Gilt Decorative Objects

PAIR OF EMPIRE GILT AND PATINATED BRONZE THREE-LIGHT CANDELABRA Paris, France ca. 1815-35 raised on antico verde marble plinths 25 1/2" H x 9" W x 4 1/2" D A very finely chiseled ...

Extraordinary wine-cooler in the form of a beautifully sculpted, gilt and polychromed Swan of impressive stature, makes certainly the conversation-piece of the party. The white paint...

A Fantastic and Large 19th century French dore bronze mounted hand-cut prismic crystal box. The mount is hand-chased and hand-chiseled with the finest detail. The entire mount is des...

A fine and important Sèvres style bronze mounted and cobalt porcelain with hand painted courting figures in landscapes. Origin: French Date: 19th century Dimension: Centerpiece:...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

This antique gilt bronze and cast iron jardinière is unsigned, but presumed to have been made in France in approximately 1900 This planter is done with a conical shaped cast iron pot...

For your consideration is this original 1930's Art Deco wall clock by English clock makers Smiths. Originally had an electrical movement which we've converted to battery - uses doubl...

This is a Pair of Gilt Cobalt Blue Urns. Both Urns depict a cobalt blue background that is decorated in the center with a hand painted country side landscape ...

Attractive arts and crafts patinaed hand carved wood frame in a matte burnished green gold with red highlights on the flowers. 1900, USA. Measures : Glass area 20" x 16".

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

A French green opaline glass cachepot with gilt mounting. 20th century.

French (19th/20th Cent) opaline and gilt trimmed tall glass vase (chips to top rim)

Large Meissen flower-encrusted potpourri vase in the Rococo-style German, 19th Century Height 72cm, width 32cm, depth 29cm Crafted by Meissen, the olde...

This old wooden gold-colored frame with a beautiful patina, entirely in classic Baroque or Rococo style, is decorated with acanthus leaves and embossed patterns. It's a beautiful, hi...

A stunning antique Moser turquoise crystal bowl with heavy floral gold gilding.

Silver plated Italian lidded apple with decorative brass stem and leaf handle. A lovely objet d'art that is perfect for the dressing-table or bathroom.

This beautifully handcrafted wall piece pays tribute to the splendor of Andalusian architecture, echoing the intricate arches and decorative flourishes of the Alhambra in Granada. Made in early 20th-century Spain, it captures the spirit of Islamic Revival style with striking detail and artisan precision. At its center are three classic horseshoe arches, richly adorned with arabesques and supported by slender columns topped with finely worked capitals. A palette of soft reds, blues, and golds brings depth and warmth, further elevated by a rich burgundy velvet background. Surrounding the scene is a remarkable inlaid wooden frame, featuring delicate geometric patterns and flowing Arabic calligraphy — hallmarks of Neo-Mudejar design. This is not only a decorative object but a conversation piece, a rare combination of cultural history, architectural beauty, and fine craftsmanship. There are signs of restorations and some chipping to the plasterwork, mostly along the edges, but nothing that takes away from the overall beauty or structural integrity of the piece. Whether you're a lover of Islamic art, architectural miniatures, or simply looking for something rich in history and charm to add to your space, this piece brings timeless character and a story with it. A rare find with true soul. The large frame may have some minor losses and but this antique art work...

A superb late-19th century porcelain mantel clock, titled “La Manche”, created by the renowned Ansonia Clock Company in collaboration with Royal Bonn of Germany—famed for their exqu...

c1800 French Antique Rococo Louis XVI Mercury Gilt Bronze Figural Clock Case/ Frame. This period clock case is quite stunning, in excellent condition retaining the original gold pati...

Model #5 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, f...

Fine Continental Silver Bonbon Box with Giltwash interior, 900 Standard. Surmounted by a flowerform finial, the two part box is decorated with a twisted gadrooned border, and a gilt-...

This exceptional pair of large French Art Deco vases is attributed to Gustave Asch for the renowned Sainte Radegonde faience workshop, circa 1920. Each vase is finished in a rich, hi...

A beautiful mid century Richard Ginori Pittoria cachepot / planter. Elegant and classic, this cachepot has gilded features, scroll handles, and showcases two countryside scenes on ea...

Coppia di Candelabri a Tre Fiamme Impero in Bronzo Dorato della prima metà del XIX secolo, di origine italiana, si presentano in buono stato di conservazione con segni di usura nell...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Antique Alabaster Chandelier / Pendant w. Bronze Godd Sculptures & Rose Shades. If you're looking for a lighting piece that truly tells a story — one that combines artistry, craftsm...

Exquisite dimpled Japanese decorative porcelain plate intricately hand painted, showcasing a dramatic breathtaking phoenix in deep blue extending its beautiful long wings to cover th...

Gilt bronze box with miniature of Napoleon Bonaparte painted on porcelain from the 19th century. 7.5 x 9.5 cm, height 3.4 cm

A Very Unusual and Quite Rare 19th Century French brown and green Patinated Bronze & Ormolu Mounted Rouge Marble Clock Garniture. This three-piece garniture set, comprising a centra...

Gilt leather bound sturdy / library room complete collection set. The set include twenty 28 volumes. Funk & Wagnalls, New Encyclopedia. Each book is in gr...

