Pottery Vases and Vessels

Big circular midcentury modern ceramic vase with amazing glaze in olive green, clear blue and warm blackish brown colors. Small stamp on one side. Excellent vintage condition. Denma...

Lovely sang de boeuf color mottled glaze covers the very dark brown body of this 1950s URANIA ceramic vase by Ursula Fesca for Wächtersbach Keramik. In Very Good condition with no ...

More than likely made by Bay Keramik Krug pottery vase from the 1960s Germany. Features a mottled white glaze over a brown body with red and black geometric bands of decoration. Dark...

This highly sought after vintage Pfaltzgraff orange pottery vase is one produced in the 1940s early 50s. Beautiful striated orange matte glaze covers the body of the vessel. Its desi...

Constance Spry for Fulham Pottery vase circa 1930s Desirable scalloped body and curved handles with decorative banding, finished in sought afte...

Chinese Neolithic Pottery Jar from the Majiayao Culture, specifically the Machang phase, in northwest China, and dating back roughly 4000 years. Jar is made from earthenware and pain...

Beautiful ceramic handmade planter. Carefully crafted, each black ceramic plant pot is thrown and trimmed on the wheel, and every outer spike is i...

A beautiful black and white ceramic pottery vase with 'eye' design. A great addition to any room. Dimensions: 5.75" Height For chair shown searc...

Japanese Awaji pottery vase with split bamboo weaving. Bottle form vase with flaring mouth in bright, warm yellow glaze with incised bamboo motif glazed in green. 12" high, 7" diamet...

A beautifully crafted, wonderfully designed, large Mid-century Modern California Studio pottery vase by famed California ceramic artist Robert Maxwell featuring a radiant pale grayis...

Playful vintage vase features hand painted abstract graphic designs in Postmodern style on ombre mauve pink background with turquoise rim and accent band on the bottom of the vase. The vase is hand signed by the artist on the bottom. Judith Stiles studied ceramic glazes under Susan Parks...

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi flower vase fo...

Designer: Aldo Londi Importer: Raymor. Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi Italian pottery bowl rem...

A stylish vintage Italian art pottery vase of compressed rounded slab form and slightly flared in shape with the readily recognizable linear pattern by Guido Gambone (1909-1969). The...

Organic midcentury modern muted olive, sage green Rörstrand pitcher bottle vase from the Zenit series. Designed by acclaimed artist Gunnar Nylund in the 1960s. Chamotte clay with han...

Vintage Awaji pottery "muscle" vase with upturned bicep handles and terrific yellow flambe glaze, circa 1930. Hand turned. Impressed marks on base. 6" high, 7 1/2" across, 6" deep. E...

Attributed to Jacques Lenoble Elegant ceramic vase with pink ceramic glaze color. Beautiful handmade form typical from the 1930s. Signed J under the base. Dimensions: 34 ...

German Mid Century Modern pottery floor vase from 1860s by Jasba Keramik Germany. Deep blue glosst glaze background with bands separating an incised hourglass design through out. In...

Cachepot Planter by Villeroy & Boch Dresden art deco model " Steiermark " Design Period 1930s Production Period 1930s handpainted Country of Manufacture Germany MARKED: yes (...

100-year old Swedish Art Nouveau vase handmade by artist Edgar Böckman in the 1920s. Warm grey, rose, magenta colored lustre glaze covering the slender shape with large organic decor...

A French Provincial glazed pottery pouring jug from the 19th century, with single spout, two handles and great rustic character. Created in southern France during the 19th century, t...

Lee Rosen for Design Technics Incised and Slip Decorated Abstract Design Vase, ca 1950s This is a gorgeous and unique Design Technics vase by Lee Rosen that features a biomorphic sh...

Vintage Nemadji Native Indian Art Pottery Ceramic Pink Vase 5.25 h x 4.38 diameter Original vintage, refer to images listed.

A stunning and scarce early Art Deco Hancock & Sons Morrisware hand painted art pottery vase by George Cartlidge dating between 1918 and 1926. This st...

Vintage majolica ceramic vase features streamlined cylinder shape and festive "Prezzemolo", or Parsley, decor in blue colorway. The decor consists of abstract geomentic shapes in blu...

