Silver Sculptures

Amazing Spanish Baroque Pietà in Polychrome Wood with Silver Crown, 18th Century Impressive large-format Spanish Pietà, carved in wood and polychromed, datable to the late 18th cent...

Italian sculpture ‘Cuckolded Mask” in silver-plated metal designed by Gio Ponti for Argenteria Sabattini with the manufacturer’s mark engraved, Italy 1970s Please note that the item...

Comparable to the circus set from Tiffany & Co., these 3 Italian mixed metal (including silver) circus clowns sculptures/ miniature figurines from the mid-20th century are very reali...

Modernist Bird Sculpture Sterling Silver and Stone signed 2.75 h x 1.75 w x 3.75 d Preowned original vintage condition See all images fo...

A fine vintage silvered sea shell. Comprising a high spire sea shell with silver overlay throughout. In the style of Ruzzetti & Gow or Buccellati. The ...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

This 1960s Seashell Sculpture features a crowned Baeler melon seashell The melon shell has a distinctive crown of spines that circles around the apex of the shell Curved metal detai...

Hallmarked in London in 1901 by Henry Lewis, this handsome, Victorian, Antique Sterling Silver Model of a Horse, has a cropped tail like a polo pony, and is very realistically modell...

Hand crafted Modernist sterling silver on mahogany wood wall plaque by Emaus Cuernavaca, circa 1960's. Made in Taxco, Mexico and has the artist initials name on the back tag. Wonderf...

Murano Glass Clear Cased Silver Leaf Bird by Oball, Original Label This is a lovely mid-century modern Murano glass bird in very nice vintage condition. This bird is approximately...

A striking silvered bronze rendition of the Spirit of Ecstasy, the iconic figure originally created by Charles Sykes for Rolls-Royce in 1911. Depicting a graceful female form leaning...

A fine vintage Italian miniature figurine. In .800 fine silver. By Pietro Sorini of Arezzo, Italy. In the form of a snaggle-toothed wild boar. The boar's posture and open mouth su...

Whimsical silver bird with natural quartz crystal.

A fine, whimsical Italian silver sculpture. By La Medusa Oro. In sterling silver and mounted atop a wooden plinth. In the form of a dentist's chair complete with an instrument tra...

Dansk International Designs Ltd. Small sculpture of pig in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: D 4.5 cm x H 4.5 cm.

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

A rare ca. 1945 Virgin Mary sculpture in .930 silver with carved bone, amethyst and turquoise by Mexican silversmith Matilde Poulat. Manufactured in Taxco, Guerrero, México. The Virg...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Baroque Virgin of the Immaculate Conception in polychrome and gilded wood, 17th century An exceptional Baroque wood carving, polychrome and gild...

Funny Mid-Century Modern hand blown Murano glass fish sculpture with silver aventurine flecks. Italy, 1950s. This cool fish figure will be the perfect choice as a gift idea. Also int...

Marked: London, 1847, maker: Robert Garrard.

A highly collectable and delightful silver gilt novelty egg containing a hummingbird by renowned silversmith and artist Stuart Devlin (Australian, 1931-2018) and dated 1977. Stuart D...

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

Carrying import marks for Chester in 1903 by Berthold Muller, this charming, Antique Sterling Silver Model of a Pig, is wonderfully modelled, and features a removable head. The pig m...

Figure of a crusade in the military form of the seventh made by the recognised Italian master Giuseppe Vasari (1934 - 2005) presumably in the seventies. Marked on the back. Bronze wi...

