Ormolu Mantel Clocks

Louis XVI gilded bronze watch. Enamelled dial with hollow hands White marble pedestal richly decorated with gilded bronze, and in the center a bas-relief with an ibex / goat symbol ...

Louis XV tortoiseshell Boulle Timepiece with ‘Silent’ pull quarter repeat by St. Martin, Paris, circa 1720 Waisted case with fine ormolu mounts and cut brass inlay to the stained tortoiseshell with ‘mother of pearl’ and coloured floral decoration. Gilded top surmounted by a cherub feeding through a straw from a scallop shell over leafy corner mounts. Shaped bead-bordered glazed door applied with an apron mount of a child chromos holding a sandglass and staff, set within a leafy trail surround. Brass lined recessed arch windows to the sides, the interior of the case with symmetrical Rococo panel...

An exquisite antique French ormolu clock mounted with Sevres style porcelain. Made in finely gilded bronze, sculptured as a large gadrooned and handled urn, draped with acanthus garl...

French ormolu and white marble pillar clock with ormolu mounts surmounted by an ornate finial with and standing on four gilded bun feet. The four pillars have fine ormolu mounts and are decorated with ornate chain swags. Enamel dial with Arabic numerals and finely cut original gilded hands. Eight day French striking movement with outside countwheel and starburst pendulum, circa 1870 An exceptionally fine French pillar clock...

A Fine 19th Century French Sevres-Style Porcelain and Gilt Bronze Clock Garniture. Comprising a central mantel clock and a pair of five-light candelabra, each richly decorated with h...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

French Greek Revolution or Hellenistic mantel clock of Greek hero on horseback. Constructed of the very finest cast bronze and fire gilded ormolu and ...

French Empire Ormolu and marble vert mantel clock of Cupid whispering. Wonderful original fire gilded mercury ormolu. The quality of the casting and chasing is superb, from the indiv...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

A very good quality French 19th Century Boulle mantle clock, having a gilded ormolu putti seated on the top, Red tortoiseshell and brass inlay to the serpentine shaped case, wonderfu...

This clock set is a remarkable antique, which is not only a brilliant piece of technical design—serving as a fully-functioning timepiece—but is also an exceptional work of sculpture....

This fine neoclassical style mantel clock is from the early 19th century. The clock is cast in gilt bronze, and features the surmounting figure of Asteria seated with the figure of a...

French Empire pendule au bon sauvage mantel clock in ormolu and bronze. The clock is in extremely good condition. Entirely original gilding. A particularly fine convex white enamel dial with Roman numerals. The figure with original white enamel eyes, sits on the case of the clock, foot resting on a barrel, and pipe in hand. To the other side of the clock rests a ships anchor. The back of the ormolu case is signed Alibert a Paris, for the maker. Tardy has Francois Alibert working in Paris, Rue J.J. Rouseau from 1812 -30 The clock driven by 30 hour chain fusee watch...

A Louis XVI style gilt bronze and marble obelisk clock with Napoleonic Military theme. Three crisply cast French Imperial Eagles adorn the clock and refer to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars. The most impressive of the three sits atop the obelisk, echoing the original usage of the symbol by Napoleon's military. The roman numeral dial is surmounted by a suit of roman armor resting upon a boat and flanked by a set of fasces, an eagle soars...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

Late 19th century french gilt bronze/ormolu cloisonné champlevé enameled mantle clock garniture set by Japy Frères By: Japy Frères Material: bronze, enamel, glass, metal, ormolu, paint, cork Technique: cast, champlevé, cloissoné, cold-painted, enameled, gilt, hand-painted, metalwork, molded Dimensions: 6 in x 19.5 in x 15 in Date: late 19th century, circa 1890 Style: Napoleon III, Rococo Revival, Neoclassicism, Louis XVI, Empire Place of origin: France The Japy family is a french industrial dynasty originally from Beaucourt in the Territoire de Belfort. They owned the second largest french company in terms of capital during the Second Empire. Its influential members left their mark on the french industrial landscape through numerous innovations, particularly in clockmaking, typewriters and pumps, as well as in labor organization and workers' social life in the 19th century. This magnificent late 19th century french mantle clock garniture, work of the eminent Japy family, radiates the opulent decorative style of the Rococo Revival. A four glass...

Louis XVI style ormolu mounted malachite column mantel clock. French, late 19th century. Measures: height 52cm, width 23cm, depth 20cm. With the cir...

A very fine 19th century French Louis XVI style Rouge marble and ormolu mantle clock by Raingo Frères, Paris. The circular white enamel dial with Roman numerals and Arabic outer minu...

An Exceptional and Handsome French Louis XVI Style Gilt Bronze Mantle Time Piece of outstanding quality. Made in France by the renowned J. B. Delettrez. Mid Nineteenth Century. Th...

A very good quality late 19th century French Louis XVI style gilded ormolu mantel clock. Having a broken arch pediment with a twin handled urn to the centre. The inset champlevé enam...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

A Fine Louis XVI Style Gilt-Bronze and White Marble Three-Piece Clock Garniture, By François Linke. Comprising a mantle clock and a pair of four-light candelabra. The Louis XVI sty...

A very good quality 19th century French gilded ormolu and Sevres style porcelain mantel clock. Having a blue porcelain urn to the top with ormolu swags, scrolling gilded ormolu folia...

A rosewood and ormolu mounted bracket clock. With an eight day twin fusee movement, signed Adams of Lombard Street on the 5 inch silvered dial and movement back plate. Striking on a ...

