1930s Desk Accessories

This lovely, handsome vintage and well-made heavy box from Silver Crest Co. is hallmarked on the bottom genuine silver crest bronze SMA 518-36, 59....

Beautiful 20th century silver plate pocket emptier. Refined finely chiseled decorations. Perfect for embellishing a desk with class.

Folding leather bound blotter. Circa 1930 H 46cm x W 60/121cm x D 2cm

This sophisticated Art Deco Machine Age desk set was realized by the celebrated American maker, Victor, circa 1930. It features a inkwell/pen holder, a blotter and a clock. The inkwell offers a square body composed of translucent Lucite with a cylindrical depression in the centre intended for storing ink and a cobalt mirrored...

Small table clock made of beautiful dark walnut wood and silver chrome-plated brass. Clock face is wood with inserted beams and dots to show the ti...

A wooden mannequin head, probably a toupe stand, with good color and a well-carved idiosyncratic and compelling face, having laconic eyes and with what ...

Bauhaus sheet metal letter scale in green color by Marianne Brandt, 1930-1931, for Ruppelwerke, Gotha, Germany. An iconic letter scale designed by Marian...

Pair of bookends in bonze, made in Denmark. Great original condition.

Art Deco Chrome Desk Top Magnifying Glass Art deco, swan neck, bendy desk desktop magnifier in a silver metal finish with weighted 6” base The glass is 18” tall fully extended TAH135

We are delighted to offer this lovely 1936 solid sterling silver art deco cigarette dispenser A very good looking and well made piece, full...

An very rare signed (R Lalique) Rene Lalique 'Faune' pintray -depicting a dancing or running goat legged child beast, dating from 1931 (Marcilhac ref: 316). Such pin trays were desig...

Just Andersen Disko metal pipe rest with a strong ribbed decoration. Circa 1930's Great colour, weighty and an unusual piece Stamped and numbered 2253 on base Height 1.25 inch, Widt...

Wooden table phone, marked K. Telegfrafverkets Werkstatt Nynäshamn from the 1930s Measures: Height about 27 cm.

A Heavy metal (likely pewter) paperweight designed by Just Andersen. Paperweight depicts a Fantail Fish. A lovely Art Deco style piece which can work in a variety of different interi...

French Art Deco desk set.

Writing, seven parts set in pewter by Ernst Svedbom (1913-2004), Goldsmith AB for Swedish Tenn, circa 1934-1936. Marked: SG A-B Svenskt Tenn K8. A pair...

Just Andersen. Early ink well and ink blotter in alloy bronze, 1930s-1940s. In very good condition. Ink well measures: 27.5 x 17.5 cm. Ink blotter measures: 15 x 9.5 cm. Stamped....

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Entirely striking and original, this bronze paperweight features two crabs framed by enameled anemone and bits of sea and sand, all highly stylized in the Art Deco manner, and everyt...

Just Andersen, early Art Deco inkwell in bronze. Rare model. Including an original glass insert with a lid. Model 1895. Approximately from 1930. Condition: In good condition, with si...

A bronze Tourette desk lighter designed by Ronson. Very rare desk table Touch-Tip lighter, created in Newark New Jersey by Ronson, at The Art Metal Works Co. during the art deco per...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

An exceptional, fine and impressive, unusual antique George V English sterling silver Art Deco presentation trophy in the form of dartboard; part of our silverware collection. This exceptional and unusual antique sterling silver trophy has been crafted in the form of a Yorkshire or Kent doubles dartboard*. The face of the dartboard clearly depicts the appropriately numbered segments and the wirework spider. This fine George V trophy is supported by an ebonised wood mount and an Art Deco style angular ebonised wooden base. The base displays six hallmarked vacant presentation plaques; each plaque may be engraved with a personal inscription if so desired. The posterior surface of the wooden mount is plain. * This variation of dart board does not incorporate a triple ring, only the double and bullseye. "By the late 1920s a standardised dartboard was introduced and remains the most popular dartboard today across the world. However, the 'standard' dartboard (also known as the 'London' or 'Clock' board) was not an overnight success in the UK. Initially it had to compete with other different existing target boards played on in some localities. These have come to be known as 'regional dartboards' and were usually named after their region of origin, for example, the Yorkshire Doubles board, Kent Doubles, the London Fives and the Manchester Board" - Patrick Chaplin PhD (Darts Historian) Condition This unusual antique trophy...

A lovely French Harlequin ceramic ink and pen holder by Aladin. The white ceramic piece features purple and gold accents throughout.

