized by the fine graphic dark str...

Elegant, bow front, lift top, hand carved marble box with two, round compartments. The sinuous base is mirrored in the stepped, overhanging top which is surmounted by a relief carved...

Antique English Regency cellarette / cassone casket / coffer / coffret , trunk or marriage chest. Made of carved mahogany featuring blind fretwork ...

Vintage hand carved and painted soapstone lidded box - taking the form of a seated tiger - unsigned - country of origin unknown - late 20th century. Excellent vintage condition - cl...

Gold-Plated Sterling Silver and Enamel Pill Box with Floral Miniature by Romano Buccioni for Salimbeni, Florence, 1980 Charming shaped pill box in 925/1000 sterling silver, gold pla...

Vintage handmade beautifully carved wooden box, jewelry box or keepsake box. The Inside has 2 compartments which measure 3.38 x 3.38 inches. No makers mark.   A-916-335

Manufactured by Chapman and Retailed by Leuchars From our Boxes collection, we are delighted to bring to market this extremely rare Coromandel Letter Box Clock by Chapman retailed b...

19th Century Italian carved walnut document lion box.

19th century Italian Confraternity Voting Urn of Tuscan origin realized with turned and carved poplar wood. The barrel-shaped central body, in which hands were inserted to insert the ballot ball into one of the two holes connected to the small drawer below, where on the front we find the inscription YES and NO related to voting, SI and NO, in order to distinguish for and against votes on paper, then collected in two separate small drawers, just below. Standing on four curly feet, it has a beautiful curved handle and carved parts at both ends, highlighted by ebonized details. In a fraternity, this ballot box was used to collegially adjudicate community choices. In good age related condition, with sogns of wear and use. This antique Italian ballot wooden box, carved and painted, coming from Tuscany, in Central Italy. This ballot urn is an excellent example of a 19th century wooden voting box...

A soulful 19th-century lidded box handcrafted in Sweden from solid oak, showcasing the quiet beauty of the wabi-sabi aesthetic. This simple, round form reveals a deep, weathered pati...

Late 19th century Qing lacquer and hand-carved varnished wood decorative box, China By: unknown Material: wood, lacquer Technique: carved, hand-carved, hand-crafted, lacquered, varn...

The shape of the inactive Tronador volcano reminded us of the pyramid shaped idea of our boxes that make up this collection. With a rectangular or square base, the box is a reflectio...

Unusual Scandinavian birch sewing table on stand circa 1950. Shaped top with tambour top which opens when the drawer is opened.  Top section is fitted with 20 compartments of variou...

Egg on tripod in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè, Russian Empire style inspired by Carl Fabergè eggs late 1800s, early 1900s. Measurem...

Antique Middle Eastern Inlaid Mosaic Jewelry or Cigarette Box with Mother-of-Pearl, Early 20th Century, Handcrafted Syrian or Egyptian Mosaic Inlaid Box with Bone Mother-of-Pea...

A beautiful and top condition antique black forest jewelry box, carved on all sides. This rare and large jewelry box makes a beautiful accessory for a lady with an eye for fine arts. It is a very well fine carved gem and highly practical with a good working lock and key. The detailed leafs, branches and flowers on top and the marvelous blue...

Hand made early 20th century Moroccan antique Berber case flask, carved wood covered with brass and silvered metal filigree, delicately hand-hammered metal with animals decor for pow...

This stunning rustic Buddha box stand table is a late 19th century offering box. Significant Triangular shape box stand table set on legs carved as Naga's a...

Theca table top in early 1800s Ebonized Poplar Wood small display case with modern glass accessible from the panel on the back hinged and locked by an eyelet. The sides of this smal...

X-Small egg in 925/1000 gilded silver with translucent enamel on fire on guilloché and hand-painted miniature of garlands in Russian Art Nouveau style, inspired by the eggs of Carl F...

Rectangular table cigarette case with rounded corners in sterling silver 925/1000 gold plated with beautiful miniature fire enamelled and hand painted by the painter Beatrice Mellana reproducing a "still life" by the Flemish painter Willem Claes Heda. Dimensions cm. 5.7 x 9 x 1.7. Weight gr. 174. Designed by Franco Salimbeni in 1969 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

A French Tramp Art wooden box dating to circa 1890, intricately hand-carved with the layered, notched construction characteristic of the style. The rectangular form is richly ornamen...

A highly decorative wine cooler in the Graeco-Roman taste Of cylindrical form, constructed in well figured oak, supported by tripartite feet, of complex winged foot form, with brass castors under: the body with a lobed lower rim, with a running anthemion design over, and surmounted by a pattern of running studded bosses in the upper reserve. The hinged cover with a carved Greek key motif, further anthemions above and capped with a lotus bud finial. The interior is now baize lined. The four lever lock...

France / 1900 / sewing box / oak / antique / rococo A large French antique sewing box in oak hand crafted in France around 1900. This beautiful ...

Large rectangular tabletop jewelery box with inward corners in gilded 925/1000 silver with translucent fired enamel on guillochè also on the sides and finished with fine hand engraving. In the center, a beautiful rectangular miniature cm. 4 x 5.5 hand painted in tempera on vegetable ivory plate by Roberto Masi depicting the portrait of Madame Boucard by Tamara De Lempicka (1931). Size cm. 14 x 19 x 3.2. Weight gr. 1,248. Designed by Giorgio Salimbeni in 1998 and manufactured in Florence in various specimens with different subjects and colours, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous glazing firings at high heat about 800°C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Pocket pill box shaped like a small egg. Pocket pill box like egg hinged opening. Pocket pill box like egg in 925/1000 sterling silver gold plated 24ca...

Carved from one of four types of authentic marble, the Pietra Box presents a playful fusion of classic materials and modern design. With a complementary stone handle, this decorative...

Large round hand-turned, and hand-painted lidded antique tribal wooden spice box, likely from Pakistan, made around 1900.