Bronze Table Clocks and Desk Clocks

Art Deco clock made of frost glass, with enameled and silver-plated bronze dial, made by Sabino. Signed Sabino, machine EC, France. France, CIRCA 1920.

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

This Grecian style mantel clock was crafted at the end of the 19th century and retailed by the acclaimed Maison Marnyhac, which was based on the Rue de la Paix in Paris. Founded ...

Superb clock in white marble and chiseled gilt bronze signed on the enamel dial "MONBRO Aîné Fils & Jacquier Horloger". In the center, the white dial with Roman numerals is represent...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, and Rouge Griotte marble clock attributed to Henry Dasson. The c...

A striking and very high quality French 19th century Renaissance st. Rouge Griotte marble, patinated bronze, and ormolu garniture clock set. The clock at the center is raised by hand...

An exceptional and high quality French mid 19th century Louis XVI st. Rouge Griotte marble and patinated Bronze clock. The clock is raised by eight patinated Bronze foliate fluted fe...

An elegant French 19th century Louis XVI st. ormolu nine light chandelier. The chandelier is centered by an outstanding bottom acorn inverted finial amidst richly chased acanthus leaf patterns. Each S scrolled arm is decorated with fine acanthus leaves ending in striking floral candle cups and reeded twisted bobeches. The reeded straight central fut leads up to a large, attractive acanthus leaf canopy. With all original gilt throughout. Julien Le Roy (1686-1759) a renowned 18th Century Parisian...

Very pretty model for this gilded bronze clock from the Napoleon III period in Louis XV rocaille style dating from the 19th century. Very good quality of gilding and entirely origina...

Gilt bronze clock representing Love (Cupid) and Psyche with an enamel dial in the center signed Bouchard à Beaune. Very beautiful original gilding and good general condition. Please ...

FACTORY / HOUSE: Shreve by Zenith STYLE / REFERENCE: Art Deco / Desk Clock METAL / MATERIAL: Stone and Gilt Bronze CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 5 Inches Tall MOVEMENT / C...

A chic, c. 1825 French, looping desk clock with a central timepiece framed in foliate embellished, bronze doré wreath. The clock set into a pale blue, Opalin...

A sensational French 19th century Neo-Classical st. Ormolu, patinated Bronze, and marble clock signed by Germain, Paris, 1825. The clock is elegantly raised on a white Carrara marble...

A stunning French 19th century Louis XVI st. Rouge Griotte, ormolu and patinated bronze signed clock. The clock is raised by fine topie shaped feet below the circular base with a fin...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...