Gilt Mantel Clocks

c1800 French Antique Rococo Louis XVI Mercury Gilt Bronze Figural Clock Case/ Frame. This period clock case is quite stunning, in excellent condition retaining the original gold pati...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

This extremely rare swinging portico clock by Béchot Paris, in an ormolu case of exquisite quality, finely cast and gilded with its original burnished and chased finish, this clock i...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

A Very Unusual and Quite Rare 19th Century French brown and green Patinated Bronze & Ormolu Mounted Rouge Marble Clock Garniture. This three-piece garniture set, comprising a centra...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

This vintage Tiffany & Co. French bronze clock dates from the late 19th century (1896). It is elaborately designed in the style of Louis XV & exhibits a m...

This stunning French mantel clock is a superb example of neoclassical design, showcasing the refinement and craftsmanship of the 19th century. Crafted from luxurious white marble, th...

Antique French round arch portal clock France (Paris) Bronze, enamel Empire circa 1820 Dimensions: H x W x D: 47 x 26 x 12 cm Description: Very beautiful, strictly architecturally...

Russian Black Marble and Malachite Clock Stand, 19th century, gilt metal mounted. 14.5" H x 8.25" W x 3.5" D.

A good French Napoleon III period chariot clock of antique vert marble and ormolu. The subject is of cupid riding a fine chariot drawn by a pair of livel...

A charming and exquisitely crafted late-19th century porcelain mantel clock by the Ansonia Clock Company, titled “La Nord” and produced in collaboration with the prestigious Royal Bo...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

Mantel Clock - La Bibliotheque - In the study room Paris fire-gilt bronze, enamel Empire around 1820 Dimensions: H x W x D: 38 x 28 x 19 cm Description: Scenery mounted on an oval...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

19th Century French pink marble and ormolu clock set French, Late 19th Century Clock: Height 46cm, width 23cm, depth 18cm Candelabra: Height 44.5cm, width 22cm, depth 20cm This unusual three-piece clock garniture combines stunning pink marble with ormolu classicised decoration. Featuring ornate pierced gilt brass hands, the porcelain dial of the mantel clock is framed with a floral motif that complements the tones of the marble. The clock is covered with elegant gilt-bronze classical decoration: surmounting the dial is an ormolu torch and laurel...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

The white onyx and gilt bronze three-piece set consists of a central clock, accompanied by two six-light candelabra. The three items were crafted in the 19th century, during the reig...

An Exquisite Period Empire Clock, featuring Cupid (in patinated bronze) with his bow & arrow, next to him a quiver & torch. The body of the clock with bas relier decoration and anthe...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Antique French portico clock is crafted in Empire style during the reign of Napoleon in the 19th century. The Empire style gives the antique clock...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

A very good quality 19th Century French gilded ormolu Rococo influenced mantel clock, having wonderful scrolling foliate decoration, the clock face having enamel Roman numerals, an e...

A fine quality 19th century French Sevres style porcelain and gilded ormolu clock garniture. The pair of five branch gilded ormolu candelabra each having Sevres style porcelain urns and pedestals with classical romantic scenes painted on them. The clock having an impressive lidded porcelain urn above with gilded handles either side, scrolling foliate ormolu mounts above the porcelain faced eight day duration clock that chimes...

Important Rococo style clock in chased and gilt bronze. This Louis XV style clock has a very fine decoration of moving foliage, flowers and shells. The whole is surmounted by a bouqu...

Gilt bronze and marble mantel clock, signed F. Berthoud, Paris, France, early 19th century. Clock works.

A beautiful clock of ornate Rococo design, the case finely cast with scrolling acanthus and rocaille ornament, the front and sides with pierced lattice panels back with fabric, raise...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

A very unusual and quite monumental antique French Louis XVI style Napoleon III ormolu mantel clock by Maison Marquis, the Movement by Languereau, Paris, 1860: surmounted by an urn i...

Belle Époque period gilt bronze and enamel clock set French, late 19th century Measures: Clock: Height 46cm, width 23cm, depth 15cm Vases: Height 29cm, diameter 11.5cm Candlestic...

Immerse yourself in the opulence of the 19th century with this exceptional French Bronze and Black Marble Figural Mantel Clock. Crafted with meticulous artistry, this clock stands as a testament to an era where beauty, design, and function converged in breathtaking harmony. The distinguished bronze and black marble case...

Antique Belle époque sculptural three-piece clock set after Auguste Moreau French, early 20th century Measures: Clock height 81cm, width 40cm...

This Gothic Revival mantel clock is a fine example of early 19th-century French decorative arts, attributed to Charles Delaunay (Delaunay Chauvau). Crafted in dark patinated bronz...

Antique 19th century French gilded bronze and white marble mantel clock of the period Louis XVI.  

Large antique (late 19th century) French figurative clock from the Greek Revival period depicting the goddess, Selene, after the original sculpture by Auguste Moreau (French, 1834-19...

This magnificent silver-gilt and enamel lamp-form clock was produced in Vienna in circa 1870. The clock sits on a lozenge-shaped base, which is enamelled with panels depicting reclin...

This impressive example of an early 20th century French Rococo palace size clock set comes from the prestigious E. Colin & Cie of Paris foundry. The sculpted ensemble is detailed with crisp elaborate scrolling accented with a full figure cupid with quiver atop the clock. The clock & candelabras are decorated in a brilliant gold doré' finish. The set was commissioned by Tiffany & Co. & featured in the 1900, Paris Exposition. The clock has Roman numerals & bears "Tiffany & Co." on its stunning white enamel face. This face is surrounded by floral scrolls. Beneath is the face of Bacchus, framed by a pair of mythological fish. Complimenting this key wind clock...

This wonderful clock set was created in France in circa 1870, in the late 19th century. The set, which consists of a mantel clock and pair of candelabra is crafted from gilt bronze (...

This exceptionally detailed clock set consists of a mantel clock and a pair of accompanying vases, which are all crafted in ormolu and extensively decorated in vibrant cloisonné enam...

This circa 1850 French mantel clock showcases a stunning figurative design made from cast gilt bronze. It depicts a hunter with a rabbit slung over the top curve of the clock case. T...

Empire period ormolu mounted malachite allegorical mantel clock French, early 19th century Measures: Height 50m, width 21cm, depth 14cm This fine mantel clock is an excellent ex...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

This is a wonderful Napoleon III ormolu mantle clock from the estate of a Los Angeles collector from around 1860. There is a zaftig little boy perched at the top of the clock, and f...

A good quality French gilded ormolu and white marble, 19th Century Louis XVI style mantel clock, with a classical maiden resting, a bird cage at her feet, a cherub holding a bow and ...

Elegant antique clock garniture set, crafted from striking pink-veined marble and adorned with ornate gilded bronze details. This exquisite...

A very good quality 19th century Louis XVI style gilded ormolu clock garniture, the clock having a classical urn finial with garlands, ribbons and foliate decoration. The white ename...