Late 20th Century Planters, Cachepots and Jardinières

A large monochrome garnet hued planter with rope accents. This large monochrome planter commands attention with its deep garnet tones and striking rope accents, artfully arranged in ...

Beautiful and very large vase, fabricated in Italy in the 80's. This very rare vase is made of rough edged brick motif Mactan stone or Fossil Stone. Made with stunning craftsmanshi...

Herend, Hungary. "Apponyi" flowerpot. Hand painted with purple floral motifs and gold decoration. Circa 1970s. Marked. Perfect condition. Dimensions: W 17.0 cm. x H 12.0 cm.

1970's Metal baby bathtub.

Brilliant yellow and green soft resin. The colors blend together to form a fabulous example of Gaetano Pesce Amazonia Vase. Stamped Fish Design. P...

Striking piece of Midcentury modern pottery, by Claude Conover. Harder to find floor pot, signed / named Maach. #521. Large size, W 12.5” D opening. This pie...

Article: Ceramic fat lava vases set of 2 Producer: HARTWIG HEYNE, Germany The pottery was founded in 1850 in Tschöpeln in Silesia on the bo...

Beautiful and simple large jar with a archaic banding scribed across the exterior top. Glazed interior while the outside is unglazed. In excellent vintage co...

Mid/Late 20th c., Japan, blue glazed water basin/ikebana vessel, stamped on underside. The ceramic has an angular, L-shaped form. The outer part is covered with a deep blue glaze, a...

A wide ceramic bowl with white glaze and earthy golden base. Subtle yet striking, this artisan-crafted ceramic bowl combines elegant form with a quietly expressive glaze. The body fl...

A vintage solid brass cachepot or jardiniére probably from the 1970’s. The piece stands approximately 9 1/2 inches tall, 9 3/4 inches wide and 9 3/4 inches deep. There are no maker ...

This highly tactile vintage cachepot is a remarkable piece of Studio Pottery, showcasing rich surface manipulation and an expressive glaze technique. The hand-built vessel features d...

Adorn your home with this exquisite vintage Hollywood Regency woven glazed ceramic cache pot, a sophisticated piece that blends classic charm with intricate design. This planter feat...

Large Robert Maxwell & David Cressey thumbprint planter for Earthgender. Executed in textured earthenware with a stunning brown coloration with glaz...

This designer on-trend architectural 23.5" long rectangular concrete planter is by Swiss architect Willy Guhl for Eternit, crafted in the 1960s and 1970s Switzerland and signed and dated underneath, circa 1968. This special low-profile and rare long sized rectangle-shaped concrete planter has a patinated natural exterior finish and organic aging over decades of UK climate. Excellent planter size for a variety of various uses such as succulents, plants, weeping grass with the planter on a stand, window or balcony privacy hedge, or any other outdoor decorative use. Consider using this Willy Guhl Concrete Planter Pot in a Architectural, Postmodern, Mid-Century Modern, Scandinavian Modern or Danish modern garden, yard or penthouse apartment balcony but could also look fantastic in a Contemporary or Zen / Minimalism setting. Also consider mixing it up in a Traditional, Transitional, Classical or Art Deco space with a splash of juxtaposition. Would also be an apt choice in a commercial project such as an outdoor hotel lobby lounge or members club, creative design studio or high-rise executive office balcony. MEASUREMENTS: H 6.875" x W 23.5" x D 6.875" CONDITION: Sturdy and structurally sound. Has beautiful antiquing and patina throughout from decades of organic aging which can include minor chipping, stains or other blemishes however this lightly distressed look is common, expected and desirable for these early production originals. Some examples may display light...

1980s Studio ceramic planter or cachepot with purple and copper glazing by Gary McCloy for Steve Chase. Hand signed and marked exclusively for Steve Chase....

Danish one of a kind ceramic vase // decorative piece If you are looking for a unique decorative piece, that you won’t find anywhere else,...

Precious and unique hand-blown Murano glass vase in light blue, with a classic but original design and a strong thickness of the glass. Linear and stylized vase. The vase has a long...

Gorgeous Palace Size Rose Medallion Fish Bowl Pot with unusual light soft colors for Rose Medallion. Very large scale perfect for larger plants. Add some Asian influence to your Desi...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Set of 5 rattan pot holders with wheels, Italy 1980. Dimensions of individual elements Large high 31 H x 49 D cm Large bass 23.5 H x 52 D cm Medium 1 – 31.5...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

Gustavsberg, Sweden. Three flower pot covers in white glazed stoneware, 1970s. Largest measures: 16.5 x 13 cm. In excellent condition. Stamped.

A Pair of Large French Turquoise Garden Tree Planters This is a pair Large Glazed Terracotta Turquoise Blue Garden Planters big enough for an Olive or any other patio tree or just a...

Elevate your entertaining style with this striking French champagne cooler, crafted from a sophisticated combination of polished copper brass and chrome. With its sleek silhouette ...