Completely hand-crafted in 18th century Spain, this sculpture of the Virgin stands 1.5 meters / 5 feet tall and was most certainly created for devotional purposes, to be displayed in a church or chapel. Besides its impressive size this sculpture is an excellent, museum-quality example of the Spanish “Estofado” polychrome technique, developed during the Gothic period to imitate rich brocade fabrics. The finely carved “fabric” areas of the sculpture would be first covered in gesso, and then a layer of gold leaf would be applied. The gold leaf would then be painted over with various colors of tempera paints. Once dry, the painted surface would be incised or scratched away in patterns, revealing the gold beneath. The sculpture was professionally restored in 2022 by a firm that is often hired by the Spanish government to work on historic building interiors and museum pieces. The virgin was carefully cleaned, repaired and its condition stabilized. A complete and fully-illustrated restoration report will be included with purchase. Often confused with the virgin birth of Jesus, the belief that the Blessed Virgin Mary herself was conceived “immaculately” without original sin has been variously defended and debated within the Catholic Church since the pre-Middle Ages. For centuries, artists struggled to create an acceptable visual representation of this highly abstract concept, in part taking inspiration from the Book of Revelation and other scriptural sources. We see the Virgin standing on a half moon (biblically inspired, though also an ancient symbol of chastity) with her long natural hair loose down her back, another indication of purity. Both her white tunic and flowing blue mantle...

Standout Mid-Century Modern bowl hand crafted with silver plate on hammered copper in a ten bulb bowl form featuring stylized toucans as handles. Signed Los ...

With a figure of Neptune holding aloft a beautiful iridescent shell enclosed by three strap-work figures. The cover surmounted by three sea horses and...

This is an interesting and very unusual silver plated bronze bust of the famous four-faced Buddha. This history of this fascinating motif entails a fusion between the Hindu and Buddhist faiths. This high quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 15 x Width 14 x Depth 14 & Weight 2.45 kg Dimensions in inches: Height 6 inches x Width 5 inches x Depth 5 inches & Weight 5.4 lbs The four faced Buddha at the Erawan Shrine, Bangkok is actually Lord Brahma who is one of the Trinity of Hindu Gods. The other two are Lord Vishnu, the sustainer and Lord Siva the destroyer. Brahma is said to be born from a lotus leaf sprouting from the navel of Vishnu. The Thais call Brahma, Than Tao MahaProm or Phra Phrom. When Indian scholars spread Buddhism to Thailand, they brought with them Hindu culture and folklore, which has been inextricably linked with Thai culture and beliefs. Brahma has four faces and eight hands; a feature that could have given rise to the name four faced Buddha. He is the god of creation, mercy and benevolence. He sits atop a lotus leaf; the lotus flower is commonly used for prayers at Thai shrines...

"Greyhounds" Bruno Tornati Italy, 1930 Silvered Earthenware Black tinted wood base "Returned" signed Excellent condiction Sculpture in perfect condition.

A Magnificent and Quite Rare English Asprey Signed Orientalist Motif Masterpiece with Dessert Palm Tree and Parcel-Gilt Silver Camels having Diamond Eyes. Gorgeously constructed in ...

Silver and silver gilt nef sailing ship Continental, 20th Century Height 44cm, width 38cm, depth 12cm Made from silver and silver gilt, this nef, also known as a model ship, is br...

Silver and onyx horse racing sculpture by Mappin and Webb English, 1935 Height 39cm, width 62cm, depth 33cm Commissioned by H.H. Maharaja of Ra...

Art Déco silvered/nickeled bronze rabbit sculpture designed by animalier swiss author Édouard-Marcel Sandoz to be manufactured by the french firm Susse Frères By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, nickel, silver, metal Technique: polished, silvered, hand-crafted, patinated, metalwork, cast Dimensions: 2 in x 1.5 in x 2 in Date: early 20th century, circa 1930 Style: Art Déco, Animalier Place of origin: France This small sculpture, crafted by hand in nickel-plated bronze, depicts a rabbit with ears bowed in a gesture of meekness, its form affixed atop a sturdy base of matching material. In this case, the signature of artist...

A charming and signed pair of figural table sculptures by acclaimed Mexican artist Emilia Castillo, titled “Ella y Él” and dated 1995. Crafted in fine porcelain with hand-applied pur...

