Bone Decorative Objects

Presenting "La Cirque de La Loba," a captivating sculpture from the 1980s crafted by the accomplished artist Bob La Bobgah, also known as Robert Hamilton...

19th Century Anglo Indian fall front box with six drawers with metal pulls. The exterior and interior inlaid throughout with bone and various woods. Intricate geometric designs cover...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Long Shoehorn in Wood and Horn – French Craft – 1970s Description: This is a luxurious long shoehorn crafted in France in the 1970s, combining polished wood and natural horn. Design...

Opulence and simplicity merge in this singular sculpture, consisting of an authentic horn raised on a minimalist and elegant base. Sustaining the horn by means of a stainless steel p...

A Coco De Mer sculpture by Glyn Lockett with a gilt metal spiral stem, the penned with seed pearls, on gilt metal mounted Chamois antelope/goat or feet with makers monogram. This is...

English Art Deco green shagreen and bone trimmed box with a wood lining in the interior

Gabonese 20th c. Reliquary hand made by the Kota people depicting a 2-sided / faced abstract figure with domed eyes and hooked noses, crafted from carved wood, copper and bronze

Metalized skull of a warthog. The skull is provided with a real metal layer which has been corroded making it a beautiful patina. The skull is mounted on ...

African Congo 20th Century carved wood Songye ceremonial fetish figure made with inlaid horn and various materials to promote fertility, vanquish enemies or protect the village. Wea...

In great condition for its age. With bone handle pulls.

A handsome and most impressive French 19th century Louis XIV st. patinated Bronze, Ormolu, and Boulle statue of King Louis XIV. This wonderful statue is modeled after the statue of Louis XIV in the middle of the Place des Victoires, Paris. The statue is raised on a rectangular stepped Boulle pedestal with its Brass inlays atop a Tortoiseshell background within an ebony frame. This wonderfully detailed pedestal is also decorated with an upped and lower Ormolu Coeur-de-Rai band that serves as the plinth and capital. Atop the Boulle designed pedestal is a patinated Bronze rearing horse...

African D.R Congo reliquary basket with four painted figures with two having red paint pigments and the other having white paint pigments with a spiral horn ascending from the top G...

An elegant comb hand-carved from cow horn with naturally occurring variations in color and pattern.

Gabonese late 20th century reliquary figure hand carved by the Kota Mahongwe people depicting a smiling faced figure in hammered / shaped brass, copper strips and ebonized wood (Matc...

A small oval tortoiseshell piqué patch pot, the hinged lid with a beribboned garland of flowers round a blank escutcheon, raised on four ogee feet....

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

Indian "Bombay" dresser/jewelry box with a mirror in the lid and raised on a "tray" base with silvered feet. The exterior with exotic wood and sadeli work (micro-mosaic inlay) framin...

Exceptional pen holder made from a wild boar foot. Beautiful craftsmanship from the late 19th century. .

This striking pair of vintage candlesticks is a masterful blend of Organic Modern design and mid-century "Safari Chic." Each holder features a genuine hand-carved horn body, characte...

Along with paper, ink and inkstone, the brush is one of the Four Treasures of the scholar’s studio. Arguably the most important tool, the brush served as a direct link to the artist’...

African Ivory Coast 20th Century carved wood Baule seated male trance diviner figure with incised hair texture, grasping a dagger in his left hand, stroking his beard with his right....

Incredible luxurious vintage bohemian box created for Nordstrom's signature line. This beautiful piece is sculptural and pleasing to the eye. A great pi...

Presenting an absolutely fantastic 19C Anglo Ceylonese lap desk of museum quality. We can safely say that this is one of the finest lap desks we hav...

A beautiful example of Maitland Smith’s craftsmanship, this vintage box dates to the early 1970s. Made from bone in a soft beige tone, its generous size makes it perfect for display ...

This refined cigar box is the work of Enrique Garcel, a Colombian maker known for producing meticulously handcrafted decorative objects distinguished by their use of natural horn arr...

Presenting an astonishing Japanese Antique Carved Bone bamboo-form snuff bottle, museum quality. Dimension: 2.5" H x 1 " Dia. Condition: Excellent Condition

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

These interesting inkwells were crafted in Britain between the Victorian period and early to mid-20th century. The works have been created from horse hooves, applied with sterling silver mounts. Each hoof has been set onto a silver horseshoe and features a silver top and lid. Two of the tops have been engraved to imitate real horse hair, while the third is more simple, with banded ornament. All three have been given covers, two of which feature commemorative inscriptions. One lid states, ‘The Grey/1907-1917’ — presumably the name of the favourite racehorse, whose hoof this is — and another reads, ‘Mavourneen/ Died June 29th / Aged 53’. ‘Mavourneen’ is an Irish Gaelic word meaning ‘my beloved’. The dedicatee’s age of 53 implies that they were a human, perhaps a jokey, or racehorse owner. The lids open up onto a silver-lined interior, intended to be used for storing ink as part of a desk arrangement. The inkwells are stamped, on their underside, with silver hallmarks and maker’s marks, ‘J.T.’ and ‘C & CS’. This set of three horse hoof inkwells...

