American Abstract Sculptures

Orchid Huxley vase by Elyse Graham Dimensions: W 14 x D 14 x H 25.5 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIECES AR...

Iceberg Jupiter vase by Elyse Graham. Dimensions: W 28 x D 28 x H 30.5 cm. Materials: plaster, resin. Molded, dyed, and finished by hand in LA. Customi...

Sienna and green jupiter vase by Elyse Graham Dimensions: W 28 x D 28 x H 30.5 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. AL...

Lilac Ombre Venus vase by Elyse Graham Dimensions: W 14 x D 14 x H 38 cm. Materials: plaster, resin. Molded, dyed, and finished by hand in LA. customizat...

Pink Ombre venus vase by Elyse Graham Dimensions: W 14 x D 14 x H 38 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION...

Ochre and black pluto vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by Hand in LA. Customization Available. All pie...

Bone and peach saturn vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIE...

Ice blue pluto vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. Customization available. All pieces are...

Lilac Patina saturn vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin Molded, dyed, and finished by Hand in LA. Customization Available. All piece...

Bone and ochre pluto vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. Customization available. All piec...

Bone Ombre saturn vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIECES ...

Prometheus round hydro vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PI...

Enceladus round Hydro vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin Molded, dyed, and finished by Hand in LA. Customization Available. All pie...

Rhea round hydro vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. Customization Available. All pieces a...

Ganges round hydro vase by Elyse Graham. Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIECE...

Rhine round hydro vase by Elyse Graham Dimensions: W 20 x D 20 x H 23 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIECES ...

Mimas Hourglass Hydro Vase by Elyse Graham Dimensions: W 14 x D 14 x H 29 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIE...

Euphrates Oblong hydro vase by Elyse Graham Dimensions: W 14 x D 14 x H 29 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PI...

Pandora Cloud Hydro vase by Elyse Graham Dimensions: W 13 x D 10 x H 14 cm Materials: Plaster, Resin MOLDED, DYED, AND FINISHED BY HAND IN LA. CUSTOMIZATION AVAILABLE. ALL PIECE...

Rio Grande small Hydro vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. Customization Available. All pi...

Dione small Hydro vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: plaster, resin molded, dyed, and finished by hand in LA. customization Available. All pieces ...

Hyperion small hydro vase by Elyse Graham Dimensions: W 13 x D 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. customization Available. All piec...

Dogu lady 20 vase by Noe Kuremoto Materials: white stoneware sculpture Dimensions: D 15 x W 41 x H 44 cm Dogu ladies My interpretation of the ancient Dogu*. ...

Dogu lady 19 vase by Noe Kuremoto Materials: White stoneware sculpture Dimensions: D19 x W38 x H33 cm Dogu Ladies My interpretation of the ancient Dogu*. A talisman for women. For ...

Satori 13 sculpture by Noe Kuremoto Materials: Earthenware sculpture Dimensions: D28 x W17 x H22 cm When Japanese Mountain Gods appear as children, they...

Crafted with the finesse of postmodern American artistry, this captivating set of two signed studio pottery slab-built sculptures offers a nostalgic journey into vintage aesthetics. ...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

A fantastic vintage Boho steel sculpture. A beautiful female figure in a hooded cloak. An all over patina from time. Signed by the artist. Acquired from a Palm Beach estate.

A soldered wire sculpture under plexiglass vitrine by American sculptor Marilynn Gelfman-Karp. Signed and dated. Sculpture size - 15" high by 25" wide by 7.5" deep, Circa 1970.

In this sculptural study by dal Fabbro, the viewer's expectations are reversed. What may at first seem figural becomes abstract as one moves around the piece, revealing the artist's ...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker...

Sitting atop a cubic pedestal, the amorphous tendril combines a soft dimension with a pointed shape. The rust texture highlights the varied facets. The oversized base provides an int...

Two carved vessels / sculptures Lee Spiller "Stone Vessel" signed on bottom Brad Miller " Biomorph"

George Sellers is a classically-trained artist who studied sculpture in Italy. George had also been doing the window art for years in New York at luxury jeweler Van Cleef & Arpels, w...

Original "Sprawling Bronze" by Harry Bertoia (1915-1978). Rare molten bronze spill cast with three feet to make it free-standing. Green patina adds to the organic feel of the sculp...

Vintage side table by Peter Shire, 1984. Birch solid core plywood and laminate. Exact dimensions avail. Upon request. *other models available Peter Shire: Peter Shire is an LA...

Vintage side table by Peter Shire, 1984. Birch solid core plywood and Laminate. Exact dimensions available upon request. Other models available Peter Shire: Peter Shire is an ...

Chicago art critic, Harry Bouras was the host of "Arts and Artists" for 25 years. Harry's pieces are in permanent collections in Chicago, New York, and Tokyo. Resin coated iron sculpture. Pictured with three other matching sculptures...