18th Century Clocks

TABLE CLOCK Dutch, around 1740 with mahogany wood case with bronze applications, satinwood inlaid representing vegetal and geometric motifs. Enamelled dial with Roman and Arabic num...

A fine Scottish inlaid mahogany tall clock by Eben (Ebenezer) Anderson, Auchtermuchty, with a swans neck split pediment top with brass rosettes and ball & spire finial, and pierced f...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

A late Louis XVI marble and ormolu portico clock, comprising a central drum-shaped clock with a sunburst pendulum, surmounted by the gilded figure of Athena wearing armour with a plu...

Here we have a beautiful working 18th Century, circa 1770-1790, Oak & Mahogany Crossbanded Grandfather Clock/ long case clock of slender proportions by Richard Houton Of Oversly Gree...

A good early 18th century bracket timepiece with quarter – repeat by this well-known London clockmaker. The well proportioned compact ebonized inverted bell-top case has a brass carrying handle with pierced wood frets to the front and rear doors. The attractive brass dial has date and mock pendulum apertures with signed shallow arch. The movement with verge escapement...

An early Louis XV green stained horn and gilt bronze-mounted bracket clock, the clock second quarter of 18th century, the dial inscribed 'Causard Her du Roy a l...

18th century English bracket clock, George III period. John Grant of fleet street, London, circa 1790. George III period ebonized...

Estate lawyer direct must sell to settle probate .Presents very well with carved urns, parfum, floral bouquets, garlands and pyramid. Worn condition overall. Rubbing and chipped losses to gilding revealing red bole and bare wood in areas. Chipped losses to carved elements in areas. Some dirt accumulation. Wear around urns on plinth. Later metal back and glazing to bezel. With losses. Worn dial, embossed copper. Oxidation. With later associated sunburst pendulum. Original key. Working condition not guaranteed. Small dents and dings and time wear to finish . Most Photos of Giltwood case taken outside for true lighting...

Royal House Antiques Royal House Antiques is delighted to offer for sale this one of a kind, fully restored, hand carved antique English longcase grandfather clock case depicting a King’s Sovereign portrait Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price What a find, I purchased this piece maybe 8-10 years ago and it has sat waiting all this time for restoration, whomever removed the clock movement did so with little care and damaged the top of the piece, as such it has been fully restored to gallery condition and is now ready to accommodate a new movement I saved this piece because clearly the carving is very old and was conducted by an exceedingly fine craftsman, the Sovereign portrait of a King is very Regal and adds a sense of occasion to such a piece, the case is also decorated with what looks like English Tudor Rose...

A fine longclock from the end of the 18th century circa 1780 in oak by the watchmaker Charles Robotham of the city of Leicester Very beautiful English clock The clock has its o...

A Louis XV style marble mantel clock. Enamel dial with Roman numerals, signed with a red inscription "Seigneurez A Paris", finely pierced, engraved gold-plated hands, a broken arch (...

18th century Louis XVI ormolu and marble cercle tournant mantel clock by Lapaute French, Late 18th Century Height 39cm, width 18cm, depth 12cm Dating from the latter part of the 18...

Elegant tower clock made of poplar and chestnut wood, covered in fruit wood. Made in Tuscany, the clock reflects the classic style of the mid-18th century, when the mechanisms were p...

George III Bell Top Bracket Clock Fine flame mahogany case with ormolu mounts and ormolu caryatids standing on bracket feet. Silvered dial with subsidiary dial for strike/silent,...

This exquisite Louis XVI table clock showcases the neoclassical elegance of its time, crafted by renowned clockmaker Antoine Crosnier in Paris around 1780. The clock features a strik...

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

This is a Swedish Mora clock Sven Nilsson Morin Model 100 % Original paint.

Swedish Rococo Ormolu Bracket Clock by Petter Söderman, Stockholm, circa 1770 €3.770 Add to Cart Description Swedish Rococo bracket clock in two parts, consisting of the clock case a...

Antique Late 18th Century Louis XVI Gilt Gold Patinated Bronze Mantel Clock French, Late 18th Century Height 57cm, width 40cm, depth 12cm A wonderful example of late 18th century ...

A fine 18th century English brass and iron lantern clock. Signature: William Kipling, London The clock consists of going and striking trains, as well as ...

Important Louis XVI mantle clock with exceptional bronze detail and chasing.

Exceptional late 18th-century Louis XVI period mantel clock, modeled by court bronze worker Brécourt in collaboration with Parisian watchmaker Antoine-Marie Philibert. The first mo...

This is a unique Swedish Mora Clock Sven Nilsson Morin 100% Original Paint. he made his clocks from 1780 to 1810.

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

This stunning antique bracket clock is a fine example of luxurious 18th-century European design, combining meticulous craftsmanship with timeless...

A late 18th century mahogany long case clock, by B. Francis of Gravesend, having arched top with brass finials and fluted columns, enclosing eight-day striking movement with silvered...

Francis Gregg, London. A fine table clock. The break arch brass dial with silvered chapter ring, matted centre, calendar aperture and false pendulum aperture with silvered cartouche ...

An antique George II period patinated, walnut longcase clock by James Blackborow of London. This finely figured veneered clock with elegant propo...

