Alabaster Sculptures

Material: Alabaster Origin: Asia Era: 19th Century Dimensions: 30 x 20 x 10 cm Features and Details: This magnificent Buddha carved in alabaster dates back to the 19th century and shows traces of polychrome, indicating its rich history and antiquity. It is a work of art of Asian origin, reflecting its style and carving technique. With dimensions of 30 x 20 x 10 cm, this sculpture is a serene and majestic representation of the Buddha, capturing the essence of spirituality and tranquility that characterize Buddhist art. The traces of polychrome add an additional depth to the piece, demonstrating the attention to detail and careful artistry of the time. Product Condition: The Buddha is in good condition considering its age, with normal signs of wear for its age and use. The traces of polychrome contribute to the charm and authenticity of the sculpture. Selling Price: Please contact us for pricing information. Sales Conditions: Payment Methods: Bank transfer, cash. Delivery: Delivery arrangements can be made based on the buyer's location. Warranty: No warranty is offered due to the ancient and unique nature of the sculpture. Return Policy: Returns may be accepted within a specified period, subject to certain conditions. This 19th-century Asian...

A beautiful and high quality Italian 19th century Alabaster bust and matching pedestal. This stunning bust is raised on a Alabaster marble pedestal with a multi facetted base with mo...

A Nice Late 19th / Early 20th Century Italian Alabaster Double Figure Sculpture by Emilio Fiaschi Depicting a young girl taking care of her sleeping brother, reaching and asking for...

This enchanting 19th century Italian carved Alabaster group of four putti playing whilst pushing and pulling a wooden cart, entitled; 'From the harvest' By Prof; A. Petrill, Firenze....

LITTLE ALABASTER DOG OF THE XIX CENTURY. DOG IN MINIATURE OF THE XIX CENTURY. MEASURES: 11X11X5CM. Good condition.

A very fine carved alabaster figure of a tiger Dimensions: D 10" H 17" W 33" CW4544.

Egyptian inspired Art Deco dancer. Made of Alabaster on an onyx base. The base of the dancer lights up.

This Art Deco sculpture captures the Samaritan woman wearing a tunic draped about her body, carrying the jug. Her hair pulled up in a bun, is supported...

This Albast statue depicting Saint Christopher, beautiful polychrome Circa 1600 Alabaster

Large alabaster pot and illuminated base Large jug and stand of illuminated alabaster. Years 1920-1940. Measurements: 170 cm total height-stand 105 cm h...

An Art Deco alabaster carving of a scantily clad girl leaning out of a dinghy to watch her dog as it swims alongside on a chain.  English, circa 1920.

A fine Victorian alabaster figure of Arthur Wellesley, Duke of Wellington, powerfully modelled with one arm across his chest holding a scroll and the ...

Of Egyptian/Lebanese roots, Omar Chakil developed the series, Volutes, made of unvarnished, untreated, raw Egyptian alabaster which he calls Pharaonic alab...

APL sculpture by Krzywda Dimensions: 10L x 10D x 10H cm Materials: Alabaster, brass Individually handmade in France by Krzywda. Krzywda (pronounce "Shivda"), established by artist...

19th century Pair of desks with portraits of Petrarch and Leonardo (2) Alabaster, 34 and 35 cm diam The pair of alabaster discs features a central cameo with the effigy of Petrarch and Leonardo, probably part of a larger series that featured illustrious characters from Italian history. On the openwork frame of Petrarch there are portraits of some characters who face each other, combined for centuries, as can be seen from the shapes of the garments that span several centuries: from the thirteenth century, in which men wear long-tipped bonnets, to the fifteenth century and Sixteenth century, the two characters at the top, in the seventeenth century, with wide collars, up to the eighteenth century. Francesco Petrarca (1304-1374) embodies the figure of the humanist intellectual par excellence, entirely dedicated to the study of Latin conceived as the only form of expression worthy of a man of letters, so as to serve any form of written communication, including letters and the reflection on himself witnessed in the Secretum. A personality made more complex by obsessive perfectionism, which led him to a continuous and infinite editing of the work which he also flaunted to consider as minor and which instead ensured him an undying fame among posterity, the Canzoniere. But the only aspect fixed in the collective imagination is that of the lover who idolizes the places where his ideal love blossomed...