19th Century Mantel Clocks

Attractive antique Victorian quality marble inlaid mantle clock by Baby and Jannings Ipswich, having a quality antique Victorian marble mantle clock with red marble columns and inlay...

This fabulous Palace clock is designed & executed in Paris, France. The monumental clock is beautifully casted in bronze & retains its original mercury gi...

A Fine 19th Century French Sevres-Style Porcelain and Gilt Bronze Clock Garniture. Comprising a central mantel clock and a pair of five-light candelabra, each richly decorated with h...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Measures: H: 25 1/2 in / 64.7 cm ; W: 22 1/4 in / 56.5 cm ; D: 9 1/2 in / 24.2 cm An exceptional quality three-piece clock set designed in a grand neoclassical. The set is compri...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

This extremely rare swinging portico clock by Béchot Paris, in an ormolu case of exquisite quality, finely cast and gilded with its original burnished and chased finish, this clock i...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

Horlogerie Paris French Belgian black slate visible escapement mantle clock with malachite inlay, circa 1880. An exquisite showpiece with French eight-day movement reflecting the hi...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

A mantel clock crafted from gilt and gilded brass (also known as ormolu) and red griotte marble in the eclectic style popular during the Napoleon III period. The mantel clock featur...

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

Comprising of a royal blue hand painted porcelain clock garniture set. Marked Japy Freres Cie Med Honheur Mark in the back of the movement. Origin: French Date: circa 1890 Dimension: clock 18...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

This elegant antique French mantel clock is crafted from exquisite black marble, showcasing timeless sophistication and 19th-century charm. The clock features a circular enamel dial ...

Antique French Louis XVI Carrara Marble & Bronze D'Oré 3 Piece Garniture Clock Set, Circa 1890. Size 8 key. Clock: 17 1/2" H x 8 1/4" W x 6 1/4" D 2 Candlesticks: 14" H x 8" W x 3 3/...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

A magnificent large gilded and patinated bronze period French Empire mantle clock depicting Urania the Greek Muse of Astronomy standing on a stepped rectangular gilded bronze base her left elbow resting on a large gilded globe of the heavens with a central band showing the signs of the zodiac...

High victorian inlaid black marble mantel clock circa 1870. Fine quality mantel clock of large proportions from the period in victorias reign when it was in vogue to commemorate the...

A fabulous quality early 19th century French marble and bronze mantle clock, the bronze with Napoleon being helped to mount his horse by...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

A beautiful classical clock made in the style of Louis XVI by Samuel Marti. Stunning ormolu (finely gilded bronze) mounted on a marble base. It is decorated with an inset laurel swag...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

A magnificent late 19th-century garniture clock set in the Sèvres style, crafted from gilded bronze and porcelain. Originating from France, this exquisite set includes a finely detai...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

c1800 French Antique Rococo Louis XVI Mercury Gilt Bronze Figural Clock Case/ Frame. This period clock case is quite stunning, in excellent condition retaining the original gold pati...

A superb late-19th century porcelain mantel clock, titled “La Manche”, created by the renowned Ansonia Clock Company in collaboration with Royal Bonn of Germany—famed for their exqu...

An Allegorical gilt bronze French Empire clock Depiction Clio, the the Greek Muse of History and Music. Clio is shown here sitting on the clock plinth playing her harp. To the left of the clock dial are placed wreaths, and a plaque with the names of Roman Poets “Pline”, “Homere”, “Tasse”, and “Virgile”. The lower section of the clock is decorated with a large mount and a relief of Apollo. The finely chased and gilt bronze clock has its original movement. The white enamel dial signed Boileau a Paris, with its silk string suspension system ringing the hours and halfs on a bell. An identical clock sitting on a white and gilt console...

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A Very Unusual and Quite Rare 19th Century French brown and green Patinated Bronze & Ormolu Mounted Rouge Marble Clock Garniture. This three-piece garniture set, comprising a centra...

A rare example of a quarter chiming bracket clock made 1800-1805 by John Allam and Thomas Caithness with an eight day triple fusee movement chiming on ten bells. This clock has an un...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Late 19th century ormolu and white marble mantel clock by Linke French, Late 19th Century Height 56cm, width 39cm, depth 25cm This impressive mantel clock commands attention with i...

A Fine Most Impressive French Gilt, Patinated Bronze and White Marble Mantel Clock by Lepaute of Paris, France. Of impressive scale and refined Neoclassical design, the circula...

Sèvres Porcelain with doré bronze clock. Clock is not running.

A spectacular Art Deco illuminated clock featuring a sculpture of the water carrier / Nude with Vase. The exquisite geometric design of the clock c...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

Early 19th century French Empire period marble and ormolu clock. French Carrara marble Portico clock with extensive ormolu fretwork mounted on two finely decorated marble columns ...

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

A Restauration Period Paris Porcelain Inset Ormolu Mantel Clock, Attributed to Jean François Denière, circa 1820 to 1830 A refined and architecturally composed Restauration period m...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

Walnut 4 dial tower table clock by Patent, Blumberg & Co, Ltd., Paris & London. Walnut clock tower style case with turned and fluted corner columns, raised panels and ebonized trim; ...

Rare and large ormolu mounted malachite mantel clock signed Manière French, 19th Century Height 60cm, width 35.5cm, depth 13cm With an enamel dial signed 'Maniére / A Paris', th...

A fine and large Louis XVI style French mantel clock, from the end of the Napoleon III period, 1870-1880. The clock is bronze casted and has a fire-gilded finish, the dial is enamele...

Black Forest Swiss carved mantle clock with elaborate design. Featuring a chamois buck and doe on finial on top of rock formation. Lower, there are three grouse, a rabbit and varmint...

Antique 19th Century French Empire style ormolu bronze mantle clock. The foliate surround gilt dial, Inside with eight day movement with strike on bell. The top mounted with a figure...

A quarter striking bracket clock in a fine figured burr walnut case with ormolu mounts and sound frets backed in sage green silk. A gilded dial with s...

Stunning quality antique Victorian ornate brass mantle clock having a quality Victorian ornate brass mantle clock the clock itself having a chapter ring w...

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...