Gustavsberg, Sweden. Three flower pot covers in white glazed stoneware. 1970s. Largest measures: 16.5 x 11,5 cm. In excellent condition. Stamped.

Pair of concrete Willy Guhl planters by Swiss architect Willy Guhl for Eternit, circa 1968.

Copper and brass log bin with lion mask handles and claw feet in brass Great look to this English antique which can be used as a planter Will ship to anywhere in the world, please co...

Great condition; features a planter with a saucer for easy watering. Little to no wear. Bowl measurse approximate 6 inches tall x 12 inches wide. Saucer measures 13 inches wide. If y...

Ceramic vase Rosenthal Netter produced by Ceramiche Bitossi Montelupo, 70s. Glazed ceramic, matte raw clay. Each work created by Bitossi follows a very complex working process, both ...

Pair of earthenware amphorae produced by Vetus Siena, 70's. White coarse clay Each work created by Vetus Siena follows a very complex working process, both in the formal and decorati...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Pair of Large Ceramic Glazed Outdoor Planters.

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

A white Tiffany & Co planter cachepot jardinière with colorful floral design, circa late-20th century. Piece has floral design with yellow, pink and blue flowers on a white backgroun...

Beautiful mid-century modern bronze resin square planters manufactured in the United States, circa 1970s. These planters are manufactured by the well-known company Forms and Surfaces...

Ceramic planter produced by Ceramiche Bitossi Montelupo, 70s. Glazed ceramic, white pictorial decoration. Each work created by Bitossi follows a very complex working process, both in...

Glass planter made by Alfredo Barbini, Barbini glassworks Murano, 70s. Murano glass. Alfredo Barbini (1912-2007) One of the greatest Murano glass artists of the twentieth century. He...

Vintage ceramic cachepot is an original decorative object realized in the 1970s in the Netherlands. A ceramic cachepot perfect for your house. Good conditions except for some ...

Brutalist solid wood planter, 1970s.

With its unique features and meticulous attention to detail, this piece is a testament to the innovative vision and artistic sensibility of the Murano masters. A highly sought-after...

Elegant pair of turned and carved columns in the round, made of wood and fully gilded with pure gold leaf, with a particularly brilliant and rich finish. The columns are inspired by ...

Add a sculptural touch to your décor with this vintage Regency-style rope trellis cache pot, beautifully crafted to mimic intricately braided ropework in a high-gloss ceramic finish....

Maison Jansen, by. Directoire style planter in white and gray lacquered wood, ending in the upper part with a decoration of balls. French work realized in the 1970s. Dimensions: H...

This is a 1970s heavy cast brass shell form footed serving dish or catchall. It was manufactured by Decorative Crafts. It is marked and in very good condition.

A gorgeous trompe l'oeil white French Country style reticulated porcelain woven rope basket cachepot Spain, Circa 1980s Measures: 6"W x 6"D x 4.25"H Good vintage condition. Minor...

This fabulous and unique faux zebra three leg planter has a “bronze” colour acrylic insert surrounded by a stainless steel triangular frame. Originally designed as a planter…. It is...

Beautiful vintage fine bone porcelain decorative vase by Bareuther, circa 1970s. Details: - 5.5" tall - 3.25" bottom diameter - 2.3" top diameter About Bareuther: Bareuth...

Large attributed to Paolo Marioni ceramic planter from 1970-80's. Outside is glazed, decorated with multicolor Art deco ornaments, painted with different marble imitation elements. T...

This substantial artisan-made ceramic planter features a striking, tiered glaze that moves from matte ochre at the rim to a deep, glossy green at the base. The upper register is soft...

Just in, a beautiful planter by Maxine Scholts circa 1970s. Features a textured pattern on the outer side of the planter. Ceramic material. Measures approximately 6 inches in diamete...

A delightful touch of European garden elegance, this exquisite pair of vintage vases captures the eternal freshness of a Mediterranean grove. Meticulously crafted from fine porcelain...

Rare Ceramic planter by Rosenthal Netter for Ceramiche Bitossi Montelupo, 70s. Glazed ceramic, hand painted in shades of yellow . . Each work created by Bitossi follows a very comp...

Rimini Ceramic planter by Aldo Londi for Ceramiche Bitossi Montelupo, 70s. Terracotta, pictorial decoration. Each work created by Bitossi follows a very complex working process, bot...

Product Description: This is a unique piece designed by arguably Sweden's most famous artist Lisa Larson. The signature of Lisa Larson and the hand of the studio Gustavsberg are clea...

Ángeles is a terra-cotta vessel with a captivatingly irregular shape and a beautifully aged mossy patina, emanating a robust, earthy charm. This piece, handcrafted with care, was discovered in a forgotten hacienda in the San Luis Potosi...

Vintage solid brass planter with ring handles. The planter is very well made with it’s original laquer finish, the planter was made by Architectural Brass Company in Atlanta, Georgia...

A natural wicker wrapped rattan plant pot holder cachepot stand with tri-pod base. Hold a plant or flowerpot.