AN EMPIRE ORMOLU BUST OF HOMER After the Antique The bearded bust of Homer on a rectangular clock decorate with lyres and gryphon heads on the side

A very good quality 19th century French gilded ormolu and white marble mantel clock, having a central urn, flanked by Pan like figures each with hoof feet. Swags and drapes of foliag...

Comprising a central clock and a pair of flanking vases, the clock with central dial set in a panel of porcelain imitating champlevé enamel with geometric design on turquoise ground...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

A stunning and most impressive French 19th century Louis XVI st. Marble and Ormolu clock, by Chaumont & Languereau. This large scale clock is raised by six Ormolu toupie shaped feet ...

This fine mantel clock is cast entirely in ormolu by celebrated Parisian clockmaker Leroy and commemorates the return of Napoleon's ashes to France in 1840. The clock is set on a rectangular, tiered base with four decorative feet. The lower tier is centred with a sleeping lion above a plaque showing the scarf, sword and hat of Napoleon. There is a relief plaque above the lion showing a ship off St Helena (the location of Napoleon's exile) and to either side further decorations formed as martial trophies. To the top of the plaque is a portrait medallion of Napoleon with winged cherubs and the letter 'N'. The circular dial of the clock, signed 'Leroy a Paris', is set to the centre above the base within an ormolu border and flanked by the figures of France and an eagle to either side. Between them they hold an urn, which bears the inscription 'Ste Helene / 5 Mai 1821'. The figure of France holds a flag inscribed 'France 1840.' This clock was produced in 1840 by Parisian clockmaker Leroy et fils...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...

This lovely clock is in good running order. It was retailed by Bigelow Kennard in Boston, MA.

Rococo style gilt bronze mantel clock with Sèvres style porcelain plaques French, late 19th Century Measures: Height 45cm, width 32cm, depth 15cm This fine mantel clock is a cha...

A richly decorative French mantel clock, finely modelled in gilt bronze and mounted with exquisite Sèvres style porcelain with a cream ground. The central porcelain panel depicts an ...

French massive mantel clock of Psyche and Cupid signed Deniere. Superb example after the original late 18th century model by Claud Michalon. This version was made by the famous early...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

Louis XVI Style Ormolu Mounted White Marble Clock, 19th century, the tapering marble block mounted with a frieze and ram's heads issuing foliate and fruit swags, centered by the dial...

An ovoid gilt bronze urn adorned with cast swagged garlands, bows and acanthus leaves housing a white enamel clock face with Roman hours and Arabic minutes and marked ‘De La Fontaine...

A spectacular French 19th century Louis XVI st. white Carrara marble and ormolu clock, signed Samuel Marti. The clock is raised by six beautiful circular ormolu feet with fine fluted...

A spectacular French mid 19th century Louis XVI st. white Carrara marble and ormolu clock in the manner of Clodion. The clock is raised by elegant reeded topie shaped feet below the ...

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

Very large Louis XV style gilt bronze mantel clock by Beurdeley French, circa 1880 Measures: Height 102cm, width 48cm, depth 29cm This very large mantel clock...

This fantastic porcelain clock garniture contains three vases, one of which has been mounted with a ormolu clock dial with jewels surrounding it. The vases are decorated in the style of the Sèvres Porcelain manufacturers, with cartouches to the front and back. The panels on the front depict ladies and putti in a landscape, while the reverse sides depict riverbanks. The vases are set on ormolu bases with canted angles, and feature twin ormolu handles which take the form of masks. The central vase is surmounted by an ormolu putti...

A magnificent French mantel clock in patinated bronze and original ormolu. Modeled with figures of two classically dressed females sitting back to back against the clock drum and rea...

French Charles X malachite and gilt bronze figurative clock French, circa 1830 Measures: Height 62cm, width 45cm, depth 16cm This fine mantel clock is a superb example of the Ch...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

This exceptional mantel clock was created in the early 20th century in France, inspired by an 18th century model by the famous metalworker, François Vion (French, 1737-1790). The clock’s design includes sculptures of the Three Graces holding up a spherical clock with a revolving, or ‘cercle tournant...

French Charles X malachite, lapis lazuli, and gilt bronze figurative clock French, c. 1830 Measures: Height 75cm, width 53cm, depth 23cm This fine mantel clock is a superb example of the Charles X style. The clock, wrought from malachite, lapis lazuli, and gilt bronze, features the distinctive feature of most Charles X period clocks: a large sculptural surmount. In the present clock, the sculptural surmount depicts Urania, Greek muse of astronomy. She is accompanied by a lapis lazuli globe...

A very good quality late 19th Century French gilded ormolu and patinated bronze mantel clock, having a seated cherub holding the rains of a winged dragon pulling a scrolling foliate ...

Exquisite Quality French Ormolu and White Marble Winged Cherub Clock. Date: 19th century Origin: French Dimension: 25 1/2 in. high, 23 in. wide, 10 1...

An exceptional late 19th century gilt bronze-mounted marble three-piece clock set By Ferdinand Gervais The lyre shaped case surrounded with bronze roses, acanthus and lilys, a ...

An important Garniture de Cheminée in the manner of Henry Dasson Constructed in well cast and chased gilt bronze, with 'Sevres' type 'jewelled...

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...

A charming and high quality French 19th century Louis XV st. Ormolu and patinated Bronze clock. This most decorative mantel clock is raised on Ormolu base with a bombee front display...

A fine 19th century and substantial ormolu clock, of Rococo balloon form, sweeping acanthus swags, scrolls and floral flourishes, which is topped by classical cornucopias. The clock ...

Large Charles X period gilt bronze and malachite clock French, circa 1830 Measures: Height 62cm, width 54cm, depth 20cm This fine mantel clock is a superb example of the Charles...