George III Chinoserie Lacquered Tallcase Clock with Faux Tortoiseshell Design, Thomas Hall, ca. 1760

Early 18th-Century Burr Walnut Longcase Clock, Circa 1705-1710. England This magnificent early 18th-century English longcase clock exemplifies exceptional craftsmanship and timeless...

Lyre-shaped mantel clock on marble base with crowning head of sun god Apollo and swan heads holding a flower festoon in their beaks. The dial is decorated with round enamel numerals....

Antique Louis XVI Marble Gold Ormolu Gilt Bronze Cercle Tournant Mantel Clock French, Late 18th Century Height 40cm, diameter 28cm Dating to the late 1700s, during the reign of Ki...

Incredible 18th century chinoiserie tall case clock with faux tortoiseshell and scenes included figures, ho-ho birds, and a British ship. Remarkable lacquer work. Clock is signed Tho...

This authentic Swedish grandfather clock, from circa 1790, features its original paint and beautiful floral ornamentation.

A fine Georgian walnut bracket clock by John Greaves of Newcastle (born c.1725 and active between 1745-94) with an eight day five pillar twin train fusee movement and anchor escapeme...

An 18th century mahogany and ormolu mounted bell top bracket clock. The 8-day movement with finely engraved back plate and the full brass dial signed Pennington, Drury Lane Circa 178...

An imposing 18th century eight day long case clock by Simister of Birmingham. The amazing mahogany case has a flame mahogany veneered door and the large reeded columns with ormolu mounts to the top. The whole case inlaid with bandings and stringing. The early painted dial...

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

An Austrian Ebonized and Parcel Gilt Bracket Clock Late 18th/Early 19th Century Height 21 x width 11 x depth 5 1/2 inches. Property from the Collec...

The Ancient Roman personifications of love and desire, Venus and Cupid, feature on this this fantastic Louis XVI mantel clock. Finely cast in resplendent gilt bronze, they are shown with a dove on Venus's hand, another ancient symbol of love. Venus is shown in draped clothing...

This is a unique Swedish Mora Clock Sven Nilsson Morin Model 100% Original paint. he made his clocks from 1780 to 1810 and was one of Sweden`s most well known clock makers.

Large Gustavian wall clock with a movement signed by Jacob Kock (1737-1805). He was a court clockmaker in Stockholm and supplied clocks to the court of King Gustav III. This pendulum...

It is most likely that this charming ‘hook and spike’ lantern alarm, circa 1750, was originally commissioned or simply purchased to have its very own ca...

Outstanding quality 18th century oak longcase clock having a fabulous brass dial with a 12” silvered chapter ring showing roman numerals and a subsidiary seconds dial, date aperture,...

Pocket watch, engraved André Hessen. Gold, enamel. Paris, France, towards the last third of the 18th century. Has faults. Pocket watch in a case decorated with enamels on the back (inside a pearl band you can see a composition with a clear classicist influence with a female figure, perhaps an allegory of the arts...

Unusual late 18th century patinated and gilt bronze girandole form clock. Two removable arms with different branch and leaf form motif, thistle and rose stems. Crystal drops surrounding center fluted column. Clock with gilt dial set in rotating frame mount. Movement signed James Stoddart...

This is a magnificent example of a George II brass face red walnut longcase clock. The hood having and elegant broken swan-neck pediment and bras...

Step into the rich history of Danish craftsmanship with this extraordinary Antique Gustavian longcase clock, a true testament to the elegance of the late 18th century. Originating fr...

French 18th century Boulle clock on Boulle stand. The Louis XV clock has bronze mounts, with enameled Roman numerals for each hour. The pendulum can be s...

Period French marble and ormolu mantel clock with sunburst or sun king motif original works. Gilding in great condition. Neoclassical form with enamel embellishments in great conditi...

This is a Swedish Mora Clock 100% Original Paint "Sven Nilsson Morin Model" the old works have been removed and New battery works installed. I do offer the Original works with every...

An 18th century balloon shaped bracket or table clock by John Leroux of Charing Cross, dating from circa 1790. The waisted case surmounted by a brass pineapple finial over a drum housing the movement. The dial is behind a hinged convex glazed cast brass bezel to front and brass carrying handles to sides, over hipped concave-sided section forming the base. The front has an applied mount of a sunburst mask, the rear with keyhole shaped door incorporating fine scroll-pierced sound fret set within the frame of the case, on generous cavetto moulded skirt base incorporating break-arch recess to apron and with ogee bracket feet. The five knopped pillar twin fusee bell striking movement with rounded angles to the rectangular plates and anchor escapement regulated by a long bob pendulum with an effective length of approximately 11.5 inches, the backplate signed J. Leroux, London to centre, the 7 inch circular single sheet silvered brass Roman numeral dial signed Leroux, Charing Cross to centre, with fine pierced steel hands and Arabic five minutes to outer track. An identical clock is illustrated in English Bracket and Mantel Clocks by Andrew Nicholls...

This stunning tall case clock was made in the Netherlands in the late 18th century. The case is magnificently inlaid and the top of hood has two angels on each side with a carving of...

A sensational French Louis XV period, circa 1740, tall case clock with an extremely rare mechanism movement signed Jean Charost. The original case in kingwood, ebony and rosewood ven...

A George III period antique brass-mounted mahogany bracket clock by the London maker John Turner.  The bell-top case with brass lined front door and brass side frets stands on brass...