Empire Mantel Clocks

French Empire Ormolu mantel clock resting on four turned feet supporting an oval base with raised garland and zig-zag rope decoration...

A rare model of a French Empire clock in gilded bronze called The Library, featuring a boy and a girl dressed in classical attire diligently studying in a library, both are sitting on a stool in front of a clock which is integrated into a column which also serves as a bookshelf. The oval clock...

A fine example of a period French Empire mantle clock which depicts the argument between Achilles and Agamemnon in Homer’s Iliad. The case is of matte and burnished gilded bronze, th...

Superb quality French Empire ormolu and patinated bronze mantel clock in a beautifully restrained case. The casting and gilding of the finest quality. A classically dressed maiden st...

This is a unique, authentic antique French table or mantel clock. It is in finely chiseled and gilded bronze. The dial with outer Arabic numerals and inner Roman numerals and a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen in her left hand. On the other side, the child draped in the Antique is standing on books and holding a paper. The white marble base rests on four small spinning feet. This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. Baillon achieved almost unprecedented success to become “the richest watchmaker in Europe” - F.J. Britten. He was also one of the most important clockmakers of the eighteenth century and undoubtedly the most famous member of a long line of clockmakers. His success was largely due to his ability to organise a vast and thriving private factory in Saint-Germain-en-Laye which was unique in the history of eighteenth century clockmaking. The renowned horologist, Ferdinand Berthoud was among many to be impressed by its scale and quality and in 1753 noted that Baillon’s “house is the finest and richest Clock Shop. Diamonds are used not only to decorate his Watches but even Clocks. He has made some whose cases were small gold boxes...

A rare example of a late French Empire portico clock combining the use of mahogany casing with gilt bronze mounts and cut crystal. The four pillars linking the top and bottom section...

A very unusual French Empire Genre Arcadian mantel clock of a hunting scene. The primary subject is that of a finely dressed woman in riding habit, hat, whip and gloves riding side saddle on a fine patinated bronze hunter...

Ormolu French Empire clock, drumhead case with applied frieze decoration to the base, standing on turned and engraved feet. Superb engine turned dial centre, the gilded dial with Roman numerals, original hands and floral cast bezel surround. Convex glass to the rear supporting the eight day movement with outside countwheel striking and silk suspension. The whole surmounted by a gilded winged...

Pierre-Philippe Thomire (French, 1751-1843) Empire marble mantel (fireplace) clock. 1st quarter 19th century; Rouge Griotte marble and bronze doré...

Large Empire style ormolu and malachite mantel clock with mythological sculpture French, late 19th century Measures: height 58cm, width 46cm, depth 14cm With large sculptural work depicting Jason and the Golden Fleece...

Royal Empire mantel clock / pendulum clock, fire-gilt, around 1805-1815, Paris Solid bronze, fire-gilded, Paris around 1805-1815, original French Empire from the first period. ...

This exceptional mantel clock, executed in the highly sought-after Empire style, presents a captivating tableau dedicated to the theme of music. Signed "Caillouet à Paris," a clockma...

A fine 19th century Empire gilt bronze figural mantle clock. Patinated bronze and gilt bronze fine details. Working condition.

French Empire Ormolu and Bisque Porcelain Mantel Clock French Empire ormolu mounted Bisque porcelain mantel clock surmounted by a winged...

Magnificent empire clock in its original gilding , one of the most beautiful models executed at this time.The beauty of this woman standing ,the base decorated with children one of w...

French Empire miniature ormolu clock of Cupid signed by Ledure and Thomas. A small French Empire clock only 10 inches (25 cms high) but of outstanding quality. A figure of Cupid stan...

French Empire pendulum clock finely crafted of gilt bronze, featuring a young spinner wearing a classical dress, seating on the dial near a lyre ...

The clock is signed on the enamel dial by the famous Parisian bronzier ”Ledure Bronzier à Paris” and the clockmaker ”Hedon Hr" (horloger). Patinated and fully sculpted bronze figure ...

Gilt and patinated bronze mantel clock, machine signed L. Moinet A Paris. France, early 19th century.

Pendulum of national furniture called "The study" of Empire period double patina and gilded bronze with scientific attributes of astronomy, on the base we find cupid, Minerev and his...

French Empire gilt bronze mantel clock with Venus and Cupid French, early 19th Century Measures: Height 53cm, width 37.5cm, depth 13.5cm This fine Empire period mantel clock is crafted from gilt bronze. The clock includes a sculptural surmount of Venus accompanied by Cupid. Venus sits atop the square clock...

Large Empire period gilt bronze mantel clock French, early 19th Century Measures: Height 52cm, width 28cm, depth 17.5cm This superb Empi...

French Empire pendulum clock finely crafted of gilt bronze, featuring a young spinner wearing a classical dress, seating on the dial near a lyre ...

An impressive 19th century Empire influenced green marble clock set. Having the arched clock with a white enamel clock face, an eight day striking m...

Excellent condition with finely chased dore bronze mounts. Has key and pendulum.

Winged cupid with flowing robe, clock resting between wings and fabric, raised on bronze ormolu-mounted verde antico plinth. France, first half of the 19th century. Measures: H ...

A stunning and extremely high quality French 19th century Empire st. ormolu and Vert de Patricia marble clock, signed Armingault à Paris. The clock is raised by an impressive rectang...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

A fine example of a French Empire period mantle clock, circa 1830. The rectangular stepped case is made of yellow Sienna marble and is decorated on the top and bottom with patinated ...