A stunning polychrome figure of a Saint from the late 18th century or early 19th century, from France. This is one of the most beautifully carved Saints we have ever featured, with t...

An impressive humidor by Glynn Lockett applied with Crocodile skin and gilt mounts. The top surmounted with a crocodile with sapphire eyes, next to an undulating lapis lazuli pane...

Elegant Empire-period inkwell featuring a rectangular base in griotte red marble, embellished with gilded bronzes. The main decoration, of great finesse, represents a winged figure i...

Victorian, sterling silver heart-form trinkets box with hinged lid and gilt interior, Birmingham, England, year-hallmarked for 1897, H. Matthews - Maker. Lid is designed with a Joshu...

Completely hand-crafted in 18th century Spain, this sculpture of the Virgin stands 1.5 meters / 5 feet tall and was most certainly created for devotional purposes, to be displayed in a church or chapel. Besides its impressive size this sculpture is an excellent, museum-quality example of the Spanish “Estofado” polychrome technique, developed during the Gothic period to imitate rich brocade fabrics. The finely carved “fabric” areas of the sculpture would be first covered in gesso, and then a layer of gold leaf would be applied. The gold leaf would then be painted over with various colors of tempera paints. Once dry, the painted surface would be incised or scratched away in patterns, revealing the gold beneath. The sculpture was professionally restored in 2022 by a firm that is often hired by the Spanish government to work on historic building interiors and museum pieces. The virgin was carefully cleaned, repaired and its condition stabilized. A complete and fully-illustrated restoration report will be included with purchase. Often confused with the virgin birth of Jesus, the belief that the Blessed Virgin Mary herself was conceived “immaculately” without original sin has been variously defended and debated within the Catholic Church since the pre-Middle Ages. For centuries, artists struggled to create an acceptable visual representation of this highly abstract concept, in part taking inspiration from the Book of Revelation and other scriptural sources. We see the Virgin standing on a half moon (biblically inspired, though also an ancient symbol of chastity) with her long natural hair loose down her back, another indication of purity. Both her white tunic and flowing blue mantle...

Fine quality pair of Charles X period gilt and patinated bronze candelabra lamps. Each having a central hand chiselled gilt bronze ca...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

Antique gilt brass and cut glass souvenir depicting the ‘Basilique de la Delivrande’. This is a charmingly detailed jewellery casket. The top depicts the Basilica of Our Lady of Deliverance near Caen in Northern France. The top panel of bevelled glass displays the image and the four sides of bevelled glass panels are clear. There is a pronounced cushion inside for displaying jewellery. Dating from the late 19th century, it would have been sold as a French souvenir...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A set of Antique Five German Pewter Defregger Beer Stein Decorative Cup Bowl decorative objects , decorative beer cup or beer glass with lid, pressed, cast and chased. Circular, curv...

19th century Meiji Period diminutive bronze vase with lovely etched and applied decoration. A raised gilt bird is shown flying above etched bamboo on one side, gilt applied lilies wi...

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

Pair of neoclassical figural candelabra in silvered and gilt bronze designed by the French author, essayist and artist, Judith Gautier (1845-1917), signed and dated 1886, depicting ...

Queens Ware is the mark on this pitcher and basin set made in England in the mid to late 1800s by Wedgwood. It is also known as creamware, a techniqu...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, signed J. E. Masson. Jules Edmond Masson (1871-1932), born to Clovis Masson, was a widel...

Set of six decorative Ionic and Corinthian columns made of carved wood that has been accentuated with bronze colored leaf. These were used as merchandising display props at Boston’s ...

Limoges porcelain boulle vase by Charles Tharaud, Art Deco period, 1930. Art Deco period Limoges porcelain boulle vase by Charles Tharaud, painted and gilded porcelain, 1930. H:29cm...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

A textured metal cobra snake candlestick holder with a gold gilt finish on 'skin', circa early-20th century. Piece can also work as a standalone decorative object. Dimensions: 3" Wid...

Vintage cylindrical porcelain vase features a standing female figure from Bjørn Wiinblad's series for Rosenthal company, '1001 Nacht' (1001 Nights). Whimsical, colorful figures on d...

This pair of 19th-century French candelabra is made from dark patinated bronze and bright gilt bronze (ormolu). Each piece features a mythical creature, possibly a dragon or a chimer...

Jaeger LeCoultre - Atmos Clock with Square Dial Switzerland Gold-plated brass Year of manufacture 1980 Dimensions: H x W x D: 23 x 21 x 16 cm Description: Atmos VIII in matt brush...

Impressive, large beige/ golden Murano glass amphora vase handcrafted in the Venetian lagoon by the famous company of Gabbiani Venezia. This extraordina...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Mounted on pink marble. Sourced from a French collector.

Vintage MacKenzie-Childs 11" x 13" white enamel "flower market" pattern picture frame for a 5" x 7" picture. Heavy-gauge, hand-glazed steel underbody embellished with hand-applied fl...

Pair of large antique (19th century) French oil lamps crafted from rouge marble with gilt and silvered mounts including the prominent figures of neoclassical maidens. By Maison Gagn...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...