Maccassar Letter rack by Emile-Jacques Ruhlmann graduated semi-circle slats on l base, Iron stamped: "Ruhlmann

Rare, perhaps unique, this quintessential Art Deco sculptural object -- probably meant to serve as a paperweight -- was sculpted by David Warren Seyler for Kenton Hills Pottery in no...

Art Deco Pen Holders in Disko Metal by Just Andersen, 1930s. Set of 2. Wonderful pair of small pen holders designed by Danish sculptor Just Anders...

Decorative Art Deco chrome airplane on plastic base. Desk decoration. Probably Germany or France of the thirties. The plastic plate is also from the time. Good general condition with...

Danish design. Four bronzes consisting of a piggy bank, calendar, matchbox holder and a place card holder. Art Deco - In style of Just Andersen. Approximate 1930s. In good conditi...

An exceptional, fine and impressive antique George V English sterling silver and glass inkwell made by Walker and Hall, part of our antique silver and glassware collection. This exceptional antique George V English sterling silver inkwell has a hexagonal shaped, waisted form. The shaped surface of this impressive antique inkwell is plain and unembellished, with applied iconic Art Deco style tiered designs to the either side of the base. The elevated anterior edge of the base composes a pen receiver. This Walker and Hall inkwell is fitted with an impressive flat topped hinged hallmarked sterling silver cover. The cover opens to reveal a sunken well and removable glass ink liner. The underside of the inkwell is fitted with the original wood base. Condition This antique Walker...

A pair of Art Deco bookends by Walter Von Nessen feature two concentric rings of metal and copper with three sphere accents on each. 5.25” H x 5” W x 2.5” D $450

Wonderful desk relic from a Bostonian Tailor.

Just Andersen. Two matchbox holders and a vase in pewter, 1930s. In good condition with minor wear. Matchbox holder measures: 10.5 x 6.5 cm. The vase measures: 14.5 x 6 cm. Stamp...

Art Deco desk set in black leather, brass and glass. The leather with contrast saddle stitching is handcrafted and exquisitely done using brass elements that give the set a luxuriou...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

More of an indictment of the Spanish conquest of North America than a celebration, this quite extraordinary, large bronze inkwell depicts a Conquistador, holding sword and whip, seat...

Vintage Chewing Gum Dispenser, Italy 1930s. Excellent condition, working.

Gilded bronze trousse is an original decorative object realized in the 1930s. Very precious bronze and turtle trousse with mirror and three compartments. Etched cover and Mogol de...

French Art Deco palisander and pewter inlaid inkwell with 2 crystal wells.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

- Made in Czechoslovakia - Made of glazed ceramic - maker: Ditmar Urbach - Good, original condition.

Wonderful desk relic from a captain of industry.

- 1930s - France - Good original condition.

A stainless steel lighter designed by Ronson. Very beautiful desk Rondette lighter, created in New Jersey United States by The Ronson Co. during the art deco period, back in the 1934. This is a very unusual lighter designed with wonderful geometric patterns and crafted in solid steel with a central round body set upon two smaller cylindrical feet. Embellished with black lacquer, creating a great contrast with the base polished steel. Extremely well made and solid construction with very nice care and attention to all details. This surely is a very decorative piece and a great conversation item in gorgeous and exceptional preserved condition. Weight: 104.9 Grams, (67.24 Dwt). Measurements: 66 mm by 21 mm by 82 mm (2.59 x 0.83 x 3.23 Inches). Marks: Stamped with the maker's mark and signed, "RONSON US PAT.RE.NO.19023 RONSON RONDETTE ART METAL WKS INC NEWARK NJ US PAT.RE.NO.19023". The Ronson lighter company started as The Art Metal Works in 1897 and was incorporated on July 20, 1898, by Max Hecht, Louis Vincent Aronson and Leopold Herzig, in Newark, New Jersey. Louis V. Aronson was a huge creative driving force for the company; and, with a few business adjustments, including the addition of Alexander...

Art Deco triple mirror adjustable forward and backward motion featuring three bevel mirrors, wonderful scale and proportion, metal, Industrial yet sleek, elegant design, mint origina...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Gilt bronze bookens J. Dasilva onyx base Origin Portugal perfect condition.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Pair of Art Deco period silvered bronze and antico verde marble bookends representing seals by Maurice Frécourt. Signed: “Frecourt”     

1930 Art Deco pair of bookend representing parakeets.

Pair of polychrome bronze Art Deco bookends depicting squirrels by Louis Fontinelle (1886-1964). Fontinelle signature. France, CIRCA 1930.

A stunning green onyx and brushed nickel desk set. The set features to recessed areas in the onyx base -- one for paper clips and another for pens. Two nickel and bakalite pen holder...