Revival Decorative Objects

Raffinata anfora in cristallo blu cobalto con intagli decorativi in stile classico, poggiante su un’elegante base in cristallo trasparente e metallo dorato cesellato. Il design richi...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

DESCRIPTION A vintage heavy solid brass four leaf clover with a raised fox in the middle of the bowl, made in Waynesboro, Virginia by Virginia MetalCrafters. The bowl was probably d...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

This vase is a valuable and sought-after piece among collectors of Murano glass. Cenedese is a well-known and respected glassmaker in Murano, Italy, famous for its high-quality glass...

Good quality antique box with Roman scenes on all four sides and on top. If you are a collector or enthousiast of anything to do with emperial Rome then this rare, meaningful and hi...

Regimental cash box. Iron. Possibly Germany, 18th century. It has faults. Rectangular safe with a flat lid containing the top bolt mechanism (which has a simple mechanism to cover...

A "Wedgewood" blue jasperware tole biscuit box by Huntley & Palmers. Good color & condition, circa 1900.

This lovely Rosenthal Studio LIne Germany porcelain 2 part round box was designed by the Versace Home Collection and has the fabulous Medusa head and from the Medusa collection. It i...

Pair 18th Century Hand-Carved Polychromed Wood Angels are amazingly well preserved and perfect for any devotional display. Sculpted from solid blocks of walnut, each features amazin...

A pair of gilt bronze candlesticks depicting two sitting griffins holding a bobeche on their heads forming the torch. They are laid on an oval base, with a foundry mark impressed und...

Pair of French mid-century Greek neoclassical patinated bronze female figures designed as torchieres. Currently without sockets, wiring and shades, but all may be added upon reques...

Elegant Herend Hungary porcelain cachepot, masterfully hand-painted with vibrant floral bouquets on a crisp white ground. The piece features two finely shaped side handles highlighte...

Important white marble sculpture by the Italian-born master, Luca Madrassi (1848-1919), depicting a standing nude beauty surrounded by three cherubs, two playing bronze flutes and on...

This Antique Signed Chapman Figure of a Girl with her Dog is a charming and exquisitely crafted piece, dating back to the 1920s. Made in Spain, this finely detailed sculpture beautif...

Unique table crucifix and a wonderful work of religious art, dated 1912 and numbered. For us the most powerful statement will always be 'the truth will set you free'. It is what we have learned most from the life of Christ and of His teachings and it is the one thing we always think about whenever we look at a crucifix. Anyone who has tried to break down his/her ego and found a clearer consciousness in the process knows how healing and rewarding that journey can be. After that you can only be grateful for all the good things that are bound to come your way. Good things will come your way, because the universe needs people like you. Whomever created this amazing work of religious art too must have been inspired and motivated by the life of Christ, because how ever could anyone create a piece that is of such quality, so beautiful and so powerful at the same time. Both the beautifully designed bronze cross with the King of the Jews inscription and the amazingly detailed bronze corpus of Christ are of a quality that you will only rarely find on the open market. They are perfectly mounted on a stunning marble base and together they create one of the most impressive table or altar crucifixes...

A German neo-gothic scent bottle in red glass and gilded silver This is a gorgeous antique scent-perfume bottle created in Europe between the 1800 and 1810. The exceptional exotic b...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

20th century hand carved folk art wooden cat form sculpture or statue. Features a knockdown design with elegant form. Features pointy claws, curled tale an...

A noble baroque style porcelain figurine lady designed by Alpinien Margaine (French, active after 1854) by the foundry Gibus et Cie (1853–1972) in Limoges, France in a baby blue moti...

Antique Brass Chandelier in Gothic Style – France, 19th Century A magnificent brass chandelier in Gothic style, dating from 19th century France. This masterpiece is designed to hold ...

O/6498 - Large rich giltwood frame, perfect for a mirror or for an important painting. For a mirror it's better to mount by Yourself, due to transport problems : on request I can do,...

Meissen Porcelain Candelabras antique German porcelain - a pair Each with 4 lights and 2 figures, emblematic of the four seasons. The cand...

This vintage picture or mirror frame is signed by an unknown maker and presumed to have originated from Italy and date to approximately 1970 and done in a Gothic Revival style. The f...

Morris and Co, In the style of, An Aesthetic Movement noir belge and red Marble gilded mantle or bracket clock with an important Gay Vicarino & Co French...

