Bronze Mantel Clocks

A beautiful 19th Century French Mantel Clock. Features a seated woman in the thinker position. She is wearing a large flowing dress, sitting on a Klismos chair with footed raised ove...

Louis XVI Style Patinated and Gilt Bronze and White Marble Three Piece Clock Set, late 19th century, comprising a globe clock, with strike on bell timepiece movement, supported by th...

Empire mantel clock made of fire-gilded bronze. The scene shows a putto in a richly decorated chariot pulled by a jumping poodle. The clockwork is elegantly integrated into the wheel...

Louis XVI Style Sevres Gilt Bronze Mounted Pink Ground Three Piece Clock Set, late 19th century, the clock centered by a white enamel dial painted with flowers, two handles with masq...

An exceptional and perhaps unique English fusee mantle clock timepiece by one of the nineteenth centuries greatest clock makers. Although not signed by Thomas Cole, this mantle or table clock can be safely attributed to Thomas Cole. The multi layed case, which is typical of Cole, the horizontal lines in the background of the engraving, and the quality of the engraving, means this clock could only be by Cole. The eight day single chain fusee movement. The engraving for the retailer has been fitted into the available space, and would have been done after the clock has been completed by Thomas Cole (J.B. Hawkins). The inset silvered dial is of typical Cole design with finely engraved rococo and floral decoration, black Roman numerals and fleur de lyes hands. This style of dial is noted on many examples of Thomas Cole clocks...

Napoleon III Ormolu and Porcelain Mounted Clock, circa 1860, the white enamel dial with Turkish numerals, the movement strike on bell, surmounted by an urn of flowers, flanked by cor...

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

An exceptional antique French Louis XV style clock set, circa 1870. Beautifully made in ormolu (finely gilded Bronze Dore), patinated bronze and Rouge Griotte Marble. The clock is mo...

French Louis XVI-style (19th Century) white marble mantle clock with gilt bronze trim and a pediment with a wreath & arrows. (Clock face signed: HGER DU ROI, PARIS) (Not working)

Marked on the dial Furet Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm ...

A Fine French gilt bronze and marble clock from the second-half of the 19th Century. A central round enameled clock face with Arabic numerals is flanked by a seated Eros and standing...

This vintage Tiffany & Co. French bronze clock dates from the late 19th century (1896). It is elaborately designed in the style of Louis XV & exhibits a m...

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

Garnish, clock and two candlesticks. Gilt bronze. Henri Picard and Victor Paillard. Paris, France, 1831-1864. With markings (base, back). A gilded bronze clock with two four-light...

A beautifully detailed 19th century bronze dore clock with the figure of cupid on the top.

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

A mantel clock made of bronze and marble "Roaring of the Lioness", France, circa 1880. Signed Par Omerth. Very good condition. bronze + marble Dimensions: height 48 cm, w...

Elegant three-piece bronze doré garniture set Finely chased bronze with original gilding Fine detail work.

Monumental Art Deco clock - Orpheus and the animals Austria Bronze, marble Art Deco around 1925 Dimensions: H x W x D: 56 x 60 x 19 cm Description: The protruding base, which stan...

Napoleon III Mantel clock in Black marble clock surmounted by a patinated bronze representing a Greek writer or philosopher holding the a manuscript on his knees One of a kind an...

c1800 French Antique Rococo Louis XVI Mercury Gilt Bronze Figural Clock Case/ Frame. This period clock case is quite stunning, in excellent condition retaining the original gold pati...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

Antique three piece set garniture clock made of bronze with green marble bases and gilt feet. Mantel clock features the sculpture Hirondelle Blessee by Alfred Jean Foretay above a gilt framed, white porcelain clock...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

A magnificent late 19th-century garniture clock set in the Sèvres style, crafted from gilded bronze and porcelain. Originating from France, this exquisite set includes a finely detai...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

Antique Empire Gold Gilt Patinated Bronze Ormolu Mantel Clock French, c. 1810 Height 48cm, width 31cm, depth 20cm A superb example of early 19th-century French decorative arts, thi...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Late 19th Century L. Marti et Cie French Napoleon III style Mantel Clock & Garniture Set. The beautifully designed lcock is made from slate with filigree engraving, reuge marble pan...

A fabulous quality early 19th century French marble and bronze mantle clock, the bronze with Napoleon being helped to mount his horse by...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

A fine 19th century Louis Philippe fire gilt large mantel clock. Depicting Louis XV and his wife Marie Leszczynska

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

MANTEL CLOCK "Au bon sauvage" or "PORTEFAIX", late Empire, after a design by J.A. REICHE (Jean-Andre Reiche, 1752-1817), Paris, 19th century. Gilt ...

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

Monumental Antique French Art Nouveau Auguste Moreau garniture clock set. Made of bronze with gilt accents featuring a peasant woman and child carrying a shieth of wheat flanked by large candelabra urns...

Finest quality French sevres antique (late 19th century) garniture set including mantel clock and pair of candelabra by Raingo Freres of Paris, with clock movement by Vincenti et Ci...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

This stunning 19th-century French gilt bronze mantel clock is a true testament to craftsmanship and timeless design. Featuring intricate Gothic cathedral-inspired detailing, this clo...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A beautiful clock of ornate Rococo design, the case finely cast with scrolling acanthus and rocaille ornament, the front and sides with pierced lattice panels back with fabric, raise...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

Antique 19th Century French Empire style ormolu bronze mantle clock. The foliate surround gilt dial, Inside with eight day movement with strike on bell. The top mounted with a figure...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Antique (early 19th century) French ormolu bronze mantel clock in the Empire style depicting neoclassical maiden with child.

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

Exceptional antique french clock with superb bronze workmanship. Created by hand in the late 19th century, with utmost craftsmanship. The way the bronze figure is made is unreal, if ...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

Sèvres Porcelain with doré bronze clock. Clock is not running.

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...