Handsome 24-piece collection of bright blue Niloak midcentury pottery. They are all in fabulous vintage condition apart from the small glossy glazed Dutch shoe. It sounds like it is cracked but I cannot visually see a crack. The rest appear to have no chips, cracks, or chiggers, and very light crazing if any. Please see photos. We are selling this as a complete 24-piece set. Five pieces are not marked. They are noted in the list, circa 1937-1947. Holy cow! Blue, blue, my love is blue……! I had never seen this much Niloak in one place before obtaining this collection. And all in one color. It is so gorgeous! What better way for you to jump right into the blue trend in decorating. These will be incredible whether you display them all together in one place or scatter them about. Someone spent years at and put in a lot of love into gathering these beauties. Please see below for list and sizes. Niloak is a line of pottery which was produced in Benton, Arkansas by Eagle Pottery Company. Eagle was found in 1890s by Charles Dean Hyten and his brothers. By 1904 Eagle was the largest pottery-ware business in the Benton area. Then in 1909 Arthur Dovey joined Hyten, by then the sole owner, to develop an operation to produce art pottery. Thus, began Niloak. The name Niloak is the spelling of kaolin reversed. Kaolin is the main ingredient of porcelain. Niloak was and is best known for their Swirl pottery resembling marbled paper. Then in 1932 Niloak transitioned from hand thrown products to slip-cast and mold-pressed production which was spearheaded by Stoin M. Stoin. These 62 Hywood shapes were simply marked on the bottom Niloak. Beginning in 1939 new shapes were added that provided a lip and the bottoms of pieces were able to be glazed. Because of the war effort many materials were regulated which were used in the Niloak glazes and clay, so the recipes were reformulated. After the war regular production resumed and new bright glazes were used. By the end of 1947 Niloak was no more. List of pottery items with sizes: • Southern belle planter 10 H x 8 W x 8 D inches • Dutch shoe gloss glaze 2.25 H x 2.25 W x 4.5 D inches • Winged Victory swirl vase 6.5 H x 3.75 W x 3.75 D inches • 2-handled baskets 3.25 H x 3 W x 3 D inches • Rocking horse planter...

Vintage Studio Art Pottery Modern Glossy Dark Weed Pot Vase Earle Freeman 10/75 signed 5.25 h x 3.5 diameter Preowned vintage condition Review images provided please.

Sculptural, large ceramic Neo-Renaissance Rubboli vase is finished in cobalt, red and gold lustre. Hand-painted decor follows the classical shape of the piece, with abstract pattern accentuated the base and the top of the vase, and traditional designs of mythical beasts surrounding central medallion motifs. The vase is a stunning, museum quality example of the revival of the magnificent Italian Renaissance decoration of the 16th century. Late 19th century collecting craze for Renaissance majolica, especially lusterware, prompted the Italian potters to hunt for the secret formulas that were lost four hundred years earlier. Studios owned by such ceramicists as Cantagalli, Molaroni, Rubboli, Santarella, and others attempted to duplicate antique lusterware pieces for the general public. Each studio developed their own closely guarded formulation. In 1870s Paolo Rubboli...

A superb late 19th century Minton twin-handled garniture vase and cover, exquisitely hand-painted by the celebrated artist Antonin Boullemier (signed A. Boullemier). The ovoid porcel...

Very beautiful vase in enamelled polychrome painted ceramic. Persian, Qajar dynasty dating from 1900. Beautiful painted decoration of birds and flowering branches...

REDUCED FROM $280....Exquisite creation by Gunnar Nylund (1914–1997) during his tenure as artistic director of Rörstrand from 1932 through the 1950s. The vase has a glossy white glaz...

Antique American Art Deco Rookwood pottery vase, 1934. The vase of ovoid form with a cream matt glaze and a blue interior rim, finely decorated with an embossed design of two leaping...

The antique or vintage porcelain vase features high neck with thrice ribbed side in the lower section, accented with graphic detailing, done in thin, delicate porcelain. Elegant Art ...

- Small ceramic bowl and fish vase - Made by Laurids Hjorth - Produced in Bornholm, Denmark - Hare's Fur glazes in brown tones - Both pieces are signed by the maker.  