Fun and unusual pair of fish sculptures hand-fashioned out of a large pair of bull horns. Very decorative. Could also be made into lamps.

Sculptural Bull Horn Bowl 1950s Austria Unmarked in the style of Carl Aubock 4.5 h x 9 d x 9.5 w Unrestored Vintage preowned condition Wear use & patina present. Not perfect, it is ...

Fabulous Indian box made of bone and pierced brass with a wood bottom.A very nice design. Turn of the century, India.

Candle holder designed by Gabriella Crespi, featuring a natural horn base with polished brass elements. The piece is signed on the brass with Crespi’s name and logo. It reflects Cres...

Silver inkwell with base obtained from a deer hoof. English manufacture of the late 19th century. Good condition, the ink bottle is missing. Measures: cm 6.5 x 10 H 8. Shipping is insured by Lloyd...

A round wooden box from India. Might be some type of exotic rosewood. Circa 1920s, maybe a little earlier. Box with six ivory dots on lid, ivory feet and finial.

Very fine early 20th century humidor fashioned from solid amboyna burl with bone trim and lacquered brass carrying handles, by Callow of Mount Street, hav...

A large Edwardian shaped rectangular silver and tortoiseshell piqué box, the hinged lid with a dainty basket suspended from a bow with long ribbons entwined with flowering tendrils, ...

Very unique, one of a kind Chinese calligraphy brush with the fine goat hair, decorated with a beautiful natural goat tail bone. Goat hair is prized for its fine quality, essential f...

This box is from France. It has been made in 1940, it is an art Deco Item. The box is in wood. It is a cigar box but It can be used as a docorative box...

Handcrafted round picture frame with scalloped white and brown buffalo horn bone inlaid. Vintage round inlaid bone picture in Moorish Islamic style frame. The frame is created from 3...

Horn and Gilt Bronze Ornaments on Stand Mounted Cornucopia. Mounted, and richly embellished with crown, collar Supported on a cast stand on a square base. Please don't hesitate to...

This is a n intricately carved Elephant sculpture. The caving looks to of East Indian origin. Its carved in a dens dark wood and has Ivory like tusk. 2 available

African Ivory Coast 20th Century carved wood composite monkey figure with skull, standing with bent legs, holding a ceremonial cup or bowl with both hands. (Similar item: NWL6866) W...

French Tortoise Shell Circular Box With Inlaid Silver Top Depicting Fox & Stork

A stunning pair of French mid 19th century Napoleon III period ormolu tazzas. Each tazza is raised on an ebony mottled base with a Boulle tortoiseshell and etched brass inlay column ...

Pale green stained shagreen covered Art Deco box with bone trimmed hinged lid raised on ball feet. The bottom stamped "John C(?) ______(?) & Sons, LTD."

African Ivory Coast 20th Century carved wood Baule Mbra monkey figure, seated with a string necklace, holding a cup or bowl. (Literature: Pg. 238, Baule: African Art, Western Eyes b...

An English Horn Chair and Ottoman Covered In Cowhide, Brass Head Trim. 20th Century adorned with spurs. Height 43 x width 29 x depth 35 inches. Can save shipping charges...

Trilobites, an early arthropod relative of spiders, horseshoe crabs, and scorpions, preserved in this level of detail only occurred as a result of very sudden underwater landslides c...

Handsome authentic horn box with brass inlay and ball feet with coloration like tortoise shell.

A wonderful and whimsical polar bear carving by the noted Alaskan intuit carver Wilson Oozeva (1953-2013). The fossilized bone carving lileky dates to the late 1970’s perhaps early 1...

Carl Auböck Horn Bowl, Austria 1960s.

This is a finely hand-painted West Asian miniature artwork on a ceramic/porcelain box, probably made of leg plates, framed, and painted. The work features an extremely fine painting ...

Immerse your living space in a sense of tranquility and artistic beauty with this vintage 1950s horn Buddha sculpture. Crafted from horn with exquisite detailing, this unique piece e...

A decorative and rare desk penholder from the 1960s, designed and executed by Carl Aubock, Vienna. Made of horn, in very good condition. We are offering many other Aubock objects in ...

Trilobites, an early arthropod relative of spiders, horseshoe crabs, and scorpions, preserved in this level of detail only occurred as a result of very sudden underwater landslides c...

Large bronze sculpture erotic woman with marble base and animal horns

19th century Georgian box in an octagonal form, featuring delicate penwork decoration on the lid with a central portrait medallion and floral motifs. The interior is fitted with a re...

This beautiful box has a cedar interior which is separated into two compartments for jewelry. It also has sterling escutcheon for a key.

A flat-lidded brown polished horn box by Maitland Smith, with two beautifully inlaid and brass trimmed polished greenstone ( I believe to be amazonite tiles surrounded by a gilt bras...