Murano Glass Clear Cased Silver Leaf Bird Sculpture by Oball, w/ Original Label This is a lovely mid-century modern Murano glass bird in very nice vintage condition. This bird is a...

A beautiful and very heavy sculpture of a duck, made of silver-plated brass, entirely in the style of Mauro Manetti. Unsigned, maker unknown. Second half of the 20th century. This b...

Hallmarked in London in 1973 by the renowned Garrard & Co., this impressive pair of solid sterling silver pheasants showcases superb craftsmanship and naturalistic detail. Each bird ...

A large sterling silver ring.

A sculpture of many violins by French artist Fernandez Arman created for Christofle in 1984 as a new years gift wishing for a happy new year. Signed and stamped. Silver plate bronze...

Early 20th Century Small Figural Studio Sculpture in Silver Metal from Uruguay Mounted on black wood stand. This piece is hand made, fun and funky! Dimensions: 11.5" H x 4" W x 3.5" D.

Very rare Modernist Wooden Sculpture / Desk Paperweight. Designed in 1930´s by Renato Bertelli Futurist Benito Mussolini shadow Sculpture. The I is made of silver and marked R. G. B....

Hallmarked in Sheffield in 1925, this Antique Sterling Silver Pair of Pheasants, are very early for British hallmarked examples, and have removable heads in the style of the earlier ...

A very decorative Hollywood Regency style jewelry dish or trinket dish modelled as a palm tree on an island in silver plate and gilt, made in Italy c. 1970. The trunk of the palm tr...

Early 20th Century Sterling Silver with Gold Wash Historical Knight Figurines, likely German ,Set of Three. Each depicts an iconic medieval warrior . Modeled in full armor with parce...

Large Bertoia Studios 32-Rod 'Sounding Chess / B-2466' copper & brass sculpture. A lyrical and musical sound sculpture with certificate of authenticity signed by Val, the artist and son of the original designer, Harry Bertoia. Hand made at the original Bertoia...

Guiraud-Rivière 1881-1947 A tall, exquisite, original French Art Deco sculpture in silvered bronze with parcel gilt accents. This largest rendition of the sculpture is truly a rarit...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

An intricate natural conch shell clad in sterling silver showcasing it's sculptural ridges beautiful organic form. The interior reveals a pearly white finish, adding contrast t...

Dansk International Designs Ltd. Small sculpture of a cat in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 4 cm x H 5 cm.

Mischievous creature sculpture, by Aurelio Teno, unsigned, Spanish, circa 1960s. Constructed of a seashell, silver or silvered bronze, and semi precious stone eyes on an agate base. ...

A very unique and rare gramophone made by a Seville jewller for the Gramophone Exhibition in Seville in 1925 in wich was awarded with a silver medal.It was...

A circa 1960's Italian silver plated horse head. Measurements: Height: 8" Length: 6" Width: 2.5"

Playful true to life silver frog that serves as a lighter other than being a decorative piece of artwork. Expertly handmade by the Florentine silversmiths, the Lisi Brothers, its rea...

Add a touch of vintage charm to your dinner table with this beautiful swan napkin holder. Crafted from high-quality metal with silver, it is the perfect addition to any home decor. T...

Monumental Life Size Parrot Bird Sterling Silver 925 Centerpiece, Sculpture on Marble Base Signed by Artist L. Soprani and marked 925 Dimensions: Height 26in; width 26 1/2in; d...

A very fine and rare Edwardian silver mustard pot in the form of an owl by George Fox, London 1906. With original coloured glass eyes, silver liner and mustard spoon with handle in ...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

An Elegant Mario Buccellati Sterling Silver Duck Perched on an Amethyst Base, Milan, 20th Century This exquisite creation epitomizes the craftsmanship and luxury for which Mario Buc...

Introducing an extraordinary and complete collection of Twelve English silver and silver-gilt "Twelve Days of Christmas" gift boxes, presented...