This is a pair of monumental neoclassical style pottery urns handcrafted in Italy. They are marked and in very good condition. The urns most likely date to the later part of the 20th...

Large William Moorcroft Wisteria Plum Vase, c1935 Additional Information: Heading : Large William Moorcroft pottery vase Date : c1935 Origin : Burslem, Engl...

Danish midcentury modern ceramic vase by Marianne Starck for Michael Andersen Son. Blue stylized floral decor around the belly of the grey cylinder shape with persia crackle gl...

Manufacturer: Bitossi Importer: Raymor (labeled) Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi for Raymor...

A gorgeous Arts & Crafts period glazed art pottery vase By Rookwood Pottery USA, 1922 Glazed ceramic in a beautiful light pink color. Measures: 2.75"W x 2.75"D x 6.5"H. Very goo...

Large ceramic floor vase by ceramic artist Harald Folmer Gross (1888-1961) for Knabstrup Ceramics - Gross worked for Knabstrup from 1941 to 1945. Light cream yellow base with hand-pa...

Beautiful large hand turned "Paquime Pottery" jar / olla by Damian E. Quezada for Mata Ortiz, circa 1980s. The piece has exquisite detail, great color (brown and rust) and a unique design with several holes in the base; it is in very good condition with no chips or cracks and measures a substantial 7"D x 11.5"H. #2185 Damian is the son of Juan Quezada...

Antique Arts & Crafts art pottery Hudson Perfector vase by Weller Pottery features a pink and white floral design on graduated sea foam green to blue ground, artist and maker signed ...

California modern art pottery planter by Jerry Meek.

A mesmerizing Art Nouveau vase manufactured by the french pottery Pierrefonds, at the beginning of the XXth century, around 1910. Its vivid blue Crystalline Glaze and two-handled sha...

Designer: Alvino Bagni. Importer: Raymor. Period or model: Mid-Century Modern. Specs: Pottery Condition: This Alvino Bagni orange vase Imported by Raymor is in excellen...

Large handmade vintage Turkish floor vase. Hand-carved stylized floral incisions filled with light and dark blue glaze on the warm white base creating an abundance of different types...

Anthracite black glazed and vertically incised vase designed and produced by ceramic artist Ejvind Nielsen in the small Danish town of Hvidovre in the 1960s. Nielsen is known for his...

Steen Kepp Massive and exceptional stoneware ceramic vase with firing color effects. Pottery vase realized in la Borne, circa 1975. Signed under the base. Excellent condi...

Art Deco pottery vase Charles Greber, circa 1930.  

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Combination of matte & glossy white glazing makes this modern and beautiful tall Vase much more interesting. The band of matte white in the center front and back has a raised decoration of bubbles reminiscent of the work of Tapio Wirkkala for Rosenthal in 1960s and 70s. Stamped in blue underglaze on the bottom, Naaman Artline...

Large Antique Chinese High Glaze Black Pottery Temple Jar C1930 Measures- 17.5"H x 8.5"W x 8.5"D

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi multi color flower vase for Rosenthal Netter...

A pair of Italian white ceramic urns vases, Neoclassical style, circa late-20th century, Italy. Great as standalone pieces or as vases with flowers,...

Large post-modern raku pottery vase by Amadio Smith, circa 1980s. The piece measures 11.75"D x 10"H and is signed and dated on the underside. The vase is in good vintage condition an...

we offer for sale a stunning pottery hand crafted in Italy and datable around the mid 20th century. The sculptural shape of this carafe/vase harks back to ancient and primitive forms...

A late 1940s stoneware vase by Nancy Wickham Boyd featuring a dynamic double helix motif. The sgrafitto design is highlighted with green glazing. Like quite a few well-known NYC pott...

This is a pottery called Seto-yaki, which was fired in Seto, Aichi Prefecture, Japan. Seto is a kiln with a long history in Aichi Prefecture, Japan. (Seto kilns are marked with red c...

Muted blackish dark brown glazed stoneware vase with precise and narrow vertically incised lined pattern band around the top of the belly. Soft rounded bottle shape with slender neck...

Large green Vintage pottery vase with relief palmetto design. Marked on verso as shown. Dimensions: 7 1/2" W x 10 3/4" H Condition: Please see ...