A very finely made antique French Palais Royal ormolu mounted mother of pearl desk stand with pen dating from around 1900. The stand comprises of an ornate looped wire work carrying handle with a candle holder mounted on a shaped metal body embossed and engraved with floral designs and with a coiled pen support one with a snake head terminal and other with a flower with a polished mother of pearl bowl...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

A life-Size pair of finely cast 19th century Italian terracotta eagles standing on an oval terracotta base, each facing the other with their wings par...

This is a heavy patinated bronze sculpture of a “Paso Fino”horse. “Paso Fino” means a horse with a fine step. These horses have a unique and natural smooth gait since birth. It depicts a large hairy proud horse with strong stamina that is starting its smooth gait. It is showing expressive eyes, a wavy mane and large tail. The horse sculpture is attached to a heavy large black oval marble base by two long screws with nuts. Paso Fino horses originated from centuries of selective breeding by Spanish...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

Rococo Revival Dresden Porcelain Footed Bowl, by Helena Wolfsohn, circa 1890 A finely hand-painted and richly modeled Rococo Revival porcelain bowl, attributed to the Helena Wolfsoh...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

This elegant 20th-century Danish box, dating to circa 1900, is a stunning example of early 20th-century Scandinavian craftsmanship. Made from beautifully grained walnut, the box feat...

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

Antique Egyptian Revival Art Deco enameled 800 grade silver gilt cloisonne enamel box, Italy, circa 1925. The hexagonal shaped lidded box having a hinged lid, decorated with a head o...

Champagne bucket with an Orange Color. Ice bucket. In Plastic, by Veuve Cliquot Champagne. Made during the 20th Century.

Elegant vintage large footed Brown color wooden music box with top finely hand painted and inlaid with foliages floral decor. Upon opening, the music box begins to play " We've only ...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Vintage solid cast brass Italian door knocker with scary evil devil man face. The large mascaron crest has been crafted in grotesque style and is sometimes called a chimera. A mascar...

Chic pair of large classical form ceramic vases executed in high glaze white on white. The unusual large scale make these urns a statement pieces in any interior space. One urn sho...

Pair of antique patinated bronze vases with variegated green marble pedestals in the Roman neoclassical style featuring finely cast figur...

A fine and rare 19th-20th century neoclassical Revival style silver plated metal and cut-glass centerpiece in the manner of Christofle. The boat-shaped ornately body with finely chas...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Mid-20th Century Neoclassical Revival urn vase with faux-painted marble banded wood base featuring a Roman scene in bas relief. Decorative use only.

This is a wonderful antique French Empire Revival ormolu mounted and patinated Verde Antico marble inkstand, Circa 1870 in date. Of rectangular form with a pair of raised inkwells h...

English Gothic Revival-style (1st Quarter 20th Century) oak letter box with tracery carved sides and top

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Gorgeous decorative vase made of fine cobalt blue crystal, featuring the highest quality craftsmanship. The work combines two artistic techniques: hand engraving with refined floral ...

A decorative I Karos pottery, I Caro collector polychrome hand painted and handcrafted in Rhodes, Greece ceramic wall decorative plate with an antelope, carnations and tulip polychrome design. The plate is decorated with a white, blue, aqua, green, and sienna red design and gilded with 24-karat gold. These are intricately, hand painted plates made in Rhodes, Greece by the famous I Caro pottery. Rhodes is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted carnation and tulip in burgundy, light and dark blue and turquoise foliage. An Islamic ceramic plate in the Iznik style, painted in vivid colors with decoration of tulips and carnations. The back of the plate is signed and numbered, it has a string to the back for hanging. It is marked “handmade in Rhodes Greece by Ikaros Pottery...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

A pair of 19th-century Meissen porcelain figurines in Rococo Revival style, depicting a romantic couple in floral costumes. These finely detailed polychrome porcelain figures captur...

A very pleasing, late 19th century, double compartment tea caddy. This marvellous and rare tea caddy is in very good condition and the burl walnut has a truly warm, deep and rich pa...

Carved Alabaster Table Lamp with Urn Form and Light Inside, Italy, 1930s Alabaster Urn Lamp. Outstanding Neoclassical carved alabaster urn lamp with handles.Italy, 1930s Elegant neoc...

Painted bronze sculpture "Sacrifice of Cleopatra" by Franz Bergmann (1861-1936) signed Nam Greb, Austria, early 20th century.

A fine pair of antique French gilt bronze vases. Decorated with an assembly of musical instruments, a gourd, and even a hat. Extremely solid and finely cast, these urns or vas...

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

Rare complete 19th French pottery tobacco jar inspired by the Renaissance with medallions with his two pewter lids. Pottery from North of France No...